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November 2014, no. 366

Welcome to our first issue devoted largely to the Environment. Highlights include Alison Pouliot’s superb photo essay on drought in Australia; and Danielle Clode’s long article ‘Seeing the Wood for the Trees’. Other environmentally inclined contributors include Ian Lowe, Tom Griffiths, and Ruth A. Morgan. Historian Mark McKenna extols the final volume of Alan Atkinson’s The Europeans in Australia. Fiction-wise, Morag Fraser reviews Margaret Atwood’s new stories, Shannon Burns reviews J.M. Coetzee’s Three Stories, and Ruth Starke is intrigued by John Marsden’s first novel for adults. Other contributors include Dennis Altman, Judith Beveridge, and Sheila Fitzpatrick. Peter Carey is our guest on Open Page – and Geordie Williamson is our Critic of the Month.

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Custom Article Title: 'Seeing the wood for the trees' by Danielle Clode
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Many years ago, after working for a while in Europe, we returned to Australia via America. We picked up a car in Atlanta and drove through sprawling cities, alarming slums, and abandoned downtowns. Across Mississippi and the broad, reassuring openness of Texas, to Arizona and the Grand Canyon, we passed through the alien electrics of Las Vegas, down into Death Valley, and up over the Sierra Nevada to the west coast and San Francisco.

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Many years ago, after working for a while in Europe, we returned to Australia via America. We picked up a car in Atlanta and drove through sprawling cities, alarming slums, and abandoned downtowns. Across Mississippi and the broad, reassuring openness of Texas, to Arizona and the Grand Canyon, we passed through the alien electrics of Las Vegas, down into Death Valley, and up over the Sierra Nevada to the west coast and San Francisco.

Read more: ABR Dahl Trust Fellowship Essay | 'Seeing the wood for the trees' by Danielle Clode

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Dennis Altman reviews Optimism: Reflections on a life of action by Bob Brown
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There is a built-in paradox for the Greens: they need to both persuade people that we face major ecological disasters and at the same time hold out hope that we can respond meaningfully to them. To do this requires the sort of corny and touching optimism that gives Bob Brown’s book its title.

Optimism is neither a conventional memoir nor a political autobiography; it is rather a collection of sketches from the life of a man who will be remembered as one of the pivotal figures of Australian politics in the two decades that straddle the new millennium. The style is largely prosaic, excepting moments of real feeling when Brown describes the Tasmanian wilderness and his relationship to it.

Book 1 Title: Optimism
Book 1 Subtitle: Reflections on a life of action
Book Author: Bob Brown
Book 1 Biblio: Hardie Grant Books, $39.99 hb, 275 pp
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There is a built-in paradox for the Greens: they need to both persuade people that we face major ecological disasters and at the same time hold out hope that we can respond meaningfully to them. To do this requires the sort of corny and touching optimism that gives Bob Brown’s book its title.

Optimism is neither a conventional memoir nor a political autobiography; it is rather a collection of sketches from the life of a man who will be remembered as one of the pivotal figures of Australian politics in the two decades that straddle the new millennium. The style is largely prosaic, excepting moments of real feeling when Brown describes the Tasmanian wilderness and his relationship to it.

Read more: Dennis Altman reviews 'Optimism: Reflections on a life of action' by Bob Brown

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Morag Fraser reviews Stone Mattress: Nine tales by Margaret Atwood
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One swallow doesn’t make a summer, as the stark proverb cautions, but a cockatoo flocking of short stories suggests that the form is perhaps enjoying a revival – and the publishing industry has seized an opportunity. As it should.

In 2013, Alice Munro won the Nobel Prize for literature, lauded as ‘the master of the contemporary short story’. Edna O’Brien’s The Love Object appeared in 2013. New collections by luminaries Hilary Mantel (The Assassination of Margaret Thatcher) and Margaret Atwood have followed in 2014. And for aficionados of the form, there was the splendid brick (733 pages) of collected stories by the quirky American virtuoso of the form, Lydia Davis (do read her – she’s extraordinary), anticipating a trend when it was published by Picador in 2009.

Book 1 Title: Stone Mattress
Book 1 Subtitle: Nine tales
Book Author: Margaret Atwood
Book 1 Biblio: Bloomsbury, $35.99 hb, 268 pp
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One swallow doesn’t make a summer, as the stark proverb cautions, but a cockatoo flocking of short stories suggests that the form is perhaps enjoying a revival – and the publishing industry has seized an opportunity. As it should.

In 2013, Alice Munro won the Nobel Prize for literature, lauded as ‘the master of the contemporary short story’. Edna O’Brien’s The Love Object appeared in 2013. New collections by luminaries Hilary Mantel (The Assassination of Margaret Thatcher) and Margaret Atwood have followed in 2014. And for aficionados of the form, there was the splendid brick (733 pages) of collected stories by the quirky American virtuoso of the form, Lydia Davis (do read her – she’s extraordinary), anticipating a trend when it was published by Picador in 2009.

Read more: Morag Fraser reviews 'Stone Mattress: Nine tales' by Margaret Atwood

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Ian Lowe reviews Collision Course: Endless growth on a finite planet by Kerryn Higgs
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This clear and cogent book is an important wake-up call. It should not need saying that it is impossible for human populations and economies to grow without limit on a finite planet, but that delusion is widespread. This book is a reminder of the inconvenient truth that should be informing our leaders ...

Book 1 Title: Collision Course
Book 1 Subtitle: Endless growth on a finite planet
Book Author: Kerryn Higgs
Book 1 Biblio: MIT Press (Footprint), $51.95 hb, 419 pp
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This clear and cogent book is an important wake-up call. It should not need saying that it is impossible for human populations and economies to grow without limit on a finite planet, but that delusion is widespread. This book is a reminder of the inconvenient truth that should be informing our leaders, as well as an excellent analysis of the way public understanding of our global predicament has been systematically subverted for decades by powerful vested interests.

Read more: Ian Lowe reviews 'Collision Course: Endless growth on a finite planet' by Kerryn Higgs

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Custom Article Title: Tom Griffiths on coming of age in the Great Acceleration
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I am a ‘Sputnik’, born in the year the Soviet satellite launched the Cold War into space. The launching by the Russians of the first artificial Earth satellite on 4 October 1957 seemed to many in the West a threatening symbol of escalating superpower rivalry. And it did unleash extreme military anxiety and triggered what became known as the Space Race. Twelve years later, in the mid-winter of 1969, I remember waking up just before midnight to watch on television as a Saturn V US rocket, wreathed in smoke and flame, inched its way off the ground at Cape Canaveral. It powered mightily against the pull of gravity and triumphed. It was beginning its journey out of Earth’s atmosphere towards the Moon.

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I am a ‘Sputnik’, born in the year the Soviet satellite launched the Cold War into space. The launching by the Russians of the first artificial Earth satellite on 4 October 1957 seemed to many in the West a threatening symbol of escalating superpower rivalry. And it did unleash extreme military anxiety and triggered what became known as the Space Race. Twelve years later, in the mid-winter of 1969, I remember waking up just before midnight to watch on television as a Saturn V US rocket, wreathed in smoke and flame, inched its way off the ground at Cape Canaveral. It powered mightily against the pull of gravity and triumphed. It was beginning its journey out of Earth’s atmosphere towards the Moon.

Read more: 'Coming of age in the great acceleration' by Tom Griffiths

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Mark McKenna reviews The Europeans in Australia, Volume 3: Nation by Alan Atkinson
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On 17 January 1991, Alan Atkinson wrote to fellow historian Manning Clark to express his appreciation after reading The Puzzles of Childhood (1989) and The Quest for Grace (1990), Clark’s two volumes of autobiography. While Clark had only four months to live, Atkinson would soon begin work on The Europeans in Australia, a three-volume history of his country that would occupy him over the next twenty years. ‘I enjoyed both [the autobiographies],’ he told Clark; they ‘had a kind of subjectivity about them. It’s a remarkable style you use, which seemed to relate very much to me, so that they taught me a lot.’ Atkinson later described how he was ‘profoundly influenced’ by Clark’s work. Even more than the vast scale of Clark’s six-volume A History of Australia, it was the ‘infinite variety and open-ended stillness … of the past itself’ that affected him so intensely. Clark had shown Atkinson that the historian must ‘not just reimagine the national story but also do it in ways that ask questions about humanity itself’.

Book 1 Title: The Europeans in Australia
Book 1 Subtitle: Volume 3: Nation
Book Author: Alan Atkinson
Book 1 Biblio: NewSouth, $49.99 pb, 492 pp
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On 17 January 1991, Alan Atkinson wrote to fellow historian Manning Clark to express his appreciation after reading The Puzzles of Childhood (1989) and The Quest for Grace (1990), Clark’s two volumes of autobiography. While Clark had only four months to live, Atkinson would soon begin work on The Europeans in Australia, a three-volume history of his country that would occupy him over the next twenty years. ‘I enjoyed both [the autobiographies],’ he told Clark; they ‘had a kind of subjectivity about them. It’s a remarkable style you use, which seemed to relate very much to me, so that they taught me a lot.’ Atkinson later described how he was ‘profoundly influenced’ by Clark’s work. Even more than the vast scale of Clark’s six-volume A History of Australia, it was the ‘infinite variety and open-ended stillness … of the past itself’ that affected him so intensely. Clark had shown Atkinson that the historian must ‘not just reimagine the national story but also do it in ways that ask questions about humanity itself’.

Read more: Mark McKenna reviews 'The Europeans in Australia, Volume 3: Nation' by Alan Atkinson

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Francesca Sasnaitis reviews Australian Love Stories, edited by Cate Kennedy
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You are perfect for this story. I will never meet you.’ We are invited into Australian Love Stories and into Bruce Pascoe’s erotic reverie with this line from ‘Dawn’. The reader is embraced, as the luxuriating eye of Pascoe’s narrator embraces the recumbent body of the woman beside him. His gaze is illicit, touch forbidden. We are privileged voyeurs, given temporary access to hidden thoughts and lives. Love. This paltry word hardly describes the myriad guises of friendship, affection, homosexual and heterosexual relationship, desire, lust, loneliness, and satisfaction; the gamut of emotions expressed in the twenty-nine stories editor Cate Kennedy selected from the ‘sea of stories’ she received. I do not have enough room here to mention each singular invocation of love by name. Some stories follow the constraints of realism, others are more expressionistic, but each holds a gift – a kernel of some essential truth about the human condition. The ones I mention simply struck a special chord for me.

Book 1 Title: Australian Love Stories
Book Author: Cate Kennedy
Book 1 Biblio: Inkerman & Blunt, $28.99 pb, 304 pp
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You are perfect for this story. I will never meet you.’ We are invited into Australian Love Stories and into Bruce Pascoe’s erotic reverie with this line from ‘Dawn’. The reader is embraced, as the luxuriating eye of Pascoe’s narrator embraces the recumbent body of the woman beside him. His gaze is illicit, touch forbidden. We are privileged voyeurs, given temporary access to hidden thoughts and lives. Love. This paltry word hardly describes the myriad guises of friendship, affection, homosexual and heterosexual relationship, desire, lust, loneliness, and satisfaction; the gamut of emotions expressed in the twenty-nine stories editor Cate Kennedy selected from the ‘sea of stories’ she received. I do not have enough room here to mention each singular invocation of love by name. Some stories follow the constraints of realism, others are more expressionistic, but each holds a gift – a kernel of some essential truth about the human condition. The ones I mention simply struck a special chord for me.

Read more: Francesca Sasnaitis reviews 'Australian Love Stories', edited by Cate Kennedy

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Susan Sheridan reviews Collected Poems: Lesbia Harford edited by Oliver Dennis
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Article Title: The slender, wiry lyrics of Lesbia Harford
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In her short life (1891–1927), Lesbia Harford wrote hundreds of poems and a novel, took a law degree at the University of Melbourne, had love affairs with both women and men, worked as a machinist in clothing factories, and was active in the anti-conscription movement during World War I and the International Workers of the World (‘the Wobblies’). She was the quintessential modern woman of the early twentieth century.

Book 1 Title: Collected Poems
Book 1 Subtitle: Lesbia Harford
Book Author: Oliver Dennis
Book 1 Biblio: UWA Publishing, $29.99 pb, 136 pp
Book 1 Author Type: Editor
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In her short life (1891–1927), Lesbia Harford wrote hundreds of poems and a novel, took a law degree at the University of Melbourne, had love affairs with both women and men, worked as a machinist in clothing factories, and was active in the anti-conscription movement during World War I and the International Workers of the World (‘the Wobblies’). She was the quintessential modern woman of the early twentieth century.

Read more: Susan Sheridan reviews 'Collected Poems: Lesbia Harford' edited by Oliver Dennis

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Open Page with Peter Carey
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It’s always dangerous, I believe, to have heroes, but I do admire the author who gave us the wonders of Anna Karenina, say, and to come back to Conrad, how about this first paragraph of Lord Jim? ‘He was an inch, perhaps two, under six feet, powerfully built, and he advanced straight at you with a slight stoop to the shoulders, head forward, and a fixed from-under stare which made you think of a barging bull’. I am in awe of Jim, with his ‘ability in the abstract’.

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What is your favourite music?

Once again I am pleading 'no favourites', although I am always moved and astonished by Gavin Bryars’s 'Jesus' Blood Never Failed Me Yet'. No, I’m not a Christian. Also, generally speaking, I am forbidden to sing.

What is your favourite book?

The longer I live, the harder it is to have a favourite anything. I admire the work of Thomas Bernhardt, Jean Rhys, Iris Murdoch, Last night I began Conrad’s Victory for the first time. I return to Conrad again and again. This year I reread Nostromo, Heart of Darkness, Lord Jim (the fourth time), and was helpless with admiration once more. But I am not only in love with the dead. Recently, I have been feasting on the living: Hari Kunzru, Kamila Shamsie, Hisham Matar, a telephone book of invention.

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Jon Altman reviews A Rightful Place: Race, recognition and a more complete commonwealth (Quarterly Essay 55) by Noel Pearson
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Whether you love or hate lawyer–activist Noel Pearson’s ideas, you have to admire his chutzpah, his willingness to put his ideas out there for public discussion and debate, even if his own dogmatism sometimes limits his diplomatic engagements ...

Book 1 Title: A Rightful Place
Book 1 Subtitle: Race, Recognition And A More Complete Commonwealth (Quarterly Essay 55)
Book Author: Noel Pearson
Book 1 Biblio: Black Inc., $19.95 pb, 106 pp
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Whether you love or hate lawyer–activist Noel Pearson’s ideas, you have to admire his chutzpah, his willingness to put his ideas out there for public discussion and debate, even if his own dogmatism sometimes limits his diplomatic engagements.

His latest offering, A Rightful Place, outlines his manifesto for indigenous constitutional recognition. Pearson’s admirable goal is to ensure a more complete commonwealth, with belated recognition of indigenous Australians in the Australian Constitution. Pearson believes that this is unfinished business: ‘I hope that the rest of the country, contemplating these reforms, will understand that the suffering and exclusion will continue as long as we don’t perfect the basis of our citizenship.’ This moral reasoning is shared by many indigenous and non-indigenous Australians. The critical question is by how many, and this in turn will depend on what form of words will be put into a referendum.

Read more: Jon Altman reviews 'A Rightful Place: Race, recognition and a more complete commonwealth'...

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Ruth Starke reviews South of Darkness by John Marsden
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It is sobering to think that the thousands of teenagers who in 1987 eagerly devoured John Marsden’s first novel, So Much To Tell You, and sent it and the author spinning into bestsellerdom are now in their forties – and as such, the target readership for his first adult novel, South of Darkness, a transportation saga that covers some familiar ground with a light tread.

Book 1 Title: South of Darkness
Book Author: John Marsden
Book 1 Biblio: Macmillan, $39.99 hb, 375 pp
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It is sobering to think that the thousands of teenagers who in 1987 eagerly devoured John Marsden’s first novel, So Much To Tell You, and sent it and the author spinning into bestsellerdom are now in their forties – and as such, the target readership for his first adult novel, South of Darkness, a transportation saga that covers some familiar ground with a light tread.    

Read more: Ruth Starke reviews 'South of Darkness' by John Marsden

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When did you first write for ABR?

It was 2001. A dual review of Malcolm Knox’s début novel, Summerland, and Steven Carroll’s The Art of the Engine Driver. Luckily, I was generous about these relatively unknown authors and their books, since both went on to become significant figures in Australian letters.

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When did you first write for ABR?

It was 2001. A dual review of Malcolm Knox’s début novel, Summerland, and Steven Carroll’s The Art of the Engine Driver. Luckily, I was generous about these relatively unknown authors and their books, since both went on to become significant figures in Australian letters.

Which critics most impress you?

There are so many. Elizabeth Hardwick, the doyenne of the New York Review of Books, remains the critic I take the most pleasure in re-reading. Gracious, whip-crack smart, widely read, a talented creative writer in her own right who approached even the most august literary personages with a beady gaze. I would have feared mightily being reviewed by her.

Read more: Critic of the Month: Interview with Geordie Williamson

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The Dahl Trust and ABR

Welcome to our first issue on the environment. Generous support from the Bjarne K. Dahl Trust has enabled us to devote extensive space and resources to aspects of the celebration and endangerment of our natural environment.

Central here is Danielle Clode’s essay ‘Seeing the Wood for the Trees’ – the fruit, so to speak, of the first ABR Dahl Trust Fellowship. Other highlights include Ian Lowe on the inconvenient truth about economic growth; Dina Ross on nature writer Jean Galbraith; Peter Menkhorst on ‘birds with attitude’, and Tom Griffiths on coming of age in the Great Acceleration. (The Editor is grateful to Professor Griffiths for his sage advice during the shaping of this issue.)

The Dahl Trust’s support enables us to publish a photo essay by Daylesford photographer Alison Pouliot. Her work bridges science, photography, and environmental writing. Of her essay on ‘Drought’, Ms Pouliot told Advances: ‘The insidious creeping nature of drought can sometimes lend itself more to images than words.’

Bjarne Dahl’s story is a remarkable one. The Norwegian forester came to Australia in 1928 and by 1946 was head of the Victorian Forest Assessment Branch. He developed a true affinity with the Australian bush and a particular love of the Silvertop Ash, or Eucalyptus sieberi. When he died in 1993, his estate was bequeathed to the Forests Commission of Victoria, to be established as a Trust focused on Australia’s iconic eucalypts. The Bjarne K. Dahl Trust was launched in 2010, those interested in the Trust’s work should consult: www.dahltrust.org.au.

Dahl Trust-colour

We will launch the Environment issue at Boyd on Tuesday, 11 November (6 pm). Danielle Clode will speak about and read from her essay. This is a free event, with refreshments. Reservations are essential: This email address is being protected from spambots. You need JavaScript enabled to view it..

Hard yakka

Alan Atkinson – former professor of history at the University of New England, now Senior Tutor at St Paul’s College, University of Sydney – has completed his mammoth history, The Europeans in Australia. Volume One (The Beginning) appeared in 1997; our Editor was the publisher at OUP. It won a New South Wales Premier’s Literary Award (Douglas Stewart Prize), among other awards. Volume Two (Democracy) followed in 2004 (also with OUP).

Alan Atkinson photograph by Brian McInerney courtesy University of SydneyAlan Atkinson (photograph by Brian McInerney courtesy University of Sydney)

NewSouth is the publisher of the final volume (Nation). Reviewing it for us this month, Mark McKenna lauds the ‘originality and vision’ of the trilogy, one that ‘stands virtually alone in the ever-expanding field of Australian historiography’.

He notes that sole-authored, multi-volume histories of Australia went out of vogue when Manning Clark completed his six-volume one in 1987. This may explain why The Europeans in Australia is ‘barely known outside the historical profession’. Professor McKenna goes further:

Outside of a small minority, Australia’s public culture does not have the same respect for intellectual endeavour as can be found in many other countries. In the wake of the ‘history wars’ and the rise of the Anzac myth, we have also become less willing to embrace history that is not seen to be praising our courage and sacrifice on the battlefield or revealing our true character in a benign and celebratory manner. When trying to answer the perennial question ‘who are the Australians?’, it seems that we do not want to have to work too hard.

Meanwhile, another single-authored three-volume history of Australia has been completed: Thomas Keneally’s similarly ambitious undertaking for Allen & Unwin.

Two new ABR Fellows

The ABR Fellowship Program, which began in 2010, is now well established. The current ABR Ian Potter Foundation Fellowship (the third to be supported by The Ian Potter Foundation) attracted a particularly strong field – so impressive in fact that we have decided to appoint two Fellows, not just one.

Shannon BurnsShannon Burns

James McNamara – our new ABR Ian Potter Foundation Fellow – will write a long article on the golden age of television.

James McNamaraJames McNamara

Additional support from our many Patrons enables us to appoint Shannon Burns as an ABR Patrons’ Fellow. Dr Burns will write a long profile on Gerald Murnane.

We congratulate both of our new Fellows, and we look forward to offering more Fellowships in coming months.

Fruitful month for poet Stephen Edgar

Stephen Edgar – inaugural winner of the Peter Porter Poetry Prize – is having a good month. Recently he was named joint winner (with Ashley Hay, author of The Railwayman’s Wife, whose epigraph, coincidentally, comes from Stephen Edgar) of the 2013 Colin Roderick Award. He has also been shortlisted for the 2014 Prime Minister’s Literary Award for Poetry (worth $80,000). The poetry collection in question was Edgar’s Eldershaw.

Geoffrey Lehmann will review Stephen Edgar’s new collection, Exhibits of the Sun (also published by Black Pepper), in our December issue.

Vale Morris Lurie

Morris Lurie – the prolific novelist and short story writer – has died in Melbourne, aged seventy-five. Among his most celebrated works were Rappaport (1966) and Flying Home (1978). He won many awards, notably the 2006 Patrick White Award. His stories appeared in The New Yorker and all major Australian quarterlies. Don Anderson, who reviewed his book Hergesheimer Hangs In for us in 2011, described him as ‘The King of Jazz’.

Books of the Year

‘The longer I live, the harder it is to have a favourite anything,’ writes Peter Carey in this month’s Open Page (Patrick Allington reviewed his new novel, Amnesia, in the October issue). But we are relying on our senior critics, writers, and commentators to do their best when nominating the ‘books of the year’ for this ever-popular feature in the December issue.

Patrick Modiano wins the Nobel Prize

The dispensers of the Nobel Prize for literature have surprised many Anglophones in recent times, and this year’s choice, novelist Patrick Modiano, is no exception. Beyond France, the mercurially shy Frenchman, author of about two dozen novels, is little known outside academia, and few of his works are available in English. Best known among his books are Rue des Boutiques Obscures (Missing Person, 1978) and Dora Bruder (1997); the former won the Goncourt Prize.

As it happens, the first book devoted to Modiano’s fiction was written by two Australian Francophiles: ABR regular Colin Nettelbeck (emeritus professor of French Studies at the University of Melbourne) and Penny Hueston (now co-owner and publisher at Text Publishing). Their monograph, Patrick Modiano: pièces d’identité, appeared in 1986.

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Intimate times

Dear Editor,

Tim Byrne, in his review of Meredith Burgmann’s Dirty Secrets: Our ASIO Files badly misread my complaints about my records. He writes that my [and Gary Foley’s] ‘movements were intimately tracked’. The whole point of my chapter was my disappointment that ASIO failed so miserably to track anything intimate, and that my files consisted largely of roneoed copies of articles already on the public record. Had ASIO tracked me more intimately, it may well have found information more interesting, at least for future social historians, if not perhaps for the security of the Australian state.

Dennis Altman, Clifton Hill, Vic.

Read more: Letters to the Editor - November 2014

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Ruth A. Morgan reviews Flooded Forest and Desert Creek: Ecology and history of the River Red Gum by Matthew J. Colloff
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In July 2009 I toured the Murray-Darling Basin and northern Queensland with a group of American college professors to see firsthand how the waterways of these regions were faring. By this time, south-eastern Australia had been in drought for nearly a decade, reducing its rivers and creeks to mere trickles. Aboard the MV Kingfisher, we explored the wetlands of the Barmah Choke, the narrowest section of the River Murray, where thirsty River Red Gums stood starkly exposed along its banks. Years without flood, as Chris Hammer observed in The River: A Journey through the Murray–Darling Basin (2011), was changing the Barmah ‘from a wetland to a woodland’. But the drought did break, eventually: twelve months after my visit the river flooded and the inundation of the region’s floodplains brought relief to the many species, human and non-human, for whom the Murray is their lifeblood.

Book 1 Title: Flooded Forest and Desert Creek
Book 1 Subtitle: Ecology and history of the River Red Gum
Book Author: Matthew J. Colloff
Book 1 Biblio: CSIRO Publishing, $69.95 hb, 344 pp
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In July 2009 I toured the Murray-Darling Basin and northern Queensland with a group of American college professors to see firsthand how the waterways of these regions were faring. By this time, south-eastern Australia had been in drought for nearly a decade, reducing its rivers and creeks to mere trickles. Aboard the MV Kingfisher, we explored the wetlands of the Barmah Choke, the narrowest section of the River Murray, where thirsty River Red Gums stood starkly exposed along its banks. Years without flood, as Chris Hammer observed in The River: A Journey through the Murray–Darling Basin (2011), was changing the Barmah ‘from a wetland to a woodland’. But the drought did break, eventually: twelve months after my visit the river flooded and the inundation of the region’s floodplains brought relief to the many species, human and non-human, for whom the Murray is their lifeblood.

Read more: Ruth A. Morgan reviews 'Flooded Forest and Desert Creek: Ecology and history of the River Red Gum'...

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Dina Ross reviews Jean Galbraith: Writer in a valley by Meredith Fletcher
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The last photographs taken of Jean Galbraith show a wrinkled woman in her eighties, with wispy hair pulled back in a bun, wearing round tortoiseshell spectacles, thick stockings, and sensible shoes – the kind of person you might expect to see serving behind the counter of a country post office early last century, or pouring endless cups of tea at church fêtes. Yet her unprepossessing appearance belied the extraordinary woman within. For Australian nature lovers and botanists, Jean Galbraith was an icon. Over the seventy years of her writing career (her last article was published when she was eighty-nine), she turned botanical writing into an art form, branched into television and radio scriptwriting, wrote children’s books, lectured tirelessly on the beauty of Australia’s native flora, and became a fierce advocate for conservation. When she died in 1999, aged ninety-two, she had earned many awards and accolades, including the prestigious Australian Natural History Medallion.

Book 1 Title: Jean Galbraith
Book 1 Subtitle: Writer in a valley
Book Author: Meredith Fletcher
Book 1 Biblio: Monash University Publishing, $39.95 pb, 292 pp
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The last photographs taken of Jean Galbraith show a wrinkled woman in her eighties, with wispy hair pulled back in a bun, wearing round tortoiseshell spectacles, thick stockings, and sensible shoes – the kind of person you might expect to see serving behind the counter of a country post office early last century, or pouring endless cups of tea at church fêtes. Yet her unprepossessing appearance belied the extraordinary woman within. For Australian nature lovers and botanists, Jean Galbraith was an icon. Over the seventy years of her writing career (her last article was published when she was eighty-nine), she turned botanical writing into an art form, branched into television and radio scriptwriting, wrote children’s books, lectured tirelessly on the beauty of Australia’s native flora, and became a fierce advocate for conservation. When she died in 1999, aged ninety-two, she had earned many awards and accolades, including the prestigious Australian Natural History Medallion.

Read more: Dina Ross reviews 'Jean Galbraith: Writer in a valley' by Meredith Fletcher

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Peter Menkhorst reviews Where Song Began: Australias birds and how they changed the world by Tim Low
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Contents Category: Ornithology
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Australia’s birds stand out from the global avian pack in many ways – ecologically, behaviourally, because some ancient lineages survive here, and because many species are endemic. The ancestors of more than half of the planet’s ten thousand bird species (the songbirds) evolved right here (eastern Gondwana) before spreading across the world. Indeed, Tim Low claims in this important and illuminating book that Australia’s bird fauna is at least as exceptional as our mammal fauna, which has such remarkable elements as the egg-laying monotremes (platypus, echidna) and our marvellous radiation of marsupials (kangaroos, quolls, bandicoots, possums, etc.). Can this be so? As a mammologist, my initial response was that Low’s claim is a bit rich, but, after reading this book, I take his point.

Book 1 Title: Where Song Began
Book 1 Subtitle: Australia's birds and how they changed the world
Book Author: Tim Low
Book 1 Biblio: Penguin, $32.95 pb, 406 pp
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Australia’s birds stand out from the global avian pack in many ways – ecologically, behaviourally, because some ancient lineages survive here, and because many species are endemic. The ancestors of more than half of the planet’s ten thousand bird species (the songbirds) evolved right here (eastern Gondwana) before spreading across the world. Indeed, Tim Low claims in this important and illuminating book that Australia’s bird fauna is at least as exceptional as our mammal fauna, which has such remarkable elements as the egg-laying monotremes (platypus, echidna) and our marvellous radiation of marsupials (kangaroos, quolls, bandicoots, possums, etc.). Can this be so? As a mammologist, my initial response was that Low’s claim is a bit rich, but, after reading this book, I take his point.

Read more: Peter Menkhorst reviews 'Where Song Began: Australia's birds and how they changed the world' by...

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Contents Category: Photography
Custom Article Title: 'Drought', a photographic essay by Alison Pouliot
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As a freshwater ecologist, Alison Pouliot endeavours to understand the interplay of the processes that sculpt the Australian environment.

As an environmental photographer, she aspires to capture the intricacies and obscurities of these processes.

The insidious creeping nature of drought can sometimes lend itself more to images than words.

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As a freshwater ecologist, Alison Pouliot endeavours to understand the interplay of the processes that sculpt the Australian environment.

As an environmental photographer, she aspires to capture the intricacies and obscurities of these processes.

The insidious creeping nature of drought can sometimes lend itself more to images than words. Here are a few of Alison's impressions.

Read more: 'Drought', a photographic essay by Alison Pouliot

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Contents Category: Opera
Custom Article Title: Peter Rose reviews 'The Riders' (Victorian Opera)
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Here is a fine new Australian opera from Victorian Opera. Composer Iain Grandage and librettist Alison Croggon have taken Tim Winton’s Booker-shortlisted novel The Riders (1994) and created a highly expressive work. Marion Potts directs it on a wide but stark stage furnished only with wooden saw horses. There is a balcony and a revolve, but mostly Potts chooses to observe her anguished and introspective characters through a series of fairly static groupings.

Review Rating: 4.0
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Here is a fine new Australian opera from Victorian Opera. Composer Iain Grandage and librettist Alison Croggon have taken Tim Winton’s Booker-shortlisted novel The Riders (1994) and created a highly expressive work. Marion Potts directs it on a wide but stark stage furnished only with wooden saw horses. There is a balcony and a revolve, but mostly Potts chooses to observe her anguished and introspective characters through a series of fairly static groupings.

Read more: Peter Rose reviews 'The Riders' (Victorian Opera)

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Contents Category: Theatre
Custom Article Title: Ben Brooker reviews 'The Suit'
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Adapted and directed by Peter Brook in conjunction with Hélène Estienne and Franck Krawczyk, The Suit was first staged in a French-language version (Le Costume) in 1999. In English, fifteen years on, and with significant changes having been made (including the replacement of recorded music with a live trio), The Suit remains vitally alive, showing none of the signs of the lethal malaise Brook described in his seminal book of theatre theory, The Empty Space (1968), as the Deadly Theatre.

Review Rating: 4.0
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Adapted and directed by Peter Brook in conjunction with Hélène Estienne and Franck Krawczyk, The Suit was first staged in a French-language version (Le Costume) in 1999. In English, fifteen years on, and with significant changes having been made (including the replacement of recorded music with a live trio), The Suit remains vitally alive, showing none of the signs of the lethal malaise Brook described in his seminal book of theatre theory, The Empty Space (1968), as the Deadly Theatre.

Read more: Ben Brooker reviews 'The Suit' (State Theatre Company of South Australia)

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Jane Goodall reviews The Lakes Apprentice by Annamaria Weldon
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Contents Category: Nature Writing
Custom Article Title: Jane Goodall reviews 'The Lake's Apprentice' by Annamaria Weldon
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Samuel Johnson had some advice for aspiring writers. ‘Read over your compositions,’ he said, ‘and where ever you meet with a passage which you think is particularly fine, strike it out.’ One imagines the impact of this recommendation on an eighteenth-century student of literature, clutching a page of overblown rhetorical flourishes and faux erudition. Our crimes of vanity in writing are very different now – more likely to take the form of descriptive tours de force of the kind fostered in creative writing classes.

Book 1 Title: The Lake's Apprentice
Book Author: Annamaria Weldon
Book 1 Biblio: UWA Publishing, $29.99 pb, 245 pp
Book 1 Author Type: Author
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Samuel Johnson had some advice for aspiring writers. ‘Read over your compositions,’ he said, ‘and where ever you meet with a passage which you think is particularly fine, strike it out.’ One imagines the impact of this recommendation on an eighteenth-century student of literature, clutching a page of overblown rhetorical flourishes and faux erudition. Our crimes of vanity in writing are very different now – more likely to take the form of descriptive tours de force of the kind fostered in creative writing classes.

Read more: Jane Goodall reviews 'The Lake's Apprentice' by Annamaria Weldon

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Billy Griffiths reviews A History of Canberra by Nicholas Brown
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Contents Category: Australian History
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‘Canberra’ is a loaded term among Australians. The capital embodies the aspirations, expectations, and disappointments of a nation. It is at once a bold experiment in Australian democracy and a national source of ambivalence and derision, the unfortunate shorthand for the federal government, and a symbol of Australia’s collective disenchantment with politics. Many Australians feel they can speak for the capital and are quick to pass judgement on it. It is hotly contested ground. There is even tension between the Ngunawal, Ngarigu, and Ngambri people over who can speak for country on the Limestone Plains.

Book 1 Title: A History of Canberra
Book Author: Nicholas Brown
Book 1 Biblio: Cambridge University Press, $39.99 pb, 285 pp
Book 1 Author Type: Author
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‘Canberra’ is a loaded term among Australians. The capital embodies the aspirations, expectations, and disappointments of a nation. It is at once a bold experiment in Australian democracy and a national source of ambivalence and derision, the unfortunate shorthand for the federal government, and a symbol of Australia’s collective disenchantment with politics. Many Australians feel they can speak for the capital and are quick to pass judgement on it. It is hotly contested ground. There is even tension between the Ngunawal, Ngarigu, and Ngambri people over who can speak for country on the Limestone Plains.

Read more: Billy Griffiths reviews 'A History of Canberra' by Nicholas Brown

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James Walter reviews Triumph and Demise: The broken promise of a Labor generation by Paul Kelly
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Contents Category: Politics
Custom Article Title: James Walter reviews 'Triumph and Demise 'by Paul Kelly
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Paul Kelly’s considerable research ability, enviable political knowledge, narrative skill, and indulgence in polemics all figure in his new book. The former qualities make it a must-read for the politically engaged; the latter is so pronounced that such readers may succumb to frustration and throw the book at the wall before reaching the valuable final chapter where at last we arrive at a coherent account of the systemic roots of ‘the Australian crisis’.

Book 1 Title: Triumph and Demise
Book 1 Subtitle: The broken promise of a Labor generation
Book Author: Paul Kelly
Book 1 Biblio: Melbourne University Press, $49.99 hb, 560 pp
Book 1 Author Type: Author
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Paul Kelly’s considerable research ability, enviable political knowledge, narrative skill, and indulgence in polemics all figure in his new book. The former qualities make it a must-read for the politically engaged; the latter is so pronounced that such readers may succumb to frustration and throw the book at the wall before reaching the valuable final chapter where at last we arrive at a coherent account of the systemic roots of ‘the Australian crisis’.

Read more: James Walter reviews 'Triumph and Demise: The broken promise of a Labor generation' by Paul Kelly

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Contents Category: Poem
Custom Article Title: 'Young Male Lyrebird at the Illawarra Treetop Fly', a new poem by Judith Beveridge
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He has his medley nearly ready. He has pieced together
his own fantasia, even if just from the sound of an owl
regurgitating a pellet of bat fur, a park ranger’s
jangling keys, the creak of cable strain when bored,

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He has his medley nearly ready. He has pieced together
his own fantasia, even if just from the sound of an owl
regurgitating a pellet of bat fur, a park ranger’s
jangling keys, the creak of cable strain when bored,

Read more: 'Young Male Lyrebird at the Illawarra Treetop Fly', a new poem by Judith Beveridge

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Contents Category: Poem
Custom Article Title: 'Moth', a new poem by Debi Hamilton
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Digging in the garden I found a moth
albinoed on a piece of bark by the fence.
Those were my radiation days; it was good
to lay down the spade and kneel in the soil.

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Digging in the garden I found a moth
albinoed on a piece of bark by the fence.
Those were my radiation days; it was good
to lay down the spade and kneel in the soil.

Read more: 'Moth', a new poem by Debi Hamilton

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Contents Category: Poem
Custom Article Title: 'Stranded Cactus', a new poem by Andrew Sant
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This cactus looks as if, on a reef,
it could be neighbour to sponge, equally at ease
under the sea – or strange as some tentacled hydra
on the window ledge, free
of quickening leaves.

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This cactus looks as if, on a reef,
it could be neighbour to sponge, equally at ease
under the sea – or strange as some tentacled hydra
on the window ledge, free
of quickening leaves.

Read more: 'Stranded Cactus', a new poem by Andrew Sant

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Shannon Burns reviews Three Stories by J.M. Coetzee
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Contents Category: Fiction
Custom Article Title: Shannon Burns reviews 'Three Stories' by J.M. Coetzee
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Each fiction in this small but handsome volume emerges from an interesting, perhaps even ‘transitional’ phase in J.M. Coetzee’s writing life: between the publication of Disgrace (1999) and Slow Man (2005); before and after receiving the Nobel Prize for Literature in 2003. The first story in the collection also predates Coetzee’s move to Adelaide in 2002, as does, presumably, the composition of the second (whose protagonist laments the corporatisation of rural South Africa, declaring, ‘I want nothing to do with it’); the third story was presented and published as Coetzee’s Nobel Lecture.

Book 1 Title: Three Stories
Book Author: J.M. Coetzee
Book 1 Biblio: Text Publishing, $19.99 hb, 71 pp
Book 1 Author Type: Author
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Each fiction in this small but handsome volume emerges from an interesting, perhaps even ‘transitional’ phase in J.M. Coetzee’s writing life: between the publication of Disgrace (1999) and Slow Man (2005); before and after receiving the Nobel Prize for Literature in 2003. The first story in the collection also predates Coetzee’s move to Adelaide in 2002, as does, presumably, the composition of the second (whose protagonist laments the corporatisation of rural South Africa, declaring, ‘I want nothing to do with it’); the third story was presented and published as Coetzee’s Nobel Lecture.

Read more: Shannon Burns reviews 'Three Stories' by J.M. Coetzee

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David Whish-Wilson reviews To Name Those Lost by Rohan Wilson
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Contents Category: Fiction
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Rohan Wilson’s To Name Those Lost is a ferocious and brilliant sequel to his The Australian/Vogel’s Literary Award-winning début, The Roving Party (2011), which charted the murderous exploits of John Batman and his crew of cutthroats sent out on a punitive expedition to bring Tasmania’s northern Aborigines to heel, by way of terror and genocidal slaughter. The novel divided opinion: was it a realistic exploration of the dark past and birthing rites of the modern nation of Australia, or a gratuitous exercise in reproducing the trauma visited upon Tasmania’s indigenous population? Some Tasmanians may have tired of the representation of their bonny isle as a crucible of gothic violence and misery. Regardless, there is no denying the raw power and purity of intent of Wilson’s To Name Those Lost.

Book 1 Title: To Name Those Lost
Book Author: Rohan Wilson
Book 1 Biblio: Allen & Unwin, $29.99 pb, 298 pp
Book 1 Author Type: Author
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Rohan Wilson’s To Name Those Lost is a ferocious and brilliant sequel to his The Australian/Vogel’s Literary Award-winning début, The Roving Party (2011), which charted the murderous exploits of John Batman and his crew of cutthroats sent out on a punitive expedition to bring Tasmania’s northern Aborigines to heel, by way of terror and genocidal slaughter. The novel divided opinion: was it a realistic exploration of the dark past and birthing rites of the modern nation of Australia, or a gratuitous exercise in reproducing the trauma visited upon Tasmania’s indigenous population? Some Tasmanians may have tired of the representation of their bonny isle as a crucible of gothic violence and misery. Regardless, there is no denying the raw power and purity of intent of Wilson’s To Name Those Lost.

Read more: David Whish-Wilson reviews 'To Name Those Lost' by Rohan Wilson

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Mark Byron reviews Echos Bones by Samuel Beckett
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It is a theatrical truism that Samuel Beckett remains good box office: the Sydney Theatre Company recently announced its intention to take the 2013 production of Waiting for Godot to the Barbican in 2015, with the original cast. Another truism – adapted from a remark once made by Edward Albee – is that at any moment a Beckett production occurs somewhere in the world. The centenary of his birth in 2006 gave renewed focus to this sustained interest in Beckett’s work, but the Blue Angel/Gate Theatre Beckett on Film Project of 2001 and James Knowlson’s authorised biography of 1996, Damned to Fame, helped set the tone for this new wave of popularity.

Book 1 Title: Echo's Bones
Book Author: Samuel Beckett
Book 1 Biblio: Faber, $39.99 hb, 143 pp
Book 1 Author Type: Author
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It is a theatrical truism that Samuel Beckett remains good box office: the Sydney Theatre Company recently announced its intention to take the 2013 production of Waiting for Godot to the Barbican in 2015, with the original cast. Another truism – adapted from a remark once made by Edward Albee – is that at any moment a Beckett production occurs somewhere in the world. The centenary of his birth in 2006 gave renewed focus to this sustained interest in Beckett’s work, but the Blue Angel/Gate Theatre Beckett on Film Project of 2001 and James Knowlson’s authorised biography of 1996, Damned to Fame, helped set the tone for this new wave of popularity.

Read more: Mark Byron reviews 'Echo's Bones' by Samuel Beckett

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Doug Wallen reviews Slush Pile by Ian Shadwell
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Billed as ‘a satire of literary ambition’, Ian Shadwell’s début novel chronicles the misadventures of Michael Ardenne, an Australian author who has been riding the coat-tails of his Booker Prize-winning first book for more than a decade. Content for years to drain every last drop of goodwill from the book industry, not to mention his long-suffering wife, he has never bothered to pen a follow-up. Instead, he has drunk his way into considerable debt and now spends his days browsing Internet porn and anonymously puffing up his own Wikipedia entry.

Book 1 Title: Slush Pile
Book Author: Ian Shadwell
Book 1 Biblio: Puncher & Wattmann, $24.95 pb, 206 pp
Book 1 Author Type: Author
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Billed as ‘a satire of literary ambition’, Ian Shadwell’s début novel chronicles the misadventures of Michael Ardenne, an Australian author who has been riding the coat-tails of his Booker Prize-winning first book for more than a decade. Content for years to drain every last drop of goodwill from the book industry, not to mention his long-suffering wife, he has never bothered to pen a follow-up. Instead, he has drunk his way into considerable debt and now spends his days browsing Internet porn and anonymously puffing up his own Wikipedia entry.

Read more: Doug Wallen reviews 'Slush Pile' by Ian Shadwell

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Naama Grey-Smith reviews Deeper Water by Jessie Cole
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Deeper Water delivers on its title’s promise of immersion, sensuality, and the liminal. Narrated by Mema, an innocent twenty-two-year-old living on an isolated rural property, the book opens with the arrival of Hamish, a city sophisticate whose car has been washed down a flooding creek. Mema saves Hamish from drowning and takes him into her family home until the floodwater recedes. He soon becomes a catalyst for Mema’s sexual awakening and for her widening understanding of her place in the world.

Book 1 Title: Deeper Water
Book Author: Jessie Cole
Book 1 Biblio: Fourth Estate, $29.99 pb, 346 pp
Book 1 Author Type: Author
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Deeper Water delivers on its title’s promise of immersion, sensuality, and the liminal. Narrated by Mema, an innocent twenty-two-year-old living on an isolated rural property, the book opens with the arrival of Hamish, a city sophisticate whose car has been washed down a flooding creek. Mema saves Hamish from drowning and takes him into her family home until the floodwater recedes. He soon becomes a catalyst for Mema’s sexual awakening and for her widening understanding of her place in the world.

Read more: Naama Grey-Smith reviews 'Deeper Water' by Jessie Cole

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Gretchen Shirm reviews The Break by Deb Fitzpatrick
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Contents Category: Fiction
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The Break centres on the story of two families. Rosie quits her job as a journalist in Perth and moves, with her boyfriend, to the Margaret River, where they try to escape the monotony of their city existence. Ferg lives on a fruit orchard with his wife, his son, and his widowed mother. With the arrival of Ferg’s estranged brother Mike, relationships are straining. The characters in The Break struggle to balance the reality of living responsible, productive existences with finding fulfilment in their lives.

Book 1 Title: The Break
Book Author: Deb Fitzpatrick
Book 1 Biblio: Fremantle Press, $24.99 pb, 227 pp
Book 1 Author Type: Author
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The Break centres on the story of two families. Rosie quits her job as a journalist in Perth and moves, with her boyfriend, to the Margaret River, where they try to escape the monotony of their city existence. Ferg lives on a fruit orchard with his wife, his son, and his widowed mother. With the arrival of Ferg’s estranged brother Mike, relationships are straining. The characters in The Break struggle to balance the reality of living responsible, productive existences with finding fulfilment in their lives.

Read more: Gretchen Shirm reviews 'The Break' by Deb Fitzpatrick

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Rachel Robertson reviews Six by John Clanchy
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At the start of ‘True Glue’, Dale the postie is called a Luddite by his mate and wonders if this is some religious or political splinter group he hasn’t yet heard of, before going home to google it. In ‘Slow Burn’, Daryl Turtle has a troublesome close encounter with a yellow toaster while suffering from ‘man flu’, resulting in a hilarious scene in a chain store when Daryl walks down the aisle in his pyjamas dropping bread, ‘Is it Hansel and Gretel?’ asks a little boy.

Book 1 Title: Six
Book Author: John Clanchy
Book 1 Biblio: Finlay Lloyd, $25 pb, 245 pp
Book 1 Author Type: Author
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At the start of ‘True Glue’, Dale the postie is called a Luddite by his mate and wonders if this is some religious or political splinter group he hasn’t yet heard of, before going home to google it. In ‘Slow Burn’, Daryl Turtle has a troublesome close encounter with a yellow toaster while suffering from ‘man flu’, resulting in a hilarious scene in a chain store when Daryl walks down the aisle in his pyjamas dropping bread, ‘Is it Hansel and Gretel?’ asks a little boy.

Read more: Rachel Robertson reviews 'Six' by John Clanchy

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Nick Hordern reviews The New Emperors: Power and the princelings in China by Kerry Brown
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Contents Category: China
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For countries, and none so important to Australia, have a political system as opaque as that of China. This is deliberate; since the turmoil of the Cultural Revolution, the Communist Party of China (CPC) has striven to make turnovers in its leadership as bland as possible. But the elevation of the country’s current ‘Fifth Generation’ Leadership was actually full of drama. The New Emperors, written by Kerry Brown, director of the China Studies Centre at the University of Sydney, tells us why.

Book 1 Title: The New Emperors
Book 1 Subtitle: Power and the princelings in china
Book Author: Kerry Brown
Book 1 Biblio: I.B. Tauris, $42.95 hb, 244 pp
Book 1 Author Type: Author
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For countries, and none so important to Australia, have a political system as opaque as that of China. This is deliberate; since the turmoil of the Cultural Revolution, the Communist Party of China (CPC) has striven to make turnovers in its leadership as bland as possible. But the elevation of the country’s current ‘Fifth Generation’ Leadership was actually full of drama. The New Emperors, written by Kerry Brown, director of the China Studies Centre at the University of Sydney, tells us why.

Read more: Nick Hordern reviews 'The New Emperors: Power and the princelings in China' by Kerry Brown

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Stephen Mills reviews The Myth of the Strong Leader: Political leadership in the modern age by Archie Brown
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Contents Category: Politics
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A remarkable feature of the concept of political leadership is its apparently infinite elasticity: it stretches over presidents and prime ministers, dictators and popes, revolutionaries and reformers. Take the concept beyond politics, and its reach effortlessly expands to include business executives, platoon commanders, primary school principals, the captain of the cricket team, and many more. But is it useful, or even accurate, to describe all these figures as ‘leaders’ given they, and the entities they lead, have almost nothing in common? Are they really comparable as leaders?

Book 1 Title: The Myth of the Strong Leader
Book 1 Subtitle: Political leadership in the modern age
Book Author: Archie Brown
Book 1 Biblio: Bodley Head, $59.99 hb, 470 pp
Book 1 Author Type: Author
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A remarkable feature of the concept of political leadership is its apparently infinite elasticity: it stretches over presidents and prime ministers, dictators and popes, revolutionaries and reformers. Take the concept beyond politics, and its reach effortlessly expands to include business executives, platoon commanders, primary school principals, the captain of the cricket team, and many more. But is it useful, or even accurate, to describe all these figures as ‘leaders’ given they, and the entities they lead, have almost nothing in common? Are they really comparable as leaders?

Read more: Stephen Mills reviews 'The Myth of the Strong Leader: Political leadership in the modern age' by...

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Sheila Fitzpatrick reviews Red Apple: Communism and Mccarthyism in Cold War New York by Phillip Deery
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Contents Category: History
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This book is about a moral panic resulting in the deployment of huge police and bureaucratic resources to ruin the lives of some unlucky individuals who were, or seemed to be, Communist Party members or sympathisers. None of Deery’s cases seems to have been doing anything that posed an actual threat to the US government or population; that, at least, is how it looks in retrospect. But at the time the House Un-American Activities Committee (HUAC) and the FBI judged otherwise and saw them as dangerous anti-democratic conspirators pledged to undermine, if not overthrow, the state. (Does any of this sound familiar?)

Book 1 Title: Red Apple
Book 1 Subtitle: Communism and Mccarthyism in Cold War New York
Book Author: Phillip Deery
Book 1 Biblio: Fordham University Press (OUP), $41.95 hb, 263 pp
Book 1 Author Type: Author
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This book is about a moral panic resulting in the deployment of huge police and bureaucratic resources to ruin the lives of some unlucky individuals who were, or seemed to be, Communist Party members or sympathisers. None of Deery’s cases seems to have been doing anything that posed an actual threat to the US government or population; that, at least, is how it looks in retrospect. But at the time the House Un-American Activities Committee (HUAC) and the FBI judged otherwise and saw them as dangerous anti-democratic conspirators pledged to undermine, if not overthrow, the state. (Does any of this sound familiar?)

Read more: Sheila Fitzpatrick reviews 'Red Apple: Communism and Mccarthyism in Cold War New York' by Phillip...

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Robyn Williams reviews Smashing Physics: Inside the discovery of the Higgs boson (and how it changed our understanding of science) by Jon Butterworth
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Contents Category: Science and Technology
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I must let you into a secret. I have three different ways of reading books: lightning fast, with serene attention; and, as with Smashing Physics, postmodern.

The fast mode is forced by unavoidable professional requirements. This week, for example, I received a (thankfully) slim volume just hours before having to record a satellite interview with the author who is based at Harvard. I had ninety minutes to skim the novel to obtain enough ‘feel’ for the work so that I could lead a credible discussion. All went well.

Book 1 Title: Smashing Physics
Book 1 Subtitle: Inside the discovery of the Higgs boson (and how it changed our understanding of science)
Book Author: Jon Butterworth
Book 1 Biblio: Headline, $32.99 pb, 287 pp
Book 1 Author Type: Author
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I must let you into a secret. I have three different ways of reading books: lightning fast, with serene attention; and, as with Smashing Physics, postmodern.

The fast mode is forced by unavoidable professional requirements. This week, for example, I received a (thankfully) slim volume just hours before having to record a satellite interview with the author who is based at Harvard. I had ninety minutes to skim the novel to obtain enough ‘feel’ for the work so that I could lead a credible discussion. All went well.

Read more: Robyn Williams reviews 'Smashing Physics: Inside the discovery of the Higgs boson (and how it...

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Sarah Holland-Batt reviews South in the World by Lisa Jacobson
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Contents Category: Poetry
Custom Article Title: Sarah Holland-Batt reviews 'South in the World' by Lisa Jacobson
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Lisa Jacobson’s third book, South in the World, opens with ‘Several Ways to Fall Out of The Sky’, a poem composed of imperatives instructing the reader in the strange art of descent. Jacobson’s poem deliberately invokes Auden’s famous piece of ekphrasis about Brueghel’s Landscape with the Fall of Icarus, ‘Musée des Beaux Arts’, which concerns itself with the relativity of suffering. All tragedies, Auden suggests, are products of perspective: Icarus’s plummeting may be a source of anguish for Daedalus, but is a minor occasion for a passing ploughman. Jacobson challenges this divested notion of witness by engaging in acts of imaginative empathy, stepping beyond the poet’s localised purview into the broader historical sphere.

Book 1 Title: South in the World
Book Author: Lisa Jacobson
Book 1 Biblio: UWA Publishing, $24.99 pb, 116 pp
Book 1 Author Type: Author
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Lisa Jacobson’s third book, South in the World, opens with ‘Several Ways to Fall Out of The Sky’, a poem composed of imperatives instructing the reader in the strange art of descent. Jacobson’s poem deliberately invokes Auden’s famous piece of ekphrasis about Brueghel’s Landscape with the Fall of Icarus, ‘Musée des Beaux Arts’, which concerns itself with the relativity of suffering. All tragedies, Auden suggests, are products of perspective: Icarus’s plummeting may be a source of anguish for Daedalus, but is a minor occasion for a passing ploughman. Jacobson challenges this divested notion of witness by engaging in acts of imaginative empathy, stepping beyond the poet’s localised purview into the broader historical sphere.

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Rose Lucas reviews Palace of Culture by Ania Walwicz
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Contents Category: Poetry
Custom Article Title: Rose Lucas reviews 'Palace of Culture' by Ania Walwicz
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Reading the poetry of Ania Walwicz is a little like being drawn into a trance: the density of the prose-like lines; the disorientation of the lack of punctuation; the repetition of certain words, phrases, alliterations. It is not a poetry that can be read in short bursts. Each poem is a commitment to a vision, to a mind-space explicitly shaped by the intensity and demand of Walwicz’s language. Having burst into Australian poetry with her ‘Polish accented’ voice more than thirty years ago, troubling the dominant Anglocentric view of Australian culture, Walwicz’s poetic still works to startle a reader from her comfort zone and to disrupt her expectations about what poetry is and can be.

Book 1 Title: Palace of Culture
Book Author: Ania Walwicz
Book 1 Biblio: Puncher & Wattmann, $25 pb, 110 pp
Book 1 Author Type: Author
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Reading the poetry of Ania Walwicz is a little like being drawn into a trance: the density of the prose-like lines; the disorientation of the lack of punctuation; the repetition of certain words, phrases, alliterations. It is not a poetry that can be read in short bursts. Each poem is a commitment to a vision, to a mind-space explicitly shaped by the intensity and demand of Walwicz’s language. Having burst into Australian poetry with her ‘Polish accented’ voice more than thirty years ago, troubling the dominant Anglocentric view of Australian culture, Walwicz’s poetic still works to startle a reader from her comfort zone and to disrupt her expectations about what poetry is and can be.

Read more: Rose Lucas reviews 'Palace of Culture' by Ania Walwicz

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Bruce Moore reviews Authorisms: Words wrought by writers by Paul Dickson
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Contents Category: Language
Custom Article Title: Bruce Moore reviews 'Authorisms' by Paul Dickson
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American Paul Dickson has written many books on aspects of language, including Words from the White House (2013). He also claims to have invented some fifty words, although he admits that only two of these have any real chance of becoming ‘household words’: word word ‘a word that is repeated to distinguish it from a seemingly identical word or name’, as in ‘a book book to distinguish the prior work in question from an e-book’; and demonym ‘a name commonly given to the residents of a place or a people’ (as Briton or Liverpudlian). In his new book, Dickson includes these two words, along with a solid collection of English neologisms from mainly English authors from Chaucer to the present. Such is the prerogative of the author of a book on authorisms.

Book 1 Title: Authorisms
Book 1 Subtitle: Words wrought by writers
Book Author: Paul Dickson
Book 1 Biblio: Bloomsbury, $19.99 hb, 228 pp
Book 1 Author Type: Author
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American Paul Dickson has written many books on aspects of language, including Words from the White House (2013). He also claims to have invented some fifty words, although he admits that only two of these have any real chance of becoming ‘household words’: word word ‘a word that is repeated to distinguish it from a seemingly identical word or name’, as in ‘a book book to distinguish the prior work in question from an e-book’; and demonym ‘a name commonly given to the residents of a place or a people’ (as Briton or Liverpudlian). In his new book, Dickson includes these two words, along with a solid collection of English neologisms from mainly English authors from Chaucer to the present. Such is the prerogative of the author of a book on authorisms.

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Christopher Menz reviews Visions of Colonial Grandeur: John Twycross at Melbourne’s International Exhibitions by Charlotte Smith and Benjamin Thomas
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Contents Category: Art
Custom Article Title: Christopher Menz reviews 'Visions of Colonial Grandeur' by Charlotte Smith and Benjamin Thomas
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Not many substantial private collections of art and decorative arts in Australia have remained intact from the nineteenth century. John Twycross (1819–89) was one of Melbourne’s early art collectors, and his collection has proved to be an exception. Twycross, lured there by the gold rush, made his money as a merchant in Melbourne in the middle of the nineteenth century. He began collecting art during the 1860s and became a major lender to the National Gallery of Victoria’s historic 1869 loan exhibition. He also spent heavily at the Melbourne International Exhibition of 1880 and even made a few purchases from the Melbourne Centennial Exhibition of 1888, the year before he died. He was also a lender to the 1888 exhibition. Some 200 of the works that Twycross purchased at these exhibitions have remained together. In 2009 a descendant donated them to Museum Victoria, which is custodian of the Royal Exhibition Building.

Book 1 Title: Visions of Colonial Grandeur
Book 1 Subtitle: John Twycross at Melbourne’s International Exhibitions
Book Author: Charlotte Smith and Benjamin Thomas
Book 1 Biblio: Museum Victoria, $39.95 pb, 168 pp
Book 1 Author Type: Author
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Not many substantial private collections of art and decorative arts in Australia have remained intact from the nineteenth century. John Twycross (1819–89) was one of Melbourne’s early art collectors, and his collection has proved to be an exception. Twycross, lured there by the gold rush, made his money as a merchant in Melbourne in the middle of the nineteenth century. He began collecting art during the 1860s and became a major lender to the National Gallery of Victoria’s historic 1869 loan exhibition. He also spent heavily at the Melbourne International Exhibition of 1880 and even made a few purchases from the Melbourne Centennial Exhibition of 1888, the year before he died. He was also a lender to the 1888 exhibition. Some 200 of the works that Twycross purchased at these exhibitions have remained together. In 2009 a descendant donated them to Museum Victoria, which is custodian of the Royal Exhibition Building.

Read more: Christopher Menz reviews 'Visions of Colonial Grandeur: John Twycross at Melbourne’s International...

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Crusader Hillis reviews Lesbian for a Year by Brooke Hemphill
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Contents Category: Memoir
Custom Article Title: Crusader Hillis reviews 'Lesbian for a Year' by Brooke Hemphill
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Brooke Hemphill knows hers was not meant to be an ordinary existence, yet by her early twenties she is engaged and planning the perfect wedding – with the wrong guy. She breaks it off and moves in with a married man. He, too, is wrong for her. She works on an island resort and falls for another, but he takes off for Europe. She travels to the United States and works on a cruise ship. Life is a continual bender of booze and drugs, until she falls pregnant and returns to Melbourne.

Book 1 Title: Lesbian for a Year
Book Author: Brooke Hemphill
Book 1 Biblio: Affirm Press, $29.95 pb, 235 pp
Book 1 Author Type: Author
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Brooke Hemphill knows hers was not meant to be an ordinary existence, yet by her early twenties she is engaged and planning the perfect wedding – with the wrong guy. She breaks it off and moves in with a married man. He, too, is wrong for her. She works on an island resort and falls for another, but he takes off for Europe. She travels to the United States and works on a cruise ship. Life is a continual bender of booze and drugs, until she falls pregnant and returns to Melbourne.

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Nigel Pearn reviews the A-Z of Convicts in Van Diemens Land by Simon Barnard
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Contents Category: Australian History
Custom Article Title: Nigel Pearn reviews the 'A-Z of Convicts in Van Diemen's Land' by Simon Barnard
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In times of high moral outrage at the barbarism of others, it is salutary to be reminded of the state-sanctioned viciousness of Australia’s past. Simon Barnard’s AZ of Convicts in Van Diemen’s Land does this brilliantly. Australian convict history is a crowded field, but Barnard’s detailed and vivid illustrations breathe fresh life into it. In addition to the many architectural cutaway drawings (hospitals, jails, female factories, commissariats, coalmines, shipyards, treadmills), there is a wealth of social detail: the bell-pull system for solitary confinement cells, a water canteen, cell graffiti, named dogs of the Colony, the tattoos of Francis Fitzmaurice. Indeed, it is the rupture of the human dimension into the totalising aspects of the system that surrounded convict transportation that give this book real intellectual heft. The effect is achieved through image and text, drawing on the stories of many lesser-known personalities of the period from a rich range of primary source material.

Book 1 Title: A–Z of Convicts in Van Diemen’s Land
Book Author: Simon Barnard
Book 1 Biblio: Text Publishing, $45 hb, 88 pp
Book 1 Author Type: Author
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In times of high moral outrage at the barbarism of others, it is salutary to be reminded of the state-sanctioned viciousness of Australia’s past. Simon Barnard’s AZ of Convicts in Van Diemen’s Land does this brilliantly. Australian convict history is a crowded field, but Barnard’s detailed and vivid illustrations breathe fresh life into it. In addition to the many architectural cutaway drawings (hospitals, jails, female factories, commissariats, coalmines, shipyards, treadmills), there is a wealth of social detail: the bell-pull system for solitary confinement cells, a water canteen, cell graffiti, named dogs of the Colony, the tattoos of Francis Fitzmaurice. Indeed, it is the rupture of the human dimension into the totalising aspects of the system that surrounded convict transportation that give this book real intellectual heft. The effect is achieved through image and text, drawing on the stories of many lesser-known personalities of the period from a rich range of primary source material.

Read more: Nigel Pearn reviews the 'A-Z of Convicts in Van Diemen's Land' by Simon Barnard

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