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February 2013, no. 348

Welcome to our first issue for 2013! Highlights include Morag Fraser’s annual letter from the US – about the state of play in Washington D.C. Bernadette Brennan reviews Geordie Williamson’s controversial book The Burning Library. The first biography of J.M. Coetzee is reviewed by Gillian Dooley. We have reviews of new fiction by Brian Castro and Graeme Simsion. Brenda Niall writes at length about tensions between Henry Handel Richardson and Nettie Palmer.

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Article Title: Signs and portents
Article Subtitle: The outlook for America in Obama’s second term
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November in America signals a time to gather in, take stock and breathe a little. The elections are done by the end of the first week. Thanksgiving beckons, the high holidays begin, media fever subsides – a little – and morphs into retrospective political analysis and projected anxiety about the future, especially, since 2008, the economic future.

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November in America signals a time to gather in, take stock and breathe a little. The elections are done by the end of the first week. Thanksgiving beckons, the high holidays begin, media fever subsides – a little – and morphs into retrospective political analysis and projected anxiety about the future, especially, since 2008, the economic future.

It is a pattern I’ve seen repeated over and over. But the season also has its kinks. In the Fall of 2012, one came in the guise of a vast, malign ripple in nature. On 30 October, just before Halloween, Hurricane Sandy made landfall south-west of Atlantic City. And everything changed.

Read more: 'Signs and portents: The outlook for America in Obama’s second term' by Morag Fraser

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Bernadette Brennan reviews The Burning Library: Great Novelists Lost and Found by Geordie Williamson
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As a reader, teacher, and scholar of Australian literature, I applaud any initiative directed towards increasing readers’ understanding of, and engagement with, Australian writing. Geordie Williamson’s The Burning Library sets out to achieve that goal. Through a mix of biography and literary review, Williamson seeks to recuperate the work and reputation of fifteen Australian writers whom he judges to have been underappreciated or sidelined by academics, publishers, and, consequently, the reading public. His stable of writers includes Marjorie Barnard, Flora Eldershaw, Xavier Herbert, Christina Stead, Dal Stivens, Patrick White, Jessica Anderson, Sumner Locke Elliott, Amy Witting, Olga Masters, David Ireland, Elizabeth Harrower, Thomas Keneally, Randolph Stow, and Gerald Murnane.

Book 1 Title: The Burning Library
Book 1 Subtitle: Great Novelists Lost and Found
Book Author: Geordie Williamson
Book 1 Biblio: Text Publishing, $32.99 pb, 224 pp, 9781921922985
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As a reader, teacher, and scholar of Australian literature, I applaud any initiative directed towards increasing readers’ understanding of, and engagement with, Australian writing. Geordie Williamson’s The Burning Library sets out to achieve that goal. Through a mix of biography and literary review, Williamson seeks to recuperate the work and reputation of fifteen Australian writers whom he judges to have been underappreciated or sidelined by academics, publishers, and, consequently, the reading public. His stable of writers includes Marjorie Barnard, Flora Eldershaw, Xavier Herbert, Christina Stead, Dal Stivens, Patrick White, Jessica Anderson, Sumner Locke Elliott, Amy Witting, Olga Masters, David Ireland, Elizabeth Harrower, Thomas Keneally, Randolph Stow, and Gerald Murnane.

Read more: Bernadette Brennan reviews 'The Burning Library: Great Novelists Lost and Found' by Geordie...

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Joel Deane reviews Murdoch’s Pirates: Before the Phone Hacking, There Was Rupert’s Pay-TV Skullduggery by Neil Chenoweth
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Article Title: What next for News Corporation?
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Talk about unfortunate timing. On 10 December 2012, the New Yorker ran a lengthy profile on Elisabeth Murdoch, the older sister of Lachlan and James. Elisabeth, forty-four, lives in Britain, where – while her siblings have been marked down for everything from, in Lachlan’s case, One.Tel to Ten Network and, in James’s case, MySpace and phone hacking – she has quietly built a reputation as a savvy television producer and businesswoman. The profile is a public relations hosanna – unsurprising given that Elisabeth’s husband, Sigmund Freud’s great-grandson Matthew Freud, is a flack with his own PR firm – with the title declaring its subject to be, in capital letters, THE HEIRESS. The subheading simply states: ‘The rise of Elisabeth Murdoch.’

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Book 1 Title: Murdoch’s Pirates: Before the Phone Hacking, There Was Rupert’s Pay-TV Skullduggery
Book Author: Neil Chenoweth
Book 1 Biblio: Allen & Unwin, $45 hb, 430 pp, 9781743311806
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Talk about unfortunate timing. On 10 December 2012, the New Yorker ran a lengthy profile on Elisabeth Murdoch, the older sister of Lachlan and James. Elisabeth, forty-four, lives in Britain, where – while her siblings have been marked down for everything from, in Lachlan’s case, One.Tel to Ten Network and, in James’s case, MySpace and phone hacking – she has quietly built a reputation as a savvy television producer and businesswoman. The profile is a public relations hosanna – unsurprising given that Elisabeth’s husband, Sigmund Freud’s great-grandson Matthew Freud, is a flack with his own PR firm – with the title declaring its subject to be, in capital letters, THE HEIRESS. The subheading simply states: ‘The rise of Elisabeth Murdoch.’

Read more: Joel Deane reviews 'Murdoch’s Pirates: Before the Phone Hacking, There Was Rupert’s Pay-TV...

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Gillian Dooley reviews J.M. Coetzee: A Life in Writing by J.C. Kannemeyer, translated by Michiel Heyns
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When I heard that someone was writing Coetzee’s biography, I thought he must be either brave or foolish. After all, Coetzee’s own approach to autobiography is slippery, to say the least. J.C. Kannemeyer was (he died suddenly on Christmas Day 2011) a South African professor of Afrikaans and Dutch, a veteran biographer, and a literary historian. Coetzee co-operated fully, granting extensive interviews, making documents available, answering queries by email, and offering no interference. ‘He said he wanted the facts in the book to be correct. He did not wish to see the manuscript before publication.’ In other words, he behaved impeccably. Any suspicion that Coetzee’s Summertime (2009), in which a biographer researches the late J.M. Coetzee’s life, is based on his experience of being Kannemeyer’s subject is removed by the epilogue. Summertime was conceived and largely written before the biography was contemplated.

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Book 1 Title: J.M. Coetzee: A Life in Writing
Book Author: J.C. Kannemeyer, translated by Michiel Heyns
Book 1 Biblio: Scribe, $59.95 hb, 710 pp, 9781922070081
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When I heard that someone was writing Coetzee’s biography, I thought he must be either brave or foolish. After all, Coetzee’s own approach to autobiography is slippery, to say the least. J.C. Kannemeyer was (he died suddenly on Christmas Day 2011) a South African professor of Afrikaans and Dutch, a veteran biographer, and a literary historian. Coetzee co-operated fully, granting extensive interviews, making documents available, answering queries by email, and offering no interference. ‘He said he wanted the facts in the book to be correct. He did not wish to see the manuscript before publication.’ In other words, he behaved impeccably. Any suspicion that Coetzee’s Summertime (2009), in which a biographer researches the late J.M. Coetzee’s life, is based on his experience of being Kannemeyer’s subject is removed by the epilogue. Summertime was conceived and largely written before the biography was contemplated.

Read more: Gillian Dooley reviews 'J.M. Coetzee: A Life in Writing' by J.C. Kannemeyer, translated by Michiel...

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Francesca Sasnaitis reviews Street to Street by Brian Castro
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At the age of fourteen, Brendan Costa, not Brian Castro, visits a fortune teller. The Witch predicts a fortunate life, though one afflicted by a lack of awareness that may lead to loss of control and possible disaster. Castro is warning the reader to pay attention or lose the plot.

Book 1 Title: Street to Street
Book Author: Brian Castro
Book 1 Biblio: Giramondo, $24.95 pb, 149 pp, 9781920882952
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At the age of fourteen, Brendan Costa, not Brian Castro, visits a fortune teller. The Witch predicts a fortunate life, though one afflicted by a lack of awareness that may lead to loss of control and possible disaster. Castro is warning the reader to pay attention or lose the plot.

Read more: Francesca Sasnaitis reviews 'Street to Street' by Brian Castro

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Article Title: Ettie and Nettie
Article Subtitle: When Nettie Palmer visited Henry Handel Richardson
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It is a brilliant summer day in July 1935. The scene is a house called Green Ridges, near Hastings, Sussex. Two women, seated but not relaxed, face each other across a formal drawing room. This is the first time they have met. Nettie Palmer, Australian writer and journalist, has come to stay overnight with the novelist Henry Handel Richardson.

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It is a brilliant summer day in July 1935. The scene is a house called Green Ridges, near Hastings, Sussex. Two women, seated but not relaxed, face each other across a formal drawing room. This is the first time they have met. Nettie Palmer, Australian writer and journalist, has come to stay overnight with the novelist Henry Handel Richardson.

As novelist and journalist they know one another’s writings well, and they have been corresponding for years. But there is tension in this first face-to-face encounter. They will never be friends, never on first-name terms. Not because of the absurdity of their matching names – Ettie and Nettie – but because Ettie, who has for years insisted on being called Henry instead of her given name Ethel or that childish diminutive Ettie, prefers to keep her distance. Today it will be Miss Richardson and Mrs Palmer, as it has been in their letters. It will take years even to adjust the greeting to ‘Dear Nettie Palmer’. It will never become ‘Dear Henry’.

Read more: 'Ettie and Nettie: When Nettie Palmer visited Henry Handel Richardson' by Brenda Niall

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Article Title: You are what you read
Article Subtitle: Asian Australian fiction in the Asian Century
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White Papers are falling on Australia like confetti. We had two on foreign affairs and one on terrorism in the seven years to 2004; the third one on defence in four years will appear this year, and in October 2012 Ken Henry delivered Australia in the Asian Century. Defence White Papers are perennially concerned with Australia’s need for the material and money to protect us against certain countries, which are rarely named. The Asian Century paper, on the other hand, explicitly names China among the five ‘key regional nations’ to be given priority in order to bring ‘a stronger national purpose and cohesion’ to the relationship with Australia. The Defence White Paper will be sober in tone, as Menzies was when announcing his ‘melancholy duty’ in 1939, or resolute, as was Curtin in declaring Australia’s shift of dependence to the United States in 1941. In contrast, The Asian Century adopts cheerful, forward-looking slogans. Australia’s success ‘will be based on choice, not chance’, it says; ‘the tyranny of distance is being replaced by the prospects of proximity’; and Australia is ‘located in the right place at the right time’. Asia is so important, says Dr Henry, that it is going to be ‘the main game not only economically but in almost any sense of national significance’.

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White Papers are falling on Australia like confetti. We had two on foreign affairs and one on terrorism in the seven years to 2004; the third one on defence in four years will appear this year, and in October 2012 Ken Henry delivered Australia in the Asian Century. Defence White Papers are perennially concerned with Australia’s need for the material and money to protect us against certain countries, which are rarely named. The Asian Century paper, on the other hand, explicitly names China among the five ‘key regional nations’ to be given priority in order to bring ‘a stronger national purpose and cohesion’ to the relationship with Australia. The Defence White Paper will be sober in tone, as Menzies was when announcing his ‘melancholy duty’ in 1939, or resolute, as was Curtin in declaring Australia’s shift of dependence to the United States in 1941. In contrast, The Asian Century adopts cheerful, forward-looking slogans. Australia’s success ‘will be based on choice, not chance’, it says; ‘the tyranny of distance is being replaced by the prospects of proximity’; and Australia is ‘located in the right place at the right time’. Asia is so important, says Dr Henry, that it is going to be ‘the main game not only economically but in almost any sense of national significance’.

Read more: 'You are what you read: Asian Australian fiction in the Asian Century' by Alison Broinowski

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Shannon Burns reviews Every Love Story is a Ghost Story: A Life of David Foster Wallace by D.T. Max
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According to D.T. Max, ‘At the time of his tragic death by suicide in September 2008, David Foster Wallace was the foremost writer of his generation, the one who had forged the newest path and from whom the others, directly or indirectly, took their cues.’ Indeed, for someone desperate to escape the confines of self and wary of literary celebrity, Wallace endured more than his share of hype and admiration. This paradox is unsurprising when we consider Wallace’s repeated depictions of bleak coincidence in his fiction. Early in Infinite Jest (1996), footballer Orin Incandenza – the elder brother of physically deformed Mario and hyper-intelligent Hal – suffers a nightmare of being smothered by his mother’s disembodied head; when Orin wakes, his latest ‘Subject’ (sexual conquest) is watching a documentary about schizophrenia. Mediated by Orin, the voice-over describes its subject:

Book 1 Title: Every Love Story is a Ghost Story: A Life of David Foster Wallace
Book Author: D.T. Max
Book 1 Biblio: Granta (Allen & Unwin), $39.99 hb, 361 pp, 9781847084941
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According to D.T. Max, ‘At the time of his tragic death by suicide in September 2008, David Foster Wallace was the foremost writer of his generation, the one who had forged the newest path and from whom the others, directly or indirectly, took their cues.’ Indeed, for someone desperate to escape the confines of self and wary of literary celebrity, Wallace endured more than his share of hype and admiration. This paradox is unsurprising when we consider Wallace’s repeated depictions of bleak coincidence in his fiction. Early in Infinite Jest (1996), footballer Orin Incandenza – the elder brother of physically deformed Mario and hyper-intelligent Hal – suffers a nightmare of being smothered by his mother’s disembodied head; when Orin wakes, his latest ‘Subject’ (sexual conquest) is watching a documentary about schizophrenia. Mediated by Orin, the voice-over describes its subject:

Read more: Shannon Burns reviews 'Every Love Story is a Ghost Story: A Life of David Foster Wallace' by D.T....

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Contents Category: Advances
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Poetry and ABR

McCooey-David-2ABR is delighted to announce that David McCooey, a celebrated poet and frequent contributor to the magazine, is our new Poetry Editor. Professor McCooey, who was recently awarded a personal chair at Deakin University, will select the poems for publication. ‘I am thrilled to be ABR’s first dedicated poetry editor,’ he told Advances. ‘I look forward to continuing the magazine’s tradition of publishing superb poetry by established and new poets, both from here and overseas.’

Poetry – its appreciation, its cultivation, its promulgation – is a priority at Australian Book Review. In addition to offering multiple reviews of slim volumes and/or anthologies in each issue, we have since 2001 published new poems in each issue. The Peter Porter Poetry Prize – first presented in 2005 and renamed such in 2010 – is now, in its eighth year, more popular than ever. Late last year we received almost 800 entries. We look forward to publishing the shortlisted poems in the March issue and to naming the winner later that month.

Poets are encouraged to submit their work to David McCooey via email: This email address is being protected from spambots. You need JavaScript enabled to view it.. (See our website for more details and a longer statement from the Poetry Editor.) We intend to find room for more poetry in the magazine. Under David McCooey’s editorship, we will also offer recordings of some poems on our website, plus other innovations, to be announced in due course.

Meanwhile, enjoy David McCooey’s review of Glyn Maxwell’s wry and erudite little book On Poetry – ‘the best book on reading and writing poetry for a general audience that I have ever read’, he writes.

Chronicles of Quadrant

Advances, truth be told, is not in the habit of reading Quadrant closely. Nor, it would seem, is Keith Windschuttle, its Editor, a keen peruser of our own pages. In his January–February issue, Windschuttle laments his magazine’s current funding and accuses the Literature Board of making ‘a blatant political decision’ (‘Chronicle’). Australian Book Review, like several magazines, is dismissed as ‘overtly left-wing’. (This must be why our Editor has begun wearing pink shirts. We shall have to investigate our bank records for any signs of foreign infiltration.)

Windschuttle’s editorial abounds in errors and exaggerations. Here is one example. ABR, he states, ‘has never reviewed any of the works published by Quadrant Books’. Wrong. Anthony Lynch reviewed The Quadrant Book of Poetry (edited by Les Murray) in our June 2012 issue. Sue Ebury, in July–August 2011, reviewed Peter Ryan’s Final Proof: Memoirs of a Publisher (but only after, it must be said, a herculean battle to extract a review copy from Quadrant Books).

Fellowships galore

ian-potter-foundation-logoWe are seeking proposals for the ABR Ian Potter Foundation Fellowship, with a closing date of 15 April. This is the eighth writers’ fellowship that we have offered since 2010, and the second to be supported by The Ian Potter Foundation. The chosen theme in this round is the performing arts (music, theatre, dance). Once again we are offering a fee of $5000 for an article of 7000–8000 words, to be produced in collaboration with the Editor, Peter Rose. This particular Fellowship article will open our Performing Arts issue in November 2012. Prospective applicants are once again encouraged to contact the Editor before finalising their proposals.

More Fellowships will follow in due course.

Perth and Adelaide bound

For literary festivities in February and March, head to Perth (with a stop in Adelaide on the way back) – if you’re not there already. Perth Writers’  Festival (21–24 February) will host international guests Ahdaf Soueif and Margaret Atwood, with a closing address by 2012 Miles Franklin winner Anna Funder. Other Australian writers will include Toni Jordan, Robert Dessaix, and Geordie Williamson, whose controversial new book, The Burning Library, is reviewed by Bernadette Brennan in this issue.

Adelaide Writers’ Week (2–7 March) presents an impressively meaty guest list this year, and a keynote event in which the esteemed historian Tom Holland will be in discussion with Michael Cathcart about the ancient world – from the Roman and Persian empires to Europe in 1000 CE and the birth of Islam. Robert Drewe and Chloe Hooper are among the other guests. Two writers’ festivals; a great excuse to Go West.

 Funder-Anna   DessaixRobert   WilliamsonG   

Editorial doings

The Editor spent December in those ungovernable United States about which Morag Fraser writes with a mixture of affection and perplexity in her annual American commentary (a series that began in 2008). Peter Rose writes about some of his impressions and meetings in his 2012 diary, extracts from which will appear in the March issue. As last year, a longer (possibly rasher) extract will appear in ABR Online Edition.

Website redesign

Visitors to our website will soon notice that the home of ABR Online Edition has undergone a layout redesign and beautification. Sparky new features are planned – including seamless tablet and smartphone integration. Magazine articles will be in a bigger, easy-to-read font, with the online browsing process made more pleasurable. The new website will be easier to navigate, and chores like renewing your sub will be more straightforward. All of this, with an eye to making ABR a renewed centre of online cultural discussion and hub of literary activity. We hope that even more readers will soon pilot ABR Online Edition – and let us know what they think.

Scribe in London

In early 2013 Scribe will open an office in the United Kingdom. It plans to publish both Australian and British titles, to be distributed by Faber and Faber. In an interview with Bookseller+Publisher, Scribe publisher Henry Rosenbloom said the move ensures that Scribe will ‘have more chance of overcoming the ANZ rights-splitting problem that I and other Australian publishers have been complaining about for many years’.

February giveaways

This month, courtesy of Text Publishing, ten prompt new subscribers will each receive a signed copy of The Burning Library,by Geordie Williamson.

And, thanks to Universal Pictures, twenty-five renewing subscribers will have the chance to snaffle a double pass to see the new movie adaptation of Anna Karenina. Directed by Joe Wright and adapted by Tom Stoppard, the film stars Keira Knightley and Jude Law and opens in Australian cinemas on February 14.

  Ak

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Copping it sweet

Dear Editor,

I’ll cop sweet Jane Sullivan’s disaffection with my novel The Seaglass Spiral (December 2012–January 2013) but must defend my publisher, Finlay Lloyd, against her charge of showing ambiguous support for the book in its introduction.

Put simply, in forty years dealing with publishing houses, large and small, Australian and overseas, Finlay Lloyd has been the most attentive, intelligent, courteous, and energetic publisher I have encountered. Above all, this encounter has shown me that value persists in the publishing world. Finlay Lloyd knew why they liked my book, which is why I believe their support will continue, whatever fortune attends The Seaglass Spiral in the market.

Finlay Lloyd’s defence of value free from, but not disdaining, the market, is good for the morale of this author, but may also be good for the well-being of the book trade, where value might reside in what is given rather than what is expected.

Alan Gould, Canberra, ACT

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Sheila Fitzpatrick reviews Ryszard Kapuściński: A Life by Artur Domosławski, translated by Antonia Lloyd-Jones
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A famous Polish communist foreign correspondent? It sounds like a contradiction in terms, but actually Ryszard Kapuściński did achieve international fame towards the end of the Cold War, after a highly successful career covering the Third World for leading media in the People’s Republic of Poland from the 1950s. Africa and, later, Latin America were his specialties; he was an enthusiast for decolonising liberation movements and an admirer of Che Guevara, Patrice Lumumba, and the French-Algerian theorist Frantz Fanon. 

Book 1 Title: Ryszard Kapuściński: A Life
Book Author: Artur Domosławski, translated by Antonia Lloyd-Jones
Book 1 Biblio: Verso (Palgrave Macmillan), $49.95 hb, 464 pp, 9781844678587
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A famous Polish communist foreign correspondent? It sounds like a contradiction in terms, but actually Ryszard Kapuściński did achieve international fame towards the end of the Cold War, after a highly successful career covering the Third World for leading media in the People’s Republic of Poland from the 1950s. Africa and, later, Latin America were his specialties; he was an enthusiast for decolonising liberation movements and an admirer of Che Guevara, Patrice Lumumba, and the French-Algerian theorist Frantz Fanon. His books The Emperor (1978),on Haile Selassie of Ethiopia, and The Shah of Shahs (1982), on Iran’s Islamic Revolution, were translated and published in many languages in the 1980s. Susan Sontag, Salman Rushdie, and John Updike were among those who praised them and welcomed Kapuściński to the international intellectual jet set. In the New York Review of Books, Adam Hochschild hailed him as a master of ‘magic journalism’ (an allusion to the ‘magic realism’ of Jorge Luis Borges and other Latin American writers). Newsweek liked his ‘mordant humor … rather as if Kafka had written “The Castle” from inside the keep’. Interpreting The Emperor as an ‘allegory of totalitarian governments today’, its reviewer concluded that ‘almost certainly [Kapuściński’s] Haile Selassie is a stand-in for Big Brother, the ruler who brings his country to a condition of near perfect stasis …’

Read more: Sheila Fitzpatrick reviews 'Ryszard Kapuściński: A Life' by Artur Domosławski, translated by...

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John Rickard reviews Norman Haire and the Study of Sex by Diana Wyndham
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Norman Haire was born in Sydney’s Paddington in 1892, the year in which the word ‘homosexual’ is said to have entered the English language in the translation of Krafft-Ebing’s Psychopathia Sexualis. It was a coincidence Haire might have enjoyed, though for a man given to speaking his mind he was always discreet about his homosexuality.

Book 1 Title: Norman Haire and the Study of Sex
Book Author: Diana Wyndham
Book 1 Biblio: Sydney University Press, $35 pb, 485 pp, 9781743320068
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Norman Haire was born in Sydney’s Paddington in 1892, the year in which the word ‘homosexual’ is said to have entered the English language in the translation of Krafft-Ebing’sPsychopathia Sexualis. It was a coincidence Haire might have enjoyed, though for a man given to speaking his mind he was always discreet about his homosexuality.

Read more: John Rickard reviews 'Norman Haire and the Study of Sex' by Diana Wyndham

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Cassandra Atherton reviews The Best Australian Stories 2012 edited by Sonya Hartnett
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Sonya Hartnett’s début as editor of The Best Australian Stories is marked by a series of fictions about dysfunctional families, eccentrics, and misfits. The homeless, lonely, disenfranchised, intellectually disabled, sick, afflicted, even the dead, are featured alongside the privileged, rich, and famous in a macabre mardi gras. Readers familiar with Hartnett’s writing will recognise many of her own carnivalesque qualities.

Book 1 Title: The Best Australian Stories 2012
Book Author: Sonya Hartnett
Book 1 Biblio: Black Inc., $29.99 pb, 369 pp, 9781863955805
Book 1 Author Type: Editor
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Sonya Hartnett’s début as editor of The Best Australian Stories is marked by a series of fictions about dysfunctional families, eccentrics, and misfits. The homeless, lonely, disenfranchised, intellectually disabled, sick, afflicted, even the dead, are featured alongside the privileged, rich, and famous in a macabre mardi gras. Readers familiar with Hartnett’s writing will recognise many of her own carnivalesque qualities.

Read more: Cassandra Atherton reviews 'The Best Australian Stories 2012' edited by Sonya Hartnett

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Patrick Allington on Great Western Highway: A Love Story by Anthony Macris
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As I read the early pages of Anthony Macris’s Great Western Highway, I began to wonder if the whole novel might consist of a single central character walking along a city road (for the record, it doesn’t). I couldn’t decide whether I found such a prospect exciting or deflating. As I continued reading, and as Great Western Highway took flight from Parramatta Road, Sydney, to explore such weighty matters as capitalism, the First Gulf War, and Margaret Thatcher’s legacy, again and again the story captured but then lost my interest.

Book 1 Title: Great Western Highway: A Love Story (Capital, Volume One, Part Two)
Book Author: Anthony Macris
Book 1 Biblio: UWA Publishing, $29.95 pb, 362 pp, 9781742584157
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As I read the early pages of Anthony Macris’s Great Western Highway, I began to wonder if the whole novel might consist of a single central character walking along a city road (for the record, it doesn’t). I couldn’t decide whether I found such a prospect exciting or deflating. As I continued reading, and as Great Western Highway took flight from Parramatta Road, Sydney, to explore such weighty matters as capitalism, the First Gulf War, and Margaret Thatcher’s legacy, again and again the story captured but then lost my interest.

Read more: Patrick Allington on 'Great Western Highway: A Love Story' by Anthony Macris

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Jo Case reviews The Rosie Project by Graeme Simsion
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In 2013, Asperger’s Syndrome will no longer officially exist – according to the updated Diagnostic and Statistical Manual of Mental Disorders, the American psychiatric manual used as a diagnostic bible around the world. Ironically, just as it begins its slow fade from the cultural landscape, Asperger’s attracts its own romantic comedy. The Rosie Project joins Toni Jordan’s Addition in this fledgling genre – the (screwball) romance of difference. In Bridget Jones’s Diary, the heroine knows that she has found her man when he declares that he likes her ‘just as you are’. Addition, with its obsessive-compulsive counting heroine, expanded the boundary of what that essential, loveable self can encompass; so does The Rosie Project, with its self-described ‘differently wired’ hero, Professor Don Tillman.

Book 1 Title: The Rosie Project
Book Author: Graeme Simsion
Book 1 Biblio: Text Publishing, $29.99 pb, 329 pp, 9781922079770
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In 2013, Asperger’s Syndrome will no longer officially exist – according to the updated Diagnostic and Statistical Manual of Mental Disorders, the American psychiatric manual used as a diagnostic bible around the world. Ironically, just as it begins its slow fade from the cultural landscape, Asperger’s attracts its own romantic comedy. The Rosie Project joins Toni Jordan’s Addition in this fledgling genre – the (screwball) romance of difference. In Bridget Jones’s Diary, the heroine knows that she has found her man when he declares that he likes her ‘just as you are’. Addition, with its obsessive-compulsive counting heroine, expanded the boundary of what that essential, loveable self can encompass; so does The Rosie Project, with its self-described ‘differently wired’ hero, Professor Don Tillman.

Read more: Jo Case reviews 'The Rosie Project' by Graeme Simsion

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Romy Ash reviews Darkness on the Edge of Town by Jessie Cole
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‘I don’t mind all the broken things – sometimes I shift a chair outside when I think the house is overflowing, or when I can’t get to the kitchen cupboard or something – it’s the people that bother me. My dad collects broken people too.’

Book 1 Title: Darkness on the Edge of Town
Book Author: Jessie Cole
Book 1 Biblio: Fourth Estate, $24.99 pb, 328 pp, 9780732293192
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‘I don’t mind all the broken things – sometimes I shift a chair outside when I think the house is overflowing, or when I can’t get to the kitchen cupboard or something – it’s the people that bother me. My dad collects broken people too.’

Read more: Romy Ash reviews 'Darkness on the Edge of Town' by Jessie Cole

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Stephen Mansfield reviews Whisky Charlie Foxtrot by Annabel Smith
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The greatest hurts you can endure or inflict on another are often in connection with siblings. The expectation of intimacy and potential for damage is obviously amplified when dealing with twins. As the father of two-year-old twin boys, I read this book with some trepidation.

Book 1 Title: Whisky Charlie Foxtrot
Book Author: Annabel Smith
Book 1 Biblio: Fremantle Press, $24.99 pb, 303 pp, 9781922089144
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The greatest hurts you can endure or inflict on another are often in connection with siblings. The expectation of intimacy and potential for damage is obviously amplified when dealing with twins. As the father of two-year-old twin boys, I read this book with some trepidation.

Read more: Stephen Mansfield reviews 'Whisky Charlie Foxtrot' by Annabel Smith

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Simon Collinson reviews The Toe Tag Quintet by Matthew Condon
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Matthew Condon is a writer who confounds expectations. He followed his prize-winning epic novel The Trout Opera (2007) with Brisbane (2010), a meditative exploration of the city’s rich history. In The Toe Tag Quintet, he turns his hand to crime. This is not a novel but a series of novellas about a detective’s exploits following his retirement to the Gold Coast. The stories are consecutive but distinct, a mosaic structure not unlike the one Condon used to great effect in his début collection, The Motorcycle Cafe (1988).

Book 1 Title: The Toe Tag Quintet: Five Novellas of Murder and Mayhem
Book Author: Matthew Condon
Book 1 Biblio: Vintage, $27.95 pb, 352 pp, 9781742756691
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Matthew Condon is a writer who confounds expectations. He followed his prize-winning epic novel The Trout Opera (2007) with Brisbane (2010), a meditative exploration of the city’s rich history. In The Toe Tag Quintet, he turns his hand to crime. This is not a novel but a series of novellas about a detective’s exploits following his retirement to the Gold Coast. The stories are consecutive but distinct, a mosaic structure not unlike the one Condon used to great effect in his début collection, The Motorcycle Cafe (1988).

Read more: Simon Collinson reviews 'The Toe Tag Quintet' by Matthew Condon

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Andy Lloyd James reviews 26 Views of the Starburst World: William Dawes at Sydney Cove 1788–91 by Ross Gibson
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Words matter, and there can be few more misleading ones in Australian history than ‘settlement’, as used to describe the period immediately following the arrival of the First Fleet. It connotes understanding and agreement. In Sydney Cove, by contrast, five distinct groups were present: Governor Phillip and his immediate entourage; naval vessels and their crews; a detachment of Royal Marines; a group of convicts; and the Indigenous people of the area whose home it had been for tens of thousands of years – all of them at some stage profoundly misunderstanding each other and often in major disagreement or conflict; all of them decidedly unsettled.

Book 1 Title: 26 Views of the Starburst World
Book 1 Subtitle: William Dawes at Sydney Cove 1788–91
Book Author: Ross Gibson
Book 1 Biblio: UWA Publishing, $29.95 pb, 302 pp, 9781742582979
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Words matter, and there can be few more misleading ones in Australian history than ‘settlement’, as used to describe the period immediately following the arrival of the First Fleet. It connotes understanding and agreement. In Sydney Cove, by contrast, five distinct groups were present: Governor Phillip and his immediate entourage; naval vessels and their crews; a detachment of Royal Marines; a group of convicts; and the Indigenous people of the area whose home it had been for tens of thousands of years – all of them at some stage profoundly misunderstanding each other and often in major disagreement or conflict; all of them decidedly unsettled.

Read more: Andy Lloyd James reviews '26 Views of the Starburst World: William Dawes at Sydney Cove 1788–91'...

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James McNamara on The Letters of T.S. Eliot edited by Valerie Eliot and John Haffenden
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Article Title: More letters from T.S. Eliot
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‘I am back again in London and smothered in work.’ Volume Three of T.S. Eliot’s letters opens to the poet working ‘hours [that] are long and late’, ‘under great pressure’ as a newly appointed professional editor and publisher. Eliot resigned from Lloyds Bank in late 1925 to join the board of Faber and Gwyer. The publishing house bought part of the Criterion, the literary periodical that Eliot produced alongside his banking job, and reissued it in January 1926 as the New Criterion, with Eliot as full-time, salaried editor.

Book 1 Title: The Letters of T.S. Eliot: Volume 3: 1926–1927
Book Author: Valerie Eliot and John Haffenden
Book 1 Biblio: Faber and Faber (Allen & Unwin), $79.99 hb, 997 pp, 9780571140855
Book 1 Author Type: Editor
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‘I am back again in London and smothered in work.’ Volume Three of T.S. Eliot’s letters opens to the poet working ‘hours [that] are long and late’, ‘under great pressure’ as a newly appointed professional editor and publisher. Eliot resigned from Lloyds Bank in late 1925 to join the board of Faber and Gwyer. The publishing house bought part of the Criterion, the literary periodical that Eliot produced alongside his banking job, and reissued it in January 1926 as the New Criterion, with Eliot as full-time, salaried editor.

Read more: James McNamara on 'The Letters of T.S. Eliot' edited by Valerie Eliot and John Haffenden

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Michael Shmith reviews Counting One’s Blessings: The Selected Letters of Queen Elizabeth the Queen Mother by William Shawcross
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Contents Category: Letters
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Article Title: Absorbing letters from an ebullient queen
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It is fitting to compare the longevity of the Queen Mother’s life with a magnificent hand-woven carpet running along a length of parquet down a torch-lit ancestral hallway: she was the embodiment of the twentieth century precisely because her life more or less spanned it. She was born on 4 August 1900 and (allowing for a bit of overhang into this century) died on Easter Saturday, 30 March 2002.

Book 1 Title: Counting One’s Blessings: The Selected Letters of Queen Elizabeth the Queen Mother
Book Author: William Shawcross
Book 1 Biblio: Macmillan, $44.99 hb, 686 pp, 9780230754966
Book 1 Author Type: Editor
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It is fitting to compare the longevity of the Queen Mother’s life with a magnificent hand-woven carpet running along a length of parquet down a torch-lit ancestral hallway: she was the embodiment of the twentieth century precisely because her life more or less spanned it. She was born on 4 August 1900 and (allowing for a bit of overhang into this century) died on Easter Saturday, 30 March 2002.

Read more: Michael Shmith reviews 'Counting One’s Blessings: The Selected Letters of Queen Elizabeth the...

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Michael Morley reviews Freedom and the Arts: Essays on Music and Literature by Charles Rosen
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In one of the most penetrating essays in this wide-ranging collection, the pianist and scholar Charles Rosen, while addressing the topic of ‘La Fontaine: The Ethical Power of Style’, notes in an aside: ‘What is original in Montaigne is the strange path he takes to arrive at the idea.’ It is an observation that might be equally well applied to the author of the twenty-eight pieces in this volume, most of which originated as extended reviews for the New York Review of Books over the past two decades, apart from ‘Too Much Opera’, which dates from 1979 and, to put it politely, rather shows its age. On the other hand, the subsection entitled ‘Mostly Mozart’ includes, along with four previously published pieces, three new essays, which offer clear evidence of Rosen’s gifts as musical and cultural analyst. Covering topics as varied as dramatic and tonal logic in the operas, Mozart’s entry into the twentieth century, and Mozart and posterity, these hundred-plus pages provide a combination of sociology and musicology, history and aesthetics, performance analysis, and a grasp of the secondary literature that is characteristic of the Rosen who was both performer and critic. (He died in December 2012.)

Book 1 Title: Freedom and the Arts
Book 1 Subtitle: Essays on Music and Literature
Book Author: Charles Rosen
Book 1 Biblio: Harvard University Press (Inbooks), $49.95 hb, 438 pp, 9780674047525
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In one of the most penetrating essays in this wide-ranging collection, the pianist and scholar Charles Rosen, while addressing the topic of ‘La Fontaine: The Ethical Power of Style’, notes in an aside: ‘What is original in Montaigne is the strange path he takes to arrive at the idea.’ It is an observation that might be equally well applied to the author of the twenty-eight pieces in this volume, most of which originated as extended reviews for the New York Review of Books over the past two decades, apart from ‘Too Much Opera’, which dates from 1979 and, to put it politely, rather shows its age. On the other hand, the subsection entitled ‘Mostly Mozart’ includes, along with four previously published pieces, three new essays, which offer clear evidence of Rosen’s gifts as musical and cultural analyst. Covering topics as varied as dramatic and tonal logic in the operas, Mozart’s entry into the twentieth century, and Mozart and posterity, these hundred-plus pages provide a combination of sociology and musicology, history and aesthetics, performance analysis, and a grasp of the secondary literature that is characteristic of the Rosen who was both performer and critic. (He died in December 2012.)

Read more: Michael Morley reviews 'Freedom and the Arts: Essays on Music and Literature' by Charles Rosen

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Doug Hall reviews 101 Contemporary Australian Artists edited by Kelly Gellatly
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In the art world, the question of who shapes public taste is a perennial favourite. Magazines like to rank the heavyweights. Last year’s ArtReview’s Power 100 included an assortment of global dealers and collectors; Ai Weiwei and Pussy Riot made it too. While such ladders of influence invariably include museum staff and art historians, it is clear that Jenny Holzer’s aphoristic ‘Truism’, Money Creates Taste, was prescient.

Book 1 Title: 101 Contemporary Australian Artists
Book Author: Kelly Gellatly
Book 1 Biblio: National Gallery of Victoria, $49.95 hb, 237 pp, 9780724103621
Book 1 Author Type: Editor
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In the art world, the question of who shapes public taste is a perennial favourite. Magazines like to rank the heavyweights. Last year’s ArtReview’s Power 100 included an assortment of global dealers and collectors; Ai Weiwei and Pussy Riot made it too. While such ladders of influence invariably include museum staff and art historians, it is clear that Jenny Holzer’s aphoristic ‘Truism’, Money Creates Taste, was prescient.

Read more: Doug Hall reviews '101 Contemporary Australian Artists' edited by Kelly Gellatly

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Article Title: Lincoln
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The Academy Award season is so given to hyperbole that it was a relief to read one critic not starry-eyed about Steven Spielberg’s Lincoln. Rex Reed, in the New York Observer, criticised the film for having ‘too much material, too little revelation and almost nothing of Spielberg’s reliable cinematic flair’. I don’t agree for a moment, but Reed’s comment is an interesting pointer to the prevailing expectations of twenty-first-century American cinema: keep it simple (or simply incoherent), deliver a message, and wrap it all up with lavish cinematography.

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The Academy Award season is so given to hyperbole that it was a relief to read one critic not starry-eyed about Steven Spielberg’s Lincoln. Rex Reed, in the New York Observer, criticised the film for having ‘too much material, too little revelation and almost nothing of Spielberg’s reliable cinematic flair’. I don’t agree for a moment, but Reed’s comment is an interesting pointer to the prevailing expectations of twenty-first-century American cinema: keep it simple (or simply incoherent), deliver a message, and wrap it all up with lavish cinematography.

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Gillian Dooley reviews Honestly: Notes on Life by Nikki Gemmell
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The skills involved in writing successful novels are rather different from those needed for a weekly newspaper column. In a column, a thousand words must engage the reader, week in week out, whether or not the writer has anything urgent to say. A short deadline is less forgiving, allowing scant time for polishing and self-editing. On the other hand, stylistic idiosyncrasies that might become tiresomely repetitive in a longer format can be indulged, even encouraged – part of the charm.

Book 1 Title: Honestly: Notes on Life
Book Author: Nikki Gemmell
Book 1 Biblio: Fourth Estate, $19.99 pb, 221 pp, 9780732295899
Book 1 Author Type: Author
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The skills involved in writing successful novels are rather different from those needed for a weekly newspaper column. In a column, a thousand words must engage the reader, week in week out, whether or not the writer has anything urgent to say. A short deadline is less forgiving, allowing scant time for polishing and self-editing. On the other hand, stylistic idiosyncrasies that might become tiresomely repetitive in a longer format can be indulged, even encouraged – part of the charm.

Read more: Gillian Dooley reviews 'Honestly: Notes on Life' by Nikki Gemmell

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Richard J. Martin reviews People on Country by Jon Altman and Seán Kerins
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Over the last few years, issues associated with underdevelopment in Aboriginal Australia have been widely canvassed in the mainstream press, led by the likes of Noel Pearson, Marcia Langton, and Peter Sutton. This new edited volume adopts a somewhat different approach to Aboriginal development, focusing on Indigenous involvement in natural resource management around Australia.

Book 1 Title: People on Country
Book 1 Subtitle: Vital Landscapes, Indigenous Futures
Book Author: Jon Altman and Seán Kerins
Book 1 Biblio: Federation Press, $39.95 pb, 272 pp, 9781862878938
Book 1 Author Type: Editor
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Over the last few years, issues associated with underdevelopment in Aboriginal Australia have been widely canvassed in the mainstream press, led by the likes of Noel Pearson, Marcia Langton, and Peter Sutton. This new edited volume adopts a somewhat different approach to Aboriginal development, focusing on Indigenous involvement in natural resource management around Australia.

Read more: Richard J. Martin reviews 'People on Country' by Jon Altman and Seán Kerins

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Gillian Terzis reviews Fallout from Fukushima by Richard Broinowski
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In the aftermath of Chernobyl it is hard not to see nuclear disaster as the muse of abject horror. The degree of uncertainty surrounding life after catastrophe – genetic mutation, contaminated food supplies, mass displacement of townships – is unfathomable for governments and citizens alike. At a time when the need for accurate information is at its greatest, misinformation spreads quickly, sometimes deliberately. Reflexive distrust can be a handy survival mechanism to have during a national crisis.

Book 1 Title: Fallout from Fukushima
Book Author: Richard Broinowski
Book 1 Biblio: Scribe, $27.95 pb, 284 pp, 9781922070166
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In the aftermath of Chernobyl it is hard not to see nuclear disaster as the muse of abject horror. The degree of uncertainty surrounding life after catastrophe – genetic mutation, contaminated food supplies, mass displacement of townships – is unfathomable for governments and citizens alike. At a time when the need for accurate information is at its greatest, misinformation spreads quickly, sometimes deliberately. Reflexive distrust can be a handy survival mechanism to have during a national crisis.

Read more: Gillian Terzis reviews 'Fallout from Fukushima' by Richard Broinowski

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Laura Elvery reviews City by James Roy
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James Roy’s cover blurb suggests that ‘everyone has a story’. The awkward thing is that some are better than others. In his new book, young characters are linked by stories and poems that criss-cross an unnamed city. It acts as a companion piece to Roy’s successful Town (2007), which contained thirteen tales from regional New South Wales. In City, stories are told in first, second, and third person, in diverse settings ranging from sleazy nightclub strips to gleaming office blocks. It’s ambitious, but ends unevenly, with several stories unlikely to appeal to teenage readers.

Book 1 Title: City
Book Author: James Roy
Book 1 Biblio: University of Queensland Press, $19.95 pb, 298 pp, 9780702249266
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James Roy’s cover blurb suggests that ‘everyone has a story’. The awkward thing is that some are better than others. In his new book, young characters are linked by stories and poems that criss-cross an unnamed city. It acts as a companion piece to Roy’s successful Town (2007), which contained thirteen tales from regional New South Wales. In City, stories are told in first, second, and third person, in diverse settings ranging from sleazy nightclub strips to gleaming office blocks. It’s ambitious, but ends unevenly, with several stories unlikely to appeal to teenage readers.

Read more: Laura Elvery reviews 'City' by James Roy

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Bec Kavanagh reviews Black Spring by Alison Croggon
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Lina is part witch, part royalty. Her existence is scorned by both the king and the powerful wizards that all but rule the bitter lands of the North. The story of her heady romance and tragic fate is the centrepiece for Alison Croggon’s latest fiction, a Gothic fantasy inspired by Wuthering Heights.

Book 1 Title: Black Spring
Book Author: Alison Croggon
Book 1 Biblio: Walker Books, $22.95 pb, 286 pp, 9781921977480
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Lina is part witch, part royalty. Her existence is scorned by both the king and the powerful wizards that all but rule the bitter lands of the North. The story of her heady romance and tragic fate is the centrepiece for Alison Croggon’s latest fiction, a Gothic fantasy inspired by Wuthering Heights.

Read more: Bec Kavanagh reviews 'Black Spring' by Alison Croggon

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David McCooey reviews On Poetry by Glyn Maxwell
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Contents Category: Literary Studies
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Article Title: A superb introduction to poetry
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‘T his is a book for anyone,’ begins On Poetry, by the English poet Glyn Maxwell. It is a bold gesture, returning an ancient art to ‘anyone’ interested in it. Inasmuch as any book can be for everyone, On Poetry is such a book. It is funny, original, and doesn’t presuppose expertise on the part of the reader. It is the best book on reading and writing poetry for a general audience that I have ever read.

Book 1 Title: On Poetry
Book Author: Glyn Maxwell
Book 1 Biblio: Oberon Books (Currency Press), $22.95 hb, 170 pp, 9781849430852
Book 1 Author Type: Author
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‘T his is a book for anyone,’ begins On Poetry, by the English poet Glyn Maxwell. It is a bold gesture, returning an ancient art to ‘anyone’ interested in it. Inasmuch as any book can be for everyone, On Poetry is such a book. It is funny, original, and doesn’t presuppose expertise on the part of the reader. It is the best book on reading and writing poetry for a general audience that I have ever read.

Read more: David McCooey reviews 'On Poetry' by Glyn Maxwell

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Bronwyn Lea reviews Walking Home by Simon Armitage
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Contents Category: Memoir
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W ordsworth – poet–walker par excellence – had the best legs in the business. As his friend Thomas de Quincy noted: ‘Undoubtedly they had been serviceable legs beyond the average standard of requisition. For I calculate, upon good data, that with these identical legs Wordsworth must have traversed a distance of 185,000 English miles.’ In contrast, Simon Armitage’s legs, by his own admission, generally ‘do very little other than dangle under a desk’ or propel him from the multi-storey car park to the railway ticket office. ‘Even if I’m writing about the Sahara or the Antarctic,’ he confesses, ‘I’m usually doing it in a chair, in a room, behind double glazing.’

Book 1 Title: Walking Home
Book Author: Simon Armitage
Book 1 Biblio: Faber and Faber (Allen & Unwin), $32.99 hb,285 pp, 9780571249886
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W ordsworth – poet–walker par excellence – had the best legs in the business. As his friend Thomas de Quincy noted: ‘Undoubtedly they had been serviceable legs beyond the average standard of requisition. For I calculate, upon good data, that with these identical legs Wordsworth must have traversed a distance of 185,000 English miles.’ In contrast, Simon Armitage’s legs, by his own admission, generally ‘do very little other than dangle under a desk’ or propel him from the multi-storey car park to the railway ticket office. ‘Even if I’m writing about the Sahara or the Antarctic,’ he confesses, ‘I’m usually doing it in a chair, in a room, behind double glazing.’

Read more: Bronwyn Lea reviews 'Walking Home' by Simon Armitage

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Stephen Edgar reviews The Open Door: One Hundred Poems, One Hundred Years of Poetry Magazine edited by Don Share and Christian Wiman
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‘Reading through a hundred years of Poetry, week after week of issue after issue after issue, some forty thousand poems in all, Don and I, when we weren’t rendered prone and moaning, jolted back and forth between elation and depression.’ So Christian Wiman writes in his introduction to this elating, and never depressing, new anthology celebrating one hundred years of Poetry Magazine. Bear in mind that he and fellow editor Don Share did this while continuing with their day jobs as editors of the magazine, which receives some one hundred thousand submissions a year, and you will have some idea of the task they undertook.

Book 1 Title: The Open Door: One Hundred Poems, One Hundred Years of Poetry Magazine
Book Author: Don Share and Christian Wiman
Book 1 Biblio: University of Chicago Press (Footprint Books), $29.95 hb, 222 pp, 9780226750705
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‘Reading through a hundred years of Poetry, week after week of issue after issue after issue, some forty thousand poems in all, Don and I, when we weren’t rendered prone and moaning, jolted back and forth between elation and depression.’ So Christian Wiman writes in his introduction to this elating, and never depressing, new anthology celebrating one hundred years of Poetry Magazine. Bear in mind that he and fellow editor Don Share did this while continuing with their day jobs as editors of the magazine, which receives some one hundred thousand submissions a year, and you will have some idea of the task they undertook.

Read more: Stephen Edgar reviews 'The Open Door: One Hundred Poems, One Hundred Years of Poetry Magazine'...

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Kate Middleton reviews Liquid Nitrogen by Jennifer Maiden
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Jennifer Maiden has for a long time been one of Australia’s most politically engaged poets, a commentator on the local scene and the international set alike. With her new volume, Liquid Nitrogen, Maiden continues on from her previous books Friendly Fire (2005) and Pirate Rain (2010), with more poems centred on the journalist George Jeffreys, and further poetic conversations between Hillary Clinton and Eleanor Roosevelt, as well as new partnerships between Kevin Rudd and Dietrich Bonhoeffer, and Julia Gillard and Aneurin Bevan. These poems fold into a volume that also includes more of Maiden’s ‘diary poems’ and a number of smaller, non-sequential poems that nonetheless match the volume’s tone and may well contain the seeds of Maiden’s next book. The liquid nitrogen of the title appears first in George Jeffreys’s waking, and later in the poem ‘Diary Poem: Uses of Liquid Nitrogen’. Such echoes recur as Liquid Nitrogen conducts conversations not just within its probing poems, but also across the collection as a whole. The book is at once political and intimate, full of the real world and marked by the oneiric tone of conversations that cross the threshold of death.

Book 1 Title: Liquid Nitrogen
Book Author: Jennifer Maiden
Book 1 Biblio: Giramondo, $24 pb, 86 pp, 9781920882990
Book 1 Author Type: Author
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Jennifer Maiden has for a long time been one of Australia’s most politically engaged poets, a commentator on the local scene and the international set alike. With her new volume, Liquid Nitrogen, Maiden continues on from her previous books Friendly Fire (2005) and Pirate Rain (2010), with more poems centred on the journalist George Jeffreys, and further poetic conversations between Hillary Clinton and Eleanor Roosevelt, as well as new partnerships between Kevin Rudd and Dietrich Bonhoeffer, and Julia Gillard and Aneurin Bevan. These poems fold into a volume that also includes more of Maiden’s ‘diary poems’ and a number of smaller, non-sequential poems that nonetheless match the volume’s tone and may well contain the seeds of Maiden’s next book. The liquid nitrogen of the title appears first in George Jeffreys’s waking, and later in the poem ‘Diary Poem: Uses of Liquid Nitrogen’. Such echoes recur as Liquid Nitrogen conducts conversations not just within its probing poems, but also across the collection as a whole. The book is at once political and intimate, full of the real world and marked by the oneiric tone of conversations that cross the threshold of death.

Read more: Kate Middleton reviews 'Liquid Nitrogen' by Jennifer Maiden

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Mike Ladd reviews Available Light by Graeme Kinross-Smith
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Facing the first poem in Graeme Kinross-Smith’s new book Available Light is a quote from Margaret Atwood’s Negotiating with the Dead (2002): ‘The mere act of writing splits the self in two.’ When you write, not only are you a writer, but you are your own first and very present reader. Suddenly, all alone at your desk, you have company. The first section of Kinross-Smith’s book focuses not so much on the act of writing as on the split self. In poems such as ‘In my wheat-bag hood’, ‘Commas’, ‘if I be not I …’ he observes possible past selves and his future. ‘Commas’ uses the metaphor of a man skimming stones across a pool:

Book 1 Title: Available Light
Book Author: Graeme Kinross-Smith
Book 1 Biblio: Whitmore Press, $24.95 pb, 115 pp, 9780987386601
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Facing the first poem in Graeme Kinross-Smith’s new book Available Light is a quote from Margaret Atwood’s Negotiating with the Dead (2002): ‘The mere act of writing splits the self in two.’ When you write, not only are you a writer, but you are your own first and very present reader. Suddenly, all alone at your desk, you have company. The first section of Kinross-Smith’s book focuses not so much on the act of writing as on the split self. In poems such as ‘In my wheat-bag hood’, ‘Commas’, ‘if I be not I …’ he observes possible past selves and his future. ‘Commas’ uses the metaphor of a man skimming stones across a pool:

Read more: Mike Ladd reviews 'Available Light' by Graeme Kinross-Smith

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Peter Kenneally reviews Prepare the Cabin for Landing by Alan Wearne
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In Alan Wearne’s new collection, his not-quite-self-appointed role as chronicler of Australian mora et tempores continues, more overtly than before. Prepare the Cabin for Landing pays homage to the Roman satirist Juvenal and his eighteenth-century heir, Samuel Johnson. Both shared what Wearne describes as ‘that combination of bemusement, annoyance, anger and despair to which your country (let alone the country of mankind) can drive you’.

Book 1 Title: Prepare the Cabin for Landing
Book Author: Alan Wearne
Book 1 Biblio: Giramondo, $24 pb, 106 pp, 9781920882945
Book 1 Author Type: Author
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In Alan Wearne’s new collection, his not-quite-self-appointed role as chronicler of Australian mora et tempores continues, more overtly than before. Prepare the Cabin for Landing pays homage to the Roman satirist Juvenal and his eighteenth-century heir, Samuel Johnson. Both shared what Wearne describes as ‘that combination of bemusement, annoyance, anger and despair to which your country (let alone the country of mankind) can drive you’.

Read more: Peter Kenneally reviews 'Prepare the Cabin for Landing' by Alan Wearne

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Imogen Smith reviews Griffith Review 38: The Novella Project edited by Julianne Schultz
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This year’s annual fiction edition of Griffith Review – a collection of six stories chosen by competition – is dedicated to reviving the novella. In the golden age of print, the novella was mostly considered a literary misfit, too long for magazines, too short to publish profitably in a single book. It is a fair assumption that with new infrastructure provided by digital technology the novella might at last reach its market. Some hypothesise that it might even become popular; a story that can be read in one sitting might stand a chance of squeezing into the daily gavage of online ‘content’. True to these ideas, each piece published in Griffith Review 38: The Novella Project is available for individual digital purchase.

Book 1 Title: Griffith Review 38: The Novella Project
Book Author: Julianne Schultz
Book 1 Biblio: Text Publishing, $27.95 pb, 290 pp, 9781921922602
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This year’s annual fiction edition of Griffith Review – a collection of six stories chosen by competition – is dedicated to reviving the novella. In the golden age of print, the novella was mostly considered a literary misfit, too long for magazines, too short to publish profitably in a single book. It is a fair assumption that with new infrastructure provided by digital technology the novella might at last reach its market. Some hypothesise that it might even become popular; a story that can be read in one sitting might stand a chance of squeezing into the daily gavage of online ‘content’. True to these ideas, each piece published in Griffith Review 38: The Novella Project is available for individual digital purchase.

Read more: Imogen Smith reviews 'Griffith Review 38: The Novella Project' edited by Julianne Schultz

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Norman Etherington reviews History in the Making by J.H. Elliott
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A million people thronged the streets of Barcelona on 11 September 2012, clamouring for liberty. This had been their special day long before 9/11. Like Gallipoli, it commemorates a defeat: the rout of the Catalans and their Austrian Hapsburg allies by the Bourbon monarch Philip V of Spain on 11 September 1714 in the closing stages of the War of the Spanish Succession. How could something that occurred three centuries ago get Barcelonans so worked up? It all goes back to the foundation of modern Spain through the marriage of Ferdinand of Aragon and Isabella of Castile in 1469. Forging a nation-state in an age of non-stop warfare proved a brutal business.

Book 1 Title: History in the Making
Book Author: J.H. Elliott
Book 1 Biblio: Yale University Press (Inbooks), $34.95 hb, 263 pp, 9780300186383
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A million people thronged the streets of Barcelona on 11 September 2012, clamouring for liberty. This had been their special day long before 9/11. Like Gallipoli, it commemorates a defeat: the rout of the Catalans and their Austrian Hapsburg allies by the Bourbon monarch Philip V of Spain on 11 September 1714 in the closing stages of the War of the Spanish Succession. How could something that occurred three centuries ago get Barcelonans so worked up? It all goes back to the foundation of modern Spain through the marriage of Ferdinand of Aragon and Isabella of Castile in 1469. Forging a nation-state in an age of non-stop warfare proved a brutal business. The Catalans saw their ancient rights trampled underfoot and rose in rebellion, first in the 1640s and once again in 1714. Move forward a couple of centuries and the Catalans again felt the boot of oppression under Franco. Even speaking their provincial language aroused suspicion. With the passing of the dictator, Catalan nationalists pressed successfully for a degree of regional autonomy. Harnessing the past in the service of the present, in 1980 they declared 11 September Catalonia’s National Day. With Spain now reeling under an austerity program, Catalans took to the streets of Barcelona to demand full independence, which would mean the end of Spain as the world has known it for the last 500 years.

Read more: Norman Etherington reviews 'History in the Making' by J.H. Elliott

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