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December 2005–January 2006, no. 277

Welcome to the December 2005-January 2006 issue of Australian Book Review!

Lisa Gorton reviews Friendly Fire by Jennifer Maiden
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Contents Category: Poetry
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When John Tranter reviewed Jennifer Maiden’s first collection, Tactics (1974), he noted its ‘brilliant yet difficult imagery’ and a style ‘so idiosyncratic and forceful in a sense it becomes the subject of her work’... 

Book 1 Title: Friendly Fire
Book Author: Jennifer Maiden
Book 1 Biblio: Giramondo, $21.95 pb, 100 pp, 192088212X
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When John Tranter reviewed Jennifer Maiden’s first collection, Tactics (1974), he noted its ‘brilliant yet difficult imagery’ and a style ‘so idiosyncratic and forceful in a sense it becomes the subject of her work’. Tranter prophesied: ‘If she can resist her strongest verbal compulsions enough to keep the clarity of her early work in her more demanding exercises, she will certainly develop into an important writer.’

Friendly Fire, Maiden’s fourteenth book of poetry, is a long way from Tactics. In it, Maiden’s imagery, though still brilliant, is more forthcoming. Her style, though still more idiosyncratic, accommodates, to a striking degree, subjects: the war in Iraq, television news, Elvis Presley, Condoleezza Rice, Princess Diana, conversations with her daughter; all juxtaposed to equal the way we live now.

Reading the poetry, you might doubt whether ‘important’ is the word Maiden would choose for what she has achieved. Her poems jump from large public events to small happenings: from George W. Bush to the sight of clouds in the Monaro. In this way, they suggest how what we habitually call important finds its place alongside the haphazard, provisional, small. Still, the meaning of Tranter’s prophecy holds good: there aren’t many writers who can mix poetry’s lyric, confessional, and satirical modes as deftly as Maiden. With characteristic self-awareness, she describes herself ‘trying / to construct, in my endless quest, / the perfect lyric and involve Abu Ghraib’.

Read more: Lisa Gorton reviews 'Friendly Fire' by Jennifer Maiden

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Article Title: Best Books of the Year 2005
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To celebrate the best books of 2005 Australian Book Review invited contributors to nominate their favourite titles. Contributors include Morag Fraser, Peter Porter, Kerryn Goldsworthy, Nicholas Jose and Chris Wallace-Crabbe.

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Neal Blewett

The most vituperative of the contemporary ‘history wars’ – the conflict over the historiography of the dispossession of the Aboriginal peoples – will ultimately be resolved by high-quality regional studies of the processes of occupation. Tony Roberts’s Frontier Justice: A History of the Gulf Country to 1900 (UQP), covering the first stages of European settlement of the Gulf Country, is exemplary: original, meticulous, and dispassionate. Roberts, never unsympathetic, seeks to understand both the viewpoint of the settlers and that of the dispossessed. With a wider perspective than usual on the historiographical debate itself, Telling the Truth about Aboriginal History (Allen & Unwin), by one of the generals in the war, Bain Attwood, is the most effective broadside this year. On a quieter note, Eileen Chanin and Steven Miller’s Degenerates and Perverts: The 1939 Herald Exhibition of French and British Contemporary Art (Miegunyah) is the definitive account of the seminal modern art exhibition – dispelling myths, documenting missed opportunities by a myopic art establishment, and setting the exhibition in the context of modernism in Australia. So sumptuous and well-integrated in the text are the illustrations that the reader visits the exhibition.

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Robyn Williams reviews ‘On, Off’ by Colleen McCullough
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This book made me laugh, especially during the love scenes. I doubt this was the author’s intention. Short, gnarled, gritty Italian cop meets posh British beanpole and they spend the first half of the book being crisply offhand, the last part sounding like canoodling dorks. Katie Hepburn and Spencer Tracey it isn’t – but it should be. Whenever they meet, I have an indelible image of the cop looking laconically at her belt buckle. He is Carmine; she, would you believe, is Desdemona.

Book 1 Title: On, Off
Book Author: Colleen McCullough
Book 1 Biblio: HarperCollins, $49.95 hb, 435 pp, 073228161X
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This book made me laugh, especially during the love scenes. I doubt this was the author’s intention. Short, gnarled, gritty Italian cop meets posh British beanpole and they spend the first half of the book being crisply offhand, the last part sounding like canoodling dorks. Katie Hepburn and Spencer Tracey it isn’t – but it should be. Whenever they meet, I have an indelible image of the cop looking laconically at her belt buckle. He is Carmine; she, would you believe, is Desdemona.

Or is Colleen McCullough just having fun with us? She certainly claims to have enjoyed writing this, her first whodunit, but for the life of me I can’t think what is enjoyable about a succession of divinely beautiful, sepulchrally innocent sixteen-year-old girls having their vaginas ripped and scoured by fanged dildoes until they die. Serial killers are never nice: one needs good reason to spend a day or so reading about their hideous compulsions. McCullough says she loved ‘the chance to spill lots of blood in a book’.

The story is set in Connecticut, in 1965, long before DNA tests or other powerful CSI-type forensics could wrap up the quest in hours. Parts of a teenage girl are found in the fridge containing the remains of animals awaiting incineration. Normally, they would have been disposed of still concealed in their special bags, but this time someone has foolishly locked a monkey in the fridge. He goes berserk, shredding the bags and revealing the human parts, including the carefully plucked genitals.

Read more: Robyn Williams reviews ‘On, Off’ by Colleen McCullough

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Aviva Tuffield reviews ‘The Wing of Night’ by Brenda Walker
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Perhaps it’s the Zeitgeist, but Brenda Walker is the third Australian woman this year, after Geraldine Brooks in March and Delia Falconer in The Lost Thoughts of Soldiers, to fix her imaginative sights on men’s experiences of war and its aftermath. Walker’s book, however, directs as much attention to the home front and to the women left behind.

Book 1 Title: The Wing of Night
Book Author: Brenda Walker
Book 1 Biblio: Viking, $29.95 pb, 266 pp, 0670893234
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Perhaps it’s the Zeitgeist, but Brenda Walker is the third Australian woman this year, after Geraldine Brooks in March and Delia Falconer in The Lost Thoughts of Soldiers, to fix her imaginative sights on men’s experiences of war and its aftermath. Walker’s book, however, directs as much attention to the home front and to the women left behind.

The Wing of Night opens on Fremantle docks in 1915, with two women farewelling their men, who are sailing off with a troopship of light horsemen to World War I. Ostensibly, the differences between the couples are marked: Elizabeth and Louis have been married for more than a year and own a farm, while widowed Bonnie and Joe, a yardman at the local pub, have been together for just a few weeks. To date their lives have barely crossed, but the war is set to change all that.

Read more: Aviva Tuffield reviews ‘The Wing of Night’ by Brenda Walker

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Bruce Moore reviews ‘Australia’s Language Potential’ by Michael Clyne
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Contents Category: Language
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Article Title: Monolinguists and xenophobes
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If anyone is qualified to speak authoritatively on the nature and role of community languages in Australia, it is Michael Clyne, who has spent much of his academic career researching these languages. His latest book is firmly rooted in research, but it differs from some of his earlier work in that it is clearly directed at the widest possible audience. It is a wake-up call, exploring the relationships between monoculturalism and multiculturalism and monolingualism and multilingualism in present-day Australian society; and showing how the present situation can be explained in part by Australia’s history, and in part by contemporary local and global pressures.

Book 1 Title: Australia's Language Potential
Book Author: Michael Clyne
Book 1 Biblio: UNSW Press, $39.95 pb, 208 pp, 0868407275
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If anyone is qualified to speak authoritatively on the nature and role of community languages in Australia, it is Michael Clyne, who has spent much of his academic career researching these languages. His latest book is firmly rooted in research, but it differs from some of his earlier work in that it is clearly directed at the widest possible audience. It is a wake-up call, exploring the relationships between monoculturalism and multiculturalism and monolingualism and multilingualism in present-day Australian society; and showing how the present situation can be explained in part by Australia’s history, and in part by contemporary local and global pressures.

The book begins and ends with a reference to the case of Cornelia Rau, the bilingual, German-born, mentally ill Australian who was imprisoned first in a women’s jail in Brisbane and then in Baxter Detention Centre. The fact that Rau spoke German (‘a foreign language’) seemed to add weight to the case that she deserved to be excluded from Australia, in spite of the fact that German has been spoken in Australia as a ‘community language’ since the mid-nineteenth century. Clyne sees the monolingual mindset that was unable to understand what was going on in this case as a throwback to the days when non-whites and undesirable whites were excluded from Australia by being given a dictation test in a language such as Gaelic. It betrays a fundamental misunderstanding or denial of the multilingualism that has always been part of Australian society.

Read more: Bruce Moore reviews ‘Australia’s Language Potential’ by Michael Clyne

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Craig Sherborne reviews ‘Martini: A memoir’ by Frank Moorhouse
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Contents Category: Memoir
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Article Title: Martini time
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Australia has become a cocktail country. Those multicoloured, sorbet-like concoctions that young women drink in twilight-lit bars with techno music for a soundtrack. Liquid lollies for the adult-children of our economic prosperity. It has not, however, become a martini country, as Frank Moorhouse might put it. No matter how many little cocktail bars spring up, often without signage, in the backstreets and alleys of our CBDs, few patrons are dedicated to drinking the prince of cocktails. The expensively shabby boys still drink beer, albeit in a glistening-necked bottle with a lemon slice between its lips. For the girls, champers; the various wines for those who don’t like the sickly sorbet liquor.

Book 1 Title: Martini
Book 1 Subtitle: A memoir
Book Author: Frank Moorhouse
Book 1 Biblio: Knopf, $35 pb, 238 pp, 1740513126
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Australia has become a cocktail country. Those multicoloured, sorbet-like concoctions that young women drink in twilight-lit bars with techno music for a soundtrack. Liquid lollies for the adult-children of our economic prosperity. It has not, however, become a martini country, as Frank Moorhouse might put it. No matter how many little cocktail bars spring up, often without signage, in the backstreets and alleys of our CBDs, few patrons are dedicated to drinking the prince of cocktails. The expensively shabby boys still drink beer, albeit in a glistening-necked bottle with a lemon slice between its lips. For the girls, champers; the various wines for those who don’t like the sickly sorbet liquor.

No, the martini will never catch on in Australia. Here, drinks are for bringing you out of yourself to join in, to fit in with the crowd, rowdily, boisterously, then to get angry-drunk and dangerous. If you want to stop young men from being violent, ban them from beer and give them a martini. As Moorhouse reflects in his memoir Martini, this drink is the one that turns you into yourself, not outward. Especially when made with gin, an opium-like drug if taken in sufficient quantities. It helps you stare into yourself – perfect if you prefer to drink and think alone.

Read more: Craig Sherborne reviews ‘Martini: A memoir’ by Frank Moorhouse

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Paul de Serville reviews ‘The Last Explorer: Hubert Wilkins: Australia’s unknown hero’ by Simon Nasht
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Contents Category: Biography
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Australia has never been so prodigal of great men that it can afford to let even one slip into oblivion; yet George Hubert Wilkins (1888–1958) is now hardly a household name. In a life of ceaseless activity, he was a photographer, naturalist, meteorologist, geographer, aviator, submariner, war correspondent, religious thinker, and writer, but he was best known as a celebrated polar explorer. His first biographer, John Grierson, a professional writer, dealt adequately enough with the many lives of Wilkins in 1960, at a time when his subject was still well known. Four decades later, Simon Nasht, a documentary film-maker, offers the Australian reading public an expanded version of Grierson’s biography. Nasht has the advantage of a growing library of polar studies, and his book appears at a time when climatology and extinction of species are subjects of scientific and popular concern.

Book 1 Title: The Last Explorer
Book 1 Subtitle: Hubert Wilkins, Australia's unknown hero
Book Author: Simon Nasht
Book 1 Biblio: Hodder, $35 pb, 346 pp, 0733618316
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Australia has never been so prodigal of great men that it can afford to let even one slip into oblivion; yet George Hubert Wilkins (1888–1958) is now hardly a household name. In a life of ceaseless activity, he was a photographer, naturalist, meteorologist, geographer, aviator, submariner, war correspondent, religious thinker, and writer, but he was best known as a celebrated polar explorer. His first biographer, John Grierson, a professional writer, dealt adequately enough with the many lives of Wilkins in 1960, at a time when his subject was still well known. Four decades later, Simon Nasht, a documentary film-maker, offers the Australian reading public an expanded version of Grierson’s biography. Nasht has the advantage of a growing library of polar studies, and his book appears at a time when climatology and extinction of species are subjects of scientific and popular concern.

Nasht also faces considerable problems, admitting at the start that Wilkins’s story is ‘remarkable, at times implausible’. The implausibility surfaces early in his career, in the two accounts (one more highly coloured than the other) of the way in which he reached Europe. Was he the sort of explorer who by nature made florid stories out of banal facts? Doubts were not settled by the style and language that Nasht employs to describe each of the remarkable adventures. His use of hyperbole overheats the prose and, far from convincing this reader, left niggling uncertainties. These doubts were settled, not by the author’s powers of persuasion, but by an appeal to an authoritative biographer. The latter agreed that part of the scientific establishment treated Wilkins as a suicidal amateur, lacking formal training, with a flair for publicity, but that Wilkins himself was not a fantasist. Perhaps a more sombre style may have made the achievements more credible.

Read more: Paul de Serville reviews ‘The Last Explorer: Hubert Wilkins: Australia’s unknown hero’ by Simon...

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Rachel Buchanan reviews ‘Man of Water’ by Chris McLeod and ‘Sunnyside’ by Joanna Murray-Smith
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Article Title: Life's stages
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Do families aid creativity or do they stifle it? Does art require freedom and solitude, the luxuries of long, introspective walks on beaches and bottles of red for one, or can art arise from the chaos and banality of domestic life with a spouse and children?

Book 1 Title: Man of Water
Book Author: Chris McLeod
Book 1 Biblio: FACP, $24.95 pb, 219 pp, 1921064005
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Book 2 Title: Sunnyside
Book 2 Author: Joanna Murray-Smith
Book 2 Biblio: Viking, $29.95 pb, 396 pp, 0670042978
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Do families aid creativity or do they stifle it? Does art require freedom and solitude, the luxuries of long, introspective walks on beaches and bottles of red for one, or can art arise from the chaos and banality of domestic life with a spouse and children?

Alice Haskins, the female lead of Melbourne playwright Joanna Murray-Smith’s third novel, is a forty-year-old writer who occupies a gorgeous 1950s weatherboard and stone pad in Sunnyside, the wealthy peninsula suburb that resembles Mornington Peninsula’s Mt Eliza. She has an attractive, attentive husband, English professor Harry, and two children, Joe and Grace. The family has lived for eighteen months in this lovely glass-walled house, floating in two acres of wisteria, elms, birches and liquidambars. They have moved to Sunnyside from the inner city, swapping cafés ‘exploding with young people and their piercings, their infantile politics, their arrogance’ for a more mature life: ‘the soundtrack of which would be the gentle plosh-plosh of the garden sprinkler, the bark of the golden retriever, the burble of the coffee percolator.’

Read more: Rachel Buchanan reviews ‘Man of Water’ by Chris McLeod and ‘Sunnyside’ by Joanna Murray-Smith

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Richard Broinowski reviews ‘A Not-So-Distant Horror: Mass violence in East Timor’ by Joseph Nevins
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The publisher’s blurb that accompanied my review copy of Joseph Nevins’s book makes two prominent assertions. One is that the United Nations has given Indonesia a six-month deadline to prosecute war crimes committed in East Timor in 1999. The other is that Paul Wolfowitz, a former US ambassador to Indonesia and an architect of the 2003 US invasion of Iraq, was complicit in East Timor atrocities. I suppose such attention-grabbers are needed to sell books in today’s over-saturated literary markets, but these two do little justice to the broad sweep and value of Nevins’s latest work. (Under the pen name Matthew Jardine, he has written two others on East Timor, and is something of an activist on the subject.)

Book 1 Title: A Not-So-Distant Horror
Book 1 Subtitle: Mass violence in East Timor
Book Author: Joseph Nevins
Book 1 Biblio: Cornell University Press, US$49.95 pb, 273 pp, 0801489849
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The publisher’s blurb that accompanied my review copy of Joseph Nevins’s book makes two prominent assertions. One is that the United Nations has given Indonesia a six-month deadline to prosecute war crimes committed in East Timor in 1999. The other is that Paul Wolfowitz, a former US ambassador to Indonesia and an architect of the 2003 US invasion of Iraq, was complicit in East Timor atrocities. I suppose such attention-grabbers are needed to sell books in today’s over-saturated literary markets, but these two do little justice to the broad sweep and value of Nevins’s latest work. (Under the pen name Matthew Jardine, he has written two others on East Timor, and is something of an activist on the subject.)

As Richard Woolcott puts it in his autobiography The Hot Seat (2003), East Timor has suffered four tragedies: Portuguese colonial neglect; Japanese occupation; Indonesia’s invasion; and death and destruction in September 1999 after the UN vote on autonomy. Nevins extrapolates the last two of these into a broader picture involving other actors: how corrosive double standards, and a growing abuse of language and loss of memory about past sins by the US and its allies, including Australia, have denied the East Timorese justice.

Read more: Richard Broinowski reviews ‘A Not-So-Distant Horror: Mass violence in East Timor’ by Joseph Nevins

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Robyn Eckersley reviews ‘The Weather Makers: The history and future impact of climate change’ by Tim Flannery and ‘Living In The Hothouse: How global warming affects Australia’ by Ian Lowe
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Contents Category: Climate Change
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The former co-chair of scientific assessment for the UN’s Intergovernmental Panel on Climate Change (IPCC), John Houghton, declared in 2003 that global warming is a weapon of mass destruction that is at least as dangerous as chemical, biological or nuclear weapons and, indeed, terrorism. It is therefore no small irony that two prominent members of the ‘coalition of the willing’ and the world’s two highest per capita carbon emitters – the US and Australia – should choose to devote so many resources to eradicating conventional WMDs, yet do so little to address global warming. Australia’s stance on climate change is logic-defying, unprincipled and lacking in remorse. The Howard government has refused to ratify the Kyoto Protocol because of the short-term economic costs to Australia, but it claims that Australia will seek to meet its Kyoto target anyway. But Australia’s Kyoto target is so generous relative to other developed countries that it does not have to do much to meet it.

Book 1 Title: The Weather Makers
Book 1 Subtitle: The history and future impact of climate change
Book Author: Tim Flannery
Book 1 Biblio: Text, $32.95 pb, 332 pp, 1920885846
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Book 2 Title: Living In The Hothouse
Book 2 Subtitle: How global warming affects Australia
Book 2 Author: Ian Lowe
Book 2 Biblio: Scribe, $26.95 pb, 322 pp, 1920769412
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The former co-chair of scientific assessment for the UN’s Intergovernmental Panel on Climate Change (IPCC), John Houghton, declared in 2003 that global warming is a weapon of mass destruction that is at least as dangerous as chemical, biological or nuclear weapons and, indeed, terrorism. It is therefore no small irony that two prominent members of the ‘coalition of the willing’ and the world’s two highest per capita carbon emitters – the US and Australia – should choose to devote so many resources to eradicating conventional WMDs, yet do so little to address global warming. Australia’s stance on climate change is logic-defying, unprincipled and lacking in remorse. The Howard government has refused to ratify the Kyoto Protocol because of the short-term economic costs to Australia, but it claims that Australia will seek to meet its Kyoto target anyway. But Australia’s Kyoto target is so generous relative to other developed countries that it does not have to do much to meet it.

The promised mandatory Kyoto cuts in emissions by developed countries, which average around 5.2 per cent, will do little to stop global warming. The IPCC has warned that carbon dioxide emissions need to be reduced by sixty to eighty per cent to protect the earth’s atmosphere. Everything depends on the next phase of negotiations. The parties to the UN’s Framework Convention on Climate Change will meet at Montreal in December to work towards a Kyoto Mark II, which will require much bigger emissions reduction targets from the developed world in order to cut some slack for developing countries to pursue their legitimate aspiration to improve the quality of life of their peoples. If the developed world fails to lead by example, developing countries (particularly growing emitters such as China and India) are unlikely to undertake commitments in phase two of the negotiations.

Read more: Robyn Eckersley reviews ‘The Weather Makers: The history and future impact of climate change’ by...

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Being from a young nation you find that dawn beguiles you

onto the exhausted saltmarsh,

miles of morose vacuity clad

in couch grass, cottonweed, random puddles, wire

and the odd, triumphant

                     flourish of pampas grass

featherily trying to tell dead factories,

                               Look here,

something fans, even at the far edge of Europe

where large gulls crowd and abruptly dip, although

the fish have all gone home to bed.

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Read more: ‘Europe: An Edge’ a poem by Chris Wallace-Crabbe

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After Lizzy Gardiner’s The American Express Gold Card Dress

 

Well, it’s been waiting all these years, like a poem

            asleep in the word-hoard, its prince to come,

kiss at the ready, and bloom it forth to the world:

            or like a kouros, hauled with pain

from the gnarling waters, smiling gaze intact,

            its maker long put out to sea:

or like that ‘orient and immortal wheat’ that waved

            before Traherne, a child bereft,

and set him claiming Paradise again:

            yes, it’s here for the restless heart –

The American Express Gold Card Dress – and all

                        may now be well at last.

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Read more: ‘Goldiluxe’ a poem by Peter Steele

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Contents Category: Letters
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Article Title: Letters - December 2005–January 2006
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ABR welcomes letters from our readers. Correspondents should note that letters may be edited. Letters and emails must reach us by the middle of the current month, and must include a telephone number for verification.

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ABR welcomes letters from our readers. Correspondents should note that letters may be edited. Letters and emails must reach us by the middle of the current month, and must include a telephone number for verification.

Read more: Letters - December 2005–January 2006

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Contents Category: Advances
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Article Title: Advances | December 2005-January 2006
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This year we received eighty-seven entries, with a good range in all three categories, children’s/young adult books; fiction; and non-fiction/poetry. New South Wales contributed almost half the entries; but each state was represented. It’s always interesting to note the most popular titles. This year they were Sonya Hartnett’s Surrender and Christos Tsiolkas’s Dead Europe. Sadly, no one chose to review the Sydney and Blue Mountains Street Directory, that straight classic, but we were impressed by two entrants’ celerity in reviewing The Latham Diaries. (David Free has won third prize for his review of the same.)

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2005 ABR Reviewing Competition

This year we received eighty-seven entries, with a good range in all three categories, children’s/young adult books; fiction; and non-fiction/poetry. New South Wales contributed almost half the entries; but each state was represented. It’s always interesting to note the most popular titles. This year they were Sonya Hartnett’s Surrender and Christos Tsiolkas’s Dead Europe. Sadly, no one chose to review the Sydney and Blue Mountains Street Directory, that straight classic, but we were impressed by two entrants’ celerity in reviewing The Latham Diaries. (David Free has won third prize for his review of the same.)

First prize in the fiction category goes to Denise O’Dea, who reviewed Catherine Rey’s The Spruiker’s Tale. Ms O’Dea works in the publishing department at HarperCollins and is a part-time postgraduate in the English Department at the University of Sydney.

Ann-Marie Priest has won the non-fiction category, with her review of Henry Handel Richardson: A life. It pays to persevere: last year, Dr Priest came third in the same category. She has a PhD in English Literature from Macquarie University and currently works in the Communications Learning Centre at the Rockhampton campus of Central Queensland University.

The winner of the children’s/young adult book category goes to Geoffrey Miller, who reviewed Sophie Masson’s In Hollow Lands.

The winning entries in each category will be published in the February 2006 issue. First- and second-placed entries will also appear on our website. As well as receiving $500 each, our overall winners will be commissioned to write another review in 2006. ABR congratulates our nine winners (all of whom are listed on page 21) and thanks everyone who entered.

Vale Philip Martin (1931–2005)

The poet Philip Martin has died after a long illness. He published five collections, including A Flag for the Wind (1982) and New and Selected Poems (1988). In 1964 he joined the nascent Monash University’s English Department, where he remained until he suffered a major stroke in 1988. Brenda Niall, a long-time colleague at Monash, delivered his eulogy at Newman Chapel on October 25. Remarking on his gregariousness and ‘total concentration on others’, she said: ‘That capacity to connect was central to everything he did at Monash, first of all as the prime mover in establishing Australian Literature as a subject in its own right.’ Long before his illness, Philip Martin wrote a poem titled ‘Bequest’. ‘Advances’ has always liked this squib: ‘… To critics, / Pushing aside their flagons to despatch / The work of half a life in half an hour, / This Christian hope: May they not wake in Limbo / Blushing.’

The Australian Society of Authors

The ASA has awarded Inga Clendinnen the 2005 ASA Medal. This is presented biennially to recognise the achievements of an author who has ‘made a significant contribution to the Australian community or Australian public life’. (Tim Winton was the winner in 2003.) Since serious illness forced Inga Clendinnen to suspend her research into the Aztec and Mayan cultures, she has published a number of books in other areas. They include Reading the Holocaust (1998) and Dancing with Strangers (2003). News of the ASA Medal coincided with the publication last month by the Friends of the National Library of Inga Clendinnen: A Celebration. Morag Fraser, the editor, has an essay in the book, as do Alan Frost, Raimond Gaita, Michael Heyward and Caro Llewellyn.

Special gift offer – save 40%

Once again this year, current ABR subscribers are entitled to give away as many gift subscriptions as they like at the special rate of $55. This represents a saving of almost 40% off the cover price. Even better, subscribers who do so are then entitled to renew their own subscription at the same rate, rather than $70. Full details of this special offer appear on page 7. This offer ends on December 31.

 

And for school libraries

Each year, as part of ABR’s commitment to helping young readers (and their teachers) to keep up to date with contemporary writing, we offer a number of complimentary subscriptions to school libraries. The aim is to make these libraries richer resource centres for students. Once again, we can offer ten complimentary subscriptions to state schools that have not hitherto subscribed. Just ask your school librarian to contact us and mention this special offer.

245 thank-yous

Our sincere thanks go to our fine team of contributors. This year, a total of 245 people wrote for the magazine. That is 245 writers, over ten issues. So much for any fanciful notion that ABR draws on a small pool of talent. No other like publication offers such diversity. It is a record that we intend to build on in coming years, as we offer you some of the best Australian writing, mixing established writers and ABR stalwarts with new and younger voices.

Quite a year

Has there been a richer year in Australian publishing than 2005? For sustained excellence and variety across a wide range of genres, it would be hard to top. Each week at ABR we have been inundated with impressive new works, all demanding coverage in our pages, something we are not always able to do in a magazine of 64 pages. Many of our finest writers have published works this year, but we don’t intend to individualise in this column. We’ll leave that to our critics in our keenly anticipated feature listing their favourite books of 2005.

So much for the doomsayers who fret about a supposed diminution of energy or diversity in our literature. From our perspective, there is no dearth of talent. The real challenge, impressively outlined in recent essays in our pages by James Ley and Nicholas Jose, is to foster a sophisticated appreciation of the full range of Australian writing, and to ensure that the best of it is preserved, anthologised and enjoyed for generations to come.

We wish all our readers and supporters the very best in 2006. We hope you get a chance to enjoy some of these outstanding new Australian books over the coming holiday – if indeed you are still vouchsafed a summer holiday.

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Judith Bishop reviews ‘The New Arcadia’ by John Kinsella
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In the opening poem of Virgil’s Eclogues, a shepherd newly dispossessed of his farm by a soldier returning from war exclaims: ‘There’s so much trouble everywhere these days. / I was trying to drive my goats along the path / And one of them I could hardly get to follow; Just now, among the hazels, she went into labor …’ (trans. David Ferry). More than 600 years later, Poussin’s painting, Les Bergers d’Arcadie, dit aussi Et in Arcadia Ego (1638–40), takes up the theme of dispossession in a more radical key: even shepherds in Arcadia must die. The pastoral mode (taken broadly to include anti- and post-pastoral) has always enveloped threats to the pastoral idyll. John Kinsella’s The New Arcadia – with Poussin’s painting on its cover – is the final instalment of an ‘anti-pastoral’ trilogy initiated by The Silo: A Pastoral Symphony (1995) and followed by The Hunt (1998). In The New Arcadia, as in its prequels, we find the pastoral mode in full-blown crisis: in modern Australia, nature’s small misfires (viz. the goat’s ill-timed birth) have escalated into ecological disaster. In The Hunt, the farmers and their families are killed by their own tools, dying in accidents, falling under tractors, shooting themselves; in The New Arcadia, on the other hand, most of the victims are native birds.

Book 1 Title: The New Arcadia
Book Author: John Kinsella
Book 1 Biblio: FACP, $22.95 pb, 201 pp
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In the opening poem of Virgil’s Eclogues, a shepherd newly dispossessed of his farm by a soldier returning from war exclaims: ‘There’s so much trouble everywhere these days. / I was trying to drive my goats along the path / And one of them I could hardly get to follow; Just now, among the hazels, she went into labor …’ (trans. David Ferry). More than 600 years later, Poussin’s painting, Les Bergers d’Arcadie, dit aussi Et in Arcadia Ego (1638–40), takes up the theme of dispossession in a more radical key: even shepherds in Arcadia must die. The pastoral mode (taken broadly to include anti- and post-pastoral) has always enveloped threats to the pastoral idyll. John Kinsella’s The New Arcadia – with Poussin’s painting on its cover – is the final instalment of an ‘anti-pastoral’ trilogy initiated by The Silo: A Pastoral Symphony (1995) and followed by The Hunt (1998). In The New Arcadia, as in its prequels, we find the pastoral mode in full-blown crisis: in modern Australia, nature’s small misfires (viz. the goat’s ill-timed birth) have escalated into ecological disaster. In The Hunt, the farmers and their families are killed by their own tools, dying in accidents, falling under tractors, shooting themselves; in The New Arcadia, on the other hand, most of the victims are native birds.

Read more: Judith Bishop reviews ‘The New Arcadia’ by John Kinsella

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At certain moments in Australia’s cultural history, dance has been the prime artistic force of the day. At those times, dance and its makers have inspired and enthused a whole generation of people. Dance has changed lives, has allowed careers to blossom in unexpected ways, and has created fanatical audiences. Dance had this power over Australians between 1936 and 1940, when three Russian ballet companies – Ballets Russes companies – toured Australia.

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At certain moments in Australia’s cultural history, dance has been the prime artistic force of the day. At those times, dance and its makers have inspired and enthused a whole generation of people. Dance has changed lives, has allowed careers to blossom in unexpected ways, and has created fanatical audiences. Dance had this power over Australians between 1936 and 1940, when three Russian ballet companies – Ballets Russes companies – toured Australia.

Read more: ‘National News’ by Michelle Potter

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Alan Atkinson reviews ‘The Commonwealth of Thieves: The Sydney experiment by Tom Keneally
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Pity the professional historian. It is hard to know where to turn these days to avoid being abused, even from the most unlikely sources. According to Andrew Riemer, writing lately in the Sydney Morning Herald, the main reason professional historians castigated Robert Hughes in 1988, when he published The Fatal Shore, was because he had ‘occupied their territory’. Is there any other professional group in Australia so childish, irresponsible, parasitical and useless as the professional historian? Judging from remarks like this, appearing weekly in the press over the last few years, apparently not. And why is it, at a time when the number of living professional historians probably outnumbers the total of their deceased predecessors since time began, we supposedly manage to work as a tiny clique? Someday an historian, maybe even a professional one, will explain this unlikely phenomenon. Allegations such as these are linked somehow with the overwhelming anti-intellectualism of early twenty-first-century Australia, but exactly why historians, among all the others, are hit so hard and so often is a puzzle.

Book 1 Title: The Commonwealth of Thieves
Book 1 Subtitle: The Sydney experiment
Book Author: Tom Keneally
Book 1 Biblio: Random House, $49.95 hb, 510 pp
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Pity the professional historian. It is hard to know where to turn these days to avoid being abused, even from the most unlikely sources. According to Andrew Riemer, writing lately in the Sydney Morning Herald, the main reason professional historians castigated Robert Hughes in 1988, when he published The Fatal Shore, was because he had ‘occupied their territory’. Is there any other professional group in Australia so childish, irresponsible, parasitical and useless as the professional historian? Judging from remarks like this, appearing weekly in the press over the last few years, apparently not. And why is it, at a time when the number of living professional historians probably outnumbers the total of their deceased predecessors since time began, we supposedly manage to work as a tiny clique? Someday an historian, maybe even a professional one, will explain this unlikely phenomenon. Allegations such as these are linked somehow with the overwhelming anti-intellectualism of early twenty-first-century Australia, but exactly why historians, among all the others, are hit so hard and so often is a puzzle.

Read more: Alan Atkinson reviews ‘The Commonwealth of Thieves: The Sydney experiment by Tom Keneally

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Martin Duwell reviews ‘Avenues & Runways’ by Aidan Coleman, ‘Throwing Stones at the Sun’ by Cameron Lowe, and ‘Narcissism’ by Maria Takolander
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Each of these three books is its author’s first, and each carries a cover endorsement by two distinguished poets. You can tell a lot about the books from looking at who endorses whom before you need even to read one of the poems.

The rear cover of Aidan Coleman’s Avenues & Runways (endorsements by Kevin Hart and Peter Goldsworthy) describes him as an imagist. Whatever the exact significance of that term, there is no doubt that this poetry belongs to the class that has slight outward show and rich implications. And the pleasure of reading them is the shuttling between the two. There are at least two important requirements here: the surface has to be elegant and engaging without being slovenly or cute (ah, if you only knew what treasures I conceal!); implications must be intense and never clichéd.

Book 1 Title: Avenues & Runways
Book Author: Aidan Coleman
Book 1 Biblio: Brandl & Schlesinger, $22.95 pb, 66 pp
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Book 2 Title: Throwing Stones at the Sun
Book 2 Author: Cameron Lowe
Book 2 Biblio: Whitmore Press, $16.50 pb, 31 pp
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Book 3 Title: Narcissism
Book 3 Author: Maria Takolander
Book 3 Biblio: Whitmore Press, $16.50 pb, 31 pp
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Each of these three books is its author’s first, and each carries a cover endorsement by two distinguished poets. You can tell a lot about the books from looking at who endorses whom before you need even to read one of the poems.

The rear cover of Aidan Coleman’s Avenues & Runways (endorsements by Kevin Hart and Peter Goldsworthy) describes him as an imagist. Whatever the exact significance of that term, there is no doubt that this poetry belongs to the class that has slight outward show and rich implications. And the pleasure of reading them is the shuttling between the two. There are at least two important requirements here: the surface has to be elegant and engaging without being slovenly or cute (ah, if you only knew what treasures I conceal!); implications must be intense and never clichéd.

Read more: Martin Duwell reviews ‘Avenues & Runways’ by Aidan Coleman, ‘Throwing Stones at the Sun’ by...

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Peter Steele review ‘Dance of the Nomad: A study of the selected notebooks of A.D. Hope’ by Ann McCulloch
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Here is an entry in one of A.D. Hope’s notebooks: it is from 1961: ‘Ingenious devices for letting in the light without allowing you to see out, such as modern techniques provide – e.g., glass brick walls, crinkle-glass, sanded glass and so on – remind me very much of most present-day forms of education.’ This is a representative passage from the notebooks. Lucid itself, it bears on elements of frustration or nullification in experience. As such, it testifies to Hope’s recurrent sense that human beings can easily mislocate their ingenuity, with results that are both memorable and regrettable. In a later notebook, in 1978, speaking of the labyrinth as a model of human life, he writes: ‘Looking back one sees that comparatively trivial blind choices have often determined one’s course and that the majority of people do end up in blind alleys.’ One might contest the generalisation, but will not easily forget the analogy.

Book 1 Title: Dance of the Nomad
Book 1 Subtitle: A study of the selected notebooks of A.D. Hope
Book Author: Ann McCulloch
Book 1 Biblio: Pandanus, $45 pb, 397 pp
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Here is an entry in one of A.D. Hope’s notebooks: it is from 1961: ‘Ingenious devices for letting in the light without allowing you to see out, such as modern techniques provide – e.g., glass brick walls, crinkle-glass, sanded glass and so on – remind me very much of most present-day forms of education.’ This is a representative passage from the notebooks. Lucid itself, it bears on elements of frustration or nullification in experience. As such, it testifies to Hope’s recurrent sense that human beings can easily mislocate their ingenuity, with results that are both memorable and regrettable. In a later notebook, in 1978, speaking of the labyrinth as a model of human life, he writes: ‘Looking back one sees that comparatively trivial blind choices have often determined one’s course and that the majority of people do end up in blind alleys.’ One might contest the generalisation, but will not easily forget the analogy.

Read more: Peter Steele review ‘Dance of the Nomad: A study of the selected notebooks of A.D. Hope’ by Ann...

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Stella Lees

Philip Reeves’s Infernal Devices (Scholastic) is the third part of a quartet about cities on wheels trundling about a future Earth. It has action, irony, intertextuality and flawed characters – some with dark agendas – and displays an original and startling imagination. Number four will complete the best fantasy since Philip Pullman’s His Dark Materials trilogy. On a smaller scale, and closer to home, Runner (Penguin), by Robert Newton, brings Depression-era Richmond alive. Young Charlie is employed by Squizzy Taylor, until the boy realises he’s doing the devil’s work. Newton’s wit lightens a tough tale with the inventive and laconic speech of Australian battlers, so that, when you’re not blinking back a tear, you’re laughing aloud.

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Stella Lees

Philip Reeves’s Infernal Devices (Scholastic) is the third part of a quartet about cities on wheels trundling about a future Earth. It has action, irony, intertextuality and flawed characters – some with dark agendas – and displays an original and startling imagination. Number four will complete the best fantasy since Philip Pullman’s His Dark Materials trilogy. On a smaller scale, and closer to home, Runner (Penguin), by Robert Newton, brings Depression-era Richmond alive. Young Charlie is employed by Squizzy Taylor, until the boy realises he’s doing the devil’s work. Newton’s wit lightens a tough tale with the inventive and laconic speech of Australian battlers, so that, when you’re not blinking back a tear, you’re laughing aloud.

Read more: Best Children's Books of the Year 2005

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Brenda Niall reviews ‘Margaret Olley: Far from a still life’ by Meg Stewart
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As an unknown young artist, Margaret Olley gained instant fame as the subject of the enchanting portrait by William Dobell that won the Archibald Prize in 1948. With Olley’s Mona Lisa smile, the warm, summery colours of her dress and her extravagantly flower-laden hat, Dobell created an enduring image. An embarrassed Olley did not welcome the publicity. This was not the way she wanted to enter the world of art. ‘I also paint,’ she told reporters defensively. Today, her vibrant interiors and still lifes have made her famous in her own right.

Book 1 Title: Margaret Olley
Book 1 Subtitle: Far from a still life
Book Author: Meg Stewart
Book 1 Biblio: Random House, $49.95 hb, 584 pp, 1740513142
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As an unknown young artist, Margaret Olley gained instant fame as the subject of the enchanting portrait by William Dobell that won the Archibald Prize in 1948. With Olley’s Mona Lisa smile, the warm, summery colours of her dress and her extravagantly flower-laden hat, Dobell created an enduring image. An embarrassed Olley did not welcome the publicity. This was not the way she wanted to enter the world of art. ‘I also paint,’ she told reporters defensively. Today, her vibrant interiors and still lifes have made her famous in her own right.

Read more: Brenda Niall reviews ‘Margaret Olley: Far from a still life’ by Meg Stewart

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Chilla Bulbeck reviews ‘In Defense of Animals: The second wave’ edited by Peter Singer’
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This sequel to In Defense of Animals, published twenty years ago, contains fourteen new essays, three revised essays and one that has been reprinted unchanged. Claiming that ‘philosophers served as midwives of the animal rights movement in the late 1970s’, Peter Singer devotes Part I to ‘The ideas’. The second edition displaces the now well-published philosophers found in the previous edition (e.g., Tom Regan, Stephen Clark, Mary Midgley) for a new generation of thinkers. They argue for ‘a new approach to the wrongness of killing, one that considers the individual characteristics of the being whose life is at stake, rather than that being’s species’. An arresting example is David DeGrazia’s suggestion that linguistically trained apes and dolphins are persons, while other members of their species are borderline persons. His justifications are that linguistically trained animals are exceptionally talented by comparison with their lower-IQ species confrères, and that learning a language means one is capable of more complex thought.

Book 1 Title: In Defence of Animals
Book 1 Subtitle: The second wave
Book Author: Peter Singer
Book 1 Biblio: Blackwell, $32.95 pb, 258 pp, 1405119411
Book 1 Author Type: Editor
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This sequel to In Defense of Animals, published twenty years ago, contains fourteen new essays, three revised essays and one that has been reprinted unchanged. Claiming that ‘philosophers served as midwives of the animal rights movement in the late 1970s’, Peter Singer devotes Part I to ‘The ideas’. The second edition displaces the now well-published philosophers found in the previous edition (e.g., Tom Regan, Stephen Clark, Mary Midgley) for a new generation of thinkers. They argue for ‘a new approach to the wrongness of killing, one that considers the individual characteristics of the being whose life is at stake, rather than that being’s species’. An arresting example is David DeGrazia’s suggestion that linguistically trained apes and dolphins are persons, while other members of their species are borderline persons. His justifications are that linguistically trained animals are exceptionally talented by comparison with their lower-IQ species confrères, and that learning a language means one is capable of more complex thought.

Read more: Chilla Bulbeck reviews ‘In Defense of Animals: The second wave’ edited by Peter Singer’

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Gillian Dooley reviews ‘The Life of George Bass: Surgeon and sailor of the enlightenment’ by Miriam Estensen
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The only surviving image of George Bass is surrounded by as much mystery as his death. It is a photograph of a painting that has now disappeared, thought to have been painted in about 1800. A handsome young man looks straight out at the viewer, with a faintly supercilious smirk. His hair is tied back and perhaps powdered – old-fashioned, I would have thought, for a young man in 1800, when Bass was only twenty-nine. Bass is known to every eastern-states schoolchild as half of Bass and Flinders, famous for their exploits in Tom Thumb – actually two different small open boats in which they explored the south coast of New South Wales at different times. Matthew Flinders proposed that Bass Strait be so named because it was Bass’s 1797–98 voyage in a whaleboat that had convinced him that it must be a strait rather than a bay, and led to their circumnavigation of Tasmania in the Norfolk, in 1798–99.

Book 1 Title: The Life of George Bass
Book 1 Subtitle: Surgeon and sailor of the enlightenment
Book Author: Miriam Estensen
Book 1 Biblio: Allen & Unwin, $49.95 hb, 259 pp, 1741141303
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The only surviving image of George Bass is surrounded by as much mystery as his death. It is a photograph of a painting that has now disappeared, thought to have been painted in about 1800. A handsome young man looks straight out at the viewer, with a faintly supercilious smirk. His hair is tied back and perhaps powdered – old-fashioned, I would have thought, for a young man in 1800, when Bass was only twenty-nine. Bass is known to every eastern-states schoolchild as half of Bass and Flinders, famous for their exploits in Tom Thumb – actually two different small open boats in which they explored the south coast of New South Wales at different times. Matthew Flinders proposed that Bass Strait be so named because it was Bass’s 1797–98 voyage in a whaleboat that had convinced him that it must be a strait rather than a bay, and led to their circumnavigation of Tasmania in the Norfolk, in 1798–99.

Read more: Gillian Dooley reviews ‘The Life of George Bass: Surgeon and sailor of the enlightenment’ by...

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Iain Topliss reviews ‘Heart Cancer’ by Bill Leak and ‘Moments Of Truth’ by Bill Leak
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Bill Leak’s first novel, Heart Cancer, is a quasi-picaresque larrikin’s progress that unexpectedly turns into a tale about addiction and self-destruction. It is an enterprising book, but Leak has the difficulty any novelist might in getting the two tones – the comic and the serious – properly balanced.

Book 1 Title: Heart Cancer
Book Author: Bill Leak
Book 1 Biblio: ABC Books, $29.95 pb, 282 pp, 073331631X
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Book 2 Title: Moments Of Truth
Book 2 Author: Bill Leaks
Book 2 Biblio: Scribe, $39.95 pb, 186 pp, 1920769536
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Bill Leak’s first novel, Heart Cancer, is a quasi-picaresque larrikin’s progress that unexpectedly turns into a tale about addiction and self-destruction. It is an enterprising book, but Leak has the difficulty any novelist might in getting the two tones – the comic and the serious – properly balanced.

The larrikin is Frank Thornton, a working-class boy born in the 1950s and raised in a home dominated by Mick, his violent and abusive father. The novel tracks Frank’s rise from his chaotic schooldays and youth through to his selfish prime as a successful advertising copywriter, culminating in a mid-life catastrophe, an attack of the heart cancer of the title. In the last phase of the novel, Frank is helped by Jack Hayes, a tough-minded but saintly doctor, and Xin-Xin Le Rocq, a beautiful Chinese-Australian novelist, fourteen years Frank’s junior and his lover.

Read more: Iain Topliss reviews ‘Heart Cancer’ by Bill Leak and ‘Moments Of Truth’ by Bill Leak

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Ian Morrison reviews ‘A City Lost and Found: Whelan the wrecker’s Melbourne’ by Robyn Annear
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If Melbourne’s claim to be the ‘world’s most liveable city’ can be taken seriously, it is largely because of its capacity for reinvention, the adaptability of its buildings and infrastructure to an expanding population, and changes in transport, communications, patterns of work, and the general lifestyle of its inhabitants.

Book 1 Title: A City Lost and Found
Book 1 Subtitle: Whelan the Wrecker's Melbourne
Book Author: Robyn Annear
Book 1 Biblio: Black Inc., $29.95 pb, 310 pp, 1863953892
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If Melbourne’s claim to be the ‘world’s most liveable city’ can be taken seriously, it is largely because of its capacity for reinvention, the adaptability of its buildings and infrastructure to an expanding population, and changes in transport, communications, patterns of work, and the general lifestyle of its inhabitants.

Robyn Annear’s sparkling new book follows the development of central Melbourne through the eyes of that legendary change agent, Whelan the Wrecker. Like her first book, Bearbrass: Imagining Early Melbourne (first published 1995, now reissued by Black Inc.), A City Lost and Found is an instant classic, offering new ways of seeing familiar places. Annear presents demolition as a creative act, ‘building in reverse’, even ‘a kind of archaeology’.

Read more: Ian Morrison reviews ‘A City Lost and Found: Whelan the wrecker’s Melbourne’ by Robyn Annear

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Jake Wilson reviews ‘The Year’s Best Australian Science Fiction and Fantasy 2004, Volume One’ edited by Bill Congreve and Michelle Marquardt and ‘A Tour Guide in Utopia: Stories by Lucy Sussex’ by Lucy Sussex
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The useful introduction to The Best Australian Science Fiction and Fantasy 2004 (the first volume in an intended new series) gives an idea of the less than adequate state of genre publishing in Australia. For the moment, it seems that science fiction (SF) authors in particular are mainly confined to semi-professional magazines and small presses, or are obliged to seek international markets for their work. Though the editors understandably do not say so, the fact of a small pond necessarily produces some relaxation of expectations. There is much amateurish writing in this collection, and a more serious lack of urgency: many contributors seem less interested in creating new myths than amusing themselves with borrowed ones, like fans dressing up for a convention.

Book 1 Title: The Year's Best Australian Science Fiction and Fantasy 2004
Book 1 Subtitle: Volume One
Book Author: Bill Congreve and Michelle Marquardt
Book 1 Biblio: MirrorDanse, $19.95 pb, 249 pp, 0975773607
Book 1 Author Type: Editor
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Book 2 Title: A Tour Guide in Utopia
Book 2 Subtitle: Stories by Lucy Sussex
Book 2 Author: Lucy Sussex
Book 2 Biblio: MirrorDanse, $24.95 pb, 268 pp, 0975785206
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The useful introduction to The Best Australian Science Fiction and Fantasy 2004 (the first volume in an intended new series) gives an idea of the less than adequate state of genre publishing in Australia. For the moment, it seems that science fiction (SF) authors in particular are mainly confined to semi-professional magazines and small presses, or are obliged to seek international markets for their work. Though the editors understandably do not say so, the fact of a small pond necessarily produces some relaxation of expectations. There is much amateurish writing in this collection, and a more serious lack of urgency: many contributors seem less interested in creating new myths than amusing themselves with borrowed ones, like fans dressing up for a convention.

In truth, the collection suggests that it is no easy task to integrate the received conventions of the SF or fantasy short story – trick endings, projected dystopias and so forth – into a twenty-first-century Australian context. One solution often resorted to is the presentation of essentially naturalistic plots in fantastic terms; the effect can be paradoxically cosy rather than uncanny, with phantoms and vampires looming into view like familiar childhood friends. The liveliest example here is probably Kim Westwood’s ‘Tripping over the Light Fantastic’, where the Goth trappings aren’t allowed to get in the way of the wisecracks about fashion and television.

Read more: Jake Wilson reviews ‘The Year’s Best Australian Science Fiction and Fantasy 2004, Volume One’...

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John Carmody reviews ‘The Beginner’s Guide to Winning the Nobel Prize: A life in science’ by Peter Doherty
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Article Title: The Nobel for vainglory?
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We revere Nobel laureates – and rightly. Sometimes that admiration is not repaid well, and those eminences become prey to a variant of Lord Acton’s wisdom – ‘All fame tends to corrupt’ – and consider themselves intellectual Pooh-Bahs: ‘Lord High Everything Else.’ A consequential risk of such renown is that bystanders who can see and vouch for reality are commonly unable to tell the truth to the famous.

Book 1 Title: The Beginner Guide to Winning the Nobel Prize
Book 1 Subtitle: A life in science
Book Author: Peter Doherty
Book 1 Biblio: Miegunyah Press, $34.95 hb, 299 pp, 0522851207
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We revere Nobel laureates – and rightly. Sometimes that admiration is not repaid well, and those eminences become prey to a variant of Lord Acton’s wisdom – ‘All fame tends to corrupt’ – and consider themselves intellectual Pooh-Bahs: ‘Lord High Everything Else.’ A consequential risk of such renown is that bystanders who can see and vouch for reality are commonly unable to tell the truth to the famous.

So, whose decision was it to give this book its title? I cannot really make up my mind whether the best word for it is ‘fey’, ‘imperceptive’ or simply ‘conceited’. Perhaps ‘ironic’, the reader suggests. I wondered about that, too, until I came to the last chapter, ‘How to win the Nobel Prize’: there is more hubris than irony here, more than a whiff of the opinion that Nobel Prizes and the areas of human activity where they may be won are, if not the most important ones, certainly close enough to them.

Read more: John Carmody reviews ‘The Beginner’s Guide to Winning the Nobel Prize: A life in science’ by Peter...

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John Thompson reviews ‘T.W. Edgeworth David: A life’ by David Branagan
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With the publication of Eminent Victorians in 1918, Lytton Strachey famously created a new mode of biographical writing – spare, ironic, satiric, detached. In his preface to that slim cathartic volume of portraits of four famous Victorian personalities, Strachey extolled the biographer’s virtue of what he called ‘a becoming brevity’. That preface has been called a ‘manifesto of modern biography’. In his breaking of new ground, Strachey turned his back on the sombre and dutiful ‘lives’ that had become the accepted mode of biographical homage in Victorian England.

Book 1 Title: T.W. Edgeworth David
Book 1 Subtitle: A life
Book Author: David Branagan
Book 1 Biblio: NLA, $39.95 pb, 648 pp, 0642107912
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With the publication of Eminent Victorians in 1918, Lytton Strachey famously created a new mode of biographical writing – spare, ironic, satiric, detached. In his preface to that slim cathartic volume of portraits of four famous Victorian personalities, Strachey extolled the biographer’s virtue of what he called ‘a becoming brevity’. That preface has been called a ‘manifesto of modern biography’. In his breaking of new ground, Strachey turned his back on the sombre and dutiful ‘lives’ that had become the accepted mode of biographical homage in Victorian England.

David Branagan’s affectionate and respectful life of T.W. Edgeworth David – the Welsh-born scientist, adventurer and soldier who became a colossus in his adopted Australia – is as deeply old-fashioned as it is celebratory. The Strachey dictum of brevity does not apply. In twenty-five chapters, Branagan’s labour of love follows the conventional trajectory of the cradle to the grave, but is best always on the public and professional aspects of an eminent pioneering career. At home, David’s family adored him and he was always generously supported by his able wife, Cara Mallett, who gave up a promising career of her own to marry him.

Read more: John Thompson reviews ‘T.W. Edgeworth David: A life’ by David Branagan

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Jonathan Pearlman reviews ‘Men And Women of Australia!’: Our greatest modern speeches’ edited by Michael Fullilove
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Article Title: Smelling the same eucalypt
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There was no chaplain aboard the troopship Transylvania as it travelled across the Mediterranean Sea for France in 1916, so the sermon was left to Frank Bethune, a Tasmanian clergyman and private soldier. Bethune rose on the promenade deck and informed the soldiers that, god-fearing or not, they were righting a great wrong and were not heroes, but men. ‘What else do we wish except to go straight forward at the enemy?’ he asked. ‘With our dear ones far behind us and God above us, and our friends on each side of us and only the enemy in front of us – what more do we wish than that?’ Also aboard the ship was Australia’s official war correspondent, Charles Bean. After describing the effect of Bethune’s sermon on the soldiers, Bean delivered the ultimate praise: ‘[There] were tears in many men’s eyes when he finished – and that does not often happen with Australians … And that was because he had put his finger, just for one moment, straight on to the heart of the nation.’

Book 1 Title: 'Men And Women of Australia!'
Book 1 Subtitle: Our greatest modern speeches
Book Author: Michael Fullilove
Book 1 Biblio: Vintage, $34.95pb, 316pp, 1740512987
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There was no chaplain aboard the troopship Transylvania as it travelled across the Mediterranean Sea for France in 1916, so the sermon was left to Frank Bethune, a Tasmanian clergyman and private soldier. Bethune rose on the promenade deck and informed the soldiers that, god-fearing or not, they were righting a great wrong and were not heroes, but men. ‘What else do we wish except to go straight forward at the enemy?’ he asked. ‘With our dear ones far behind us and God above us, and our friends on each side of us and only the enemy in front of us – what more do we wish than that?’ Also aboard the ship was Australia’s official war correspondent, Charles Bean. After describing the effect of Bethune’s sermon on the soldiers, Bean delivered the ultimate praise: ‘[There] were tears in many men’s eyes when he finished – and that does not often happen with Australians … And that was because he had put his finger, just for one moment, straight on to the heart of the nation.’

Read more: Jonathan Pearlman reviews ‘Men And Women of Australia!’: Our greatest modern speeches’ edited by...

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Kate McFadyen reviews ‘The Grasshopper Shoe’ by Carolyn Leach-Paholski and ‘A New Map of the Universe’ by Annabel Smith
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Early in Carolyn Leach-Paholski’s The Grasshopper Shoe, a maverick artisan named Wei argues that ‘all form strives to the enclosed and therefore piques our curiosity. What lies open or does not have a hidden side could be counted as formless. All that remains unjoined, the line which does not seek the satisfaction of unity in the circle, all this to aesthetics is dead.’ These words could be interpreted as the novel’s declaration of formal intent. Indeed, both of these début novels are concerned with beauty and perfection, in the sense that they seek to convey emotional and philosophical intensity through rich poetic language. The use of ornate metaphors and imagery in prose has its risks. It requires skill and a good deal of restraint to allow the narrative enough air to breathe so that the novel’s momentum is not stifled.

Book 1 Title: The Grasshopper Shoe
Book Author: Carolyn Leach-Paholski
Book 1 Biblio: Pandanus, $29.95pb, 405pp, 1740561405
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Book 2 Title: A New Map of the Universe
Book 2 Author: Annabel Smith
Book 2 Biblio: University of Western Australia Press, $24.95pb, 248pp, 1920694552
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Early in Carolyn Leach-Paholski’s The Grasshopper Shoe, a maverick artisan named Wei argues that ‘all form strives to the enclosed and therefore piques our curiosity. What lies open or does not have a hidden side could be counted as formless. All that remains unjoined, the line which does not seek the satisfaction of unity in the circle, all this to aesthetics is dead.’ These words could be interpreted as the novel’s declaration of formal intent. Indeed, both of these début novels are concerned with beauty and perfection, in the sense that they seek to convey emotional and philosophical intensity through rich poetic language. The use of ornate metaphors and imagery in prose has its risks. It requires skill and a good deal of restraint to allow the narrative enough air to breathe so that the novel’s momentum is not stifled.

Read more: Kate McFadyen reviews ‘The Grasshopper Shoe’ by Carolyn Leach-Paholski and ‘A New Map of the...

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Luke Beesley reviews ‘Original Face’ by Nicholas Jose
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Nicholas Jose’s new novel, Original Face, begins violently. On the first page, a man is – expertly, and with a small knife – skinned alive, his face removed. We are in Sydney and the assassin’s name is Daozi, which in Chinese means knife. Jose’s seventh work of fiction traces the sometimes-brittle nature of identity as it plays with an ancient Chinese riddle: ‘Before your father and mother were born, what was your original face?’ It’s a confidently crafted pastiche; a kind of film-noir literature with a tender twist of Buddhist philosophy.

Book 1 Title: Original Face
Book Author: Nicholas Jose
Book 1 Biblio: Giramondo, $27.95pb, 308pp, 1920882138
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Nicholas Jose’s new novel, Original Face, begins violently. On the first page, a man is – expertly, and with a small knife – skinned alive, his face removed. We are in Sydney and the assassin’s name is Daozi, which in Chinese means knife. Jose’s seventh work of fiction traces the sometimes-brittle nature of identity as it plays with an ancient Chinese riddle: ‘Before your father and mother were born, what was your original face?’ It’s a confidently crafted pastiche; a kind of film-noir literature with a tender twist of Buddhist philosophy.

Read more: Luke Beesley reviews ‘Original Face’ by Nicholas Jose

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Luke Morgan reviews ‘Arthur Boyd and Saint Francis of Assisi: Pastels, lithographs and tapestries, 1964–1974’ by Margaret Pont
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Arthur Boyd and Saint Francis of Assisi is based on Margaret Pont’s Master’s thesis, which she wrote at the University of Melbourne under the supervision of the medievalist Margaret Manion. During the 1960s, Arthur Boyd made more than twenty pastels depicting various events from the saint’s life. He followed this with a series of lithographs, all of which are listed in Pont’s detailed catalogue. Then, from 1972 to 1974, Boyd had twenty tapestries woven by the Manufactura Tapecarias de Portalegre in Portugal, to cartoons produced from transparencies of the original pastels. These works, which have never been exhibited together in their entirety, continue to gather dust in the Hume storage depot of the National Gallery of Australia. Pont also includes in her catalogue a number of related drawings, unfinished pastel sketches and three oil paintings dealing with the theme of St Francis.

Book 1 Title: Arthur Boyd and Saint Francis of Assisi
Book 1 Subtitle: Pastels, lithographs and tapestries, 1964–1974
Book Author: Margaret Pont
Book 1 Biblio: Macmillan Art Publishing, $88 hb, 144 pp, 1876832800
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Arthur Boyd and Saint Francis of Assisi is based on Margaret Pont’s Master’s thesis, which she wrote at the University of Melbourne under the supervision of the medievalist Margaret Manion. During the 1960s, Arthur Boyd made more than twenty pastels depicting various events from the saint’s life. He followed this with a series of lithographs, all of which are listed in Pont’s detailed catalogue. Then, from 1972 to 1974, Boyd had twenty tapestries woven by the Manufactura Tapecarias de Portalegre in Portugal, to cartoons produced from transparencies of the original pastels. These works, which have never been exhibited together in their entirety, continue to gather dust in the Hume storage depot of the National Gallery of Australia. Pont also includes in her catalogue a number of related drawings, unfinished pastel sketches and three oil paintings dealing with the theme of St Francis.

Read more: Luke Morgan reviews ‘Arthur Boyd and Saint Francis of Assisi: Pastels, lithographs and tapestries,...

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Maria Takolander reviews ‘Subtopia’ by A.L. McCann
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I’ve had disturbing encounters with literature and film before: Reinaldo Arenas’s The Color of Summer (2000) and Stanley Kubrick’s A Clockwork Orange (1971). Their unsettling nature lies in the ways in which they link sex and violence, and show their hooks in the political body and the (masculine) soul. Against oppressive régimes (whether socialist or capitalist), these texts engage in ambiguous defences of instincts that aren’t much prettier than the systems against which their anti-heroes rail.

Book 1 Title: Subtopia
Book Author: A.L. McCann
Book 1 Biblio: Vulgar Press, $29.95pb, 280pp, 0958079560
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I’ve had disturbing encounters with literature and film before: Reinaldo Arenas’s The Color of Summer (2000) and Stanley Kubrick’s A Clockwork Orange (1971). Their unsettling nature lies in the ways in which they link sex and violence, and show their hooks in the political body and the (masculine) soul. Against oppressive régimes (whether socialist or capitalist), these texts engage in ambiguous defences of instincts that aren’t much prettier than the systems against which their anti-heroes rail.

A.L. McCann’s Subtopia fits in here, insistently presenting links between sex and violence. These instincts are associated with a malign and patriarchal capitalism, imaged in the asbestosis and cancer from which the characters, subsisting in the dystopian suburbs of Melbourne in the 1970s and 1980s, frequently suffer. However, they are also embedded in the characters, shaping even how they rebel.

Read more: Maria Takolander reviews ‘Subtopia’ by A.L. McCann

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Rick Thompson reviews ‘Snapshot’ by Garry Disher, ‘A Thing of Blood’ by Robert Gott and ‘Dirty Weekend’ by Gabrielle Lord
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Garry Disher’s Snapshot continues his police procedural series about Mornington Peninsula detective Hal Challis, begun with Dragon Man in 1999 (before that, Disher wrote an excellent series of thrillers about a career criminal named Wyatt, starting with Kickback, 1991). Snapshot is 100 pages longer than Dragon Man, but, paradoxically, it is much more pared back, leaner and smarter about what a police procedural (PP) can be.

Book 1 Title: Snapshot
Book Author: Garry Disher
Book 1 Biblio: Text, $29.95 pb, 337 pp, 1920885722
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Book 2 Title: A Thing of Blood
Book 2 Author: Robert Gott
Book 2 Biblio: Scribe, $27.95 pb, 276 pp, 1920769587
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Book 3 Title: Dirty Weekend
Book 3 Author: Gabrielle Lord
Book 3 Biblio: Hodder, $32.95 pb, 376 pp, 0733618529
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Garry Disher’s Snapshot continues his police procedural series about Mornington Peninsula detective Hal Challis, begun with Dragon Man in 1999 (before that, Disher wrote an excellent series of thrillers about a career criminal named Wyatt, starting with Kickback, 1991). Snapshot is 100 pages longer than Dragon Man, but, paradoxically, it is much more pared back, leaner and smarter about what a police procedural (PP) can be.

A bit lost in the byways of the Peninsula (and Disher’s opening is eloquently economical in conflating two kinds: a subculture of partner-swapping sexual byways, and the geography of back roads and byways in the area), a therapist and her seven-year-old daughter turn into a strange yard. A car follows them in, with consequences. Challis gets the case. Complication: the victim’s father-in-law is Challis’s undependable, careerist superior, Superintendent McQuarrie, who won’t stop interfering with the case, doesn’t want to know about his son’s wife-swapping and pushes for the quick (and dirty) solution.

Read more: Rick Thompson reviews ‘Snapshot’ by Garry Disher, ‘A Thing of Blood’ by Robert Gott and ‘Dirty...

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Stephanie Trigg reviews ‘Evil: A novel’ by Diane Bell
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‘Write about what you know.’ This is probably good advice for aspiring writers. Whether it serves equally well for academics turning their hand to prose fiction is put to a severe test by Diane Bell’s first novel. Evil tells the story of an Australian feminist anthropologist who takes up a position at a small Jesuit college in the US. Like many ATNs (Academics Turned Novelists), Bell’s choice of genre is the academic mystery: it is no coincidence that one of the heroine’s favourite writers is Amanda Cross, otherwise known as the feminist critic Carolyn Heilbrun.

Book 1 Title: Evil
Book 1 Subtitle: A novel
Book Author: Diane Bell
Book 1 Biblio: Spinifex, $24.95 pb, 289 pp, 1876756551
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‘Write about what you know.’ This is probably good advice for aspiring writers. Whether it serves equally well for academics turning their hand to prose fiction is put to a severe test by Diane Bell’s first novel. Evil tells the story of an Australian feminist anthropologist who takes up a position at a small Jesuit college in the US. Like many ATNs (Academics Turned Novelists), Bell’s choice of genre is the academic mystery: it is no coincidence that one of the heroine’s favourite writers is Amanda Cross, otherwise known as the feminist critic Carolyn Heilbrun.

Read more: Stephanie Trigg reviews ‘Evil: A novel’ by Diane Bell

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Tony Marshall reviews ‘Encyclopedia of Melbourne’ edited by Andrew Brown-May and Shurlee Swain
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Article Title: Before Starbucks
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This Encyclopedia – claimed by the publishers to be the first for Melbourne – is an immense undertaking. The sheer numbers are staggering: 1500-odd articles, 850,000 words, 250 illustrations, nineteen maps and twenty-one tables, produced over a period of nearly ten years by an army comprising two principal editors, five associate editors, fifteen working parties and 440 authors (to say nothing of administrative and publishing staff). Fourteen notable residents offer more reflective pieces on ‘My Melbourne’, ranging from Stephanie Alexander on ‘Eating Melbourne’ and Barry Dickins on St Paul’s Cathedral (his ‘favourite place of anarchy’), to Barry Humphries’ elegiac meditation on ‘the days of Gladstone bags and gloves and hats and glads, / Before Melbourne had been Starbucked, and the trams plastered with ads’.

Book 1 Title: Encyclopedia of Melbourne
Book Author: Andrew Brown-May and Shurlee Swain
Book 1 Biblio: CUP, $150 hb, 822 pp, 0521842344
Book 1 Author Type: Editor
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This Encyclopedia – claimed by the publishers to be the first for Melbourne – is an immense undertaking. The sheer numbers are staggering: 1500-odd articles, 850,000 words, 250 illustrations, nineteen maps and twenty-one tables, produced over a period of nearly ten years by an army comprising two principal editors, five associate editors, fifteen working parties and 440 authors (to say nothing of administrative and publishing staff). Fourteen notable residents offer more reflective pieces on ‘My Melbourne’, ranging from Stephanie Alexander on ‘Eating Melbourne’ and Barry Dickins on St Paul’s Cathedral (his ‘favourite place of anarchy’), to Barry Humphries’ elegiac meditation on ‘the days of Gladstone bags and gloves and hats and glads, / Before Melbourne had been Starbucked, and the trams plastered with ads’.

Melbourne, in the editors’ grand vision, encompasses: ‘the greater metropolitan region, including coverage of the thirty-one municipalities created after local government restructuring in 1994 … from Wyndham and Melton in the west, Hume, Whittlesea and Nillumbik in the north, Yarra Ranges in the east, to Cardinia and Mornington Peninsula to the south-east.’ But ‘the focus remains on the historical centre’. While there are articles on almost every locality in the greater region, some articles that might have ranged more widely are limited almost entirely to the historical centre: smell, street life, public toilets and traffic lights, for example.

Read more: Tony Marshall reviews ‘Encyclopedia of Melbourne’ edited by Andrew Brown-May and Shurlee Swain

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Troy Bramston reviews ‘A Figure of Speech: A political memoir’ by Graham Freudenberg
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Graham Freudenberg, who has been at the centre of federal and NSW Labor politics for more than forty years, has now written his political memoir. Elegantly presented by his publisher, A Figure of Speech details Freudenberg’s life story, from his childhood in Brisbane to his early career in journalism, a rite of passage to London, and the vicissitudes of life in politics.

Book 1 Title: A Figure of Speech
Book 1 Subtitle: A political memoir
Book Author: Graham Freudenberg
Book 1 Biblio: Wiley, $44.95 hb, 307 pp, 1740311051
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Graham Freudenberg, who has been at the centre of federal and NSW Labor politics for more than forty years, has now written his political memoir. Elegantly presented by his publisher, A Figure of Speech details Freudenberg’s life story, from his childhood in Brisbane to his early career in journalism, a rite of passage to London, and the vicissitudes of life in politics.

The book focuses on Freudenberg’s role as speechwriter to six Labor leaders: Arthur Calwell, Gough Whitlam, Neville Wran, Bob Hawke, Barrie Unsworth and Bob Carr. Freudenberg has also contributed to, or written speeches for, Bill Hayden, Paul Keating, Kim Beazley, Simon Crean, Mark Latham and Morris Iemma. His words, spoken by prime ministers and premiers since the 1960s, place him within the orbit of some of the defining moments of Labor’s history. Notable examples include Calwell’s speech denouncing the Vietnam War, Whitlam’s 1972 ‘It’s time’ policy speech, Hawke’s opening speech at the 1983 National Economic Summit, Wran’s eulogy for Lionel Murphy in 1986, Keating’s bid for the Sydney Olympics delivered in Monte Carlo, and Carr’s welcome to President Bill Clinton in 1996.

Read more: Troy Bramston reviews ‘A Figure of Speech: A political memoir’ by Graham Freudenberg

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Vivienne Kelly reviews ‘Crackpots, Ratbags and Rebels: A swag of Aussie eccentrics’ by Robert Holden and ‘Up Close: 28 lives of extraordinary Australians’ by Peter Wilmoth
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We’re all interested in people; misanthropy is not trendy. Contemporary interest in people may be manifested by the success of reality television, the media coverage given to celebrities, and books such as these, which set out to investigate people and what makes them tick.

Book 1 Title: Crackpots, Ratbags and Rebels
Book 1 Subtitle: A swag of Aussie eccentrics
Book Author: Robert Holden
Book 1 Biblio: ABC Books, $29.95 pb, 240 pp, 0733315410
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Book 2 Title: Up Close
Book 2 Subtitle: 28 lives of extraordinary Australians
Book 2 Author: Peter Wilmoth
Book 2 Biblio: Pan Macmillan, $30 pb, 313 pp, 1405036575
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We’re all interested in people; misanthropy is not trendy. Contemporary interest in people may be manifested by the success of reality television, the media coverage given to celebrities, and books such as these, which set out to investigate people and what makes them tick.

Robert Holden’s Crackpots, Ratbags and Rebels: A Swag of Aussie Eccentrics is a breezy trawl through a number of characters who appear to the author to fall into these eponymous categories and who, if not Australian (for example, Lola Montez), stake a claim by visiting the country. Holden gives potted biographies of figures ranging from those extremely well known nationally (Alfred Deakin, Percy Grainger, Daisy Bates) to local personalities such as Dulcie Deamer and Arthur Stace. Perhaps the book is too breezy. It would certainly have benefited from more careful editing. There is, for instance, no such thing as an ‘idea fixe’ or a ‘vade medum’; and for a man to be ‘literally hounded to death’ (an assertion irritatingly made twice), he must first be chased or attacked by literal dogs. It is a pity, too, that there are no photographs (or likenesses): this also applies to Up Close: 28 Lives of Extraordinary Australians.

Read more: Vivienne Kelly reviews ‘Crackpots, Ratbags and Rebels: A swag of Aussie eccentrics’ by Robert...

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Ruth Starke reviews ‘The Reef’ by David Caddy, ‘Death of a Princess’ by Susan Geason, ‘The Legend of Big Red’ by James Roy, and ‘Catastrophe Cat’ by Mary Small
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These titles are aimed at a primary school readership, yet there’s a wide gap in both ability and life experience between the emerging readers at one end and the almost-teenagers at the other. Some novels successfully bridge that gap, but I’m not sure The Reef (FACP, $14.95 pb, 128 pp) is one of them, despite the publisher’s classification that this is ‘for children aged 8–12 years’. It is certainly an exciting story of suspected murder and missing silver coins, but consider some elements of the plot: Tom, the young protagonist, is menaced and harassed by two nasty out-of-towners who threaten him with death and so terrify him that he has nightmares; while swimming, he’s pursued and threatened with a speargun; later, he’s assaulted and kidnapped, a sack is tied over his head, and he’s taken out to sea and thrown overboard in the expectation that he’ll be battered to death on the reef.

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These titles are aimed at a primary school readership, yet there’s a wide gap in both ability and life experience between the emerging readers at one end and the almost-teenagers at the other. Some novels successfully bridge that gap, but I’m not sure The Reef (FACP, $14.95 pb, 128 pp) is one of them, despite the publisher’s classification that this is ‘for children aged 8–12 years’. It is certainly an exciting story of suspected murder and missing silver coins, but consider some elements of the plot: Tom, the young protagonist, is menaced and harassed by two nasty out-of-towners who threaten him with death and so terrify him that he has nightmares; while swimming, he’s pursued and threatened with a speargun; later, he’s assaulted and kidnapped, a sack is tied over his head, and he’s taken out to sea and thrown overboard in the expectation that he’ll be battered to death on the reef.

Read more: Ruth Starke reviews ‘The Reef’ by David Caddy, ‘Death of a Princess’ by Susan Geason, ‘The Legend...

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Daniel Flitton reviews ‘The Third Try’ by Alison Broinowski and James Wilkinson, ‘Australian and US Military Cooperation’ by Christopher Hubbard, ‘Dealing With America’ by John Langmore
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Reflecting on the sixty-year history of the United Nations, it seems obvious that this is an organisation created through the slow and tortured process of natural evolution rather than the product of careful, intelligent design.

Years ago, back when the UN had barely escaped its adolescence, the Nobel laureate and eminent diplomat Ralph Bunche observed that ‘the United Nations is a young organisation in the process of developing in response to challenges of all kinds’. He referred to institutional enlargement that typically continued as the global agenda grew. Agencies soon developed to coordinate the work of other agencies. Consequently, the modern UN became a haphazard creature, made up of a bewildering mix of political organs. Each part is intended to serve a different purpose, whether maintaining international security, advancing respect for fundamental human rights, or promoting economic development. And each component comes labelled with an almost impossible array of scientific-sounding designations (EcoSoc, for instance, UNEP, UNESCO, UNICEF and plenty more to make up page after page of abbreviation lists).

Book 1 Title: The Third Try
Book 1 Subtitle: Can the UN work?
Book Author: Alison Broinowski and James Wilkinson
Book 1 Biblio: Scribe, $35 pb, 318 pp
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Book 2 Title: Australian and US Military Cooperation
Book 2 Subtitle: Fighting common enemies
Book 2 Author: Christopher Hubbard
Book 2 Biblio: Ashgate, $89.95 hb, 181 pp
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Book 3 Title: Dealing With America
Book 3 Subtitle: The UN, the US and Australia
Book 3 Author: John Langmore
Book 3 Biblio: UNSW Press, $16.95 pb, 104 pp
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Reflecting on the sixty-year history of the United Nations, it seems obvious that this is an organisation created through the slow and tortured process of natural evolution rather than the product of careful, intelligent design.

Years ago, back when the UN had barely escaped its adolescence, the Nobel laureate and eminent diplomat Ralph Bunche observed that ‘the United Nations is a young organisation in the process of developing in response to challenges of all kinds’. He referred to institutional enlargement that typically continued as the global agenda grew. Agencies soon developed to coordinate the work of other agencies. Consequently, the modern UN became a haphazard creature, made up of a bewildering mix of political organs. Each part is intended to serve a different purpose, whether maintaining international security, advancing respect for fundamental human rights, or promoting economic development. And each component comes labelled with an almost impossible array of scientific-sounding designations (EcoSoc, for instance, UNEP, UNESCO, UNICEF and plenty more to make up page after page of abbreviation lists).

Read more: Daniel Flitton reviews ‘The Third Try’ by Alison Broinowski and James Wilkinson, ‘Australian and...

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Adam Carr reviews ‘God’s New Man: The election of Benedict XVI and the legacy of John Paul II’ by Paul Collins
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The late pope John Paul II was the greatest celebrity of modern times. Although he was the sovereign of the world’s smallest state, his influence seemed greater than that of any secular ruler. Did he not bring down communism in Poland by sheer spiritual power? Did he not provide a new moral leadership for mankind, speaking simple truths to millions seeking guidance in a confusing world?

Book 1 Title: God’s New Man
Book 1 Subtitle: The election of Benedict XVI and the legacy of John Paul II
Book Author: Paul Collins
Book 1 Biblio: MUP, $32.95 pb, 233 pp
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The late pope John Paul II was the greatest celebrity of modern times. Although he was the sovereign of the world’s smallest state, his influence seemed greater than that of any secular ruler. Did he not bring down communism in Poland by sheer spiritual power? Did he not provide a new moral leadership for mankind, speaking simple truths to millions seeking guidance in a confusing world?

Well, no. To understand John Paul’s career in this way is to accept a load of celebrity hype as big as that which surrounds Madonna. The reality of John Paul’s papacy was that it was a period of unprecedented and accelerating decline for the Catholic Church. While appearing to lead the church to new heights of power and influence, he in fact presided over the continuing decay of its institutions and the alienation of ever-increasing numbers of its previously faithful.

Read more: Adam Carr reviews ‘God’s New Man: The election of Benedict XVI and the legacy of John Paul II’ by...

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Article Title: A terribly serious business
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Here are five reasons why there is a literacy crisis in Australia. It is not about teacher-training; it’s about appallingly conservative publishing choices and the positioning of ‘reading’ as something that needs to be slipped under the radar of children’s attention, rather than celebrating it as one of life’s biggest adventures. What these novels share is a commitment to sport as a structuring narrative principle. Australian Rules, rugby union, netball, athletics, soccer: the sports and titles change, but the overall arc remains the same. In this respect, these books feel market-driven: generic responses to some global marketing division called ‘encouraging reluctant readers’. While this enterprise is not unworthy, the assumption that children who are not reading will be automatically attracted to novels about organised sport seems dubious.

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Here are five reasons why there is a literacy crisis in Australia. It is not about teacher-training; it’s about appallingly conservative publishing choices and the positioning of ‘reading’ as something that needs to be slipped under the radar of children’s attention, rather than celebrating it as one of life’s biggest adventures. What these novels share is a commitment to sport as a structuring narrative principle. Australian Rules, rugby union, netball, athletics, soccer: the sports and titles change, but the overall arc remains the same. In this respect, these books feel market-driven: generic responses to some global marketing division called ‘encouraging reluctant readers’. While this enterprise is not unworthy, the assumption that children who are not reading will be automatically attracted to novels about organised sport seems dubious.

Read more: Nigel Pearn reviews five children's books

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