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July–August 2012, no. 343

Desley Deacon reviews A Difficult Woman: The Challenging Life and Times of Lillian Hellman by Alice Kessler-Harris
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Contents Category: Biography
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Why, Alice Kessler-Harris’s friends kept asking her, are you writing a biography of Lillian Hellman – a good question of one of the world’s leading historians of women and work, who has just stepped down as president of the American Historical Association. If Hellman is remembered at all today, it is as a mediocre playwright, an ugly, foul-mouthed harridan whose luxurious comforts were provided by ill-treated employees, a blind supporter of an evil political system – and, above all, as a liar and thief who appropriated someone else’s life to make her own seem more heroic.

Book 1 Title: A Difficult Woman
Book 1 Subtitle: The Challenging Life and Times of Lillian Hellman
Book Author: Alice Kessler-Harris
Book 1 Biblio: Bloomsbury, $39.99 hb, 439 pp, 9781596913639
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Why, Alice Kessler-Harris’s friends kept asking her, are you writing a biography of Lillian Hellman – a good question of one of the world’s leading historians of women and work, who has just stepped down as president of the American Historical Association. If Hellman is remembered at all today, it is as a mediocre playwright, an ugly, foul-mouthed harridan whose luxurious comforts were provided by ill-treated employees, a blind supporter of an evil political system – and, above all, as a liar and thief who appropriated someone else’s life to make her own seem more heroic.

Read more: Desley Deacon reviews 'A Difficult Woman: The Challenging Life and Times of Lillian Hellman' by...

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Contents Category: Advances

 

ABR moves to Southbank

While this issue is printing, we’ll be moving to our new office in Boyd, a wonderful extension of the City of Melbourne’s Creative Spaces program. Advances has already written about the many benefits of our new home in the old Boyd High School in Southbank. Now we look forward to settling in, getting to know our artist-neighbours in the other studios, and welcoming ABR readers and contributors to our new headquarters.

Moves of this kind are time-consuming, and sometimes trying! We don’t expect to be fully operational for at least a week. Please delay non-urgent enquiries, orders, and deliveries until the week commencing July 2. By then ABR will be functioning normally.

Because of the imminent move, we have finalised our subscriber database earlier than usual. Some readers who have renewed their subscriptions in recent days may receive reminder notices with this issue. Please ignore them. Your subscriptions will be processed shortly.

Here are our new contact details. The address is 207–229 City Road, Southbank, Victoria 3006. The telephone number is (03) 9699 8822; the fax is (03) 9699 8803. Please note that all our email addresses remain the same. (See the Contact page for full details.)

On Saturday, 7 July, ABR will take part in the City of Melbourne’s official launch of Boyd. We hope that many Melburnians will come along and visit our new home. We’ll be presenting a series of readings each half hour. Readers will include Joel Deane, Lisa Gorton, Elisabeth Holdsworth, and Chris Wallace-Crabbe. It should be a memorable day.

 

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Calibre Prize

The judges have shortlisted five essays for this year’s Calibre Prize for an Outstanding Essay, which is worth a total of $10,000. They are ‘The Last Space Waltz?: Reflections on 2001: A Space Odyssey and NASA – On Being Earthbound at the End of the Age of Atlantis’, by Claire Corbett; ‘Mapping the Edges of the Night’, by Ratnam Keese; ‘Imaginary Exile’, by Bronwyn Lay; ‘Now They’ve Gone’, by Colin Nettelbeck; ‘Body and Soul: Copyright Law and Enforcement in the Age of the Electronic Book’, by Matt Rubinstein.

The winner, who will be named in July, will receive $7000. The second and third prize-winners will receive $2000 and $1000, respectively.

We thank Copyright Agency’s Cultural Fund for its generous support of Calibre over the years and for its immense contribution to essay-writing in this country.

 

Jolley judging

When the competition closed a few weeks ago, we had received 1300 entries in the ABR Elizabeth Jolley Short Story Prize, which is worth a total of $8000. ABR is delighted to have attracted such an impressive pool of entries. For us the great thing about the Jolley Prize is that it inspires so many authors to create new works of short fiction.

Judging is well under way, and we look forward to publishing the three shortlisted stories in the September issue. The overall winner, who will receive $5000 (the total prize money being $8000), will be announced at a function in late September.

Elizabeth-Jolley-web

Peter Porter Poetry Prize

The ninth Peter Porter Poetry Prize – which honours the life and work of the great Australian poet Peter Porter (1929–2010) – is now open. This year the total prize money has increased to $6000. The winner will receive $4000; the other shortlisted poets will receive $400 each. This year the judges are Bronwyn Lea and David McCooey. Poets have  until 30 November 2012 to enter. The full guidelines and entry form are available here.

Peter_Porter_portrait_1

ABR Patrons’ Fellowships

Because of the generosity of ABR Patrons and philanthropic foundations, ABR is now able to offer a number of writers’ fellowships, each worth $5000. Interest in this program is growing, and we hope to be able to offer three or four writers’ fellowships each year. The next one will be advertised in our Fiction issue (September).

Meanwhile, ABR and our many Patrons congratulate the recipients of the fourth and fifth Fellowships. Dr Jennifer Lindsay is the ABR Copyright Agency Fellow. She will write a profile of the influential and prolific Indonesian writer Goenawan Mohamad, many of whose works she has translated.

Ruth Starke – a frequent contributor to ABR over the years – is the fifth ABR Patrons’ Fellow. The focus of this particular Fellowship is Film or Media. Dr Starke’s project, entitled ‘Media Don’, will focus on the charismatic South Australian politician Don Dunstan and his skilful use of the media.

We congratulate both of our new Fellows and look forward to publishing their long articles later this year.

 

Monsieur Murdoch

This month, courtesy of Penguin, ten new subscribers will win copies of Dial M for Murdoch by Tom Watson and Martin Hickman, reviewed here by Anne Chisholm. Ten new subscribers will receive copies of the Ian Potter Museum of Art’s new catalogue, Visions Past and Present: Celebrating 40 Years, reviewed here by Jane Clark. Twenty-five renewing subscribers will win double passes to the Academy Award-nominated drama Monsieur Lazhar thanks to Palace Films. Phone us now to claim your prize: (03) 9699 8822.

http://www.palacefilms.com.au/wp-content/uploads/2012/07/monsieurlazhar.poster.ws_.jpg

 

CONTENTS: JULY–AUGUST 2012

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Anne Chisolm reviews Dial M for Murdoch: News Corporation and the Corruption of Britain by Tom Watson and Martin Hickman
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Contents Category: Media
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Article Title: The humiliation of Rupert Murdoch
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It all began with Prince William’s knee. Not, of course, the phone hacking and bribery and corruption which, as we all now know, was commonplace behaviour in the British tabloid newspapers at the heart of Rupert Murdoch’s media empire – that had been going on for far longer. But when, in November 2005, the News of the World carried a trivial story about the prince – ‘Royal Action Man’ – receiving treatment for a strained tendon, he and Prince Charles’s staff realised that this and other leaks could only have come from someone accessing his voicemail. St James’s Palace, fearing a security threat to a future king, called in the Metropolitan Police.

Book 1 Title: Dial M for Murdoch
Book 1 Subtitle: News Corporation and the Corruption of Britain
Book Author: Tom Watson and Martin Hickman
Book 1 Biblio: Allen Lane, $29.95 pb, 354 pp, 9781846146046
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It all began with Prince William’s knee. Not, of course, the phone hacking and bribery and corruption which, as we all now know, was commonplace behaviour in the British tabloid newspapers at the heart of Rupert Murdoch’s media empire – that had been going on for far longer. But when, in November 2005, the News of the World carried a trivial story about the prince – ‘Royal Action Man’ – receiving treatment for a strained tendon, he and Prince Charles’s staff realised that this and other leaks could only have come from someone accessing his voicemail. St James’s Palace, fearing a security threat to a future king, called in the Metropolitan Police.

Read more: Anne Chisolm reviews 'Dial M for Murdoch: News Corporation and the Corruption of Britain' by Tom...

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Contents Category: Features
Custom Article Title: Wordly riches at the Barnes: From musty Merion to a new home in Philadelphia
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In mid-May the Barnes Foundation opened at its new location in the cultural corridor of downtown Philadelphia. A cloud of controversy followed it to the end. The new building, handsome if flawed, from the gifted New York studio of Tod Williams and Billie Tsien, has attracted its share of criticism. The entrance, initially hard to find, is at the back of the building facing towards the car park and away from the parklands. The passage from entrance to galleries is awkward and inauspicious.

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In mid-May the Barnes Foundation opened at its new location in the cultural corridor of downtown Philadelphia. A cloud of controversy followed it to the end. The new building, handsome if flawed, from the gifted New York studio of Tod Williams and Billie Tsien, has attracted its share of criticism. The entrance, initially hard to find, is at the back of the building facing towards the car park and away from the parklands. The passage from entrance to galleries is awkward and inauspicious.

Read more: 'Wordly riches at the Barnes: From musty Merion to a new home in Philadelphia' by Patrick McCaughey

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Angus Trumble reviews Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas by Stephen Coppel
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The British Museum’s connection with Australia goes right back to 29 April 1770, when Captain Cook landed at the place he called Botany Bay because of the large number of plant specimens gathered there by Joseph Banks, one of the Museum’s most influential early trustees. As a polyglot public institution dedicated by Act of Parliament (1753) to allowing any citizen to study and understand the whole world, past and present, the British Museum was a magnet for generations of Australian colonists visiting and revisiting the imperial capital, especially artists. This was as true for Arthur Streeton, Fred McCubbin, George Lambert, Bertram Mackennal, and Rupert Bunny as it was much later for Sidney Nolan, Fred Williams, Brett Whiteley, and many other twentieth-century Australian artists. No doubt it will continue to be true of those members of future generations of Australians who visit London.

Book 1 Title: Out of Australia
Book 1 Subtitle: Prints and Drawings from Sidney Nolan to Rover Thomas
Book Author: Stephen Coppel
Book 1 Biblio: British Museum, £25 pb, 240 pp, 9780714126722
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The British Museum’s connection with Australia goes right back to 29 April 1770, when Captain Cook landed at the place he called Botany Bay because of the large number of plant specimens gathered there by Joseph Banks, one of the Museum’s most influential early trustees. As a polyglot public institution dedicated by Act of Parliament (1753) to allowing any citizen to study and understand the whole world, past and present, the British Museum was a magnet for generations of Australian colonists visiting and revisiting the imperial capital, especially artists. This was as true for Arthur Streeton, Fred McCubbin, George Lambert, Bertram Mackennal, and Rupert Bunny as it was much later for Sidney Nolan, Fred Williams, Brett Whiteley, and many other twentieth-century Australian artists. No doubt it will continue to be true of those members of future generations of Australians who visit London.

Read more: Angus Trumble reviews 'Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas' by...

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Gerard Vaughan reviews The Encyclopedia of Australian Architecture edited by Philip Goad and Julie Willis
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This is an impressive publication, a massive tome with high gloss pages, beautifully designed with the highest production values, lavishly illustrated, with entries provided (on my count) by 229 separate contributors. This monumental collective effort makes a defining contribution to the study and documentation of architecture in this country, and to Australian architectural history. It is astonishing in its breadth, and gives us for the first time as near to a complete understanding of the trajectory of architectural ideas and practice in this country as is possible. Put simply, we have never before had so much information instantly available in a condensed form.

Book 1 Title: The Encyclopedia of Australian Architecture
Book Author: Philip Goad and Julie Willis
Book 1 Biblio: Cambridge University Press, $150 hb, 830 pp, 9780521888578
Book 1 Author Type: Editor
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This is an impressive publication, a massive tome with high gloss pages, beautifully designed with the highest production values, lavishly illustrated, with entries provided (on my count) by 229 separate contributors. This monumental collective effort makes a defining contribution to the study and documentation of architecture in this country, and to Australian architectural history. It is astonishing in its breadth, and gives us for the first time as near to a complete understanding of the trajectory of architectural ideas and practice in this country as is possible. Put simply, we have never before had so much information instantly available in a condensed form.

Read more: Gerard Vaughan reviews 'The Encyclopedia of Australian Architecture' edited by Philip Goad and...

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Robert Aldrich reviews Napoleon: Revolution to Empire edited by Ted Gott
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Napoleon came to power as First Consul in 1799 after a coup d’état, having recently returned from invading Egypt, his defeat there by the British spin-doctored into a victory back in Paris. Five years later he had himself made emperor, crowning himself in Notre Dame surrounded with panoply reminiscent of the ancien régime and inspired by fantasies of Roman Antiquity. Bonaparte’s armies occupied much of Western Europe, overthrowing governments, installing his brothers and brothers-in-law as kings, and imposing French laws and taxation. Napoleon’s wars killed three million soldiers, with the death rate on the Russian campaign – mostly of starvation, cold, and exhaustion – among the highest in modern military history. The emperor pillaged the art collections of conquered Europe to create his Musée Napoléon. In 1802 he reversed a decree of the revolutionary government in order to re-establish slavery in the French colonies. The famous Napoleonic Code of laws made women second-class citizens; a woman’s husband, for instance, had legal control of her property. The emperor unceremoniously dumped Joséphine to take a wife who could bear a child and, he dreamed, secure his dynasty. Napoleon’s opponents were imprisoned or driven into exile.

Book 1 Title: Napoleon
Book 1 Subtitle: Revolution to Empire
Book Author: Ted Gott
Book 1 Biblio: National Gallery of Victoria, $49.95 hb, 327 pp, 9780724103560
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Napoleon came to power as First Consul in 1799 after a coup d’état, having recently returned from invading Egypt, his defeat there by the British spin-doctored into a victory back in Paris. Five years later he had himself made emperor, crowning himself in Notre Dame surrounded with panoply reminiscent of the ancien régime and inspired by fantasies of Roman Antiquity. Bonaparte’s armies occupied much of Western Europe, overthrowing governments, installing his brothers and brothers-in-law as kings, and imposing French laws and taxation. Napoleon’s wars killed three million soldiers, with the death rate on the Russian campaign – mostly of starvation, cold, and exhaustion – among the highest in modern military history. The emperor pillaged the art collections of conquered Europe to create his Musée Napoléon. In 1802 he reversed a decree of the revolutionary government in order to re-establish slavery in the French colonies. The famous Napoleonic Code of laws made women second-class citizens; a woman’s husband, for instance, had legal control of her property. The emperor unceremoniously dumped Joséphine to take a wife who could bear a child and, he dreamed, secure his dynasty. Napoleon’s opponents were imprisoned or driven into exile.

Read more: Robert Aldrich reviews 'Napoleon: Revolution to Empire' edited by Ted Gott

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Susan Sheridan reviews Collected by Rosemary Dobson
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This volume contains all the poems that Rosemary Dobson wants to preserve. They represent a substantial portion of her output, which seems right for a poet who began with a degree of quiet confidence and poise that belied her youth. From the earliest, published when she was in her twenties ...

Book 1 Title: Collected
Book Author: Rosemary Dobson
Book 1 Biblio: University of Queensland Press, $27.95 pb, 378 pp, 9780702239113
Book 1 Author Type: Author
Book 1 Readings Link: booktopia.kh4ffx.net/xWM75
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This volume contains all the poems that Rosemary Dobson wants to preserve. They represent a substantial portion of her output, which seems right for a poet who began with a degree of quiet confidence and poise that belied her youth. From the earliest, published when she was in her twenties, to the latest, dictated only last year by the ninety-year-old poet to her daughter, the poems attest to the consistency of her achievement, and to the depth and range of her craft. Like their creator, the poems have aged well. The qualities she prizes – clarity, even austerity, and ‘an edge of wit’ – are there from first to last, impervious to changes of fashion and able to accommodate changes in sensibility. ‘In a Convex Mirror’, the title poem of her first book, begins:

Read more: Susan Sheridan reviews 'Collected' by Rosemary Dobson

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David Karoly reviews The Hockey Stick and the Climate Wars: Dispatches from the front lines by Michael E. Mann
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Contents Category: Climate Change
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In my recent commentary on The Garnaut Review 2011, I said ‘Climate change is often framed as a number of battles; between science and opinion, between sustainable development and economic growth, between government control and individual freedom ...’ (ABR, November 2011). Little did I know that my next review would be of a book about the Climate Wars, written by an active warrior in those battles, and subtitled Dispatches from the Front Lines.

Book 1 Title: The Hockey Stick and the Climate Wars
Book 1 Subtitle: Dispatches from the front lines
Book Author: Michael E. Mann
Book 1 Biblio: Columbia University Press (Footprint Books), $42.95 hb, 395 pp
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The struggle against prejudice and obscurantism

David Karoly

 

THE HOCKEY STICK AND THE CLIMATE WARS: DISPATCHES FROM THE FRONT LINES
by Michael E. Mann
Columbia University Press (Footprint Books), $42.95 hb, 395 pp, 9780231152549

 

In my recent commentary on The Garnaut Review 2011, I said ‘Climate change is often framed as a number of battles; between science and opinion, between sustainable development and economic growth, between government control and individual freedom ...’ (ABR, November 2011). Little did I know that my next review would be of a book about the Climate Wars, written by an active warrior in those battles, and subtitled Dispatches from the Front Lines.

Read more: David Karoly reviews 'The Hockey Stick and the Climate Wars: Dispatches from the front lines' by...

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Open Page with Gillian Mears
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Because of a profound love of language and what was once a near addiction to the thrill of opening a dictionary. I would look up a word, then study all the words and their meanings on that double page. Often I would happen upon a word that would assist the ending of whatever it was I’d been working on.

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Why do you write?

Because of a profound love of language and what was once a near addiction to the thrill of opening a dictionary. I would look up a word, then study all the words and their meanings on that double page. Often I would happen upon a word that would assist the ending of whatever it was I’d been working on.

Are you a vivid dreamer?

I used to keep dream notebooks, but now I have more or less abandoned the practice. There is nothing more boring than when a novelist launches into an elaborate description of a character’s dreamlife. After trying ayahuasca brews in Venezuela as a cure for MS, non-stop fluorescent dreams coloured each night for quite some

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Contents Category: Letters

 Overlooking Max Harris

Dear Editor,

David Marr, in his article about the premières of three of Patrick White’s plays in Adelaide (ABR, May 2012), presents Geoffrey Dutton as the principal player in this story. However, any essay about White’s Adelaide performances should acknowledge the roles of Max Harris and Harry Medlin.

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Peter Kenneally reviews The Sunlit Zone by Lisa Jacobson
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It is 2050 in Melbourne. The seas have risen, full of accidental genetic mixtures and cloned versions of extinct favourites, while the land is dried out and life is a tense combination of techno-affluence, terror, and normality ...

Book 1 Title: The Sunlit Zone
Book Author: Lisa Jacobson
Book 1 Biblio: 5 Islands Press, $29.95 pb, 165 pp, 9780734047465
Book 1 Author Type: Author
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It is 2050 in Melbourne. The seas have risen, full of accidental genetic mixtures and cloned versions of extinct favourites, while the land is dried out and life is a tense combination of techno-affluence, terror, and normality.

This is the world the characters in Lisa Jacobson’s submarine, emotive verse novel inhabit – almost a dystopia, but not quite. The central character, North, lives a life blighted by the drowning of her sister, Finn, left unwatched while North was distracted by adolescent beach-fumblings. The novel moves with North through the depths of grief and guilt, seeking the light, while the world becomes more and more watery around her.

Read more: Peter Kenneally reviews 'The Sunlit Zone' by Lisa Jacobson

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Kate Middleton reviews Naked Clay: Drawing from Lucian Freud by Barry Hill
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With his new volume of poetry, Barry Hill has set himself the challenge of writing a book focused on the visual art of the recently deceased Lucian Freud without, excepting the cover image, accompanying reproductions of the paintings to which he responds. Naked Clay: Drawing from Lucian Freud is a collection of ekphrastic poems born out of the obsessive return to a body of painting that spanned much of the latter half of the twentieth century and the first decade of the twenty-first.

Book 1 Title: Naked Clay
Book 1 Subtitle: Drawing from Lucian Freud
Book Author: Barry Hill
Book 1 Biblio: Shearsman Books, $25 pb, 160 pp, 9781848611780
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With his new volume of poetry, Barry Hill has set himself the challenge of writing a book focused on the visual art of the recently deceased Lucian Freud without, excepting the cover image, accompanying reproductions of the paintings to which he responds. Naked Clay: Drawing from Lucian Freud is a collection of ekphrastic poems born out of the obsessive return to a body of painting that spanned much of the latter half of the twentieth century and the first decade of the twenty-first.

Read more: Kate Middleton reviews 'Naked Clay: Drawing from Lucian Freud' by Barry Hill

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Paul Hetherington reviews Another Fine Morning in Paradise by Michael Sharkey
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The variety of Australian poetry is attested to by books such as Another Fine Morning in Paradise. Neither entirely fish nor fowl, it is by turns satirical, watchful, effusive, and lyrical. Its central preoccupation is with a sharp-eyed scrutiny of what might be called the-idea-of-a-better-life ...

Book 1 Title: Another Fine Morning in Paradise
Book Author: Michael Sharkey
Book 1 Biblio: 5 Islands Press, $24.95 pb, 100 pp, 9780734047458
Book 1 Author Type: Author
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The variety of Australian poetry is attested to by books such as Another Fine Morning in Paradise. Neither entirely fish nor fowl, it is by turns satirical, watchful, effusive, and lyrical. Its central preoccupation is with a sharp-eyed scrutiny of what might be called the-idea-of-a-better-life.

Read more: Paul Hetherington reviews 'Another Fine Morning in Paradise' by Michael Sharkey

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Peter Kenneally reviews All the Way Home by Kristin Henry
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The cover of Kristin Henry’s verse novel All the Way Home shows a man at the wheel of a car, looking ahead at an endless dirt road. There is even a YouTube trailer for the book on the publisher’s website, with more driving. But in Henry’s book, as in all the best road movies, nobody ever seems to get anywhere.

Book 1 Title: All the Way Home
Book Author: Kristin Henry
Book 1 Biblio: UWA Publishing, $24.95 pb, 187 pp, 9781742582825
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The cover of Kristin Henry’s verse novel All the Way Home shows a man at the wheel of a car, looking ahead at an endless dirt road. There is even a YouTube trailer for the book on the publisher’s website, with more driving. But in Henry’s book, as in all the best road movies, nobody ever seems to get anywhere.

Read more: Peter Kenneally reviews 'All the Way Home' by Kristin Henry

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chins

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metaphors

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Morag Fraser reviews Michael O’Connell: The Lost Modernist by Harriet Edquist
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So many art books! And too many of them remainder-table compendiums of famous images thinly draped with text. It is refreshing, then, to rediscover an artist who has fallen into the slough that often follows a lifetime flush of reputation, and an art historian tenacious enough to resurrect that artist’s work and milieu.

Book 1 Title: Michael O’Connell
Book 1 Subtitle: The Lost Modernist
Book Author: Harriet Edquist
Book 1 Biblio: Melbourne Books, $49.95 pb, 216 pp, 9781877096389
Book 1 Author Type: Author
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So many art books! And too many of them remainder-table compendiums of famous images thinly draped with text. It is refreshing, then, to rediscover an artist who has fallen into the slough that often follows a lifetime flush of reputation, and an art historian tenacious enough to resurrect that artist’s work and milieu.

Read more: Morag Fraser reviews 'Michael O’Connell: The Lost Modernist' by Harriet Edquist

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Christopher Menz reviews Unexpected Pleasures: The Art and Design of Contemporary Jewellery edited by Susan Cohn
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The contemporary jewellery movement grew from a desire among postwar practitioners to explore both the expressive qualities in jewellery and the use of non-traditional materials. The move away from traditional gold and diamonds was partly economic – consider today’s price of gold – and partly ideological. Jewellery should be appreciated for what it is, on its own terms, not for its carats.

Book 1 Title: Unexpected Pleasures
Book 1 Subtitle: The Art and Design of Contemporary Jewellery
Book Author: Susan Cohn
Book 1 Biblio: Rizzoli (Hardie Grant Books), $75 hb, 240 pp
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The contemporary jewellery movement grew from a desire among postwar practitioners to explore both the expressive qualities in jewellery and the use of non-traditional materials. The move away from traditional gold and diamonds was partly economic – consider today’s price of gold – and partly ideological. Jewellery should be appreciated for what it is, on its own terms, not for its carats.

Read more: Christopher Menz reviews 'Unexpected Pleasures: The Art and Design of Contemporary Jewellery'...

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Sarah Scott reviews Australian Art and Artists in London, 1950–1965: An Antipodean Summer by Simon Pierse
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For a brief period, Australian art enjoyed unprecedented popularity in London, which became home to a large expatriate community of artists such as Sidney Nolan, Arthur and David Boyd, Charles Blackman, and Brett Whiteley. This ‘Antipodean Summer’ is vividly portrayed in Pierse’s critical account. He reveals that the success of these artists depended upon the support of a handful of art patrons, notably that of the art historian Kenneth Clark, the flamboyant young director of the Whitechapel Art Gallery Bryan Robertson, and the Australian expatriate art dealer Alannah Coleman. Nolan’s solo exhibition at the Redfern Gallery, Robertson’s ground-breaking Recent Australian Painting (1961), and Coleman’s Australian Painting and Sculpture in Europe Today (1963) were also crucial to the success of Australian artists. These exhibitions provided a counterpoint to the much-critiqued Tate Gallery survey exhibition, AustralianPainting: Colonial, Impressionist, Contemporary (1962–63).

Book 1 Title: Australian Art and Artists in London, 1950–1965
Book 1 Subtitle: An Antipodean Summer
Book Author: Simon Pierse
Book 1 Biblio: Ashgate Publishing,  £70 hb, 314 pp, 9781409420545
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For a brief period, Australian art enjoyed unprecedented popularity in London, which became home to a large expatriate community of artists such as Sidney Nolan, Arthur and David Boyd, Charles Blackman, and Brett Whiteley. This ‘Antipodean Summer’ is vividly portrayed in Pierse’s critical account. He reveals that the success of these artists depended upon the support of a handful of art patrons, notably that of the art historian Kenneth Clark, the flamboyant young director of the Whitechapel Art Gallery Bryan Robertson, and the Australian expatriate art dealer Alannah Coleman. Nolan’s solo exhibition at the Redfern Gallery, Robertson’s ground-breaking Recent Australian Painting (1961), and Coleman’s Australian Painting and Sculpture in Europe Today (1963) were also crucial to the success of Australian artists. These exhibitions provided a counterpoint to the much-critiqued Tate Gallery survey exhibition, AustralianPainting: Colonial, Impressionist, Contemporary (1962–63).

Read more: Sarah Scott reviews 'Australian Art and Artists in London, 1950–1965: An Antipodean Summer' by...

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Justin Clemens reviews Contemporary Australian Drawing #1 by Janet McKenzie, with Irene Barberis and Christopher Heathcote
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Just because something is being done right now doesn’t make it contemporary. On the contrary, the predicate ‘contemporary’ in contemporary art is the name for a problem, not a clarified or self-evident state of affairs. As Boris Groys puts it, ‘This is because the contemporary is actually constituted by doubt, hesitation, uncertainty, indecision – by the need for prolonged reflection, for a delay.’ Such experiences, however, are not especially high priorities in the world of corporate rationalisation.

Book 1 Title: Contemporary Australian Drawing #1
Book Author: Janet McKenzie, with Irene Barberis and Christopher Heathcote
Book 1 Biblio: Palgrave Macmillan, $99.95 hb, 240 pp, 9781921394539
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Just because something is being done right now doesn’t make it contemporary. On the contrary, the predicate ‘contemporary’ in contemporary art is the name for a problem, not a clarified or self-evident state of affairs. As Boris Groys puts it, ‘This is because the contemporary is actually constituted by doubt, hesitation, uncertainty, indecision – by the need for prolonged reflection, for a delay.’ Such experiences, however, are not especially high priorities in the world of corporate rationalisation.

Read more: Justin Clemens reviews 'Contemporary Australian Drawing #1' by Janet McKenzie, with Irene Barberis...

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Stella Gray reviews Dogs in Australian Art: A New History in Antipodean Creativity by Steven Miller
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‘As cats are often associated with bookshops, dogs are similarly attracted to art galleries’, according to Steven Miller, head of the research library and archive of the Art Gallery of New South Wales, and author of Dogs in Australian Art: A New History in Antipodean Creativity. The beagle on the cover sits attentively, head slightly cocked, as if contemplating art. It is not until you turn the book over that you see what the dog is really looking at. David Welch’s wry painting sets the tone for this quirky and intriguing book.

Book 1 Title: Dogs in Australian Art
Book 1 Subtitle: A New History in Antipodean Creativity
Book Author: Steven Miller
Book 1 Biblio: Wakefield Press, $39.95 pb, 200 pp
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‘As cats are often associated with bookshops, dogs are similarly attracted to art galleries’, according to Steven Miller, head of the research library and archive of the Art Gallery of New South Wales, and author of Dogs in Australian Art: A New History in Antipodean Creativity. The beagle on the cover sits attentively, head slightly cocked, as if contemplating art. It is not until you turn the book over that you see what the dog is really looking at. David Welch’s wry painting sets the tone for this quirky and intriguing book.

Read more: Stella Gray reviews 'Dogs in Australian Art: A New History in Antipodean Creativity' by Steven...

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Eileen Chanin reviews Ken Whisson: As If edited by Glenn Barkley and Lesley Harding
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This catalogue accompanies the current exhibition of Ken Whisson’s work at Melbourne’s Heide Museum and, later, at Sydney’s Museum of Contemporary Art. The exhibition and catalogue are a joint exercise by MCA curator Glenn Barkley and Heide’s Lesley Harding. As with most exhibition catalogues, it offers an artist’s statement; a Foreword (by MCA director, Elizabeth Anne Macgregor); a 10,000-word curatorial essay; a list of works; biographical notes, listing Whisson’s exhibitions and the collections that represent his work; a Bibliography, detailing references to Whisson; and Acknowledgments. All of the works in the exhibition are reproduced in thumbnail illustrations, and more than sixty paintings and twenty drawings are reproduced in larger colour plates. Also featured is an interview that Whisson gave to Sydney-based artist (and friend) Joe Frost in 2009. All this comes in a modestly sized catalogue that has been crisply designed by Liz Cox.

Book 1 Title: Ken Whisson
Book 1 Subtitle: As If
Book Author: Glenn Barkley and Lesley Harding
Book 1 Biblio: Heide Museum of Modern Art and Museum of Contemporary Art Australia, $35 pb, 175 pp
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This catalogue accompanies the current exhibition of Ken Whisson’s work at Melbourne’s Heide Museum and, later, at Sydney’s Museum of Contemporary Art. The exhibition and catalogue are a joint exercise by MCA curator Glenn Barkley and Heide’s Lesley Harding. As with most exhibition catalogues, it offers an artist’s statement; a Foreword (by MCA director, Elizabeth Anne Macgregor); a 10,000-word curatorial essay; a list of works; biographical notes, listing Whisson’s exhibitions and the collections that represent his work; a Bibliography, detailing references to Whisson; and Acknowledgments. All of the works in the exhibition are reproduced in thumbnail illustrations, and more than sixty paintings and twenty drawings are reproduced in larger colour plates. Also featured is an interview that Whisson gave to Sydney-based artist (and friend) Joe Frost in 2009. All this comes in a modestly sized catalogue that has been crisply designed by Liz Cox.

Read more: Eileen Chanin reviews 'Ken Whisson: As If' edited by Glenn Barkley and Lesley Harding

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Isobel Crombie reviews Beautiful Ugly: The Architectural Photography of John Gollings by Joe Rollo
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What makes a good architectural photograph? In an ideal world, it is the product of a dialogue between the architect’s intentions for his or her building; the built form and its synergy with its environment; and the photographer’s ability to interpret these elements in a creative and dynamic way. A successful photograph should offer a clear visual representation of a building, but it should also capture its defining spirit. And there is one final element which often remains an unspoken, if fundamental, part of this process: the role of photography in ‘selling’ a building. So it is interesting that this large book celebrating the work of John Gollings begins with a quote by the great American architectural photographer Julius Shulman, which states, in part, ‘the truth is that I am a merchandiser. I sell architecture better and more directly and more vividly than the architect does.’

Book 1 Title: Beautiful Ugly
Book 1 Subtitle: The Architectural Photography of John Gollings
Book Author: Joe Rollo
Book 1 Biblio: Thames & Hudson, $120 hb, 332 pp
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What makes a good architectural photograph? In an ideal world, it is the product of a dialogue between the architect’s intentions for his or her building; the built form and its synergy with its environment; and the photographer’s ability to interpret these elements in a creative and dynamic way. A successful photograph should offer a clear visual representation of a building, but it should also capture its defining spirit. And there is one final element which often remains an unspoken, if fundamental, part of this process: the role of photography in ‘selling’ a building. So it is interesting that this large book celebrating the work of John Gollings begins with a quote by the great American architectural photographer Julius Shulman, which states, in part, ‘the truth is that I am a merchandiser. I sell architecture better and more directly and more vividly than the architect does.’

Read more: Isobel Crombie reviews 'Beautiful Ugly: The Architectural Photography of John Gollings' by Joe Rollo

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Peter Hill reviews Lucio Fontana: Between Utopia and Kitsch by Anthony White
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Throw the name Lucio Fontana into any dinner table discussion about twentieth-century art, and chances are the first comment thrown back will be, ‘He’s the Italian guy who slashed his canvases.’ He certainly was. But there is much more to him than that, as this exquisitely produced and exhaustively researched book by Anthony White shows.

Book 1 Title: Lucio Fontana
Book 1 Subtitle: Between Utopia and Kitsch
Book Author: Anthony White
Book 1 Biblio: MIT Press (Footprint Books), $29.95 hb, 338 pp
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Throw the name Lucio Fontana into any dinner table discussion about twentieth-century art, and chances are the first comment thrown back will be, ‘He’s the Italian guy who slashed his canvases.’ He certainly was. But there is much more to him than that, as this exquisitely produced and exhaustively researched book by Anthony White shows.

Read more: Peter Hill reviews 'Lucio Fontana: Between Utopia and Kitsch' by Anthony White

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John Thompson reviews Mr JW Lewin: Painter & Naturalist by Richard Neville
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Rich in achievement, the artist and naturalist John William Lewin died in Sydney on 27 August 1819; he was forty-nine. With public funds, a stone was erected over his grave in the city’s new cemetery in Devonshire Street. While the inscription referred to Lewin’s official status as the town coroner, its discursive text lamented the loss ‘to this country of an Eminent Artist in his line of Natural History Painting in which he excelled’. Two years previously, in an official dispatch commending several fine drawings to the secretary of colonies in London, Governor Lachlan Macquarie – the last but most significant of a succession of vice-regal admirers and patrons – had praised ‘the Masterly Hand of Mr Lewin’. Schooled in England in a tradition of generic natural history illustration in which specimens were placed at the centre of a page devoid of all context, in Australia Lewin’s work was transformed by precise observations and an innovative approach to the illustration of natural history that was unprecedented. For him, New South Wales – its landscape, flora, and fauna, its Indigenous inhabitants, its own growth to a settled colony – was literally inspiring.

Book 1 Title: Mr JW Lewin
Book 1 Subtitle: Painter & Naturalist
Book Author: Richard Neville
Book 1 Biblio: NewSouth Publishing, $39.99 pb, 272 pp
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Rich in achievement, the artist and naturalist John William Lewin died in Sydney on 27 August 1819; he was forty-nine. With public funds, a stone was erected over his grave in the city’s new cemetery in Devonshire Street. While the inscription referred to Lewin’s official status as the town coroner, its discursive text lamented the loss ‘to this country of an Eminent Artist in his line of Natural History Painting in which he excelled’. Two years previously, in an official dispatch commending several fine drawings to the secretary of colonies in London, Governor Lachlan Macquarie – the last but most significant of a succession of vice-regal admirers and patrons – had praised ‘the Masterly Hand of Mr Lewin’. Schooled in England in a tradition of generic natural history illustration in which specimens were placed at the centre of a page devoid of all context, in Australia Lewin’s work was transformed by precise observations and an innovative approach to the illustration of natural history that was unprecedented. For him, New South Wales – its landscape, flora, and fauna, its Indigenous inhabitants, its own growth to a settled colony – was literally inspiring.

Read more: John Thompson reviews 'Mr JW Lewin: Painter & Naturalist' by Richard Neville

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Jane Clark reviews Visions Past and Present: Celebrating 40 Years edited by Christopher Menz
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Reading this book is like taking a stroll through the exhibition with which it was published to coincide, in the wonderful company of its thirty-one expert, articulate, and enthusiastic authors. Visions Past and Present: Celebrating 40 Years – as both book and exhibition – celebrates the University of Melbourne’s art museum: launched as the University Art Gallery in 1972 and known since 1998 as the Ian Potter Museum of Art, in Swanston Street, Parkville. The exhibition continues until 26 August (free and open to all). The book – a handbook of collection highlights rather than a catalogue – will have a much longer shelf life.

Book 1 Title: Visions Past and Present
Book 1 Subtitle: Celebrating 40 Years
Book Author: Christopher Menz
Book 1 Biblio: The Ian Potter Museum of Art, $22 pb, 116 pp, 9780734047670
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Reading this book is like taking a stroll through the exhibition with which it was published to coincide, in the wonderful company of its thirty-one expert, articulate, and enthusiastic authors. Visions Past and Present: Celebrating 40 Years – as both book and exhibition – celebrates the University of Melbourne’s art museum: launched as the University Art Gallery in 1972 and known since 1998 as the Ian Potter Museum of Art, in Swanston Street, Parkville. The exhibition continues until 26 August (free and open to all). The book – a handbook of collection highlights rather than a catalogue – will have a much longer shelf life.

Christopher Menz, during whose acting directorship the book appears (while Chris McAuliffe is away at Harvard as Chair of Australian Studies), tells us in his Introduction that the University’s first fine art acquisition, in 1881, was a portrait of the inaugural Chancellor Sir Redmond Barry. Although the Potter makes purchases of contemporary art when funds permit, the University Art Collection evolved largely as the result of generous donations, single works and entire collections, which reflect the personalities – and the vision – of their former owners. Fifty-two works of art now in the custodianship of the Potter are illustrated, plus one ‘ring in’ from the Baillieu Library (an exquisite fourteenth-century illuminated manuscript); and forty-six of these are selected for a double-page spread with individual commentary. The ‘visions past’ extend as far back as ancient Mesopotamia – the ‘cradle of civilisation’. The most recent work, by Vivienne Shark LeWitt, was painted and purchased in 2008. In between come Greek and Roman antiquities, stained glass, Groote Eylandt and Arnhem Land bark paintings, Pieter Brueghel III, J.M.W. Turner, locals including Buvelot, Streeton, McCubbin, Bunny, Phillips Fox, Margaret Preston, Sidney Nolan, Fred Williams, Destiny Deacon, and more. The authors – graduates, Museum or academic staff, distinguished emeriti and associates of the University – share their expertise in a variety of voices from a range of perspectives. The information about each work is not intended to be exhaustive but, rather, consists of what each writer has found interesting and would like us to know as we enjoy our virtual tour.

Alisa Bunbury tells us about assigned convicts advertised in Sydney as ‘Artists of Superior abilities’. Alison Inglis notes that littering picnickers were a problem at Tasmanian beauty spots in the 1840s: ‘empty champagne bottles which bristled beside the rocks … and greasy sandwich papers lurking amongst the moss’. Henry Skerritt explains that William Strutt’s Bushrangers, Victoria, Australia 1852 is an early colonial subject (robbery and murder on St Kilda Road) remembered and painted in 1887 at the very end of the bushranging era, indeed not long after Sir Redmond Barry had sentenced Ned Kelly to hang; and that it was re-discovered in England by donor Sir Russell Grimwade in the 1950s – just as Nolan was making his mark in London with Kelly. We learn from Angus Trumble that after Keith Murdoch had the vision to initiate an art history department, its first professor, Joseph Burke, donated superb – at the time contemporary – works by Henry Moore and Ian Fairweather. Juliette Peers finds Bernard Hall less sexist than other ‘founding fathers’ of Australian art and in his depiction of suicide ‘a new postmodernist currency’; while Vivien Gaston reveals the ‘perilous exuberance’ of John Perceval’s brushwork. Helen Brack draws on her own life as an artist, as well as her understanding of her husband’s.

As an introduction to or souvenir of the Potter, this attractive book is both accessible and affordable. It is also a reminder of how rich the on-campus university experience remains in a digital world, and not only for those enrolled there.

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Steven Miller reviews Concerning the Spiritual: The influence of the Theosophical Society on Australian Artists 1890–1934 by Jenny McFarlane
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Jenny McFarlane, in this fascinating study of Theosophical influences upon Australian artists, attempts a ‘cross-cultural and interdisciplinary interrogation of modernity’. Rather than viewing modernism in the arts as the progression of a series of ‘isms’, leading by a linear narrative to abstraction, she presents a picture of multiple, interweaving modernisms. Her period of interest extends from the 1890s, when prominent Australians such as Alfred Deakin and Henry Parkes were enthralled by Annie Besant’s Australian lectures, through the early twentieth century, when many artists officially joined the Theosophical Society, to the Society’s decline after the death of C.W. Leadbeater in 1934. By focusing on the way Theosophy encouraged artists to probe the nature of the visible and invisible, McFarlane gives an account of Australian modernism that is ‘gendered, decentralised and alternative’.

Book 1 Title: Concerning the Spiritual
Book 1 Subtitle: The influence of the Theosophical Society on Australian Artists 1890–1934
Book Author: Jenny McFarlane
Book 1 Biblio: Australian Scholarly Publishing, $49.95 pb, 225 pp
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Jenny McFarlane, in this fascinating study of Theosophical influences upon Australian artists, attempts a ‘cross-cultural and interdisciplinary interrogation of modernity’. Rather than viewing modernism in the arts as the progression of a series of ‘isms’, leading by a linear narrative to abstraction, she presents a picture of multiple, interweaving modernisms. Her period of interest extends from the 1890s, when prominent Australians such as Alfred Deakin and Henry Parkes were enthralled by Annie Besant’s Australian lectures, through the early twentieth century, when many artists officially joined the Theosophical Society, to the Society’s decline after the death of C.W. Leadbeater in 1934. By focusing on the way Theosophy encouraged artists to probe the nature of the visible and invisible, McFarlane gives an account of Australian modernism that is ‘gendered, decentralised and alternative’.

Read more: Steven Miller reviews 'Concerning the Spiritual: The influence of the Theosophical Society on...

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Dean Biron reviews Promise by Tony Cavanaugh
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Promise is set on Queensland’s Sunshine Coast, although it might as well be Siberia so far as any claims to historical or social verisimilitude are concerned. Just about every stereotype ever devised in the name of crime fiction has been assembled here, resulting in a story so over the top as to stretch credulity beyond breaking point.

Book 1 Title: Promise
Book Author: Tony Cavanaugh
Book 1 Biblio: Hachette Australia, $29.99 pb, 327 pp, 9780733628474
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Promise is set on Queensland’s Sunshine Coast, although it might as well be Siberia so far as any claims to historical or social verisimilitude are concerned. Just about every stereotype ever devised in the name of crime fiction has been assembled here, resulting in a story so over the top as to stretch credulity beyond breaking point.

Read more: Dean Biron reviews 'Promise' by Tony Cavanaugh

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Ed Wright reviews The Remnants by John Hughes
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The esteemed critic and lecturer Don Anderson once told me that Proust’s Remembrance of Things Past was a book you shouldn’t read until you were over forty. Still in my twenties at the time, hungry for erudition, I was annoyed and set out to read the book, only to put it down even more irritated some time later, thinking, If that boy calls out to his mother one more time, I’ll scream. Reading John Hughes’s début novel, The Remnants, I was reminded of Dr Anderson’s sage remark. There are books that can only be fully appreciated once the first real terror of one’s own mortality has been felt. This is one, and there is much to be savoured in this sharp-minded regeneration of literary tradition and its enquiries into memory, dying, translation, and translocation that I suspect would have sailed straight over my younger head.

Book 1 Title: The Remnants
Book Author: John Hughes
Book 1 Biblio: UWA Publishing, $29.95 pb, 288 pp, 9781742583327
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The esteemed critic and lecturer Don Anderson once told me that Proust’s Remembrance of Things Past was a book you shouldn’t read until you were over forty. Still in my twenties at the time, hungry for erudition, I was annoyed and set out to read the book, only to put it down even more irritated some time later, thinking, If that boy calls out to his mother one more time, I’ll scream. Reading John Hughes’s début novel, The Remnants, I was reminded of Dr Anderson’s sage remark. There are books that can only be fully appreciated once the first real terror of one’s own mortality has been felt. This is one, and there is much to be savoured in this sharp-minded regeneration of literary tradition and its enquiries into memory, dying, translation, and translocation that I suspect would have sailed straight over my younger head.

Read more: Ed Wright reviews 'The Remnants' by John Hughes

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James Ley reviews Canada by Richard Ford
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Richard Ford has earned a place among the most venerable practitioners of a durable brand of American realism. His fiction draws strength from its stolid traditionalism: its faith in the idea that formal conservatism, respectful attention to the lives of ordinary people, and a line-by-line dedication to the craft of writing are the surest paths to literary significance. His aesthetic, broadly speaking, is that of a writer who reveres Anton Chekhov and John Cheever, thinks everything James Joyce wrote after The Dead was a mistake, and believes with Ernest Hemingway that the only eloquence manly enough to deserve respect is a plain-spoken eloquence.

Book 1 Title: Canada
Book Author: Richard Ford
Book 1 Biblio: Bloomsbury, $29.99 pb, 420 pp, 9781408815168
Book 1 Author Type: Author
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Richard Ford has earned a place among the most venerable practitioners of a durable brand of American realism. His fiction draws strength from its stolid traditionalism: its faith in the idea that formal conservatism, respectful attention to the lives of ordinary people, and a line-by-line dedication to the craft of writing are the surest paths to literary significance. His aesthetic, broadly speaking, is that of a writer who reveres Anton Chekhov and John Cheever, thinks everything James Joyce wrote after The Dead was a mistake, and believes with Ernest Hemingway that the only eloquence manly enough to deserve respect is a plain-spoken eloquence.

Read more: James Ley reviews 'Canada' by Richard Ford

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Anna Heyward reviews End of the Night Girl by Amy T. Matthews
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End of the Night Girl, the first novel by Adelaide writer Amy T. Matthews, is a story about one of the most difficult tasks of writing and scholarship in the past sixty years: imagining the Shoah. In attempting this task, Matthews emulates writers such as W.G. Sebald, Thomas Keneally, Elfriede Jelinek, and Inga Clendinnen.

Book 1 Title: End of the Night Girl
Book Author: Amy T. Matthews
Book 1 Biblio: Wakefield Press, $24.95 pb, 280 pp, 9781862549449
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End of the Night Girl, the first novel by Adelaide writer Amy T. Matthews, is a story about one of the most difficult tasks of writing and scholarship in the past sixty years: imagining the Shoah. In attempting this task, Matthews emulates writers such as W.G. Sebald, Thomas Keneally, Elfriede Jelinek, and Inga Clendinnen.

Read more: Anna Heyward reviews 'End of the Night Girl' by Amy T. Matthews

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Jane Sullivan reviews The Oldest Song in the World by Sue Woolfe
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How can Australians write fiction about Indigenous Australia? It is one of the most contentious literary questions today. There aren’t any rules, but writers – particularly white writers – are driven by a strange mix of passion and caution.

Book 1 Title: THE OLDEST SONG IN THE WORLD
Book Author: Sue Woolfe
Book 1 Biblio: Fourth Estate, $29.99 pb, 393 pp, 9780732294991
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How can Australians write fiction about Indigenous Australia? It is one of the most contentious literary questions today. There aren’t any rules, but writers – particularly white writers – are driven by a strange mix of passion and caution.

Read more: Jane Sullivan reviews 'The Oldest Song in the World' by Sue Woolfe

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Amy Baillieu reviews Past the Shallows by Favel Parrett
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The beauty and danger of the ocean and its unpredictable nature have long been fertile subjects for artists and writers, and the sea a popular and potent metaphor. In Favel Parrett’s trim, lyrical début novel Past the Shallows, shortlisted for the Miles Franklin Award,the sea is once again symbolic. In fact, nearly everything in this novel feels symbolic, sometimes distractingly so.

Book 1 Title: Past the Shallows
Book Author: Favel Parrett
Book 1 Biblio: Hachette Australia, $26.99 pb, 272 pp, 9780733626579
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The beauty and danger of the ocean and its unpredictable nature have long been fertile subjects for artists and writers, and the sea a popular and potent metaphor. In Favel Parrett’s trim, lyrical début novel Past the Shallows, shortlisted for the Miles Franklin Award,the sea is once again symbolic. In fact, nearly everything in this novel feels symbolic, sometimes distractingly so.

Read more: Amy Baillieu reviews 'Past the Shallows' by Favel Parrett

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Jeffrey Poacher reviews Welcome to Normal by Nick Earls
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Wheen asked why his later writing had taken on such a different character, Eugenio Montale explained that this was because it came from la retrobottega – literally, from the back of the shop – that place where an artist might unhurriedly conduct a private experiment or two. Something similar might be said of Welcome to Normal, the first collection of stories by Nick Earls in more than a decade. Earls is, of course, well known for his cheerful novels about young Brisbane schlemiels and their tribulations of the heart (though the author must by now grit his teeth every time the label ‘lad lit’ is misleadingly appended to his work). These latest stories suggest an altogether different trajectory for his fiction, one that is more ambivalent, more serious, and much closer to the world we call real.

Book 1 Title: WELCOME TO NORMAL
Book Author: Nick Earls
Book 1 Biblio: Vintage, $29.95 pb, 288 pp, 9781864711547
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Wheen asked why his later writing had taken on such a different character, Eugenio Montale explained that this was because it came from la retrobottega – literally, from the back of the shop – that place where an artist might unhurriedly conduct a private experiment or two. Something similar might be said of Welcome to Normal, the first collection of stories by Nick Earls in more than a decade. Earls is, of course, well known for his cheerful novels about young Brisbane schlemiels and their tribulations of the heart (though the author must by now grit his teeth every time the label ‘lad lit’ is misleadingly appended to his work). These latest stories suggest an altogether different trajectory for his fiction, one that is more ambivalent, more serious, and much closer to the world we call real.

Read more: Jeffrey Poacher reviews 'Welcome to Normal' by Nick Earls

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Milly Main reviews The Bedroom Philosopher Diaries by Justin Heazlewood
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This volume from musician, writer, and satirist Justin Heazlewood (‘The Bedroom Philosopher’) collects seven years of touring diaries from a performer well known for maintaining an ironic distance in singles such as ‘I’m So Post Modern’ and ‘Northcote (So Hungover)’. These diaries aren’t so derisive, and greater meaningfulness counterpoints his characteristic satire. When he isn’t floundering in overwrought literary passages, Heazlewood can be quite funny.

Book 1 Title: The Bedroom Philosopher Diaries
Book Author: Justin Heazlewood
Book 1 Biblio: A Small Press (Affirm Press), $24.95 pb, 163 pp, 9780646570396
Book 1 Author Type: Author
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This volume from musician, writer, and satirist Justin Heazlewood (‘The Bedroom Philosopher’) collects seven years of touring diaries from a performer well known for maintaining an ironic distance in singles such as ‘I’m So Post Modern’ and ‘Northcote (So Hungover)’. These diaries aren’t so derisive, and greater meaningfulness counterpoints his characteristic satire. When he isn’t floundering in overwrought literary passages, Heazlewood can be quite funny.

Read more: Milly Main reviews 'The Bedroom Philosopher Diaries' by Justin Heazlewood

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Greg Lehman reviews Tasmanian Aborigines: A History Since 1803 by Lyndall Ryan
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One of the first things that Australians learn at school or on arrival as migrants is that this country has a rich history of war. Australia’s military tradition has been an integral part of the making of modern Australia. World War II opened doors to a wave of European migration and cultural enrichment, and each conflict since then has been followed by a similar surge of social development. Australia has grown up on war – or, at least, we have grown through it.

Book 1 Title: Tasmanian Aborigines
Book 1 Subtitle: A History Since 1803
Book Author: Lyndall Ryan
Book 1 Biblio: Allen & Unwin, $35 pb, 445 pp
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One of the first things that Australians learn at school or on arrival as migrants is that this country has a rich history of war. Australia’s military tradition has been an integral part of the making of modern Australia. World War II opened doors to a wave of European migration and cultural enrichment, and each conflict since then has been followed by a similar surge of social development. Australia has grown up on war – or, at least, we have grown through it.

Read more: Greg Lehman reviews 'Tasmanian Aborigines: A History Since 1803' by Lyndall Ryan

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Philip Bell reviews Networking: Commercial Television in Australia by Nick Herd
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Nick Herd introduces Networking: Commercial Television in Australia by outlining the ‘five fateful choices’ that constrained, or perhaps enabled, commercial television to assume its peculiarly Australian form during the past fifty years. These revolved around technical matters such as transmission standards (European or American?), whether commercial players should own ‘the spectrum’, the number of viable services given the problem of too many broadcasters chasing too little content, and localism in regional services. To these he might have added the decision to regulate local (Australian-produced) content.

Book 1 Title: Networking
Book 1 Subtitle: Commercial Television in Australia
Book Author: Nick Herd
Book 1 Biblio: Currency House, $69.99 hb, 408 pp
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Nick Herd introduces Networking: Commercial Television in Australia by outlining the ‘five fateful choices’ that constrained, or perhaps enabled, commercial television to assume its peculiarly Australian form during the past fifty years. These revolved around technical matters such as transmission standards (European or American?), whether commercial players should own ‘the spectrum’, the number of viable services given the problem of too many broadcasters chasing too little content, and localism in regional services. To these he might have added the decision to regulate local (Australian-produced) content.

Read more: Philip Bell reviews 'Networking: Commercial Television in Australia' by Nick Herd

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Jane Goodall reviews The Office: A Hardworking History by Gideon Haigh
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What two things do the following people have in common: Samuel Pepys, Nathaniel Hawthorne, Honoré de Balzac, Charles Dickens, George Bernard Shaw, Émile Zola, Franz Kafka, P.G. Wodehouse, Dorothy L. Sayers, Kurt Vonnegut, and Gabriel García Márquez? Answer: they all did office work, and they all wrote about it. Regardless of Kafka’s conviction that ‘writing and the office cannot be reconciled’, the evidence is that the office breeds writing like nowhere else. From the Restoration period to the present, all the great themes of modernity seem to coalesce around it.

Book 1 Title: The Office
Book 1 Subtitle: A Hardworking History
Book Author: Gideon Haigh
Book 1 Biblio: Miegunyah Press, $45 pb, 622 pp
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What two things do the following people have in common: Samuel Pepys, Nathaniel Hawthorne, Honoré de Balzac, Charles Dickens, George Bernard Shaw, Émile Zola, Franz Kafka, P.G. Wodehouse, Dorothy L. Sayers, Kurt Vonnegut, and Gabriel García Márquez? Answer: they all did office work, and they all wrote about it. Regardless of Kafka’s conviction that ‘writing and the office cannot be reconciled’, the evidence is that the office breeds writing like nowhere else. From the Restoration period to the present, all the great themes of modernity seem to coalesce around it.

Read more: Jane Goodall reviews 'The Office: A Hardworking History' by Gideon Haigh

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Paul Morgan reviews The People Smuggler: The True Story of Ali al Jenabi, the Oskar Schindler of Asia by Robin de Crespigny
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Contents Category: Memoir
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Do you remember them on the television news? Stumbling down gangplanks onto our shores, with flickering cubes of light instead of heads. Wearing strange clothes and eating stranger food. They harboured terror and disease. They were said to sacrifice their children. How did it come to this?

Book 1 Title: The People Smuggler
Book 1 Subtitle: The True Story of Ali al Jenabi, the ‘Oskar Schindler of Asia’
Book Author: Robin de Crespigny
Book 1 Biblio: Viking, $29.95 pb, 360 pp
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Do you remember them on the television news? Stumbling down gangplanks onto our shores, with flickering cubes of light instead of heads. Wearing strange clothes and eating stranger food. They harboured terror and disease. They were said to sacrifice their children. How did it come to this?

Read more: Paul Morgan reviews 'The People Smuggler: The True Story of Ali al Jenabi, the "Oskar Schindler of...

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Carmel Bird reviews The Lost Woman by Sydney Smith
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Contents Category: Memoir
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In 1978 Christina Crawford published her memoir Mommie Dearest, an account of her life as the abused adoptive child of Joan Crawford. Shocking scenes in this book remain forever with readers. Sydney Smith’s account of life with her mother is, if anything, more horrific than Mommie Dearest. Traditional fairy tales often split the mother into the good mother and the bad mother, and the one in The Lost Woman is a baroque version of the bad. The memoir begins by invoking the story of Rapunzel and continues throughout the narrative to identify life’s key elements with the tropes of the folk tale. This is a story of imprisonment, escape, and transformation.

Book 1 Title: The Lost Woman
Book Author: Sydney Smith
Book 1 Biblio: Text Publishing, $32.95 pb, 280 pp
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In 1978 Christina Crawford published her memoir Mommie Dearest, an account of her life as the abused adoptive child of Joan Crawford. Shocking scenes in this book remain forever with readers. Sydney Smith’s account of life with her mother is, if anything, more horrific than Mommie Dearest. Traditional fairy tales often split the mother into the good mother and the bad mother, and the one in The Lost Woman is a baroque version of the bad. The memoir begins by invoking the story of Rapunzel and continues throughout the narrative to identify life’s key elements with the tropes of the folk tale. This is a story of imprisonment, escape, and transformation.

Read more: Carmel Bird reviews 'The Lost Woman' by Sydney Smith

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Ben Juers reviews The Beach Beneath the Street: The Everyday Life and Glorious Times of the Situationist International by McKenzie Wark
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Contents Category: Cultural Studies
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Jean-Luc Godard’s film about young French revolutionaries, La Chinoise (1967), was described by Manny Farber as having ‘a suspicious sideways movement […] sliding sideways, crab fashion, [that] bars progress to its inhabitants, keeps turning the actors whirligig fashion without revealing anything about them’. Named after graffiti from the Paris uprising of May 1968, McKenzie Wark’s The Beach Beneath the Street takes on the Situationist International (SI) with what look, at first, to be similarly crab-like gestures.

Book 1 Title: The Beach Beneath the Street
Book 1 Subtitle: The Everyday Life and Glorious Times of the Situationist International
Book Author: McKenzie Wark
Book 1 Biblio: Verso (Palgrave Macmillan), $29.95 hb, 205 pp
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Jean-Luc Godard’s film about young French revolutionaries, La Chinoise (1967), was described by Manny Farber as having ‘a suspicious sideways movement […] sliding sideways, crab fashion, [that] bars progress to its inhabitants, keeps turning the actors whirligig fashion without revealing anything about them’. Named after graffiti from the Paris uprising of May 1968, McKenzie Wark’s The Beach Beneath the Street takes on the Situationist International (SI) with what look, at first, to be similarly crab-like gestures.

Read more: Ben Juers reviews 'The Beach Beneath the Street: The Everyday Life and Glorious Times of the...

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Susan Crennan reviews Deltroit and the Valley of Hillas Creek: A Social and Environmental History by Nicola Crichton-Brown
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Contents Category: Australian History
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Deltroit (pronounced del-troy) is an exceptionally fine pastoral property and homestead in the Riverina – ‘pastoral’ in the Australian sense, with drovers, not shepherds, and the furies of fire, flood, and drought never far from mind, notwithstanding a privileged life in magnificent surroundings:

Book 1 Title: Deltroit and the Valley of Hillas Creek
Book 1 Subtitle: A Social and Environmental History
Book Author: Nicola Crichton-Brown
Book 1 Biblio: Melbourne Books, $45 hb, 315 pp
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Deltroit (pronounced del-troy) is an exceptionally fine pastoral property and homestead in the Riverina – ‘pastoral’ in the Australian sense, with drovers, not shepherds, and the furies of fire, flood, and drought never far from mind, notwithstanding a privileged life in magnificent surroundings:

Read more: Susan Crennan reviews 'Deltroit and the Valley of Hillas Creek: A Social and Environmental...

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Contents Category: Young Adult Fiction
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Adolescent girls aged sixteen to seventeen are at the centre of these three Young Adult novels: girls whose heightened emotional states prompt supernatural events. Broken families, disconnection from parents, obsession, music, art, and death impel the protagonists to seek solace and healing in the metaphysical. For Shirley Marr (Black Dog Books, $18.95 pb, 272 pp, 9781742031903), it is the Chinese understanding of the ‘preloved’ and their resonance in the present that engenders the attractive ghost Logan. For Kirsty Eagar (Penguin, $19.95 pb, 314 pp, 9780143206552) it is the creative impulse, the painter’s obsession with ‘seeing’ beyond the surface of things, that evokes the dark landscape in which Abbie struggles for meaning. For Rosanne Hawke (University of Queensland Press, $19.95 pb, 252 pp, 9780702238826), it is profound grief following the death of the protagonist’s brother.

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Adolescent girls aged sixteen to seventeen are at the centre of these three Young Adult novels: girls whose heightened emotional states prompt supernatural events. Broken families, disconnection from parents, obsession, music, art, and death impel the protagonists to seek solace and healing in the metaphysical. For Shirley Marr (Black Dog Books, $18.95 pb, 272 pp, 9781742031903), it is the Chinese understanding of the ‘preloved’ and their resonance in the present that engenders the attractive ghost Logan. For Kirsty Eagar (Penguin, $19.95 pb, 314 pp, 9780143206552) it is the creative impulse, the painter’s obsession with ‘seeing’ beyond the surface of things, that evokes the dark landscape in which Abbie struggles for meaning. For Rosanne Hawke (University of Queensland Press, $19.95 pb, 252 pp, 9780702238826), it is profound grief following the death of the protagonist’s brother.

Read more: Pam Macintyre reviews 'Preloved' by Shirley Marr, 'Night Beach' by Kirsty Eagar and 'The Messenger...

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Bec Kavanagh reviews The Shiny Guys by Doug MacLeod
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Contents Category: Young Adult Fiction
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The Shiny Guys, quite a departure from Doug MacLeod’s usually quite light-hearted work, is nonetheless a real success. This foray into the world of mental illness and treatment calls to mind, and even refers directly to, complex works such as The Castle and One Flew over the Cuckoo’s Nest. A book about fear, uncertainty, and suffering, it is rich in complexities but perfectly told for its young adult audience.

Book 1 Title: The Shiny Guys
Book Author: Doug MacLeod
Book 1 Biblio: Penguin, $17.95 pb, 261 pp, 9780143565307
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The Shiny Guys, quite a departure from Doug MacLeod’s usually quite light-hearted work, is nonetheless a real success. This foray into the world of mental illness and treatment calls to mind, and even refers directly to, complex works such as The Castle and One Flew over the Cuckoo’s Nest. A book about fear, uncertainty, and suffering, it is rich in complexities but perfectly told for its young adult audience.

Read more: Bec Kavanagh reviews 'The Shiny Guys' by Doug MacLeod

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Laura Elvery reviews The Terrible Thing That Happened to Barnaby Brocket by John Boyne
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Contents Category: Children's Fiction
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A midnight birth on a Friday is the first suggestion that Barnaby Brocket is not an ordinary arrival. Seconds later, baby Barnaby slips through the doctor’s hands and floats towards the ceiling. For his parents, Eleanor and Alistair, life until this point has been satisfyingly normal, with ‘no time for people who were unusual or who made a show of themselves in public’. Barnaby’s airborne ways leave his family ashamed. Being different is the worst thing in the world.

Book 1 Title: The Terrible Thing That Happened to Barnaby Brocket
Book Author: John Boyne
Book 1 Biblio: Doubleday, $19.95 pb, 261 pp, 9780857531476
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A midnight birth on a Friday is the first suggestion that Barnaby Brocket is not an ordinary arrival. Seconds later, baby Barnaby slips through the doctor’s hands and floats towards the ceiling. For his parents, Eleanor and Alistair, life until this point has been satisfyingly normal, with ‘no time for people who were unusual or who made a show of themselves in public’. Barnaby’s airborne ways leave his family ashamed. Being different is the worst thing in the world.

Read more: Laura Elvery reviews 'The Terrible Thing That Happened to Barnaby Brocket' by John Boyne

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Clement Semmler reviews Foreigners: A new collection of short stories by David Martin
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Contents Category: Short Stories
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The novelist’s art is wide ranging; he is concerned with a multitude of things that comprise the fabric of his book. The short story writer, however, is concerned with one thing that implies many, since singularity and intensity are the essence of his art. The best short story writers depend on a marked personal attitude and this is the distinguishing characteristic of David Martin’s second collection of stories whose common denominator is his compassionate understanding of the problems of New Australians.

Book 1 Title: Foreigners
Book 1 Subtitle: A new collection of short stories
Book Author: David Martin
Book 1 Biblio: Rigby, 455 pp, $7.95
Book 1 Author Type: Author
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The novelist’s art is wide ranging; he is concerned with a multitude of things that comprise the fabric of his book. The short story writer, however, is concerned with one thing that implies many, since singularity and intensity are the essence of his art. The best short story writers depend on a marked personal attitude and this is the distinguishing characteristic of David Martin’s second collection of stories whose common denominator is his compassionate understanding of the problems of New Australians.

Frank O’Connor once said that whereas in the novel there is always some character with whom the reader identifies himself, in the short story the reader is forced rather to identify himself with the glance, indeed, the vision of the writer. So much is projected that is not actually put down.

Read more: Clement Semmler reviews 'Foreigners: A new collection of short stories' by David Martin

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