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December 1992, no. 147

Geoff Sharrock reviews Tanglewood by Kristin Williamson
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It’s high time that bookstores set aside a section for novels that document the increasingly familiar territory of the inner lives of middle-class white Australian women who grew up in the 1960s.

Book 1 Title: Tanglewood
Book Author: Kristin Williamson
Book 1 Biblio: McPhee Gribble, $19.95 pb
Book 1 Author Type: Author
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It’s high time that bookstores set aside a section for novels that document the increasingly familiar territory of the inner lives of middle-class white Australian women who grew up in the 1960s.

Starting at Melbourne University in 1962 and ending in Sydney in 1992, Kristin Williamson’s Tanglewood traces the lives of three female friends: an energetic but childless investigative journalist, a teacher and mother whose husband leaves her after twenty years of marriage, and a successful, beautiful artist.

Williamson employs a quilt-like narrative structure, looping back and forth from time to time, place to place, character to character with ease and clarity. It’s page-turning stuff, at times intriguing but not particularly enlightening. The men get off less lightly than the women who have uniquely female experiences and draw strength from each other, grow and explore in all those ways we have come to expect.

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David Goodman reviews Textual Spaces: Aboriginality and cultural studies by Stephen Muecke
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Contents Category: Indigenous Studies
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Stephen Muecke’s Textual Spaces offers both new material and versions of some of the essays he has published on Aboriginal and cultural studies published through the 1980s. Many of these have already been very influential, but the welcome appearance of the book invites consideration of the continuities in Muecke’s arguments, the programme they suggest.

Book 1 Title: Textual Spaces
Book 1 Subtitle: Aboriginality and cultural studies
Book Author: Stephen Muecke
Book 1 Biblio: NSWUP, $27.95 pb
Book 1 Author Type: Author
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Stephen Muecke’s Textual Spaces offers both new material and versions of some of the essays he has published on Aboriginal and cultural studies published through the 1980s. Many of these have already been very influential, but the welcome appearance of the book invites consideration of the continuities in Muecke’s arguments, the programme they suggest.

Read more: David Goodman reviews 'Textual Spaces: Aboriginality and cultural studies' by Stephen Muecke

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David Tacey reviews Wilderness: The writer’s landscape, volume I by Suzanne Falkiner
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Contents Category: Literary Studies
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Suzanne Falkiner’s Wilderness is a garden of delights. This is one of the most imaginative, innovative, and useful books on Australian literary culture to emerge for some time. The book represents the first volume of a two-part series entitled The Writers’ Landscape, and Wilderness traces the influence of Australian landscape on Australian writers.

Book 1 Title: Wilderness
Book 1 Subtitle: The writer’s landscape, volume I
Book Author: Suzanne Falkiner
Book 1 Biblio: Simon and Schuster, $39.95 hb
Book 1 Author Type: Author
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Suzanne Falkiner’s Wilderness is a garden of delights. This is one of the most imaginative, innovative, and useful books on Australian literary culture to emerge for some time. The book represents the first volume of a two-part series entitled The Writers’ Landscape, and Wilderness traces the influence of Australian landscape on Australian writers.

Read more: David Tacey reviews 'Wilderness: The writer’s landscape, volume I' by Suzanne Falkiner

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Judith Ryan reviews Yirawala: Painter of the dreaming by Sandra Le Brun Holmes
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Contents Category: Art
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Sandra Holmes’s Yirawala: Painter of the Dreaming is not a picture book or a ‘pretty story’. It does not tell balanda (white people) what they want to hear, nor does it euphemise the truth. The book is an inspiring, if harrowing account of Yirawala’s life and death, his religion manifest as art, and his struggle with balanda officialdom to regain title to his Dreaming country, Marugulidban.

Book 1 Title: Yirawala
Book 1 Subtitle: Painter of the dreaming
Book Author: Sandra Le Brun Holmes
Book 1 Biblio: Hodder & Stoughton, $59.95
Book 1 Author Type: Author
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Sandra Holmes’s Yirawala: Painter of the Dreaming is not a picture book or a ‘pretty story’. It does not tell balanda (white people) what they want to hear, nor does it euphemise the truth. The book is an inspiring, if harrowing account of Yirawala’s life and death, his religion manifest as art, and his struggle with balanda officialdom to regain title to his Dreaming country, Marugulidban.

Read more: Judith Ryan reviews 'Yirawala: Painter of the dreaming' by Sandra Le Brun Holmes

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Jeffrey Minson reviews Foucault and Literature: Towards a genealogy of writing by Simon During
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Contents Category: Literary Studies
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Article Title: Fashioning Foucault
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‘At a crucial moment in my career, I was fortunate to have had the opportunity to take heart from the humbling serenity and unaffected craftsmanship of Michel Foucault, in what I was not to know were his last years.’ Nothing could be further from the spirit of Foucault and Literature than this tribute by eminent historian Peter Brown. During’s measure of Foucault’s contribution to literary studies is the extent to which in his writings, as in his person, ‘academic skills’ are reconciled with a ‘transgressive’ political radicalism in such a way as ‘to break down the limits of academic professionalism’. No doubt the passionate, politically engaged reflection and teaching envisaged in During’s (post-) Foucauldian programme for literary studies would leave intact the sabbatical leave arrangements upon which Brown’s and Foucault’s collaboration would have depended.

Book 1 Title: Foucault and Literature
Book 1 Subtitle: Towards a genealogy of writing
Book Author: Simon During
Book 1 Biblio: Routledge, $27.95 pb
Book 1 Author Type: Author
Book 1 Readings Link: https://www.booktopia.com.au/foucault-and-literature-simon-during/book/9780415012423.html
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‘At a crucial moment in my career, I was fortunate to have had the opportunity to take heart from the humbling serenity and unaffected craftsmanship of Michel Foucault, in what I was not to know were his last years.’ Nothing could be further from the spirit of Foucault and Literature than this tribute by eminent historian Peter Brown. During’s measure of Foucault’s contribution to literary studies is the extent to which in his writings, as in his person, ‘academic skills’ are reconciled with a ‘transgressive’ political radicalism in such a way as ‘to break down the limits of academic professionalism’. No doubt the passionate, politically engaged reflection and teaching envisaged in During’s (post-) Foucauldian programme for literary studies would leave intact the sabbatical leave arrangements upon which Brown’s and Foucault’s collaboration would have depended.

Read more: Jeffrey Minson reviews 'Foucault and Literature: Towards a genealogy of writing' by Simon During

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Bill Perrett reviews Whose Place? A study of Sally Morgan’s My Place edited by Delys Bird and Dennis Haskell
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Contents Category: Essay Collection
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The first thing to be noted about this collection of essays is that it is aimed at a quite specific market – HSC/VCE students. There is a list of ‘Study Questions’ at the end, and the language of the essays is consistently pitched at an upper secondary school level. Readers who want more complex responses to My Place would be better served by consulting the eclectic bibliography to the text as a starting point.

Book 1 Title: Whose Place?
Book 1 Subtitle: A study of Sally Morgan’s My Place
Book Author: Delys Bird and Dennis Haskell
Book 1 Biblio: Angus & Robertson, $8.95 pb
Book 1 Author Type: Editor
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The first thing to be noted about this collection of essays is that it is aimed at a quite specific market – HSC/VCE students. There is a list of ‘Study Questions’ at the end, and the language of the essays is consistently pitched at an upper secondary school level. Readers who want more complex responses to My Place would be better served by consulting the eclectic bibliography to the text as a starting point.

Read more: Bill Perrett reviews 'Whose Place? A study of Sally Morgan’s My Place' edited by Delys Bird and...

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K.K. Ruthven reviews Engendered Fictions: Analysing gender in the production and reception of texts by Anne Cranny-Francis
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Contents Category: Literary Studies
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Article Title: Gender Traps
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An ancient grammarian who had pondered Horace’s remarks on whether a good poem is the product of natural aptitude (ingenium) or acquired skills (studium) opted for ingenium and produced what was to become a much-quoted aphorism: poeta nascitur non fit, ‘a poet is born, not made’. His privileging of ‘nature’ over ‘art’ is favoured by those anxious to preserve the mystery of poetry by deriving it from an inscrutable faculty called ‘genius’. Others, eager to unscrew the inscrutable, favour the rival and demystificatory claim that poets are made, not born, which enables human interventions to overcome biological determinism.

Book 1 Title: Engendered Fictions
Book 1 Subtitle: Analysing gender in the production and reception of texts
Book Author: Anne Cranny-Francis
Book 1 Biblio: NSWUP, $24.95 pb
Book 1 Author Type: Author
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An ancient grammarian who had pondered Horace’s remarks on whether a good poem is the product of natural aptitude (ingenium) or acquired skills (studium) opted for ingenium and produced what was to become a much-quoted aphorism: poeta nascitur non fit, ‘a poet is born, not made’. His privileging of ‘nature’ over ‘art’ is favoured by those anxious to preserve the mystery of poetry by deriving it from an inscrutable faculty called ‘genius’. Others, eager to unscrew the inscrutable, favour the rival and demystificatory claim that poets are made, not born, which enables human interventions to overcome biological determinism.

Read more: K.K. Ruthven reviews 'Engendered Fictions: Analysing gender in the production and reception of...

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Contents Category: Literary Studies
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Article Title: Overlap and interact
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In Boundary Conditions, Jennifer Strauss, taking her title from the Eisenhart poem of that name, points to the centrality of Gwen Harwood’s concern with ‘those littoral regions where the boundary terms that define themselves on either side of us also overlap and interact'. It is here, she claims, that ‘our most intense experiences, for better or worse, occur, and it is here that she correctly and perceptively locates Gwen Harwood’s major preoccupations as well as her recurrent images and settings.

Book 1 Title: Boundary Conditions
Book 1 Subtitle: The poetry of Gwen Harwood
Book Author: Jennifer Strauss
Book 1 Biblio: University of Queensland Publishing, $29.95 pb
Book 1 Author Type: Author
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In Boundary Conditions, Jennifer Strauss, taking her title from the Eisenhart poem of that name, points to the centrality of Gwen Harwood’s concern with ‘those littoral regions where the boundary terms that define themselves on either side of us also overlap and interact'. It is here, she claims, that ‘our most intense experiences, for better or worse, occur, and it is here that she correctly and perceptively locates Gwen Harwood’s major preoccupations as well as her recurrent images and settings.

Read more: Alison Hoddinott reviews 'Boundary Conditions: The poetry of Gwen Harwood' by Jennifer Strauss

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Tim Rowse reviews Ancestral Connections: Art and an Aboriginal system of knowledge by Howard Morphy
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Contents Category: Indigenous Studies
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Article Title: Surprising revelations about Aboriginal art
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Morphy’s monograph is an instance of a problem in anthropological writing about Australian Aboriginal people, a problem of audiences. The public this book will reach (and please and enrich enormously) is international, made up of several thousand mostly Anglophone anthropologists students of art, particularly those researching or teaching about the contexts in which the art of non-Western peoples is created and first consumed. Yet the art of North East Arnhem Land (the Nhulunbuy/Yirrkala region) appeals to a much larger and more heterogeneous public than this. It is likely that Australians comprise a majority of this second public. Morphy, adviser to the Australian National Gallery in the later 1970s and early 1980s, can take some credit for that. And there is a third and even larger public still: those Australians who infrequently go to art galleries (they might spend a few hours in the ANG on a Canberra trip) but who are susceptible to a more informed perception of the subtlety, beauty and (most important) resilience of the classical heritage of Aboriginal culture.

Book 1 Title: Ancestral Connections
Book 1 Subtitle: Art and an Aboriginal system of knowledge
Book Author: Howard Morphy
Book 1 Biblio: University of Chicago Press, $36.95 pb
Book 1 Author Type: Author
Book 1 Readings Link: https://www.booktopia.com.au/ancestral-connections-howard-morphy/book/9780226538662.html
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Morphy’s monograph is an instance of a problem in anthropological writing about Australian Aboriginal people, a problem of audiences. The public this book will reach (and please and enrich enormously) is international, made up of several thousand mostly Anglophone anthropologists students of art, particularly those researching or teaching about the contexts in which the art of non-Western peoples is created and first consumed. Yet the art of North East Arnhem Land (the Nhulunbuy/Yirrkala region) appeals to a much larger and more heterogeneous public than this. It is likely that Australians comprise a majority of this second public. Morphy, adviser to the Australian National Gallery in the later 1970s and early 1980s, can take some credit for that. And there is a third and even larger public still: those Australians who infrequently go to art galleries (they might spend a few hours in the ANG on a Canberra trip) but who are susceptible to a more informed perception of the subtlety, beauty and (most important) resilience of the classical heritage of Aboriginal culture.

Read more: Tim Rowse reviews 'Ancestral Connections: Art and an Aboriginal system of knowledge' by Howard...

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Billed on the front cover as ‘an entertaining comedy of manners’, this is exactly what this light but pacy, 500-page novel turns out to be. It is the story of Andrea, a well-off wife and mother whose life changes when her husband leaves her for someone else.

Book 1 Title: Adelaide Banks
Book Author: Anne Berzel
Book 1 Biblio: Arrow, $10.95 pb
Book 1 Author Type: Author
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Billed on the front cover as ‘an entertaining comedy of manners’, this is exactly what this light but pacy, 500-page novel turns out to be. It is the story of Andrea, a well-off wife and mother whose life changes when her husband leaves her for someone else.

Read more: Geoff Sharrock reviews 'Adelaide Banks' by Anne Berzel

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Telecom Australian Voices | In the Flesh: Watching writers read by Kerryn Goldsworthy
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Article Title: In the Flesh
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There have been three years now of ‘Australian Voices’, but when in all that time have you heard a voice? The metonymic use of the word ‘voice’ to mean ‘way of using language’ has become so familiar we forget it’s figurative. But as far as sensory experience is concerned, reading this series has been about the look of typeface, the feel of paper; the only noise has been the turning of the pages. We’ve heard Australian voices in silence.

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‘To our bodies turn we, then, that so
Weak men on love revealed may look;
Love’s mysteries in souls may grow
But yet the body is his book.’

John Donne, ‘The Ecstasy’

‘...the unstable self, the fractured ego, Maud thought, who ... am I? A matrix for a susurration of texts and codes? It was both a pleasant and an unpleasant idea, this requirement that she thinks of herself as intermittent and partial. There was the question of the awkward body. The skin, the breath, the eyes, the hair, their history, which did seem to exist.

A.S. Byatt, Possession

Where he’s been is where nobody expects to have to go. You don’t ask questions about where he’s been. You look at the· body. It trembles. It sweats. It bleeds. You your mouth shut. You see the body, and you work it out.

Helen Garner, ‘What the Soul Wants’

T

here have been three years now of ‘Australian Voices’, but when in all that time have you heard a voice? The metonymic use of the word ‘voice’ to mean ‘way of using language’ has become so familiar we forget it’s figurative. But as far as sensory experience is concerned, reading this series has been about the look of typeface, the feel of paper; the only noise has been the turning of the pages. We’ve heard Australian voices in silence.

In the last few years I’ve been to a lot of literary festivals and conferences and readings to hear writers read and speak, and I am always astonished by the number of people who turn up. Why do they turn up? (Why do I turn up?) The question seems currently, for some reason, in the air: having decided several weeks ago on my topic for this essay and having, as I write this, about half finished it, I was shown an hour ago an article by Helen Garner on writers’ festivals called ‘Singing for your Supper’, in which she asks the very question to which this essay is not so much an answer as a sort of meditative response. ‘What is this powerful urge people feel,’ she asks, ‘that makes them not only buy books but pay even more money in order to clap eyes on the writers themselves, to hear them speak and read?’

If one admires the work of a writer then it is logical to want to buy and own and read the writer’s books, but is it logical to want to see the writer’s body and to hear the writer’s voice? And is it logical to complain, as one woman recently did, of disappointment in a literary lunch at which Elizabeth Jolley ‘only’ read from the manuscript of the book she is currently writing? ‘I thought,’ this woman wrote, ‘that she was going to speak.’ It was not Jolley’s fiction, the thing for which she is justly famous, which had brought the woman out to lunch. What she wanted was what she must have thought of as Jolley’s self.

What is this all about?

I don’t see (and don’t want) any easy answer, but there are certainly a few seductive-looking avenues inviting exploration. I think that the kind of occasion upon which a writer stands up to read, to speak, to be looked at and heard (‘giving a reading’, ‘giving a paper’, ‘giving a talk’: note the verb) has close connections with certain other forms of communication: gossip, letters, crime fiction, biography. Like these, it involves empowerment, pleasure, and desire. Like these, it concerns bodily presence. Like these, it tries to answer one of the questions that these postmodern times have made so hard: ‘Who?’

Read more: Telecom Australian Voices | 'In the Flesh: Watching writers read' by Kerryn Goldsworthy

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Daniel Kane reviews Sojourners: The epic story of China’s centuries-old relationship with Australia by Eric Rolls
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Mr Rolls has written an extraordinarily detailed history of the Chinese in Australia, interspersed with much additional related and unrelated matter. It is indeed a labour of love, written over a period of some twenty years, and the author has uncovered a large amount of fascinating and amazing information not readily available elsewhere. Much of this new material relates to the vibrant popular culture the Chinese brought with them: their food, cricket fighting, cock fighting, and other sorts of fairly harmless gambling; their diseases, living conditions and relations with their non-Chinese neighbours. A certain amount of the book concerns immigration acts and other forms of discrimination, of course, but the stronger impression one gets is a more positive one: the Chinese as hard workers and major contributors to Australian life.

Book 1 Title: Sojourners
Book 1 Subtitle: The epic story of China’s centuries-old relationship with Australia
Book Author: Eric Rolls
Book 1 Biblio: University of Queensland Press, $49.95 hb
Book 1 Author Type: Author
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Mr Rolls has written an extraordinarily detailed history of the Chinese in Australia, interspersed with much additional related and unrelated matter. It is indeed a labour of love, written over a period of some twenty years, and the author has uncovered a large amount of fascinating and amazing information not readily available elsewhere. Much of this new material relates to the vibrant popular culture the Chinese brought with them: their food, cricket fighting, cock fighting, and other sorts of fairly harmless gambling; their diseases, living conditions and relations with their non-Chinese neighbours. A certain amount of the book concerns immigration acts and other forms of discrimination, of course, but the stronger impression one gets is a more positive one: the Chinese as hard workers and major contributors to Australian life.

Read more: Daniel Kane reviews 'Sojourners: The epic story of China’s centuries-old relationship with...

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Julie Lewis reviews Settlement: The writers landscape Volume II by Suzanne Falkiner
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This is a stylish book, and is rich with illustration which includes material quoted from the work of a whole range of writers as well as colour photographs that call up an immediate sense of place. It is a unique way to an understanding of Australia’s capital cities – historically, geographically, and culturally, and at the same time to an acquaintance with writers whose work is offered in the context of these cities. The material is essentially descriptive. Eclectic in content and often benign, it offers an alternative approach to our history in terms of landscape and literature. It would make an appropriate gift for readers who are curious about Australian literature/landscape and whose present knowledge is limited. It would also be a useful inclusion in familiarisation packages for diplomatic and political representatives from overseas countries.

Book 1 Title: Settlement
Book 1 Subtitle: The writers' landscape
Book Author: Suzanne Falkiner
Book 1 Biblio: Simon and Schuster, $39.95 hb
Book 1 Author Type: Author
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This is a stylish book, and is rich with illustration which includes material quoted from the work of a whole range of writers as well as colour photographs that call up an immediate sense of place. It is a unique way to an understanding of Australia’s capital cities – historically, geographically, and culturally, and at the same time to an acquaintance with writers whose work is offered in the context of these cities. The material is essentially descriptive. Eclectic in content and often benign, it offers an alternative approach to our history in terms of landscape and literature. It would make an appropriate gift for readers who are curious about Australian literature/landscape and whose present knowledge is limited. It would also be a useful inclusion in familiarisation packages for diplomatic and political representatives from overseas countries.

Read more: Julie Lewis reviews 'Settlement: The writers' landscape' Volume II by Suzanne Falkiner

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Thomas Shapcott reviews Remember Me, Jimmy James by Steven Carroll
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A first novel written with fine-honed discretion and linking three generations of very ordinary Australians, this book has a satisfying sense of the continuities and disjunctions within families.

Book 1 Title: Remember Me, Jimmy James
Book Author: Steven Carroll
Book 1 Biblio: McPhee Gribble, $14.95 pb
Book 1 Author Type: Author
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A first novel written with fine-honed discretion and linking three generations of very ordinary Australians, this book has a satisfying sense of the continuities and disjunctions within families.

The story is rich in small, telling details and wonderfully laconic verbal exchanges (if that is not too heady a word) between couple whose feeling towards each other have been long eroded by habit. Yet it remains a novel in sepia colours. Like the numerous photographs that get picked up in the tale, there is a sort of immobilised concentration that gives the book its elegiac tone. There is not much direct action.

Read more: Thomas Shapcott reviews 'Remember Me, Jimmy James' by Steven Carroll

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What is the relationship between our literary culture and the academy? Moreover, should there be any relationship between the two, or is it healthier if each remains separate, largely isolated from the other? These-questions were brought into focus for me by ‘Word Games’, a provocative essay in the Spring issue of Island, that lively Tasmanian literary magazine.

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What is the relationship between our literary culture and the academy? Moreover, should there be any relationship between the two, or is it healthier if each remains separate, largely isolated from the other? These-questions were brought into focus for me by ‘Word Games’, a provocative essay in the Spring issue of Island, that lively Tasmanian literary magazine.

Read more: 'Written off as second-rate' by Andrew Riemer

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Contents Category: Australian History
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Article Title: Reading and suffering
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Why do we read what we read? Bookshelves groan with biography, travel, social theory far left corner, cultural studies creeping up the front, Baudrillard in the back door and out the front. Some people’s books get featured in the weekend papers, others go straight into the back of the car and the second-hand shops. Love, sweat and tears … what’s it all for?

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Why do we read what we read? Bookshelves groan with biography, travel, social theory far left corner, cultural studies creeping up the front, Baudrillard in the back door and out the front. Some people’s books get featured in the weekend papers, others go straight into the back of the car and the second-hand shops. Love, sweat and tears … what’s it all for?

Read more: Peter Beilharz reviews 'The Petrie Family' by Dornan & Cryle, 'Tom Petrie's Reminiscences' by C....

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Tina Muncaster reviews second degree tampering : Writing by women edited by Sybylla Feminist Press
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This is a powerful and accomplished anthology. The fiction, poems, and autobiographies of thirty-seven women writers offer a collection where the individual pieces coalesce into much more than the sum of the parts.

The editors have chosen writing from a field of over 350 manuscripts, seeking that which challenges and revises dominant versions of national identity.

Book 1 Title: second degree tampering
Book 1 Subtitle: Writing by women
Book Author: Sybylla Feminist Press
Book 1 Biblio: Sybylla Feminist Press, 200 pp
Book 1 Author Type: Editor
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This is a powerful and accomplished anthology. The fiction, poems, and autobiographies of thirty-seven women writers offer a collection where the individual pieces coalesce into much more than the sum of the parts.

The editors have chosen writing from a field of over 350 manuscripts, seeking that which challenges and revises dominant versions of national identity.

Read more: Tina Muncaster reviews 'second degree tampering : Writing by women' edited by Sybylla Feminist Press

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Joan Kirner reviews Suffrage to Sufferance: 100 years of women in politics by Janine Haines
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Janine Haines’s book, Suffrage to Sufferance is a good read. For women who are in public life and who insist on equality, it is a realistic and often humorous read. For those women who aspire to public life or simply equal rights, it is an entertaining – lost journalistic – account of where women’s aspirations might lead them. For men who understand or want to understand women’s drive for equality, there is an idea of the barriers, seen and unseen, that women face. And there is some sense of women’s struggle for political influence and recognition.

Book 1 Title: Suffrage to Sufferance
Book 1 Subtitle: 100 years of women in politics
Book Author: Janine Haines
Book 1 Biblio: Allen & Unwin, $14.95 pb
Book 1 Author Type: Author
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Janine Haines’s book, Suffrage to Sufferance is a good read. For women who are in public life and who insist on equality, it is a realistic and often humorous read. For those women who aspire to public life or simply equal rights, it is an entertaining – lost journalistic – account of where women’s aspirations might lead them. For men who understand or want to understand women’s drive for equality, there is an idea of the barriers, seen and unseen, that women face. And there is some sense of women’s struggle for political influence and recognition.

Read more: Joan Kirner reviews 'Suffrage to Sufferance: 100 years of women in politics' by Janine Haines

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Geoff Sharrock reviews Unbranded by Herb Wharton
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Herb Wharton’s first novel is a highly readable account of the lives of three stockmen in far west Queensland. Sandy is a white man, Bindi a Murri, and Mulga related to both of them through his parents.

Book 1 Title: Unbranded
Book Author: Herb Wharton
Book 1 Biblio: UQP, $13.95 pb
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Herb Wharton’s first novel is a highly readable account of the lives of three stockmen in far west Queensland. Sandy is a white man, Bindi a Murri, and Mulga related to both of them through his parents.

Read more: Geoff Sharrock reviews 'Unbranded' by Herb Wharton

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This woman was so happy she couldn’t think of anything else.

Book 1 Title: The Two Necklaces
Book Author: Shen Zulian
Book 1 Biblio: ABR Fiction
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This woman was so happy she couldn’t think of anything else.

He had gone to a southern pearling town. Everyone says that western pearls aren’t as good as eastern pearls, and that eastern pearls aren’t as good as southern pearls. A trip to Hepu, a pearling town famous for its southern pearls, wasn’t to be made in vain. Naturally, there was the chance to do a bit of sight-seeing in town, to watch the diving, visit the product displays, sigh in appreciation … Then after that, one would buy a little something as a souvenir.

He bought two necklaces, each one strung with 57 pearls. They were heavy, smooth to the touch, and extraordinarily luxurious and beautiful to wear. On his return, she would certainly be delighted when she saw them.

She was indeed delighted. When her husband took the necklaces out of the bag and asked her to make her choice, she was as excited as a small child.

She weighed the necklaces in each hand, appraising the merits of each one. Although her husband repeatedly said that they had both cost the same amount, she could see a difference. One necklace was longer than the other by the length of a finger. The pearls were the same, glossy and shining, and there were 57 on each necklace. She hadn’t believed this at first, but after counting them pearl by pearl she was convinced.

Her neck was the slightest bit thick and so naturally she chose the longer of the two. With their son still not home from school, she took off her coat, and tried it on. Looking in the mirror, her appearance was instantly transformed. A string of pearls hung over her fair breast and her beautiful neck was enhanced. She was so ravishing that she didn’t notice the astonishment of her husband standing behind her, his gaze admiring nothing less than the beauty of this newly discovered fashion model.

She was so happy wearing this one necklace that she forgot all about the other one.

A happy wife makes for an even happier husband. They had been married for almost ten years, but this was the first time he had ever really bought her anything that could be called a gift. He was extremely grateful to the Association for giving him the chance to go to that pearling town, and was over the moon to see her girlish excitement. So women were that easy to please after all, and their satisfaction did give their men boundless pleasure. The happiness he derived from his wife’s delight in the pearls exceeded the happiness he had once felt when one of his prints was selected for an exhibition in Beijing and awarded a first prize. While they both shared in this happiness, each one was happy in a different way.

Beautiful at home, she was also beautiful when she went out. During the next few days, whenever she wore her necklace to the market, to work, on the bus or at the theatre, her compatriots all stared at her with surprise and lavished praise on this new beauty! Things were even sweeter at home, where, not surprisingly, she showed more than her normal concern for her husband’s well-being.

One day, however, her mood changed abruptly. On the way home from work, as she turned into the market absorbed in her own thoughts, she passed a wealthy-looking young woman also wearing a necklace on her powdered neck. It was a shining pearl necklace, three times more beautiful than hers! Her unconscious was jolted.

‘How come you’re back so late?’ He had arrived fifteen minutes earlier than her. ‘I have to go away tomorrow’

‘……’

‘What is it. Aren’t you well?’

‘I’m well. Why wouldn’t I be well?’ Then she exploded, ‘Tell me, do you still have that other necklace?’

‘Why do you ask? You can’t wear two of them on one neck, can you?’

‘I just wanted to know. Who was it bought for?’

‘I was asked to buy it for someone.’

‘Who?’

‘……’

‘Who? Tell me the truth …’

‘A colleague.’

‘Male or female?’

‘Male …’ He turned slightly pink.

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Thomas Shapcott reviews Nowhere Man: Stories, 1984-1992 by John Irving
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These stories are well written and rather depressing. That makes them, I guess, rather representative of what one might call the current state of short-story writing by urban males. One thinks immediately of recent collections by Garry Disher and Nick Earls. There seem to be a few basic starting off points, the most notable being in the delineation of defensiveness and insecurities that give the male characters, who are often the narrators, a sensitive but decidedly uptight response to, well, almost everything. Women, parents, children (their own), and particularly the drab world that has snuffed out some early spark of liveliness or vitality (which is usually rubbed for sympathetic magic in moments of nostalgic recall).

Book 1 Title: Nowhere Man
Book 1 Subtitle: Stories, 1984-1992
Book Author: John Irving
Book 1 Biblio: Bystander Press, n.p.
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These stories are well written and rather depressing. That makes them, I guess, rather representative of what one might call the current state of short-story writing by urban males. One thinks immediately of recent collections by Garry Disher and Nick Earls. There seem to be a few basic starting off points, the most notable being in the delineation of defensiveness and insecurities that give the male characters, who are often the narrators, a sensitive but decidedly uptight response to, well, almost everything. Women, parents, children (their own), and particularly the drab world that has snuffed out some early spark of liveliness or vitality (which is usually rubbed for sympathetic magic in moments of nostalgic recall).

Read more: Thomas Shapcott reviews 'Nowhere Man: Stories, 1984-1992' by John Irving

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In the mid-1980s, Paul Carter and I used to meet and talk from time to time. On a hot day just before the Ash Wednesday fires, I mentioned to Paul that I was becoming disappointed with the book of fiction that I was then writing. Paul said much in reply to this, but all I remembered afterwards was his opening sentence: ‘The only material any writer has is his thoughts and feelings.’ What Paul Carter said was not new to me, but I have often felt grateful to him for having said it to me just at that time.

Book 1 Title: Living in a New Country
Book 1 Subtitle: History, travelling and language
Book Author: Paul Carter
Book 1 Biblio: Faber and Faber, $35, 214 pp
Book 1 Author Type: Author
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In the mid-1980s, Paul Carter and I used to meet and talk from time to time. On a hot day just before the Ash Wednesday fires, I mentioned to Paul that I was becoming disappointed with the book of fiction that I was then writing. Paul said much in reply to this, but all I remembered afterwards was his opening sentence: ‘The only material any writer has is his thoughts and feelings.’ What Paul Carter said was not new to me, but I have often felt grateful to him for having said it to me just at that time.

Read more: Gerald Murnane reviews 'Living in a New Country: History, travelling, and language' by Paul Carter

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Oxford University Press has begun a welcome series called Australian Writers. Two further titles, Imre Salusinszky on Gerald Murnane and Ivor Indyk on David Malouf, will appear in March 1993, and eleven more books are in preparation. Though I find the first three uneven in quality, they make a very promising start to a series. In some ways they resemble Oliver and Boyd’s excellent series, Writers and Critics, even being of about the same length. However this new series is less elementary, more demanding of the reader. It is, predictably, far sparser in critical evaluation, concentrating on hermeneutics, and biographical information is as rare as a wombat waltz.

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Oxford University Press has begun a welcome series called Australian Writers. Two further titles, Imre Salusinszky on Gerald Murnane and Ivor Indyk on David Malouf, will appear in March 1993, and eleven more books are in preparation. Though I find the first three uneven in quality, they make a very promising start to a series. In some ways they resemble Oliver and Boyd’s excellent series, Writers and Critics, even being of about the same length. However this new series is less elementary, more demanding of the reader. It is, predictably, far sparser in critical evaluation, concentrating on hermeneutics, and biographical information is as rare as a wombat waltz.

Read more: John Hanrahan reviews 'A.D. Hope' by Kevin Hart, 'James McAuley' by Lyn McCredden, 'Peter Porter'...

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Jonathan Holmes reviews Imagining the Pacific: In the wake of the Cook voyages by Bernard Smith
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At the conclusion of the fascinating essay ‘Coleridge’s Ancient Mariner and Cook’s Second Voyage’ in his recently published book Imagining the Pacific: In the Wake of the Cook Voyages, Bernard Smith writes:

The most carefully planned and the most scientifically and efficiently conducted expedition ever made up to its time in the realm of reality provided the poet with a world of wonder and a nucleus of recollections from whence emerged in its own good time the most romantic voyage ever undertaken in the realm of the imagination.

Book 1 Title: Imagining the Pacific
Book 1 Subtitle: In the wake of the Cook voyages
Book Author: Bernard Smith
Book 1 Biblio: MUP, $59.95 hb
Book 1 Author Type: Author
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At the conclusion of the fascinating essay ‘Coleridge’s Ancient Mariner and Cook’s Second Voyage’ in his recently published book Imagining the Pacific: In the Wake of the Cook Voyages, Bernard Smith writes:

The most carefully planned and the most scientifically and efficiently conducted expedition ever made up to its time in the realm of reality provided the poet with a world of wonder and a nucleus of recollections from whence emerged in its own good time the most romantic voyage ever undertaken in the realm of the imagination.

Read more: Jonathan Holmes reviews 'Imagining the Pacific: In the wake of the Cook voyages' by Bernard Smith

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Ducks a short story by Julian Davies
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Have you ever looked at a duck? There is more to it, to use that peculiar cliché, than meets the eye. Watching ducks has been my labour for some time, but, of course, it will be so only for a limited period. Still, I expect I will always retain the interest now that I have come to know ducks better.

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Have you ever looked at a duck? There is more to it, to use that peculiar cliché, than meets the eye. Watching ducks has been my labour for some time, but, of course, it will be so only for a limited period. Still, I expect I will always retain the interest now that I have come to know ducks better.

Each morning, quite early, I walk to the Botanical Gardens. Even at that time the traffic has started up. On the way I stop on the overpass and examine the commuters moving below me on the freeway. I look down on the tops of the oncoming vehicles and watch their operators as they drive, staring ahead, or inspecting themselves in the mirror, or adjusting their hair, or lighting up a cigarette. There is time, usually, to see these things before the people slide from sight beneath me in their little metal capsules. I feel pity for my fellow beings and I deeply thank the universe for rust.

Read more: 'Ducks' a short story by Julian Davies

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Bricks a short story by Chris Hanley
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I was only two bites into a corned beef and pickle sandwich and surrounded by unmarked exam papers when one of my students, Nod Clay, walked up and asked me to write him a reference.

‘You got a job interview Nod?’

‘No it’s for court, for assault.’

‘What sort of assault?’

‘With a brick.’

‘Jesus Nod…’

I pushed my chair away from the desk and folded my arms.

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I was only two bites into a corned beef and pickle sandwich and surrounded by unmarked exam papers when one of my students, Nod Clay, walked up and asked me to write him a reference.

‘You got a job interview Nod?’

‘No it’s for court, for assault.’

‘What sort of assault?’

‘With a brick.’

‘Jesus Nod…’

I pushed my chair away from the desk and folded my arms.

Read more: 'Bricks' a short story by Chris Hanley

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Contents Category: Commentary
Custom Article Title: A Well Depicted Woman
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Here it is, nearly Christmas, and as usual, the list of Books I Have Read is running into the hundreds, and I have that end-of-year mad, fleeting illusion that also afflicts exam-fevered students … that somehow it All Adds Up.

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Here it is, nearly Christmas, and as usual, the list of Books I Have Read is running into the hundreds, and I have that end-of-year mad, fleeting illusion that also afflicts exam-fevered students … that somehow it All Adds Up.

I won’t make the mistake here, though, of trying to make the following selection of books add up in any cosmic way. I’d just like, in quite a pedestrian way, to take another look at some new fiction by Australian women writers to see whether any new ground has been broken in the depiction of women characters.

Read more: 'A Well-Depicted Woman' by Catherine Kenneally

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Because it’s the end of the year, every Tom, Dick and Harry is trotting out the Top Books of the Year, My Favourite Summer Reading, What Book I’d Like for Christmas – good old standbys. ABR, however, is looking soberly (for the most part) at the current state of critical writing. Critics and scholars and researchers talking about theory and analysis. People engaged in the processes that help us sort through why we respond to writing in the ways we do, with joy or horror, enthusiasm or indifference.

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Because it’s the end of the year, every Tom, Dick and Harry is trotting out the Top Books of the Year, My Favourite Summer Reading, What Book I’d Like for Christmas – good old standbys. ABR, however, is looking soberly (for the most part) at the current state of critical writing. Critics and scholars and researchers talking about theory and analysis. People engaged in the processes that help us sort through why we respond to writing in the ways we do, with joy or horror, enthusiasm or indifference.

While this writing, critical writing, cannot be called fiction, surely it can be called creative?

To call writing ‘creative’ is usually a way of positioning is not from the point of view of the writer but from that of the reader. If it’s creative writing then you simply assign any opaqueness to the fact that this is emerging from the imagination, where things don’t have to make sense because it’s feelings we’re on about, atmosphere, a kind of, oh I don’t know, mood. If it doesn’t make sense to you, you keep quiet about it because it might say something about your lack of imagination, not about the lack of sense in the text. When critical writing, on the other hand, is opaque, it seems that it is the writer’s fault, never the reader’s, because the writer is deliberately trying to be difficult. Apparently.

Read more: 'Editorial' by Rosemary Sorensen | December 1992

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Article Title: An Interview with Suzanne Falkiner
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This was an extraordinary task you set yourself. How did you decide to do it in the first place?

I was actually asked to do it. Lesley Mackay, who has a bookshop in Double Bay that I go to, was doing a bit of publishing and packaging, and it suddenly occurred to her that while there was a Writer’s France and a Writer’s Britain there hadn’t been a Writer’s Australia, so she came to me with the idea. She thought she could package the idea to a publisher and would I write it? I thought, what a wonderful idea and signed the contract, and then realised that what I was going to do was write an entire literary history of Australia, and every chapter could have been a book on its own, and probably should have been.

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This was an extraordinary task you set yourself. How did you decide to do it in the first place?

I was actually asked to do it. Lesley Mackay, who has a bookshop in Double Bay that I go to, was doing a bit of publishing and packaging, and it suddenly occurred to her that while there was a Writer’s France and a Writer’s Britain there hadn’t been a Writer’s Australia, so she came to me with the idea. She thought she could package the idea to a publisher and would I write it? I thought, what a wonderful idea and signed the contract, and then realised that what I was going to do was write an entire literary history of Australia, and every chapter could have been a book on its own, and probably should have been.

That’s partly why it turned into two volumes. When I started getting the material together, I had a folder full of material for cities the size of a book. According to the original concept I would have had to deal with each city in about two or three pages. I was also supposed to do it in eight months; it’s taken two and a half years. It could have taken a lot longer, and it probably should have, but on the other hand, all the time I was working on it I knew I was over deadline, so it did concentrate my attention wonderfully.

Read more: An interview with Suzanne Falkiner by Rosemary Sorensen

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Custom Article Title: 'The Woman Who Hammerd Melon Seeds'
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While most people were looking forward to the Mid-autumn Festival, she was hoping it wouldn’t come quite so quickly. However, it didn’t really matter what anybody thought, mid-autumn gradually loomed closer and closer.

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While most people were looking forward to the Mid-autumn Festival, she was hoping it wouldn’t come quite so quickly. However, it didn’t really matter what anybody thought, mid-autumn gradually loomed closer and closer.

Closer and closer. She couldn’t help but work faster with her little hammer – tap-tap-crack, tap-tap-crack. A square stool, a quarter of a brick, a small hammer. The small hammer was welded for her by a friend at the workshop. It was just a piece of iron five centimetres long with a small handle attached. It was very handy. With the seed placed on the brick, the whole process only required three movements. With a vertical strike – the first ‘tap’ sounding more crisply than the second – the seed was split. Then, by twisting the seed between thumb and forefinger, there was a ‘crack’ and the white melon kernel jumped out of its red shell.

Read more: 'The Woman Who Hammered Melon Seeds' a short story by Shen Zulian

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On hearing Samuel Beckett refute his birth date my mother, who was pregnant with me, was thrown into a whirl.

‘He cannot’, she said to a gathering of friends who shared her view that he would praise their new club motto which, they had just decided, would be:

Seek disorder, Live for enigma. Beware of fools and false causes.

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On hearing Samuel Beckett refute his birth date my mother, who was pregnant with me, was thrown into a whirl.

‘He cannot’, she said to a gathering of friends who shared her view that he would praise their new club motto which, they had just decided, would be:

Seek disorder, Live for enigma. Beware of fools and false causes.

‘Why would he refute it? He says it is in April. We say it is in May. Thirty days difference! But birth is the least ambiguous of occurrences – surely?’

‘Surely’, they all said.

Read more: 'On Hearing Samuel Beckett Refute His Birth Date' a short story by Graham Harper

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Custom Article Title: 'Look me in the eye and say that'
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Book reviewing. I’ve done quite a lot of it. I regard it as my trade and a profession, one to be proud of, with principles and rules and responsibilities, to be practised ethically and with generosity. And not gloomily, nor theoretically, for I write for readers, not scholars.

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Book reviewing. I’ve done quite a lot of it. I regard it as my trade and a profession, one to be proud of, with principles and rules and responsibilities, to be practised ethically and with generosity. And not gloomily, nor theoretically, for I write for readers, not scholars.

It’s an odd trade, when you come to think of it, telling people what books they should read, or buy, which ones work, which ones fail. In its own closed world it could be seen as carrying great power, making and breaking reputations, careers, lives perhaps. I’ve heard of a writer committing suicide as a result, think some people including its author, of a damning review. A long time ago. Sometimes negativity seems to run through a whole set of reviews like a virus of great virulence and travelling power, yet inexplicable, and sometimes perhaps the reverse happens. My last novel, Lovers’ Knots, seems to have had nothing but positive comment, which I find interesting because it seems to me an easy book to attack and demolish if a critic were feeling full of bile; it would need a certain malice and cruelty but that is not so very unusual in the business.

Read more: 'Look me in the eye and say that' by Marion Halligan

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Jonathan Holmes reviews Imagining the Pacific in the Wake of the Cook Voyages by Bernard Smith
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The chapter explores the influence of William Wales on the young Coleridge when he was a student at Christ’s Hospital, London, Wales, the scientist-navigator who travelled with Cook on the Resolution, was appointed Master of Mathematics at Christ’s Hospital in 1775 and Smith, in this engaging essay, argues that the young Coleridge would have heard the stories of their momentous journey in search of the great South Land. For not only was Wales a teacher of mathematics but his job also included drumming up midshipmen recruits from the Lower School for the Royal Navy. He was ideally suited for this – a man of great stature and intellect who could deliver an exhilarating first-hand account of what it was like to be pushing to the very frontiers of knowledge through maritime exploration.

Book 1 Title: Imagining the Pacific in the Wake of the Cook Voyages
Book Author: Bernard Smith
Book 1 Biblio: Melbourne University Press, $59.95 hb
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At the conclusion of the fascinating essay ‘Coleridge’s Ancient Mariner and Cook’s Second Voyage’ in his recently published book Imagining the Pacific: In the wake of the Cook voyages, Bernard Smith writes:

The most carefully planned and the most scientifically and efficiently conducted expedition ever made up to its time in the realm of reality provided the poet with a world of wonder and a nucleus of recollections from whence emerged in its own good time the most romantic voyage ever undertaken in the realm of the imagination.

Read more: Jonathan Holmes reviews 'Imagining the Pacific in the Wake of the Cook Voyages' by Bernard Smith

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Rosemary Sorenson reviews Chasing Mammon: Travels in the Pursuit of Money by Douglas Kennedy
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Douglas Kennedy is one of that group of travel writers who are annoyingly good at getting an angle on a story but never really making a point. He whisks us around the world, in this case around the money markets of the world, observing, picking up quotable quotes, telling tidy anecdotes, and in the end, back home, he snaps the lid on his collected experience and calls it a day. Easy listening, but perhaps a bit too easy.

Book 1 Title: Chasing Mammon
Book 1 Subtitle: Travels in the Pursuit of Money
Book Author: Douglas Kennedy
Book 1 Biblio: HarperCollins, $32.95 hb
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Douglas Kennedy is one of that group of travel writers who are annoyingly good at getting an angle on a story but never really making a point. He whisks us around the world, in this case around the money markets of the world, observing, picking up quotable quotes, telling tidy anecdotes, and in the end, back home, he snaps the lid on his collected experience and calls it a day. Easy listening, but perhaps a bit too easy.

Read more: Rosemary Sorenson reviews 'Chasing Mammon: Travels in the Pursuit of Money' by Douglas Kennedy

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David Walker reviews From Another Place: Migration and the politics of culture by Gillian Bottomley
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The title of Gillian Bottomley’s lively study addresses both the major theme of migration and her own position as an academic anthropologist. Bottomley targets specialist studies with hard and fast disciplinary categories and attitudes and rejects the tone of impersonal scholarship which such works frequently adopt.

Book 1 Title: From Another Place
Book 1 Subtitle: Migration and the politics of culture
Book Author: Gillian Bottomley
Book 1 Biblio: CUP, 192pp, $39.95 pb
Book 1 Author Type: Author
Book 1 Readings Link: booktopia.kh4ffx.net/yRP2E2
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The title of Gillian Bottomley’s lively study addresses both the major theme of migration and her own position as an academic anthropologist. Bottomley targets specialist studies with hard and fast disciplinary categories and attitudes and rejects the tone of impersonal scholarship which such works frequently adopt.

Read more: David Walker reviews 'From Another Place: Migration and the politics of culture' by Gillian...

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John Docker reviews Narrative Exchanges by Ian Reid
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Ian Reid’s Narrative Exchanges argues against older formalist and structuralist approaches to narratology, from Propp to Todorov. They reduced the play of narrative by insisting that texts possess an underlying fundamental ground, a ‘basic unity’ that is the ‘primary constituent of narrative’. Structuralism treats texts as self-contained semiotic systems, emphasising consistency, linearity, interlinked sequences, completion. Structuralists exhibit a ‘compulsion’ to order and classify texts in rigid, invariable, almost algebraic ways.

Book 1 Title: Narrative Exchanges
Book Author: Ian Reid
Book 1 Biblio: Routledge, $49.95 hb, 276 pp
Book 1 Author Type: Author
Book 1 Readings Link: booktopia.kh4ffx.net/0JBEbJ
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Ian Reid’s Narrative Exchanges argues against older formalist and structuralist approaches to narratology, from Propp to Todorov. They reduced the play of narrative by insisting that texts possess an underlying fundamental ground, a ‘basic unity’ that is the ‘primary constituent of narrative’. Structuralism treats texts as self-contained semiotic systems, emphasising consistency, linearity, interlinked sequences, completion. Structuralists exhibit a ‘compulsion’ to order and classify texts in rigid, invariable, almost algebraic ways.

Read more: John Docker reviews 'Narrative Exchanges' by Ian Reid

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Audrey Oldfield reviews Prime Ministers’ Wives: The public and private lives of ten Australian women by Diane Langmore and Suffrage to Sufferance: 100 years of women in politics by Janine Haines
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Diane Langmore has given us a fascinating account of the lives of ten women, from Pattie Deakin to Hazel Hawke. She has explored the background of each, the attraction which ended in marriage to a politically ambitious man, and the adaptation of each to her husband’s obsessive struggle for the most powerful political post in Australia. Her analysis of the women’s relationship to their partners throws light on the personalities and attitudes of the men chosen by Australians to lead the nation. For the early sketches Langmore has drawn on diaries, newspaper reports, and the opinions of contemporaries; for the latter she has been able to add to her sources the opinions and musings, given in interviews, of the women themselves. Langmore writes with clarity and style, never belittling or patronising her subjects, and her sympathetic viewpoint enables the reader to appreciate the varied personalities of her subjects. She does not, however, fall into the trap of assuming that the public face of each woman is always the private one.

Book 1 Title: Prime Ministers’ Wives
Book 1 Subtitle: The public and private lives of ten Australian women
Book Author: Diane Langmore
Book 1 Biblio: McPhee Gribble, $24.95 pb, 341 pp
Book 1 Author Type: Author
Book 2 Title: Suffrage to Sufferance
Book 2 Subtitle: 100 years of women in politics
Book 2 Author: Janine Haines
Book 2 Author Type: Author
Book 2 Cover (800 x 1200):
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Diane Langmore has given us a fascinating account of the lives of ten women, from Pattie Deakin to Hazel Hawke. She has explored the background of each, the attraction which ended in marriage to a politically ambitious man, and the adaptation of each to her husband’s obsessive struggle for the most powerful political post in Australia. Her analysis of the women’s relationship to their partners throws light on the personalities and attitudes of the men chosen by Australians to lead the nation. For the early sketches Langmore has drawn on diaries, newspaper reports, and the opinions of contemporaries; for the latter she has been able to add to her sources the opinions and musings, given in interviews, of the women themselves. Langmore writes with clarity and style, never belittling or patronising her subjects, and her sympathetic viewpoint enables the reader to appreciate the varied personalities of her subjects. She does not, however, fall into the trap of assuming that the public face of each woman is always the private one.

Read more: Audrey Oldfield reviews 'Prime Ministers’ Wives: The public and private lives of ten Australian...

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Ian Buchanan reviews Prisoners of War: From Gallipoli to Korea by Patsy Adam-Smith
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The word history means many different things to different people. But generally speaking it entails an attempt by an author to explain, or make sense of, the past. That is, the historian gathers together the material, the evidence as it were, and from that draws a number of conclusions which we as readers are expected to believe. Prisoners of War, by Patsy Adam-Smith, encompassing three wars, from Gallipoli to Korea, is not that kind of history.

Book 1 Title: Prisoners of War
Book 1 Subtitle: From Gallipoli to Korea
Book Author: Patsy Adam-Smith
Book 1 Biblio: Viking, $45 hb, 599 pp
Book 1 Author Type: Author
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The word history means many different things to different people. But generally speaking it entails an attempt by an author to explain, or make sense of, the past. That is, the historian gathers together the material, the evidence as it were, and from that draws a number of conclusions which we as readers are expected to believe. Prisoners of War, by Patsy Adam-Smith, encompassing three wars, from Gallipoli to Korea, is not that kind of history.

Read more: Ian Buchanan reviews 'Prisoners of War: From Gallipoli to Korea' by Patsy Adam-Smith

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Traudi Allen reviews Robert Juniper by Philippa OBrien and Salvatore Zofrea: Images from the Psalms by Ted Snell
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Craftsman House has contributed substantially to bringing our art map up-to-date with the simultaneous publication of a West Australian and a New South Wales art history. One on the work of Robert Juniper and the other on that of Salvatore Zofrea make interesting comparison. The first presents the style· of art one might expect to ensue from that great Western expanse of desert while the other challenges such expectations as stereotyped and clichéd. Juniper set out to depict the landscape and to heroicise it, as has been our tradition; Zofrea, according to Snell, incorporates Australia in the international tradition of art history.

Book 1 Title: Robert Juniper
Book Author: Philippa O'Brien
Book 1 Biblio: Craftsman House, $80 hb
Book 1 Author Type: Author
Book 2 Title: Salvatore Zofrea
Book 2 Subtitle: Images from the Psalms
Book 2 Author: Ted Snell
Book 2 Biblio: Craftsman House, $70 hb
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Craftsman House has contributed substantially to bringing our art map up-to-date with the simultaneous publication of a West Australian and a New South Wales art history. One on the work of Robert Juniper and the other on that of Salvatore Zofrea make interesting comparison. The first presents the style· of art one might expect to ensue from that great Western expanse of desert while the other challenges such expectations as stereotyped and clichéd. Juniper set out to depict the landscape and to heroicise it, as has been our tradition; Zofrea, according to Snell, incorporates Australia in the international tradition of art history

Read more: Traudi Allen reviews 'Robert Juniper' by Philippa O'Brien and 'Salvatore Zofrea: Images from the...

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Wildlife film-makers Richard Southeby and his wife Nicole Vander are filming a duck hunt at Great Dismal Swamp, North Carolina, where Greenpeace demonstrators plan to make their presence felt. Their fanatical leader, Simon Rosenberg, has a flowing beard and deeply troubled eyes. His idea is to get his troops in front of the guns, really provoke the shooters and obtain maximum publicity. Remind you of anyone? But then in the early stages of filming, Nicole is blown away into the swamp by an unseen assassin. Who’s responsible? Greenpeace crazies? Duck hunters? Or an international hired hitman known as the Jaguar? You guessed right.

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Freeze_Frame.jpgFreeze Frame by David Smith

Penguin, $14.95

Wildlife film-makers Richard Southeby and his wife Nicole Vander are filming a duck hunt at Great Dismal Swamp, North Carolina, where Greenpeace demonstrators plan to make their presence felt. Their fanatical leader, Simon Rosenberg, has a flowing beard and deeply troubled eyes. His idea is to get his troops in front of the guns, really provoke the shooters and obtain maximum publicity. Remind you of anyone? But then in the early stages of filming, Nicole is blown away into the swamp by an unseen assassin. Who’s responsible? Greenpeace crazies? Duck hunters? Or an international hired hitman known as the Jaguar? You guessed right.

Read more: John Carroll reviews 'Freeze Frame' by David Smith, 'Hardboiled' edited by Stuart Coupe and Julie...

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Ten years ago, as I prepared to leave for three months in New York, an Australian friend resident in the USA sent a brochure about a new kind of portable typewriter which she said might be worth my buying. The machine could memorise a whole line of type which could be corrected by being viewed in sections through a panel capable of displaying sixteen letters or spaces. When I reached New York, she warned me off that model. An even better version would be available before I left town, one able to memorise an entire page.

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Ten years ago, as I prepared to leave for three months in New York, an Australian friend resident in the USA sent a brochure about a new kind of portable typewriter which she said might be worth my buying. The machine could memorise a whole line of type which could be corrected by being viewed in sections through a panel capable of displaying sixteen letters or spaces. When I reached New York, she warned me off that model. An even better version would be available before I left town, one able to memorise an entire page.

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Simon Patton reviews Mothering Psychoanalysis by Janet Sayers
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This account of the lives and work of four women who followed in the rather large footsteps of Freud, the man with the beard and pipe who named that pesky enigma, the unconscious, is delightful on many counts. Or perhaps delightful is not the right word: but who cares, Lacan would make my word a wrong word anyway, so let it be delightful.

Book 1 Title: Mothering Psychoanalysis
Book Author: Janet Sayers
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This account of the lives and work of four women who followed in the rather large footsteps of Freud, the man with the beard and pipe who named that pesky enigma, the unconscious, is delightful on many counts. Or perhaps delightful is not the right word: but who cares, Lacan would make my word a wrong word anyway, so let it be delightful.

Read more: Simon Patton reviews 'Mothering Psychoanalysis' by Janet Sayers

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Rosemary Sorensen reviews Salt on Our Skin by Benoîte Groult
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Now over seventy, Benoîte Groult of the fierce name and fiercer disposition, has written a delightful story about sex and desire that is sure to turn heads. Its central character is a woman named George – as in Sand, and she is small and chic like that writer. (If you thought that George Sand was a formidable hulk of a woman with coarse hair and thin lips, this book points out that she was a little woman, with tiny feet, apparently.) The other half of the story is Gavin Lozerech, or at least that’s what he’s called for the purposes of this retelling of their passionate, life-long love affair. George toyed with Kevin, Tugdual and Brian Boru before she chose the pseudonym Gavin, as in the Gawain of the Breton cycle.

Book 1 Title: Salt on Our Skin
Book Author: Benoîte Groult
Book 1 Biblio: Hamish Hamilton, $22.95 pb
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Now over seventy, Benoîte Groult of the fierce name and fiercer disposition, has written a delightful story about sex and desire that is sure to turn heads. Its central character is a woman named George – as in Sand, and she is small and chic like that writer. (If you thought that George Sand was a formidable hulk of a woman with coarse hair and thin lips, this book points out that she was a little woman, with tiny feet, apparently.) The other half of the story is Gavin Lozerech, or at least that’s what he’s called for the purposes of this retelling of their passionate, life-long love affair. George toyed with Kevin, Tugdual and Brian Boru before she chose the pseudonym Gavin, as in the Gawain of the Breton cycle.

Gavin is a Breton sailor, with much salt on his skin from the squally weather he must submit himself to over towards the coast of Ireland. But other salt is on their skins, as these two find themselves irresistibly drawn to each other, despite the dreadful gap between their life experiences and expectations. More often than not, at the first sign of a scene of sexual doings, you can begin cringing, as writers search for dubious imagery usually more redolent of the kitchen than the bedroom. But there is something naively successful about George’s descriptions and explanations. It’s all rather hearty and pleasing.

Nothing very much happens; outside of their various coming-togethers, they marry other people, have children, work at their separate lives, move around the world. But back they come, and the passion is, as they say, rekindled, so they’re at it again, with gay abandon.

The tone is set in the opening chapter when George warns: ‘… there’s no way I can tell my story without describing the sin of firkytoodling, as sexual play was known in the sixteenth century.’ And firkytoodle they do, as often as time and tide allows. The translation, by the way, is superb. Goodness knows what firkytoodling was in the French, but this kind of totally right transition from the original French into English signals the translator, Mo Teitelbaum, to be chouette.

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Rosemary Sorensen reviews  Chasing Mammon by Douglas Kennedy
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Gavin is a Breton sailor, with much salt on his skin from the squally weather he must submit himself to over towards the coast of Ireland. But other salt is on their skins, as these two find themselves irresistibly drawn to each other, despite the dreadful gap between their life experiences and expectations. More often than not, at the first sign of a scene of sexual doings, you can begin cringing, as writers search for dubious imagery usually more redolent of the kitchen than the bedroom. But there is something naively successful about George’s descriptions and explanations. It’s all rather hearty and pleasing.

Nothing very much happens; outside of their various coming-togethers, they marry other people, have children, work at their separate lives, move around the world. But back they come, and the passion is, as they say, rekindled, so they’re at it again, with gay abandon.

The tone is set in the opening chapter when George warns: ‘… there’s no way I can tell my story without describing the sin of firkytoodling, as sexual play was known in the sixteenth century.’ And firkytoodle they do, as often as time and tide allows. The translation, by the way, is superb. Goodness knows what firkytoodling was in the French, but this kind of totally right transition from the original French into English signals the translator, Mo Teitelbaum, to be chouette.

Book 1 Title: Chasing Mammon
Book 1 Subtitle: Travels in the Pursuit of Money
Book Author: Douglas Kennedy
Book 1 Biblio: HarperCollins, $32.95 hb
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Douglas Kennedy is one of that group of travel writers who are annoyingly good at getting an angle on a story but never really making a point. He whisks us around the world, in this case around the money markets of the world, observing, picking up quotable quotes, telling tidy anecdotes, and in the end, back home, he snaps the lid on his collected experience and calls it a day. Easy listening, but perhaps a bit too easy.

Read more: Rosemary Sorensen reviews 'Chasing Mammon' by Douglas Kennedy

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Rosemary Sorensen reviews Honeymoon by Patrick Modiano
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The enigmatic Ingrid Theyrsen takes her own life one summer in Milan. Eighteen years later, the memory of this suicide explodes in the memory of a man who knew her briefly. Jean, a professional explorer, engineers his own disappearance without leaving his hometown (Paris) in order to piece together what he knows of Ingrid’s existence before her death. But is he constructing a life or succumbing to the same inexplicable force that destroyed his subject? This is the theme of Honeymoon, a highly-acclaimed novel by French author Patrick Modiano.

Book 1 Title: Honeymoon
Book Author: Patrick Modiano
Book 1 Biblio: Harvill, $16.95 pb
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The enigmatic Ingrid Theyrsen takes her own life one summer in Milan. Eighteen years later, the memory of this suicide explodes in the memory of a man who knew her briefly. Jean, a professional explorer, engineers his own disappearance without leaving his hometown (Paris) in order to piece together what he knows of Ingrid’s existence before her death. But is he constructing a life or succumbing to the same inexplicable force that destroyed his subject? This is the theme of Honeymoon, a highly-acclaimed novel by French author Patrick Modiano.

Read more: Rosemary Sorensen reviews 'Honeymoon' by Patrick Modiano

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Dear Editor,

Your October 1992 issue gives commendable attention to Victor Kelleher, with a career overview by Andrew Peek, reviews by Terry Lane and Katharine England of Kelleher’s latest novel, Micky Darlin’, and an interview by Rosemary Sorensen. A writer of Kelleher’s stature deserves this. But ...

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Dear Editor,

Your October 1992 issue gives commendable attention to Victor Kelleher, with a career overview by Andrew Peek, reviews by Terry Lane and Katharine England of Kelleher’s latest novel, Micky Darlin’, and an interview by Rosemary Sorensen. A writer of Kelleher’s stature deserves this. But ...

In the interview, Sorensen describes Beast of Heaven (1984) as Kelleher’s ‘second novel’. Ouch! Kelleher doesn’t bat an eyelid. Elsewhere, he speaks of his ‘kids’ books’. I cannot let this pass without comment. 

Read more: Letters - December 1992

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