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December 2012–January 2013, no. 347

Welcome to our mega summer issue. Readers (and authors!) are always keen to know what our key writers regard as the ‘Books of the Year’. This year 26 critics nominate their favourite books – and tell us why they like them. They include Alex Miller, Brenda Niall,Kerryn Goldsworthy and Tony Birch. Nick Hordern reviews John Cantwell’s strikingly candid book Exit Wounds. We have reviews of new fiction by David Foster, J.K. Rowling and Christopher Koch; a short story by John Bryson; and a new poem by John Kinsella.

Nick Hordern reviews Exit Wounds: One Australians War On Terror by John Cantwell with Greg Bearup
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To go into any bookshop, if you can still find one, is to be amazed at the space devoted to militaria: endless shelves of books not just about the two world wars and Vietnam, but all wars in all times. This vicarious fascination with war echoes another phenomenon of our time: the rise of overt public respect for soldiers.

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Book 1 Title: Exit Wounds
Book 1 Subtitle: One Australian’s War on Terror
Book Author: John Cantwell with Greg Bearup
Book 1 Biblio: Melbourne University Press, $34.99 pb, 383 pp, 9780522861785
Book 1 Author Type: Author
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To go into any bookshop, if you can still find one, is to be amazed at the space devoted to militaria: endless shelves of books not just about the two world wars and Vietnam, but all wars in all times. This vicarious fascination with war echoes another phenomenon of our time: the rise of overt public respect for soldiers.

Read more: Nick Hordern reviews 'Exit Wounds: One Australian's War On Terror' by John Cantwell with Greg Bearup

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Jane Goodall reviews Tales from the Political Trenches by Maxine McKew
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By its title, Tales from the Political Trenches promises reportage from the front line, eyewitness accounts of what really happens in the hidden zones of the political battlefield. The tales told here follow a rollercoaster sequence of political events: the meteoric rise of Kevin Rudd, Maxine McKew’s triumph over ...

Book 1 Title: Tales from the Political Trenches
Book Author: Maxine McKew
Book 1 Biblio: Melbourne University Press, $29.99 pb, 256 pp, 9780522862218
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By its title, Tales from the Political Trenches promises reportage from the front line, eyewitness accounts of what really happens in the hidden zones of the political battlefield. The tales told here follow a rollercoaster sequence of political events: the meteoric rise of Kevin Rudd, Maxine McKew’s triumph over John Howard in the seat of Bennelong in the 2007 election, the plotting of malcontents, the sudden strike by a deputy whose ambitions could not be curbed. The bloodletting may be figurative, but it’s an almost Shakespearean dramatic pattern. There are shades of Richard II, Julius Caesar, and Macbeth.

Read more: Jane Goodall reviews 'Tales from the Political Trenches' by Maxine McKew

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Don Anderson reviews Lost Voices by Christopher Koch
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‘There is another world, but it is in this one.’ That is Paul Éluard, channelled by Patrick White as one of four epigraphs to The Solid Mandala (1966), a ‘doubleman’ of a novel avant la lettre.Other quotations appended to this story of Waldo and Arthur Brown are taken from Meister Eckhart (‘It is not outside, it is inside: wholly within’) and Patrick Anderson (‘… yet still I long / for my twin in the sun …’).

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Book 1 Title: Lost Voices
Book Author: Christopher Koch
Book 1 Biblio: Fourth Estate, $32.99 pb, 464 pp, 9780732294632
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‘There is another world, but it is in this one.’ That is Paul Éluard, channelled by Patrick White as one of four epigraphs to The Solid Mandala (1966), a ‘doubleman’ of a novel avant la lettre.Other quotations appended to this story of Waldo and Arthur Brown are taken from Meister Eckhart (‘It is not outside, it is inside: wholly within’) and Patrick Anderson (‘… yet still I long / for my twin in the sun …’).

Read more: Don Anderson reviews 'Lost Voices' by Christopher Koch

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Custom Article Title: Patrick White to the Rescue
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With the centenary of Patrick White’s birth being celebrated this year, it seems appropriate to highlight the great legacy that White left Australian writers in the form of the Patrick White Literary Award. On 16 November, the 2012 Award was presented to novelist, short story writer, and essayist Amanda Lohrey, the thirty-ninth winner since the Award was first presented, to Christina Stead, in 1974.

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With the centenary of Patrick White’s birth being celebrated this year, it seems appropriate to highlight the great legacy that White left Australian writers in the form of the Patrick White Literary Award. On 16 November, the 2012 Award was presented to novelist, short story writer, and essayist Amanda Lohrey, the thirty-ninth winner since the Award was first presented, to Christina Stead, in 1974.

Read more: 'Patrick White to the Rescue' by David Carter

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William Christie reviews John Keats: A new life by Nicholas Roe
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At Rome, aged 25, Mr. John Keats, author of a volume of beautiful poetry’, recorded the Liverpool Mercury of 30 March 1821 amongst its death notices, in what is arguably the earliest and shortest of a never-ending stream of interpretative biographies, of which this excellent one from Nicholas Roe is the latest: more than 400 pages and as many – or as few – chapters as the poet had birthdays. In the last three years alone, we have had Lawrence M. Crutcher’s The Keats Family, R.S. White’s John Keats: A Literary Life, and Denise Gigante’s The Keats Brothers: The Life of John and George, and it is not that long since Britain’s Poet Laureate (as he then was) Andrew Motion came out with a 600-page monster. Nor is there a dearth of strong precursors, for Keats has been fortunate in his biographers – all of them, it should be said, generously acknowledged by Roe, for whom the work of Robert Gittings is ‘indispensable’, an honour that should be shared with Walter Jackson Bate.

Book 1 Title: John Keats
Book 1 Subtitle: A new life
Book Author: Nicholas Roe
Book 1 Biblio: Yale University Press (Inbooks), $39.95 hb, 470 pp, 9780300124651
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At Rome, aged 25, Mr. John Keats, author of a volume of beautiful poetry’, recorded the Liverpool Mercury of 30 March 1821 amongst its death notices, in what is arguably the earliest and shortest of a never-ending stream of interpretative biographies, of which this excellent one from Nicholas Roe is the latest: more than 400 pages and as many – or as few – chapters as the poet had birthdays. In the last three years alone, we have had Lawrence M. Crutcher’s The Keats Family, R.S. White’s John Keats: A Literary Life, and Denise Gigante’s The Keats Brothers: The Life of John and George, and it is not that long since Britain’s Poet Laureate (as he then was) Andrew Motion came out with a 600-page monster. Nor is there a dearth of strong precursors, for Keats has been fortunate in his biographers – all of them, it should be said, generously acknowledged by Roe, for whom the work of Robert Gittings is ‘indispensable’, an honour that should be shared with Walter Jackson Bate.

Read more: William Christie reviews 'John Keats: A new life' by Nicholas Roe

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Alison Broinowski reviews The Waterlow Killings: A Portrait of a Family Tragedy by Pamela Burton
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To hear that Pamela Burton was writing about the deaths of Nick Waterlow, the prominent gallery director and exhibition curator, and his daughter Chloe, came as a surprise. Anthony Waterlow, Nick’s son and Chloe’s older brother, killed them both in Chloe’s Clovelly house, where he had been invited for dinner, and then, with the same knife, attacked her two-year-old daughter. Sydney was transfixed by the event for the weeks after 9 November 2009, while police hunted for Anthony. Everyone knew the awful facts from the media coverage: what was there to add? After her well-received book on Mary Gaudron (2010), for Burton to take on another unauthorised biography might seem like masochism. The Waterlows wanted to protect their privacy, and friends murmured about exposing unhealed wounds to prurience and sensationalism. Others worried about the effect the book might have when Anthony is eventually released from the Forensic Hospital at Malabar. Others again expected a dry legal narrative from Burton, a former barrister in Canberra, who could bring neither the expertise of a psychiatrist to Anthony’s case, nor that of an art historian to Nick Waterlow’s colourful career.

Book 1 Title: The Waterlow Killings
Book 1 Subtitle: A Portrait of a Family Tragedy
Book Author: Pamela Burton
Book 1 Biblio: Victory Books, $29.99 pb, 271 pp, 9780522862317
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To hear that Pamela Burton was writing about the deaths of Nick Waterlow, the prominent gallery director and exhibition curator, and his daughter Chloe, came as a surprise. Anthony Waterlow, Nick’s son and Chloe’s older brother, killed them both in Chloe’s Clovelly house, where he had been invited for dinner, and then, with the same knife, attacked her two-year-old daughter. Sydney was transfixed by the event for the weeks after 9 November 2009, while police hunted for Anthony. Everyone knew the awful facts from the media coverage: what was there to add? After her well-received book on Mary Gaudron (2010), for Burton to take on another unauthorised biography might seem like masochism. The Waterlows wanted to protect their privacy, and friends murmured about exposing unhealed wounds to prurience and sensationalism. Others worried about the effect the book might have when Anthony is eventually released from the Forensic Hospital at Malabar. Others again expected a dry legal narrative from Burton, a former barrister in Canberra, who could bring neither the expertise of a psychiatrist to Anthony’s case, nor that of an art historian to Nick Waterlow’s colourful career.

Read more: Alison Broinowski reviews 'The Waterlow Killings: A Portrait of a Family Tragedy' by Pamela Burton

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Dennis Altman

It is always tempting to use this opportunity to draw attention to books that may have been somewhat neglected, and looking back over 2012 three books stand out: Russell Banks’s Lost Memory of Skin (Ecco), Kim Westwood’s The Courier’s New Bicycle (Harper Voyager), and Frank Bongiorno’s The Sex Lives of Australians (Black Inc., 9/12).

Banks is one of the most interesting contemporary US novelists, and Lost Memory of Skin is a tough book, built around the lives of men estranged and outlawed from society, and struggling to survive in the interstices of urban Miami.

My two Australian books are very different: Westwood’s is a queer science fiction romp through a believable future Melbourne, while Bongiorno has written a major synthesis of an aspect too often forgotten in our historical memories. Together they illuminate the ambiguities of sexuality in ways that are important in the context of current debates.

Read more: Books of the Year 2012

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Robyn Williams reviews The Best Australian Science Writing 2012 edited by Elizabeth Finkel
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This is a marvellous book. I would say that, wouldn’t I? After all, half the writers are friends of mine, including the editor. But the reverse is true. Why should I, immersed in astrophysics, climate change, neutrinos, and deadly bugs as I am, want to spend my precious spare time reading about yet more? And, let’s be quite frank, lots of science writing can be dense, overlong, and, as the wonderfully morose James Thurber once remarked, ‘teaching me more than I ever wanted to know about ferrets’. Well, there are no ferrets in this collection, but just about everything else, from peeing in the pool to watching the space shuttle take off.

Book 1 Title: The Best Australian Science Writing 2012
Book Author: Elizabeth Finkel
Book 1 Biblio: NewSouth Publishing, $29.99 pb, 295 pp, 9781742233482
Book 1 Author Type: Editor
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This is a marvellous book. I would say that, wouldn’t I? After all, half the writers are friends of mine, including the editor. But the reverse is true. Why should I, immersed in astrophysics, climate change, neutrinos, and deadly bugs as I am, want to spend my precious spare time reading about yet more? And, let’s be quite frank, lots of science writing can be dense, overlong, and, as the wonderfully morose James Thurber once remarked, ‘teaching me more than I ever wanted to know about ferrets’. Well, there are no ferrets in this collection, but just about everything else, from peeing in the pool to watching the space shuttle take off.

Read more: Robyn Williams reviews 'The Best Australian Science Writing 2012' edited by Elizabeth Finkel

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ABR Critic in Residence

In one of our major initiatives since the creation of the Calibre Prize and the launch of ABR Online Edition, we will appoint the first ABR Critic in Residence in February. This twelve-month appointment (funded by our Patrons) is valued at $10,000. The ABR Critic in Residence will write a number of substantial reviews and articles and will contribute to the intellectual course of the magazine.

Announcing the residency, Peter Rose commented: ‘We all know that arts commentary is under serious threat in this country. The time is right to champion the work of Australia’s senior critics and commentators – not to neutralise or commodify it. This new position represents a major extension of our existing programs. It will enhance the magazine and allow an outstanding critic to explore major themes at considerable length.’

Critics with established national reputations have until 15 January 2013 to apply. See here for the full guidelines.

Grattan makes a stand

Traditionally, over summer, prime ministers have time to catch up with their reading, when they are not guest-commentating at the cricket. The Grattan Institute has just published its fourth ‘Summer Reading List for the Prime Minister’. The nominated books and essays say things about this country and the world that the Grattan folk think the PM, and Australians in general, should contemplate.

And what should Ms Gillard be reading over Christmas? Here are the six chosen titles: Robert Manne and Chris Feik’s The Words That Made Australia (Black Inc.), Laura Tingle’s Great Expectations: Government, Entitlement and an Angry Nation (Quarterly Essay 46, Black Inc.), Adrian Hyland’s Kinglake-350 (Text Publishing), Emma Marris’s Rambunctious Garden: Saving Nature in a Post-wild World (Bloomsbury), Enrico Moretti’s The New Geography of Jobs (Houghton Mifflin Harcourt Publishing), and Daniel Kahneman’s Thinking, Fast and Slow (Penguin). See www.grattan.edu.au for more details.

Kinglake   QE   Words-that-Made

Island and the future

For most literary magazines – indeed, for many arts organisations – these are not halcyon times. Dale Campisi, the new Editor of Island, is candid about the problems that the magazine has faced in its thirty-third year. ‘2012 has been a particularly difficult year for Island too, but it’s perhaps also been its most exciting year,’ he writes in the new issue. He concludes by foreshadowing new programs in 2013: ‘And if not then three cheers to more than three decades of publishing and promoting Tasmanian talent.’

Highlights of Island 130 include John Kinsella on ‘lost texts, dream states and [bracingly] the responsibility of poets’, and poems by Jennifer Maiden, Philip Neilsen, and Felicity Plunkett. To support your local Island, visit the website: www.islandmag.com.

Dale Campisi – industrious fellow that he is – will write for us for the first time in our next issue: fittingly, a review of a new collection of stories from Tasmania (Deep South, edited by Ralph Crane and Danielle Wood, published by Text Publishing).

Island-130   Deep-South

Crowning glory

The Astrid Lindgren Memorial Award, the world’s largest award for children’s and Young Adult literature, is worth a mere five million Swedish crowns (approximately $730,000). Since the presentation of the first award in 2003, it has twice been won by Australians – Sonya Hartnett (2008) and Shaun Tan (2011). This year there are four Australians and two New Zealanders among the 270 nominees: Australian authors Ursula Dubosarsky, Jackie French, Morris Gleitzman, and Melina Marchetta; and, from New Zealand, Joy Cowley and author–illustrator Lynley Dodd. Presented in recognition of ‘lifelong achievement’, the award will be announced on 26 March 2013 in Stockholm.

Fellowships galore

Kerryn_GoldsworthyThe ABR Fellowship program continues apace. These writers’ fellowships – each worth $5000 – are variously funded by philanthropic foundations and our many private patrons.

Kerryn Goldsworthy – one of Australia’s most respected literary critics and a former Editor of ABR – is the inaugural ABR Ian Potter Foundation Fellow. Our Fellowships are themed, and the subject of this one (the first of three to be funded by The Ian Potter Foundation in 2013) is literary studies. Dr Goldsworthy will examine the current state of book reviewing in Australia (online and off). We will publish her long article in May.

The subject of our next Fellowship – the ABR George Hicks Foundation Fellowship – is the visual arts, with a decided emphasis on cogent, lucid, entertaining journalism. Australian writers with a significant publication record have until 20 January to apply.

The Fellow will be named in February, and his or her article will be the centrepiece of our 2013 Art issue (to be published in July). For the complete guidelines see the Programs section of our website.

Give a free gift subscription

Subscribers who renew their subscriptions before 31 December become eligible to give a free six-month subscription to a friend or colleague. Renew your current subscription at any stage (even before it lapses) to qualify for this special offer. Renew for two years and give away two free subs, etc. What a great way to introduce ABR to probing readers. Just complete the online renewal form, or contact us on (03) 9699 8822 (quoting your subscriber number, ideally). This special offer, perfect for Christmas, is open only to print and online subscribers who renew before the end of the year.

Patrick White Award

Amanda Lohrey has won this year’s Patrick White Award. The award, now worth $23,000, was established by Patrick White with the proceeds from his Nobel Prize for Literature. See David Carter’s commentary for an intriguing exploration of the award and its history.

Summer giveaways

This month, courtesy of Melbourne University Publishing, ten prompt new subscribers will each receive a copy of Exit Wounds: One Australian’s War on Terror by John Cantwell with Greg Bearup (which Nick Hordern reviews in this issue).

Renewing subscribers will have the chance to snaffle a double pass to see one of two films that open on Boxing Day. Thanks to Paramount Pictures, we have twenty-five in-season double passes to see Quartet, which is directed by Dustin Hoffman and stars Maggie Smith, Michael Gambon, and Billy Connolly.

We also have twenty-five double passes to the new film adaptation of Victor Hugo’s Les Misérables, thanks to Universal Pictures. The film stars Anne Hathaway, Hugh Jackman, Amanda Seyfried, and Russell Crowe.

ExitWounds   Les-MIs   quartet_billy_connolly_tom_courtenay_andrew_sachs_pauline_collins_1

Farewell to 2012

This year 225 critics and writers have contributed to ABR. We thank all of them. This is one of two double issues we publish each year. We’ll be back in February with another issue, but the office will of course remain open for business over summer. Meanwhile, best wishes from ABR to our readers and supporters.

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Denialism

Dear Editor,

Jan McGuinness is right to conclude that wading through two books on Gina Rinehart is not exactly one of life’s pleasures, but her review (November 2012) is a fine assessment of both Rinehart’s world of privilege, profits, and power, and of the qualities of Rinehart’s two biographers (Debi Marshall and Adele Ferguson) in capturing it.

Marshall and Ferguson, however, both bypass the opportunity to hold Rinehart’s religion of free market capitalism up to political and moral scrutiny. A negative judgement of whether the extreme inequality in wealth and influence between Rinehart and the rest of us is a good thing for society is at best implicit in both books, but they flub the chance to draw out this conclusion. Given that they are both business journalists with the mainstream press, the limits to their scrutiny are not surprising, and their awe and fascination with a capitalist titan, as well as large dollops of human interest padding and dynastic soap opera plot, do not help to make the case for radical economic transformation.

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James Ley reviews The Casual Vacancy by J.K. Rowling
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In the opening pages of The Casual Vacancy, a man named Barry Fairbrother collapses and dies in the car park of the Pagford Golf Club. For the next seven chapters, news of his premature demise spreads through the small English town. Reactions vary

Book 1 Title: The Casual Vacancy
Book Author: J.K. Rowling
Book 1 Biblio: Little, Brown (Hachette), $39.99 hb, 503 pp, 9781408704202
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In the opening pages of The Casual Vacancy, a man named Barry Fairbrother collapses and dies in the car park of the Pagford Golf Club. For the next seven chapters, news of his premature demise spreads through the small English town. Reactions vary.

‘Fairbrother’s dead? … Good God … He wasn’t much past forty was he?’
‘Gavin was only playing squash with him on Thursday.’
‘Good God. Just goes to show you, doesn’t it? Just goes to show. Hang on. Mum wants a word.’
‘Christ, it puts everything in perspective, though, doesn’t it, eh?’
‘He’ll have had a massive cerebral haemorrhage. His poor, poor wife … she’s absolutely devastated.’
‘Bloody hell …What was he, forty? … Goes to show, doesn’t it? … Got to watch yourself.’
‘Do you think I should put something on the website?’
‘He’s … fuck, he’s dead! … Jesus Christ! Jesus fucking Christ! … I play squash with him. He’s only forty-four! Jesus Christ! … I can’t believe it. We only played squash on Thursday. I can’t – Jesus.’
‘Oh yeah, I heard.’
‘Mr Barry Fairbrother, who has coached our extremely socksess … success … successful girls’ rowing team for the past two years, has died … died … last night ... Who laughed? … Who laughed?’
‘I DI’N DO NOTHIN’, YOU PRICK!’
‘No! How?’
‘Is this a joke?’

Read more: James Ley reviews 'The Casual Vacancy' by J.K. Rowling

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Susan Lever reviews Man of Letters: Dog Rock 3 by David Foster
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David Foster’s earlier Dog Rock novels came out of his experience as a Bundanoon postman in the 1980s. A recent brief return to his old run has provided irresistible material for a further comic foray into rural life. Dog Rock: A Postal Pastoral (1985) and The Pale Blue Crochet Coathanger Cover (1988)observed the changes in a country village under the rather flimsy cover of murder mysteries, but Foster sacrificed his postman, D’Arcy D’Oliveres, to the task of narrating The Glade Within the Grove (1996). Now, a few years after the immense achievement of Sons of the Rumour (2009), D’Arcy rides his Honda 90 again. Of course, readers need to overlook the fact that D’Arcy died of lung cancer before he could finish The Glade Within the Grove. But D’Arcy’s death is not fact, it’s fiction – so he can rise from the dead, without any need for miraculous cures or mistaken identities, to narrate Man of Letters. In this novel, he tells the locals of Dog Rock that he was dead and buried ‘only in a manner of speaking’.

Book 1 Title: Man of Letters: Dog Rock 3
Book Author: David Foster
Book 1 Biblio: Puncher & Wattmann, $19.95pb, 142 pp, 9781921450549
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David Foster’s earlier Dog Rock novels came out of his experience as a Bundanoon postman in the 1980s. A recent brief return to his old run has provided irresistible material for a further comic foray into rural life. Dog Rock: A Postal Pastoral (1985) and The Pale Blue Crochet Coathanger Cover (1988)observed the changes in a country village under the rather flimsy cover of murder mysteries, but Foster sacrificed his postman, D’Arcy D’Oliveres, to the task of narrating The Glade Within the Grove (1996). Now, a few years after the immense achievement of Sons of the Rumour (2009), D’Arcy rides his Honda 90 again. Of course, readers need to overlook the fact that D’Arcy died of lung cancer before he could finish The Glade Within the Grove. But D’Arcy’s death is not fact, it’s fiction – so he can rise from the dead, without any need for miraculous cures or mistaken identities, to narrate Man of Letters. In this novel, he tells the locals of Dog Rock that he was dead and buried ‘only in a manner of speaking’.

Read more: Susan Lever reviews 'Man of Letters: Dog Rock 3' by David Foster

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Jane Sullivan reviews The Seaglass Spiral by Alan Gould
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In his Introduction to The Seaglass Spiral, Finlay Lloyd reveals that an earlier version of this novel won an award for ‘best rejected manuscript’. It is a curiously back-handed compliment for a publisher to pay his author, and it is typical of an Introduction that seems cautious, even diffident, about its product.

Book 1 Title: The Seaglass Spiral
Book Author: Alan Gould
Book 1 Biblio: Finlay Lloyd Publishers, $28 pb, 299 pp, 9780977567751
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In his Introduction to The Seaglass Spiral, Finlay Lloyd reveals that an earlier version of this novel won an award for ‘best rejected manuscript’. It is a curiously back-handed compliment for a publisher to pay his author, and it is typical of an Introduction that seems cautious, even diffident, about its product.

Read more: Jane Sullivan reviews 'The Seaglass Spiral' by Alan Gould

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Gillian Dooley reviews The Inheritance of Ivorie Hammer by Edwina Preston
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The Inheritance of Ivorie Hammer is a novel that manages to be absolutely itself, with a wholly idiosyncratic voice, while at the same time acting as a veritable echo chamber of earlier writers. The first page, with its lofty insistence about what ‘should not surprise the world’ in the behaviour of a young woman with the surname Ward, immediately calls to mind Mansfield Park, and the Austen echo is redoubled by the fact that her first name is Marianne. However, Preston’s narrator proceeds to address her readers with a confidence she might have learned from Anthony Trollope, while elsewhere providing information in bulleted lists, a trick Laurence Sterne would probably have found useful had he been writing a couple of centuries later.

Book 1 Title: The Inheritance of Ivorie Hammer
Book Author: Edwina Preston
Book 1 Biblio: University of Queensland Press, $29.95 pb, 336 pp, 9780702249211
Book 1 Author Type: Author
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The Inheritance of Ivorie Hammer is a novel that manages to be absolutely itself, with a wholly idiosyncratic voice, while at the same time acting as a veritable echo chamber of earlier writers. The first page, with its lofty insistence about what ‘should not surprise the world’ in the behaviour of a young woman with the surname Ward, immediately calls to mind Mansfield Park, and the Austen echo is redoubled by the fact that her first name is Marianne. However, Preston’s narrator proceeds to address her readers with a confidence she might have learned from Anthony Trollope, while elsewhere providing information in bulleted lists, a trick Laurence Sterne would probably have found useful had he been writing a couple of centuries later.

Read more: Gillian Dooley reviews 'The Inheritance of Ivorie Hammer' by Edwina Preston

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Sky Kirkham reviews The Tower Mill by James Moloney
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A good novel can use personal drama to humanise history. A small story becomes powerful because of the ideas it represents, and the political, removed from the realm of theory and made concrete, has a tangible impact that can foster empathy and understanding. When done poorly, as it is here, the reverse occurs and the large concepts are reduced, lessened into triviality by the hollowness of the tale.

Book 1 Title: The Tower Mill
Book Author: James Moloney
Book 1 Biblio: University of Queensland Press, $29.95 pb, 302 pp, 9780702249327
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A good novel can use personal drama to humanise history. A small story becomes powerful because of the ideas it represents, and the political, removed from the realm of theory and made concrete, has a tangible impact that can foster empathy and understanding. When done poorly, as it is here, the reverse occurs and the large concepts are reduced, lessened into triviality by the hollowness of the tale.

Read more: Sky Kirkham reviews 'The Tower Mill' by James Moloney

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Robert Horne reviews An Unknown Sky and Other Stories by Susan Midalia
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From the opening page of this her second collection of stories, Susan Midalia propels her uncertain and wavering female character into an alien environment. Enter the concrete world of Moscow airport, its people who think you are simple if you smile at them, its ‘prowling men straight out of gangster movies’, tension as the blank, unblinking woman at immigration ‘held up a rubber stamp for ten, fifteen seconds, and then thumped it down on the passport. Petra felt her legs untighten.

Book 1 Title: An Unknown Sky and Other Stories
Book Author: Susan Midalia
Book 1 Biblio: UWA Publishing, $24.95 pb, 184 pp, 9781742584270
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From the opening page of this her second collection of stories, Susan Midalia propels her uncertain and wavering female character into an alien environment. Enter the concrete world of Moscow airport, its people who think you are simple if you smile at them, its ‘prowling men straight out of gangster movies’, tension as the blank, unblinking woman at immigration ‘held up a rubber stamp for ten, fifteen seconds, and then thumped it down on the passport. Petra felt her legs untighten.’

Read more: Robert Horne reviews 'An Unknown Sky and Other Stories' by Susan Midalia

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Grace Nye reviews Nightfall by Will Elliott
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A young man wakes up in an unfamiliar world, with almost no knowledge of his previous life. He remembers committing suicide, but doesn’t remember why. This isn’t heaven or hell, though: as Aden explores his new surroundings, he soon realises that he has ended up in the fictional world created by his grandfather, an aspiring but unpublished author of epic fantasy.

Book 1 Title: Nightfall
Book Author: Will Elliott
Book 1 Biblio: HarperCollins, $22.99 pb, 377 pp, 9780732289508
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A young man wakes up in an unfamiliar world, with almost no knowledge of his previous life. He remembers committing suicide, but doesn’t remember why. This isn’t heaven or hell, though: as Aden explores his new surroundings, he soon realises that he has ended up in the fictional world created by his grandfather, an aspiring but unpublished author of epic fantasy.

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Jay Daniel Thompson reviews The Darkest Little Room by Patrick Holland
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he Darkest Little Room, Patrick Holland’s latest novel, looks at sexual slavery and obsession in South-East Asia. The protagonist is Joseph, an Australian reporter travelling in Vietnam. Intent on finding a beautiful woman glimpsed briefly, he receives word that she may be working in a brothel known as ‘the darkest little room’. In pursuing this lead, Joseph meets and falls in love with a prostitute named Thuy. Attracted to her because she is ‘weak’ and ‘beautiful’, he wants to save her from her sordid way of life. Then Joseph starts purchasing heroin for Thuy. His morals are challenged and his life endangered.

Book 1 Title: The Darkest Little Room
Book Author: Patrick Holland
Book 1 Biblio: Transit Lounge, $29.95 pb, 272 pp, 9781921924248
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he Darkest Little Room, Patrick Holland’s latest novel, looks at sexual slavery and obsession in South-East Asia. The protagonist is Joseph, an Australian reporter travelling in Vietnam. Intent on finding a beautiful woman glimpsed briefly, he receives word that she may be working in a brothel known as ‘the darkest little room’. In pursuing this lead, Joseph meets and falls in love with a prostitute named Thuy. Attracted to her because she is ‘weak’ and ‘beautiful’, he wants to save her from her sordid way of life. Then Joseph starts purchasing heroin for Thuy. His morals are challenged and his life endangered.

Read more: Jay Daniel Thompson reviews 'The Darkest Little Room' by Patrick Holland

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Crusader Hillis reviews Walter by Ashley Sievwright
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Ashley Sievwright’s second novel has several of the hallmarks of his Commonwealth Writers’ Prize-nominated début novel, The Shallow End (2008). At the heart of each is a mystery that slowly unfolds while never overwhelming the story. It is not the dénouement in either book that is important, but the effect that gradual revelations have on the main character’s highly internalised experience of life. Like the earlier book, Walter is filled with droll observations about life, presented at a gentle pace.

Book 1 Title: Walter
Book Author: Ashley Sievwright
Book 1 Biblio: Clouds of Magellan, $24.95 pb, 214 pp, 9780987403704
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Ashley Sievwright’s second novel has several of the hallmarks of his Commonwealth Writers’ Prize-nominated début novel, The Shallow End (2008). At the heart of each is a mystery that slowly unfolds while never overwhelming the story. It is not the dénouement in either book that is important, but the effect that gradual revelations have on the main character’s highly internalised experience of life. Like the earlier book, Walter is filled with droll observations about life, presented at a gentle pace.

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Kári Gíslason reviews Strindberg: A life by Sue Prideaux
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One way of classifying biographies is to divide them into those that apply their own interpretative framework – be it psychoanalytic, gender-based, socio-historical, and so on – to a given subject and those that aim to meet the subject, on their own terms, or at least in terms that the subject would recognise. There are good and bad things to say about both approaches, but Sue Prideaux’s life of Strindberg (1849–1912) shows that if you get it right, there is nothing quite as satisfying as the latter. Not only does she meet Strindberg on his own ground, but by the close of this extraordinary book you are convinced that, even across the 100 years since his death, Strindberg would seek out his latest biographer as a friend.

Book 1 Title: Strindberg
Book 1 Subtitle: A Life
Book Author: Sue Prideaux
Book 1 Biblio: Yale University Press (Inbooks), $49.95 hb, 463 pp, 9780300136937
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One way of classifying biographies is to divide them into those that apply their own interpretative framework – be it psychoanalytic, gender-based, socio-historical, and so on – to a given subject and those that aim to meet the subject, on their own terms, or at least in terms that the subject would recognise. There are good and bad things to say about both approaches, but Sue Prideaux’s life of Strindberg (1849–1912) shows that if you get it right, there is nothing quite as satisfying as the latter. Not only does she meet Strindberg on his own ground, but by the close of this extraordinary book you are convinced that, even across the 100 years since his death, Strindberg would seek out his latest biographer as a friend.

Read more: Kári Gíslason reviews 'Strindberg: A life' by Sue Prideaux

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Chris Wallace-Crabbe reviews Davis McCaughey: A life by Sarah Martin
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State governors hold a curious role across Australia, one that will be called into question when – one of these fine days, but none too soon – our nation becomes a republic. There will be lots of fine-tuning to be done before that, from the roles of Her Majesty’s representatives here all the way down to Royal Park, Royal Melbourne Golf Club, and the RACV. But this book is the biography of a state governor, one who was also an influential minister of religion, among other things. Above all, he was Master of Ormond College, at Melbourne University.

Book 1 Title: Davis McCaughey
Book 1 Subtitle: A Life
Book Author: Sarah Martin
Book 1 Biblio: UNSW Press, $59.99 hb, 400 pp, 9781742233611
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State governors hold a curious role across Australia, one that will be called into question when – one of these fine days, but none too soon – our nation becomes a republic. There will be lots of fine-tuning to be done before that, from the roles of Her Majesty’s representatives here all the way down to Royal Park, Royal Melbourne Golf Club, and the RACV. But this book is the biography of a state governor, one who was also an influential minister of religion, among other things. Above all, he was Master of Ormond College, at Melbourne University.

Read more: Chris Wallace-Crabbe reviews 'Davis McCaughey: A life' by Sarah Martin

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David McCooey reviews Im Your Man: The life of Leonard Cohen by Sylvie Simmons
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One day in 1984, Leonard Cohen played his latest album to Walter Yetnikoff, the head of the music division of Cohen’s record label, Columbia. Yetnikoff listened to the album, and then said, ‘Leonard, we know you’re great, we just don’t know if you are any good.’ Columbia subsequently decided against releasing the album, Various Positions (1985), in the United States, the lucrative market that Cohen had failed to crack since his début album, Songs of Leonard Cohen (1967). Columbia failed to foresee that Various Positions contained the song that would become Cohen’s most famous, ‘Hallelujah’, which Sylvie Simmons describes as an ‘all-purpose, ecumenical/secular hymn for the New Millennium’. It’s been covered by countless singers and X Factor contestants.

Book 1 Title: I'm Your Man
Book 1 Subtitle: The Life of Leonard Cohen
Book Author: Sylvie Simmons
Book 1 Biblio: Jonathan Cape, $35 pb, 564 pp
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One day in 1984, Leonard Cohen played his latest album to Walter Yetnikoff, the head of the music division of Cohen’s record label, Columbia. Yetnikoff listened to the album, and then said, ‘Leonard, we know you’re great, we just don’t know if you are any good.’ Columbia subsequently decided against releasing the album, Various Positions (1985), in the United States, the lucrative market that Cohen had failed to crack since his début album, Songs of Leonard Cohen (1967). Columbia failed to foresee that Various Positions contained the song that would become Cohen’s most famous, ‘Hallelujah’, which Sylvie Simmons describes as an ‘all-purpose, ecumenical/secular hymn for the New Millennium’. It’s been covered by countless singers and X Factor contestants.

Read more: David McCooey reviews 'I'm Your Man: The life of Leonard Cohen' by Sylvie Simmons

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Sally Burton reviews Dearie: The remarkable life of Julia Child by Bob Spitz
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One day as I was reviewing this book in London, I happened to turn on the television, only to discover that BBC One now features three hours of cooking programs on Saturday mornings – very appropriate when one is reading a biography of the woman who changed American eating habits. When you are not watching the likes of Michel Roux demonstrating how quickly he can make an omelette, there are clips from a Jamie Oliver or Nigella Lawson show.

Book 1 Title: Dearie
Book 1 Subtitle: The Remarkable Life of Julia Child
Book Author: Bob Spitz
Book 1 Biblio: Alfred A. Knopf (Random House), $39.95 hb, 557 pp
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One day as I was reviewing this book in London, I happened to turn on the television, only to discover that BBC One now features three hours of cooking programs on Saturday mornings – very appropriate when one is reading a biography of the woman who changed American eating habits. When you are not watching the likes of Michel Roux demonstrating how quickly he can make an omelette, there are clips from a Jamie Oliver or Nigella Lawson show.

Read more: Sally Burton reviews 'Dearie: The remarkable life of Julia Child' by Bob Spitz

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Brian Matthews reviews On Warne by Gideon Haigh
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In his The Art of Wrist-Spin Bowling (1995), Peter Philpott remarks: ‘If there is one factor in spin bowling which all spinners should accept … it is the concept that the ball should be spun hard. Not rolled, not gently turned, but flicked, ripped, fizzed.’ Richie Benaud agrees: ‘Spin it fiercely. Spin it hard.’ The intensity of the grip that produces ‘fizz’ will also often result in the ball either floating high and free in the air or thumping into the pitch a few yards ahead of the popping crease.

Book 1 Title: On Warne
Book Author: Gideon Haigh
Book 1 Biblio: Hamish Hamilton, $35 hb, 211 pp
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In his The Art of Wrist-Spin Bowling (1995), Peter Philpott remarks: ‘If there is one factor in spin bowling which all spinners should accept … it is the concept that the ball should be spun hard. Not rolled, not gently turned, but flicked, ripped, fizzed.’ Richie Benaud agrees: ‘Spin it fiercely. Spin it hard.’ The intensity of the grip that produces ‘fizz’ will also often result in the ball either floating high and free in the air or thumping into the pitch a few yards ahead of the popping crease.

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Bernard Whimpress reviews Bradman’s War: How the 1948 Invincibles Turned the Cricket Pitch into a Battlefield by Malcolm Knox
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At last, new Bradman territory to be conquered: the Don 1939–45 or, if we discount the ‘phoney war’ (‘Business as Usual’, as Robert Menzies said of that first phase in World War II), perhaps 1941–45. I imagined a slim volume. Not so! Instead, there is a catch to the subtitle of Bradman’s War: How the 1948 Invincibles Turned the Cricket Pitch into a Battlefield, which indicates that we will be on more familiar terrain.‘More familiar’ because this book is an attempt at revisionist history. Questioning the Bradman idolatry and the invincibility of the Invincibles is a suitable aim. However, the main task for the revisionist historian is to provide either fresh new evidence or a powerful reinterpretation of existing evidence as part of formulating a balanced argument: Malcolm Knox does neither.

Book 1 Title: Bradman’s War
Book 1 Subtitle: How the 1948 Invincibles Turned the Cricket Pitch into a Battlefield
Book Author: Malcolm Knox
Book 1 Biblio: Viking, $39.99 hb, 447 pp,
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At last, new Bradman territory to be conquered: the Don 1939–45 or, if we discount the ‘phoney war’ (‘Business as Usual’, as Robert Menzies said of that first phase in World War II), perhaps 1941–45. I imagined a slim volume. Not so! Instead, there is a catch to the subtitle of Bradman’s War: How the 1948 Invincibles Turned the Cricket Pitch into a Battlefield, which indicates that we will be on more familiar terrain.‘More familiar’ because this book is an attempt at revisionist history. Questioning the Bradman idolatry and the invincibility of the Invincibles is a suitable aim. However, the main task for the revisionist historian is to provide either fresh new evidence or a powerful reinterpretation of existing evidence as part of formulating a balanced argument: Malcolm Knox does neither.

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Gillian Terzis reviews The Best Australian Business Writing 2012 edited by Andrew Cornell
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Business journalism suffers from an image problem. It is seen as the journalism of insiders, often plagued by an argot as incomprehensible to outsiders as it is to those who use it. Its cosiness with corporations is suggestive of a provenance that is far from unimpeachable. Worst of all, when the global financial crisis hit, journalists on the financial beat were seemingly missing in action.

Book 1 Title: The Best Australian Business Writing 2012
Book Author: Andrew Cornell
Book 1 Biblio: NewSouth Publishing, $29.99 pb, 256 pp, 9781742233628
Book 1 Author Type: Editor
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Business journalism suffers from an image problem. It is seen as the journalism of insiders, often plagued by an argot as incomprehensible to outsiders as it is to those who use it. Its cosiness with corporations is suggestive of a provenance that is far from unimpeachable. Worst of all, when the global financial crisis hit, journalists on the financial beat were seemingly missing in action.

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Geoffrey Lehmann reviews London: A History in Verse edited by Mark Ford
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For the poet W.S. Graham, running away from Scotland ‘with my money belt of Northern ice’ at the age of nineteen, London was the ‘golden city’ in his poem ‘The Night City’. Graham ‘found Eliot and he said yes // And sprang into a Holmes cab. / Boswell passed me in the fog / Going to visit Whistler who / Was with John Donne …’ For other poets in this anthology, London is a ‘noisome sewer’, as Cowper tells us in an extract from his long poem ‘The Task’. John Wilmot, earl of Rochester, after a night of wine and ‘grave discourse / Of who fucks who, and who does worse’, goes out into the cool of St James’s Park to find among the trees ‘nightly now beneath their shade / Are buggeries, rapes, and incests made’, and that there is a great congress of sexual activity of all walks of London life.

Book 1 Title: London
Book 1 Subtitle: A History in Verse
Book Author: Mark Ford
Book 1 Biblio: Harvard University Press (Inbooks), $49.95 pb, 745 pp, 9780674065680
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For the poet W.S. Graham, running away from Scotland ‘with my money belt of Northern ice’ at the age of nineteen, London was the ‘golden city’ in his poem ‘The Night City’. Graham ‘found Eliot and he said yes // And sprang into a Holmes cab. / Boswell passed me in the fog / Going to visit Whistler who / Was with John Donne …’ For other poets in this anthology, London is a ‘noisome sewer’, as Cowper tells us in an extract from his long poem ‘The Task’. John Wilmot, earl of Rochester, after a night of wine and ‘grave discourse / Of who fucks who, and who does worse’, goes out into the cool of St James’s Park to find among the trees ‘nightly now beneath their shade / Are buggeries, rapes, and incests made’, and that there is a great congress of sexual activity of all walks of London life.

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Christopher Menz reviews My Umbrian Kitchen by Patrizia Simone
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My Umbrian Kitchen – part memoir, part recipe book – reflects the Umbrian-Australian life of its author, Italian-born Patrizia Simone, who, with her husband, opened her first restaurant in Bright in north-eastern Victoria twenty-six years ago. This publication draws on her wealth of experience in the kitchen, decades of cooking, and the rich culinary heritage of her native Umbria. We follow Simone’s journey from the borgo (hamlet) at Collestrada to nearby Perugia, where her parents moved in search of work while she was in her teens. The book commences with an evocative description of the borgo, the source of her culinary vocation, which sets the framework for the dialogue between Umbria and Bright: Umbrian cuisine adapted for her restaurant, and for Australia.

Book 1 Title: My Umbrian Kitchen
Book Author: Patrizia Simone with Caroline Pizzey
Book 1 Biblio: Lantern, $59.99 hb, 303 pp, 9781921382772
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My Umbrian Kitchen – part memoir, part recipe book – reflects the Umbrian-Australian life of its author, Italian-born Patrizia Simone, who, with her husband, opened her first restaurant in Bright in north-eastern Victoria twenty-six years ago. This publication draws on her wealth of experience in the kitchen, decades of cooking, and the rich culinary heritage of her native Umbria. We follow Simone’s journey from the borgo (hamlet) at Collestrada to nearby Perugia, where her parents moved in search of work while she was in her teens. The book commences with an evocative description of the borgo, the source of her culinary vocation, which sets the framework for the dialogue between Umbria and Bright: Umbrian cuisine adapted for her restaurant, and for Australia.

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Steven Miller reviews Sydney Long: The Spirit of the Land by Anne Gray
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Symbolist art has received an unusual amount of attention recently. First there was Denise Mimmocchi’s Australian Symbolism: The Art of Dreams at the Art Gallery of New South Wales (which Jane Clark reviewed in the September 2012 issue of ABR). Now Sydney Long: The Spirit of the Land celebrates Australia’s foremost exponent of the movement. Sydney Long (1871–1955) was born in Goulburn, so the National Gallery in Canberra can claim him as a local talent. More importantly, they have staff with relevant expertise to mount this major retrospective. Anne Gray, the exhibition’s curator, is an authority on Edwardian Australian art. Ron Radford, the NGA director, was one of the first to look seriously at Art Nouveau in Australia; he curated a landmark exhibition on the subject as far back as 1981.

Book 1 Title: Sydney Long
Book 1 Subtitle: The Spirit of the Land
Book Author: Anne Gray
Book 1 Biblio: National Gallery of Australia, $49.95 pb, 208 pp, 9780642334299
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Symbolist art has received an unusual amount of attention recently. First there was Denise Mimmocchi’s Australian Symbolism: The Art of Dreams at the Art Gallery of New South Wales (which Jane Clark reviewed in the September 2012 issue of ABR). Now Sydney Long: The Spirit of the Land celebrates Australia’s foremost exponent of the movement. Sydney Long (1871–1955) was born in Goulburn, so the National Gallery in Canberra can claim him as a local talent. More importantly, they have staff with relevant expertise to mount this major retrospective. Anne Gray, the exhibition’s curator, is an authority on Edwardian Australian art. Ron Radford, the NGA director, was one of the first to look seriously at Art Nouveau in Australia; he curated a landmark exhibition on the subject as far back as 1981.

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Robin Wallace-Crabbe reviews Vassilieff and His Art by Felicity St John Moore
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Having attempted to connect with the art of painting by submitting to instruction on how to represent ‘apples and bananas and pumpkins and plaster casts’, Danila Vassilieff realised ‘it was all a waste of time, it was meaningless to me … That was dead life and I wanted to paint living life, life and nature and people in action and movement.’

Book 1 Title: Vassilieff and His Art
Book Author: Felicity St John Moore
Book 1 Biblio: Macmillan Art Books, $69.95 pb, 231 pp, 9781921394874
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Having attempted to connect with the art of painting by submitting to instruction on how to represent ‘apples and bananas and pumpkins and plaster casts’, Danila Vassilieff realised ‘it was all a waste of time, it was meaningless to me … That was dead life and I wanted to paint living life, life and nature and people in action and movement.’

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Anthony Lynch reviews Collusion by Brook Emery
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Brook Emery’s opening poem in Collusion is addressed to ‘Dear K’, an address reprised in the last, movingly lyrical poem in this his fourth collection. We might read the intervening poems as a correspondence with ‘K’, this other who halfway through the collection is referred to as ...

Book 1 Title: Collusion
Book Author: Brook Emery
Book 1 Biblio: John Leonard Press, $24.95 pb, 58 pp, 9780980852363
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Brook Emery’s opening poem in Collusion is addressed to ‘Dear K’, an address reprised in the last, movingly lyrical poem in this his fourth collection. We might read the intervening poems as a correspondence with ‘K’, this other who halfway through the collection is referred to as ‘my interlocutor, my conscience’. Emery cleverly anticipates and plays with the possible relation to that other famous literary K: ‘Someone finding this will think I’m corresponding / with Franz Kafka ... / I’m not that mad ...’ Nor is he as relentlessly claustrophobic or as obsessed with mysterious judicial proceedings. Emery’s subject is ‘the thousand flickering things / the mind lights on and tries to hold’. The poet lives near the sea in Sydney, and images associated with the littoral, and the liminal, recur throughout the book: water, currents, shorelines, horizon lines, the shift from light to dark. A Romantic note is often struck, sometimes cloyingly, though his lists of sights, sounds, objects, and ideas evoke, as with the best poetic listings, more than the sum of their parts.

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Was there ever an Australian poet who drank so deep of that turbid spring, enthousiasmos, Aristotelian enthusiasm, as Dorothy Porter? From the grungy vitality of her early collections, to the exuberant embrace of popular genre fiction in her five verse novels, to the high, passionate tone of her lyrics, libretti, and later collections, she was never less than rhapsodic. Such enthusiasm is contagious, and there is an oddly addictive sense of perpetual drama in her verse. This is especially so in the celebrated novels, where her poetic daemon was at its most formidable. It is not surprising, then, that three of these novels have been adapted for the stage, with Wild Surmise, originally published in 2002, the latest.

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Michael Fleming reviews British Crime Film: Subverting the Social Order by Barry Forshaw
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Barry Forshaw, in his latest book, has turned from crime fiction in print to crime in the cinema: specifically British cinema. He establishes immediately that his primary interest is ‘genre cinema’. He does not define exactly what he means by this term, but his assumptions in relation to it are soon pretty clear. A genre film is one where the primary aim of the film-makers is ‘entertainment’ rather than any deeper aesthetic or ideological intent.

Book 1 Title: British Crime Film
Book 1 Subtitle: Subverting the Social Order
Book Author: Barry Forshaw
Book 1 Biblio: Palgrave Macmillan, $39.95 pb, 253 pp, 9781137005038
Book 1 Author Type: Author
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Barry Forshaw, in his latest book, has turned from crime fiction in print to crime in the cinema: specifically British cinema. He establishes immediately that his primary interest is ‘genre cinema’. He does not define exactly what he means by this term, but his assumptions in relation to it are soon pretty clear. A genre film is one where the primary aim of the film-makers is ‘entertainment’ rather than any deeper aesthetic or ideological intent. His thesis, which he clearly outlines on the first page, is that such works may provide a more ‘nuanced, intelligent and politically informed analysis of British society’ than other, more respectable forms of cinema. The idea of respectability, or the absence of such, is central to his argument. He later states that ‘crime cinema is – and should be, for its own health – the cinema of the unacceptable’. What becomes apparent, as the films begin to be cited, is that his primary concern, and what defines his idea of ‘the crime film’, is a narrative in which the focus is not the detection of crime, but the act of committing crime. Forshaw is writing about those films in which one can detect an element of social criticism; not so much how a crime is committed, but why. This may not be a particularly new approach, but Forshaw tackles it with gusto and provides some forthright and challenging views.

Read more: Michael Fleming reviews 'British Crime Film: Subverting the Social Order' by Barry Forshaw

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Contents Category: Short Story
Custom Article Title: 'Kindly Death', a new story by John Bryson
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A visitation of Kindly Death is recorded by the Law List in a glass cabinet beside the sandstone doorway of Court Four in the City Courthouse, the sole item for the day’s business, and for many days:

Trial: R v Ali Bashir. (1) Murder (2) Assist Suicide.

The second count, rather than the first, is the reason for the presence of a dozen people holding a protest across the busy roadway, where they had been moved by a uniformed Sherriff’s Officer from the footway of the Courthouse, under threat of contempt, since they are holding their placards high and handing pamphlets to anyone entering the gates, including potential jurors. Their chant and their placards send much the same message: Mercy Killing is Murder; Care not Euthanasia; Killing is Evil; There is No Mercy in Killing.

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Richard Broinowski reviews Sydney by Julia Horne and Geoffrey Sherington and From New Left to Factional Left by Alan Barcan
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When I became an adjunct professor at the University of Sydney in 2004, I knew nothing of its history, and little of the ideological battles that had taken place there. These two books provide a rich narrative of both, and made me appreciate the privilege I have, even as a marginal player, in belonging to such a significant institution.

Book 1 Title: Sydney
Book 1 Subtitle: The Making of a Public University
Book Author: Julia Horne and Geoffrey Sherington
Book 1 Biblio: Miegunyah Press, $40 hb, 365 pp, 9780522861211
Book 1 Author Type: Author
Book 2 Title: From New Left to Factional Left
Book 2 Subtitle: Fifty Years of Student Activism at Sydney University
Book 2 Author: Alan Barcan
Book 2 Biblio: Australian Scholarly Publishing, $44 hb, 254 pp, 9781921509889
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When I became an adjunct professor at the University of Sydney in 2004, I knew nothing of its history, and little of the ideological battles that had taken place there. These two books provide a rich narrative of both, and made me appreciate the privilege I have, even as a marginal player, in belonging to such a significant institution.

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Craig Taylor reviews The Antipodean Philosopher, Volume 2: Interviews with Australian and New Zealand Philosophers edited by Graham Oppy and N.N. Trakakis
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This volume, which complements a collection of public lectures by Australian and New Zealand Philosophers, comprises separate interviews with fourteen prominent Australasian philosophers. Many general readers will be unfamiliar with the interviewees, the exception being Peter Singer, whose international reputation transcends academic philosophy. However, the subjects, and indeed many other Australasian philosophers not included here, have made a significant contribution to the discipline at an international level. Indeed, a good number of Australasian philosophers, including some of those interviewed here, hold, or have held, chairs at some of the top universities in the world. Although it is not widely appreciated in Australia and New Zealand, the antipodean philosophical community punches above its weight internationally. This is something both to reflect on and to celebrate.

Book 1 Title: The Antipodean Philosopher, Volume 2
Book 1 Subtitle: Interviews with Australian and New Zealand Philosophers
Book Author: Graham Oppy and N.N. Trakakis
Book 1 Biblio: Lexington Books (Inbooks), $107 hb, 281 pp, 9780739166550
Book 1 Author Type: Editor
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This volume, which complements a collection of public lectures by Australian and New Zealand Philosophers, comprises separate interviews with fourteen prominent Australasian philosophers. Many general readers will be unfamiliar with the interviewees, the exception being Peter Singer, whose international reputation transcends academic philosophy. However, the subjects, and indeed many other Australasian philosophers not included here, have made a significant contribution to the discipline at an international level. Indeed, a good number of Australasian philosophers, including some of those interviewed here, hold, or have held, chairs at some of the top universities in the world. Although it is not widely appreciated in Australia and New Zealand, the antipodean philosophical community punches above its weight internationally. This is something both to reflect on and to celebrate. The stated aim of this volume – ‘to bring the diverse and significant contributions of Australasian philosophers to the attention not only of seasoned philosophers, but also to the wider academic community … and indeed members of the wider public’ – is to be commended. But while the volume does an admirable job on that score, its real value lies in the way it reveals what kind of activity philosophy is, why it is important that some people spend, and should be able to spend, their lives engaged in it; and, on a more personal level, how individual people end up living this kind of life.

Read more: Craig Taylor reviews 'The Antipodean Philosopher, Volume 2: Interviews with Australian and New...

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Peter Edwards reviews Vietnam: The Complete Story of the Australian War by Peter Edwards
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Contents Category: Military History
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Writing a book on a large, multifaceted, and complex historical subject on which there is a vast amount of source material is a little like sculpting a substantial yet elegant statue from marble. In this case, the sculpting process is far from complete. A potentially valuable book remains submerged within this long and inadequately edited volume. A clue to the problem lies in the subtitle, which asserts that the book is ‘the complete story of the Australian war’. There is, of course, no such thing as a complete history: even the longest multi-volume histories must decide what to exclude.

Book 1 Title: Vietnam: The Complete Story of the Australian War
Book Author: Bruce Davies with Gary McKay
Book 1 Biblio: Allen & Unwin, $55 hb, 736 pp, 9781741750287
Book 1 Author Type: Author
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Writing a book on a large, multifaceted, and complex historical subject on which there is a vast amount of source material is a little like sculpting a substantial yet elegant statue from marble. In this case, the sculpting process is far from complete. A potentially valuable book remains submerged within this long and inadequately edited volume. A clue to the problem lies in the subtitle, which asserts that the book is ‘the complete story of the Australian war’. There is, of course, no such thing as a complete history: even the longest multi-volume histories must decide what to exclude.

Read more: Peter Edwards reviews 'Vietnam: The Complete Story of the Australian War' by Peter Edwards

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Shannon Burns reviews Promiscuous: Portnoy’s Complaint and Our Doomed Pursuit of Happiness by Bernard Avishai
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Contents Category: Literary Studies
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I nitially banned in Australia, Portnoy’s Complaint (1969) is Philip Roth’s early, bestselling, satirical tour de force. Alexander Portnoy addresses a long monologue to his analyst, Dr Spielvogel. Among other things, the monologue tackles Portnoy’s erotic and ethical shortcomings, lingering in particular over his father’s familial and economic emasculation, his mother’s overbearing cleanliness and affection, his fraught relationship to Jewishness, and a selection of doomed love interests. Portnoy’s Complaint is by turns comedic, tragic, confronting, illuminating, anguished, and jubilant.

Book 1 Title: Promiscuous
Book 1 Subtitle: Portnoy’s Complaint and Our Doomed Pursuit of Happiness
Book Author: by Bernard Avishai
Book 1 Biblio: Yale University Press (Inbooks), $32.95 hb, 230 pp, 9780300151909
Book 1 Author Type: Author
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I nitially banned in Australia, Portnoy’s Complaint (1969) is Philip Roth’s early, bestselling, satirical tour de force. Alexander Portnoy addresses a long monologue to his analyst, Dr Spielvogel. Among other things, the monologue tackles Portnoy’s erotic and ethical shortcomings, lingering in particular over his father’s familial and economic emasculation, his mother’s overbearing cleanliness and affection, his fraught relationship to Jewishness, and a selection of doomed love interests. Portnoy’s Complaint is by turns comedic, tragic, confronting, illuminating, anguished, and jubilant. As with all of Roth’s best novels, it is imbued with a compelling vitality, and aggressively tackles wide-ranging concerns, not the least of which is the complex nature of ‘the human’ (contrasted with ‘types’). Portnoy – a dedicated human rights lawyer – is afflicted with apparently ‘animalistic’ sexual compulsions; his concern for impoverished people and minorities is matched only by his neurosis; he is socially productive, but his private self is obsessively masturbatory (‘I am the Raskolnikov of jerking off’); his relationships with women are coloured by an apparently misogynist streak; and his hostility toward aspects of Jewishness verges on anti-Semitism. These and other conflicts (‘Doctor, what should I rid myself of, tell me, the hatred … or the love?’) doom Portnoy to sexual and emotional impotence.

Read more: Shannon Burns reviews 'Promiscuous: Portnoy’s Complaint and Our Doomed Pursuit of Happiness' by...

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John Thompson on Canberry Tales: An Informal History by Granville Allen Mawer
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Contents Category: Australian History
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I n 2013, Australians will celebrate the centenary of modern Canberra. This singular anniversary – intensely local but also emphatically national – commemorates not the actual building of the capital (that process was fraught and would not gather pace until the 1920s), but rather the optimistic laying on 12 March 1913 of three foundation stones for the grandiosely named Commencement Column on Capital Hill where the Australian Parliament, seat of our increasingly raucous national democracy, stands today. The high point of the ceremony was the naming by Lady Denman (wife of the governor-general) of Australia’s new capital as ‘Canberra’.

Book 1 Title: Canberry Tales: An Informal History
Book Author: Granville Allen Mawer
Book 1 Biblio: Arcadia Publishing, $39.95 pb, 255 pp, 9781921875649
Book 1 Author Type: Author
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I n 2013, Australians will celebrate the centenary of modern Canberra. This singular anniversary – intensely local but also emphatically national – commemorates not the actual building of the capital (that process was fraught and would not gather pace until the 1920s), but rather the optimistic laying on 12 March 1913 of three foundation stones for the grandiosely named Commencement Column on Capital Hill where the Australian Parliament, seat of our increasingly raucous national democracy, stands today. The high point of the ceremony was the naming by Lady Denman (wife of the governor-general) of Australia’s new capital as ‘Canberra’.

Read more: John Thompson on 'Canberry Tales: An Informal History' by Granville Allen Mawer

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Peter Menkhorst reviews Curious Minds by Peter Macinnis
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Contents Category: Natural History
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Curious Minds sets out to explore the naturalists and scientists who brought Australia’s flora and fauna into the public consciousness: on the face of it a laudable aim, but one not totally fulfilled. From the title onwards the book seems confused in its aims and in its style. Is the book intended to be about people (the curious naturalists), flora and fauna (their discoveries), or both? Does it aim to provide new insights about the twenty-six selected naturalists and the culture within which they worked, or is the intent to provide a popular, even slightly scurrilous, account of the lives of selected individuals?

Book 1 Title: Curious Minds: The Discoveries of Australian Naturalists
Book Author: Peter Macinnis
Book 1 Biblio: National Library of Australia, $39.99 pb, 213 pp, 9780642277541
Book 1 Author Type: Author
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Curious Minds sets out to explore the naturalists and scientists who brought Australia’s flora and fauna into the public consciousness: on the face of it a laudable aim, but one not totally fulfilled. From the title onwards the book seems confused in its aims and in its style. Is the book intended to be about people (the curious naturalists), flora and fauna (their discoveries), or both? Does it aim to provide new insights about the twenty-six selected naturalists and the culture within which they worked, or is the intent to provide a popular, even slightly scurrilous, account of the lives of selected individuals?

Read more: Peter Menkhorst reviews 'Curious Minds' by Peter Macinnis

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Contents Category: Picture Books
Custom Article Title: Joy Lawn reviews recent picture books
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Tohby Riddle’s Unforgotten (Allen & Unwin, $35 hb, 123 pp, 9781742379722) will be appreciated by aficionados of Shaun Tan’s sophisticated illustrated works and Riddle’s impressive books. This atmospheric book is allegorical and metaphorical, and the structure is cyclic. It begins and ends in the heavens; and gradually reveals the role and impact of angels.  

Read more: Joy Lawn reviews recent picture books

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Laura Elvery reviews Into that Forest by Louis Nowra
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The world’s last known Tasmanian tiger died in Hobart Zoo in 1936. Surviving film footage of the marsupial is brief. No sound recordings exist of a thylacine’s bark or cough. Its extinction is one of Australia’s most lamentable tales. Nowra’s sad, dark novel imagines how these carnivores could care for two children lost in the wilderness.

Book 1 Title: Into that Forest
Book Author: Louis Nowra
Book 1 Biblio: Allen & Unwin, $19.99 pb, 172 pp, 9781743311646
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 The world’s last known Tasmanian tiger died in Hobart Zoo in 1936. Surviving film footage of the marsupial is brief. No sound recordings exist of a thylacine’s bark or cough. Its extinction is one of Australia’s most lamentable tales. Nowra’s sad, dark novel imagines how these carnivores could care for two children lost in the wilderness.

Read more: Laura Elvery reviews 'Into that Forest' by Louis Nowra

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