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July 2025, no. 477

This July, ABR looks at major global shifts underway. Sheila Fitzpatrick reports from Europe on the changing face of World War II commemorations and James Curran examines the ledger in Australia’s relationship with the United States. We announce the ABR Science Fellow and feature reviews of books about Antarctica, carbon, rivers, and genetics. Geoff Raby, Shan Windscript, and Nick Hordern review revelatory new titles on Russia, China, and Ukraine, and our fiction reviewers consider novels by Gail Jones, Isabel Allende, Jane Caro, and more. ABR publishes ‘Consolation of Clouds’ by Robin Boord, which was placed third in the 2025 Calibre Essay Prize, Felicity Plunkett reviews Antigone Kefala’s poetry and fiction, and Kirli Saunders is Poet of the Month.

July’s cover artwork is by Marc Martin.

‘Balance sheet blues: The pros and cons of Pax Americana coming to an end’ by James Curran
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The first six months of the second Trump administration have left American allies worldwide, including Australia, in a state of shock and sullen resignation. Shock at the resumption of Trump’s global trade and tariff war, following threats to Canada, Greenland and Mexico, not to mention the harm being done to American institutions and soft power; resignation that US protectionism and the rising demands of Washington on allies to pay more for their own defence are here to stay.

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The first six months of the second Trump administration have left American allies worldwide, including Australia, in a state of shock and sullen resignation. Shock at the resumption of Trump’s global trade and tariff war, following threats to Canada, Greenland and Mexico, not to mention the harm being done to American institutions and soft power; resignation that US protectionism and the rising demands of Washington on allies to pay more for their own defence are here to stay.

On his so-called ‘liberation day’, Trump slapped a ten per cent tariff on all Australian exports to the United States. Later came the added sting of a fifty per cent tariff on steel and twenty-five per cent on aluminium. Then, US Defense Secretary Pete Hegseth served notice on Canberra, as he had on America’s European allies, announcing that Washington expected a substantial increase in Australian defence spending. And just before Prime Minister Anthony Albanese headed to the G7 summit in Canada for a much-anticipated meeting with the American president, the Pentagon initiated a thirty-day review of the AUKUS agreement signed in 2021.

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‘Rat Music’, a new poem by Eileen Chong
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When I think of Bach, I recall powdered wigs, a dim, gilded hall, limelight burning on a stage, rouged cheeks, finely turned men’s calves in stockings. I am in the audience, I am in a box seat, I am holding a fan, but really, I am nowhere at all.

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When I think of Bach, I recall powdered wigs, a dim, gilded hall, limelight burning on a stage, rouged cheeks, finely turned men’s calves in stockings. I am in the audience, I am in a box seat, I am holding a fan, but really, I am nowhere at all. I could be a rat for that matter, darting under seats, crouching on a ledge, unseen, unnoticed. This evening we will attend a concert of the cellist we have listened to all our lives. I think we will have a fine view of his shoes. It was the hall-boy who would have to polish all the servants’ boots – a mix of sweet oil, treacle, vinegar, and lamp black, applied with his hand, and rubbed to exhaustion. There were passageways built within the great houses so servants could shadow their masters, appearing at will when summoned by a bell. If you should chance to be seen, flatten yourself against the wall and pretend you do not exist. Tonight we might meet the man to whom I was once bound. The harmonies will be sweet, the music sublime, and the crowd attentive and admiring. Think of it as restitution. Even rats have ears.

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Elizabeth Leane reviews ‘The Southern Frontier: Australia, Antarctica and Empire in the Southern Ocean world’ by Rohan Howitt
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On the evening of Boxing Day 1900, a spectacular pantomime premiered at Her Majesty’s Theatre in Sydney in honour of the imminent federation of the Australian colonies. A theatrical ‘extravaganza’, Australis presented an image of the fledging nation one hundred years hence. In the pantomime’s vision, Australia in the year 2000 is ruled by a former trade unionist, ‘the Boss’, who leads an expedition to annex Antarctica, forming a ‘Great Empire of the South’. One advantage of this move, notes the Boss, is that the capital of the Australian empire can be located on the geographic south pole, thus resolving the dispute between Sydney and Melbourne. Clearly, the pantomime’s librettists (who included theatrical entrepreneur J.C. Williamson) were not above political satire. What Australis also suggests is that there existed genuine popular enthusiasm for an Australian Antarctic empire.

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On the evening of Boxing Day 1900, a spectacular pantomime premiered at Her Majesty’s Theatre in Sydney in honour of the imminent federation of the Australian colonies. A theatrical ‘extravaganza’, Australis presented an image of the fledging nation one hundred years hence. In the pantomime’s vision, Australia in the year 2000 is ruled by a former trade unionist, ‘the Boss’, who leads an expedition to annex Antarctica, forming a ‘Great Empire of the South’. One advantage of this move, notes the Boss, is that the capital of the Australian empire can be located on the geographic south pole, thus resolving the dispute between Sydney and Melbourne. Clearly, the pantomime’s librettists (who included theatrical entrepreneur J.C. Williamson) were not above political satire. What Australis also suggests is that there existed genuine popular enthusiasm for an Australian Antarctic empire.

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Joshua Black reviews ‘Striking Ore: The rise and fall of union power in the Pilbara’ by Alexis Vassiley
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The history of the Pilbara is distinctive, but its contours are those of Australian history in miniature. Successive resource booms have saddled that part of Western Australia with the weight of immense national expectation. The rise and fall of trade unionism was compressed into a few short decades in the Pilbara’s iron ore mines, where compulsory unionism once made workers immensely powerful, and where the decline in union membership now leaves them highly exposed to managerial agendas.

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The history of the Pilbara is distinctive, but its contours are those of Australian history in miniature. Successive resource booms have saddled that part of Western Australia with the weight of immense national expectation. The rise and fall of trade unionism was compressed into a few short decades in the Pilbara’s iron ore mines, where compulsory unionism once made workers immensely powerful, and where the decline in union membership now leaves them highly exposed to managerial agendas.

Of course, First Nations history underwrites the whole landscape. Aboriginal people have lived in the Pilbara for more than 40,000 years and the region’s voluminous petroglyphic rock art is, or ought to be, a national treasure.

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Geoff Raby reviews ‘The First Cold War: Anglo-Russian relations in the nineteenth century’ by Barbara Emerson
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The First Cold War is an account of 300 years of British-Russian relations, from mutual incomprehension to the Anglo-Russian Convention of 1907, which reached an accommodation between the great powers. This proved remarkably stable and provided the basis for resisting German aggression in the twentieth century. It only ended in 1949 when the next cold war began.

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The First Cold War is an account of 300 years of British-Russian relations, from mutual incomprehension to the Anglo-Russian Convention of 1907, which reached an accommodation between the great powers. This proved remarkably stable and provided the basis for resisting German aggression in the twentieth century. It only ended in 1949 when the next cold war began.

As Barbara Emerson states, there has always been ‘something odd’ about Britain and Russia’s relationship. Both are Christian states that sit at the far ends of the European continent but have engaged in periods of mutual hostility and suspicion. Yet, despite centuries of great power rivalry, they have fought only one war: the Crimean War (1853-56). Russia’s humiliating defeat was to shape much of its foreign policy into the twentieth century.

In the main, the royal families had been respectful of each other and at times close, including through intermarriage and assorted romantic dalliances. The contest has been mainly over interests and security, rather than ideology, and in this important respect that contest marks out the nineteenth-century cold war of this book from the post-World War II Cold War. The latter was intensely ideological.

Final Assault at Sebastopol, 1854Final assault at Sebastopol, 1854 (Ivy Close Images/Alamy)

To be sure, in nineteenth-century Britain, the Whigs and Tories, egged on by the popular press, railed against Russia’s autocratic absolutism. Russophobia, as Emerson terms it, began to shape London’s foreign policy. British statesmen often found themselves having to urge moderation in the wider national interest. It seems that today’s China Threat, or China Anxiety, has a precedent in this history.

From the earliest years of the relationship, formed initially from tenuous sinews of commerce and entrepreneurship, the book moves through Russia’s emergence as a major eighteenth-century European power, the French Revolutionary Wars, and the Concert of Europe, which itself came out of the Congress of Vienna (1814-15). This established the post-Napoleonic order in Europe based on a balance of power between states which involved shifting coalitions to defend interests and ensure no single state dominated.

After the Napoleonic Wars (1803-15), Britain and Russia faced each other as the great powers of Europe and their expanding empires in the Eastern Mediterranean, Persia, Afghanistan, Central Asia, and the Far East began to press against each other. Emerson devotes substantial chapters to each of these theatres.

Where Britain and Russia’s interests collided most was in Persia, Afghanistan, and Central Asia, a contest which became known as the Great Game and extended from the 1840s to 1907. Of all the interests at play, it was Britain’s conviction that Russia was eyeing India as the ultimate imperial prize that defined the contest between the empires.

Initially, in London, there was little appetite to challenge Russia’s eastward expansion. An official policy of ‘masterly inactivity’ emerged during the 1850s and 1860s. This was challenged by the hawks, or ‘forwardists’, in London who, as ever, played on Russophobia and conjured up the improbable threat to India.

Emerson is of the view that despite the ‘practical idiocy’ of a Russian land invasion of India, for logistical and topographical reasons the idea of such an invasion became embedded among the Russian military elite after their humiliation by Britain and France in Crimea.

Working in Russian archives, the author brings more additional evidence of these views among Russia’s policymakers than is usual in accounts of the Great Game. Other experts, such as Mark Smith in The Russian Anxiety (2019), not cited in Emerson’s references, dismiss the notion of a ‘Great Game’ as just part of Britain’s ‘Russian Anxiety’.

As with most studies of the Great Game, Emerson concentrates on the two main protagonists and denies agency to local rulers of the various Khanates, many of whom often demonstrated greater strategic skill and understanding than the European imperialists.

Significantly, new insights are provided from original sources into Russian internal policy debates about eastward expansion. A fascinating aspect of this material is the suggestion that Saint Petersburg had a weak hold over Russian officials in these remote areas. A great deal of local freelancing occurred, as in British India. Much of Russia’s eastward expansion was haphazard and chaotic. Emerson is inclined to give more credibility to concerns among Britain’s forwardists than is perhaps justified by official Russian policy.

In 1893, Britain and Russia amicably settled the border demarcation with Afghanistan in the Pamirs. The ‘Durand Line’ was agreed, placing the Wakhan Corridor in Afghanistan’s territory to establish a buffer zone between the two empires.

In 1907, the Anglo-Russian Convention was signed, ending their imperial competition. It was done against the wishes of each country’s militaries and the Indian government, who were all kept out of the negotiations. Russia had been heavily defeated by Japan across 1904 and 1905. Although the Russian public opposed a convention because of British support for Japan, Russia had been severely weakened and was domestically in political disarray. Ignoring the Russophobes in Britain, statesmen in both Britain and Russia recognised that an ascendant Germany was a bigger threat to each.

This ended the great power competition between Britain and Russia that helped shape the global order for the previous three centuries. Apart from an ill-fated intervention by Britain on the side of the White Russian forces in 1919, after the October Revolution, they remained allies until 1949.

An important conclusion from The First Cold War is that conflict between an ascendant power and a dominant power is not inevitable. Eventually, Britain chose not to challenge Russia’s expansion across Eurasia and Russia forswore designs on India, which in any event could never have been realised.

Although Emerson does not make the argument, her work shows that it is possible for powers to find an accommodation and afford each other strategic space. It also shows the importance of statesmanship in rising above both the baying rabble of the populist press and politicians as well as militaries with their vested interests in conflict. Both are hopeful policy conclusions for the current great power rivalry between the United States and China.

Emerson has provided a magisterial survey of Eurasian diplomacy and grand strategy in a ceaselessly shifting geopolitical panorama, the ramifications of which are still reverberating today. Sometimes, reading this book, one feels as if she might be describing the recent history in which we are now all enmeshed
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Nick Hordern reviews ‘A Bunker in Kyiv: The astonishing story of the people’s army defying Putin’ by John Lyons with Sylvie Le Clezio
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Few people in Australia will disagree with John Lyons that the war in Ukraine is ‘morally unambiguous’ and that the Ukrainian people have right on their side. A Bunker in Kyiv tells how they have mobilised en masse, volunteering to serve not only on the battlefront and in defence production but also in support roles across the economic and social spectrum. As for their enemies, Ukrainians have come to view Russians solely as ‘invaders, not people’. For Lyons, the conflict is a simple one between good and evil, and his underlying message is that both morality and self-interest dictate that the international community should step up its support for Kyiv.

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Few people in Australia will disagree with John Lyons that the war in Ukraine is ‘morally unambiguous’ and that the Ukrainian people have right on their side. A Bunker in Kyiv tells how they have mobilised en masse, volunteering to serve not only on the battlefront and in defence production but also in support roles across the economic and social spectrum. As for their enemies, Ukrainians have come to view Russians solely as ‘invaders, not people’. For Lyons, the conflict is a simple one between good and evil, and his underlying message is that both morality and self-interest dictate that the international community should step up its support for Kyiv.

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Shan Windscript reviews ‘Bombard the Headquarters! The Cultural Revolution in China’ by Linda Jaivin
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Of all the revolutionary regimes of the modern era, few sought to remake society as radically as Communist  China during the Great Proletarian Cultural Revolution. Launched by Mao Zedong in 1966 to purge ‘class enemies’ and revitalise socialist ideals, the movement quickly spiralled into widespread upheaval that slipped beyond the Party’s control. Amid mass campaigns and brutal struggles, waves of political activism surged from below, jolting the very foundations of the Communist state and reshaping the country’s cultural and political landscape.

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Of all the revolutionary regimes of the modern era, few sought to remake society as radically as Communist  China during the Great Proletarian Cultural Revolution. Launched by Mao Zedong in 1966 to purge ‘class enemies’ and revitalise socialist ideals, the movement quickly spiralled into widespread upheaval that slipped beyond the Party’s control. Amid mass campaigns and brutal struggles, waves of political activism surged from below, jolting the very foundations of the Communist state and reshaping the country’s cultural and political landscape.

Millions were empowered; millions suffered or perished. Old cultures were smashed to make way for new visions that radically reimagined the life and society of an ideal socialist state. An entire generation was uprooted from classrooms, sent en masse to make revolution in the countryside through sweat and soil. Only with Mao’s death in 1976 did the movement come to a formal end. But its sheer scale, historical complexity, and enduring legacy have continued to galvanise scholars and commentators around the world, fuelling ongoing debates that defy easy conclusions. To compress such a turbulent and multifaceted historical episode into just over 100 pages is no small feat, yet Linda Jaivin does so with remarkable clarity and narrative flair.

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Margaret Clunies Ross reviews ‘The Shortest History of Scandinavia’ by Mart Kuldkepp
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What can a reader expect from the ‘shortest’ history of anything? Probably something that gives basic information about that subject with a possible admixture of humour and a fresh approach that conceals the gaps that brevity inevitably produces. Mart Kuldkepp’s shortest history of Scandinavia achieves these goals skilfully and can be trusted to provide the general reader with a reliable narrative. It also succeeds in analysing what it is about the countries that we call Scandinavia that makes them special, creating a sense of ‘Nordicness’ that is recognised by both insiders and outsiders.

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What can a reader expect from the ‘shortest’ history of anything? Probably something that gives basic information about that subject with a possible admixture of humour and a fresh approach that conceals the gaps that brevity inevitably produces. Mart Kuldkepp’s shortest history of Scandinavia achieves these goals skilfully and can be trusted to provide the general reader with a reliable narrative. It also succeeds in analysing what it is about the countries that we call Scandinavia that makes them special, creating a sense of ‘Nordicness’ that is recognised by both insiders and outsiders.

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‘Marking May 8 eighty years on: Relinquishing our memories of World War II’ by Sheila Fitzpatrick
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Remember when the Russians ‘liberated’ Berlin in 1945, ending World War II? The iconic image of a Soviet soldier raising the Soviet flag over the Reichstag became a staple of popular culture as well as historical memory. It was the culminating point of the wartime Alliance of the ‘Big Three’, with Winston Churchill, Franklin Roosevelt, and ‘Uncle Joe’ Stalin hanging out together like old friends and deciding the fate of the world.

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Remember when the Russians ‘liberated’ Berlin in 1945, ending World War II? The iconic image of a Soviet soldier raising the Soviet flag over the Reichstag became a staple of popular culture as well as historical memory. It was the culminating point of the wartime Alliance of the ‘Big Three’, with Winston Churchill, Franklin Roosevelt, and ‘Uncle Joe’ Stalin hanging out together like old friends and deciding the fate of the world.

Well, forget it. It is old news. This year, the Russians celebrated Victory Day on May 9 as usual with a big military parade in Moscow’s Red Square, but European and North Americans mainly stayed away. Europeans, in turn, did not invite the Russians to their celebrations on May 8 and 9 in which the Soviet contribution to World War II victory, and even to some extent the war itself, were being sidelined in favour of a new narrative about European union and democracy.

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Dave Witty reviews ‘Carbon: The book of life’ by Paul Hawken
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Carbon is, to quote Paul Hawken’s opening, ‘the narrator of lives born and lost’. It ‘organises, assembles, and builds … the most socially adept entrepreneur in the pantheon of life’. One could, with only a little exaggeration, apply this description to the author of Carbon: The book of life.

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Carbon is, to quote Paul Hawken’s opening, ‘the narrator of lives born and lost’. It ‘organises, assembles, and builds … the most socially adept entrepreneur in the pantheon of life’. One could, with only a little exaggeration, apply this description to the author of Carbon: The book of life.

Read more: Dave Witty reviews ‘Carbon: The book of life’ by Paul Hawken

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Danielle Clode reviews ‘The Genetic Book of the Dead: A Darwinian reverie’ by Richard Dawkins
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Science communication is a basic skill for all scientists, even if it is mostly performed for a restricted academic audience. Nonetheless, all scientists must also write for broader audiences – and some have turned this into an art form. Such practitioners of accessible ‘scientific writing’ have a slightly different task to the ‘science writing’ of writer/journalists who report on, rather than from within, the field. Popular scientific writing engages not just the general public, but also other scientists. Such long-form writing often generates new insights and knowledge by synthesising broad fields of fragmented or isolated disciplinary components, thereby creating new paradigms. These are often the books that change the way we see, think about, and study the world.

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Science communication is a basic skill for all scientists, even if it is mostly performed for a restricted academic audience. Nonetheless, all scientists must also write for broader audiences – and some have turned this into an art form. Such practitioners of accessible ‘scientific writing’ have a slightly different task to the ‘science writing’ of writer/journalists who report on, rather than from within, the field. Popular scientific writing engages not just the general public, but also other scientists. Such long-form writing often generates new insights and knowledge by synthesising broad fields of fragmented or isolated disciplinary components, thereby creating new paradigms. These are often the books that change the way we see, think about, and study the world.

Read more: Danielle Clode reviews ‘The Genetic Book of the Dead: A Darwinian reverie’ by Richard Dawkins

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Ceridwen Spark reviews ‘Is a River Alive?’ by Robert Macfarlane
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For the past year, I’ve thought deeply and often about rivers, one in particular. The Maribyrnong River is 160 km long and runs from Mount Macedon to Port Phillip Bay. The name, adapted from the languages of the Wurundjeri, Woi Wurrung and Bunurong, who called it Mirring-gnay-bir-nong, purportedly means ‘I can hear a ringtail possum’. Initially known by British settlers as the Saltwater River because it is tidal, the Maribyrnong has a gritty history. In Footscray it served as a drain for the noxious industries that lined its banks for decades. The Maribyrnong appears every now and then in the news when it floods, as a place from which stolen cars are dredged, or when bodies wash up.

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For the past year, I’ve thought deeply and often about rivers, one in particular. The Maribyrnong River is 160 km long and runs from Mount Macedon to Port Phillip Bay. The name, adapted from the languages of the Wurundjeri, Woi Wurrung and Bunurong, who called it Mirring-gnay-bir-nong, purportedly means ‘I can hear a ringtail possum’. Initially known by British settlers as the Saltwater River because it is tidal, the Maribyrnong has a gritty history. In Footscray it served as a drain for the noxious industries that lined its banks for decades. The Maribyrnong appears every now and then in the news when it floods, as a place from which stolen cars are dredged, or when bodies wash up.

Read more: Ceridwen Spark reviews ‘Is a River Alive?’ by Robert Macfarlane

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Phillip Deery reviews ‘Vatican Spies: From the Second World War to Pope Francis’ by Yvonnick Denoël
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The global reaction to the recent death of Pope Francis and the ensuing election of Pope Leo XIV confirmed the centrality of the Vatican to its 1.3 billion followers and the international political landscape. The Vatican is the world’s smallest sovereign city-state with a tiny permanent population of 882, yet has immense influence. The intensely hierarchical Holy See is far from transparent. Secrecy, scheming, intrigue, and subterfuge have been the hallmarks of its modus operandi, to which the film Conclave (2024) so grippingly alludes.

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Book 1 Title: Vatican Spies
Book 1 Subtitle: From the Second World War to Pope Francis
Book Author: Yvonnick Denoël
Book 1 Biblio: Hurst, $49.99 hb, 454 pp
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The global reaction to the recent death of Pope Francis and the ensuing election of Pope Leo XIV confirmed the centrality of the Vatican to its 1.3 billion followers and the international political landscape. The Vatican is the world’s smallest sovereign city-state with a tiny permanent population of 882, yet has immense influence. The intensely hierarchical Holy See is far from transparent. Secrecy, scheming, intrigue, and subterfuge have been the hallmarks of its modus operandi, to which the film Conclave (2024) so grippingly alludes.

Read more: Phillip Deery reviews ‘Vatican Spies: From the Second World War to Pope Francis’ by Yvonnick Denoël

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Beth Kearney reviews ‘The Position of Spoons: And other intimacies’ by Deborah Levy
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Readers grow faithful to their favourite authors – to their style, their literary landscapes, and the moods their books create. Readers of Deborah Levy’s work have come to know and love her idiosyncratic voice. Her texts plunge readers into quotidian worlds made surreal and her narrators point out the humour and strangeness of everyday life.

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Book 1 Title: The Position of Spoons
Book 1 Subtitle: And other intimacies
Book Author: Deborah Levy
Book 1 Biblio: Hamish Hamilton, $24.99 pb, 240 pp
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Readers grow faithful to their favourite authors – to their style, their literary landscapes, and the moods their books create. Readers of Deborah Levy’s work have come to know and love her idiosyncratic voice. Her texts plunge readers into quotidian worlds made surreal and her narrators point out the humour and strangeness of everyday life.

In 2013, after decades of publishing novels, short story collections, and plays, Levy became globally celebrated with her first foray into non-fiction. In her trilogy of ‘Living Autobiographies’, she wrote her life as it unfolded before her, as she rode waves of change and rupture. Her first book of non-fiction since this trilogy, The Position of Spoons is a collection of thirty-four short works of creative fiction and non-fiction, some as brief as a page and a half. The book is flooded with Levyesque turns of phrase – ‘these sockless people have a kind of abandon in their body’ – and, in its typical fashion, Levy’s writing transforms the world into a place more elaborate than it seems. Many of the essays have been published elsewhere, as articles in magazines or as introductions to new editions or translations of the work of Simone de Beauvoir, Violette Leduc, J. G. Ballard, and more.

Read more: Beth Kearney reviews ‘The Position of Spoons: And other intimacies’ by Deborah Levy

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Jacinta Walsh reviews ‘Jilya: How one Indigenous woman from the remote Pilbara transformed psychology’ by Tracy Westerman
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There’s a crisis happening in Australia – and each year it worsens,’ writes Tracy Westerman. Aboriginal children face devastating disparities: they die at four times the rate of non-Aboriginal children and forty per cent of these deaths are suicides, in some cases of children as young as ten years old. 

Book 1 Title: Jilya
Book 1 Subtitle: How one Indigenous woman from the remote Pilbara transformed psychology
Book Author: Tracy Westerman
Book 1 Biblio: University of Queensland Press, $34.99 pb, 384 pp
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‘There’s a crisis happening in Australia – and each year it worsens,’ writes Tracy Westerman. Aboriginal children face devastating disparities: they die at four times the rate of non-Aboriginal children and forty per cent of these deaths are suicides, in some cases of children as young as ten years old. Three per cent of the Australian population are Aboriginal people, yet forty-two per cent of suicides are Blak men. In the Northern Territory, ninety-two per cent of children in out-of-home care are Indigenous. Around ninety-two per cent of the territory’s prison population (including women and children) are Indigenous. Disturbingly, fifty per cent of NT prisoners are being held on remand, which means that they have been accused of a crime but not convicted of it. A staggering 597 Indigenous prisoners have died since the Royal Commission into Aboriginal Deaths in Custody of 1991. Not one correction or police officer has ever been charged with these deaths.

Read more: Jacinta Walsh reviews ‘Jilya: How one Indigenous woman from the remote Pilbara transformed...

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‘Consolation of Clouds’ by Robin Boord
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In the quiet years between my father’s death and my stepfather’s eruption into our lives, my mother, my sister, and I lived with my grandparents for the longest time in the last of the houses that look like that. You know, little and squat, red brick with a red-tiled roof and a wooden sunroom-cum-sleepout propped against the back wall and, all about, when you spread your arms and spin, red roses and metal-blue hydrangeas and pumpkins on hairy stalks and a red incinerator made of tin and fruit trees shining with apples and oranges and loquats with big pips.

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In the quiet years between my father’s death and my stepfather’s eruption into our lives, my mother, my sister, and I lived with my grandparents for the longest time in the last of the houses that look like that. You know, little and squat, red brick with a red-tiled roof and a wooden sunroom-cum-sleepout propped against the back wall and, all about, when you spread your arms and spin, red roses and metal-blue hydrangeas and pumpkins on hairy stalks and a red incinerator made of tin and fruit trees shining with apples and oranges and loquats with big pips.

My grandfather built me a cubbyhouse near the raspberry patch, and I kept his many empty whisky bottles there, filled with pretty-coloured water and seaweed, for my experiments.

No one had a job. The accounts spike on the kitchen bar was crammed with unpaid bills until my mother and grandmother decided to cook not just for us, but for the well-to-do. We hung wet towels in the doorways to cool the kitchen. We pulled the legs off crayfish; we baked hundreds of pale pink pavlovas, which we topped with whipped cream and passionfruit; we filled plastic buckets with slippery tuna mornay and stored them in the laundry.

Mrs Collins, who was old, with long silver hair I was allowed to brush on special occasions, came to help with the dishes. I went to her greengrocer shop most days after school and sat in the window shelling peas. Mr Collins would pull himself along past the boxes of carrots and silver beet, grasping the wooden shop counter with both hands.

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‘Bellini’, a new poem by Simon West
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What was the point of a landscape’s allegories,
or the show of fractured bedrock in Bellini’s
Transfiguration, the way it caught the folding
and tightening, the rough-shod squeezing of old
strata, and the intrusion of the igneous, ferns’

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Susan Midalia reviews ‘The Bearcat’ by Georgia Rose Phillips
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Article Title: The night that forgot
Article Subtitle: An admirably inventive début
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A scanning of programs on any streaming service will reveal that the phenomenon of the cult, both real and imagined, continues to fascinate the public imagination. One notorious historical example, and the subject of recent documentaries and a gripping TV series, is a group called The Family, which operated undetected from the late 1960s for over twenty years in a secluded rural property near Lake Eildon in Victoria. What makes this case so unusual is the fact that its leader was a woman: the glamorous, pathologically narcissistic Anne Hamilton-Byrne. Shockingly, as many as twenty-eight of the victims were children who were subject to brainwashing and sustained physical abuse. Discovered and released in 1987, many of those children suffered lasting trauma and some committed suicide. In a stroke of terrible irony, Hamilton-Byrne never faced justice for her heinous crimes because the law judged the testimony of the children to be unreliable.

Book 1 Title: The Bearcat
Book Author: Georgia Rose Phillips
Book 1 Biblio: Picador, $34.99 pb, 308 pp
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A scanning of programs on any streaming service will reveal that the phenomenon of the cult, both real and imagined, continues to fascinate the public imagination. One notorious historical example, and the subject of recent documentaries and a gripping TV series, is a group called The Family, which operated undetected from the late 1960s for over twenty years in a secluded rural property near Lake Eildon in Victoria. What makes this case so unusual is the fact that its leader was a woman: the glamorous, pathologically narcissistic Anne Hamilton-Byrne. Shockingly, as many as twenty-eight of the victims were children who were subject to brainwashing and sustained physical abuse. Discovered and released in 1987, many of those children suffered lasting trauma and some committed suicide. In a stroke of terrible irony, Hamilton-Byrne never faced justice for her heinous crimes because the law judged the testimony of the children to be unreliable.

Read more: Susan Midalia reviews ‘The Bearcat’ by Georgia Rose Phillips

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Maggie Nolan reviews ‘The Name of the Sister’ by Gail Jones
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Article Title: Suffering complications
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An unknown woman – traumatised, amnesiac, unable to speak – is found just north of Broken Hill in western New South Wales. Who she is and what happened to her is the question that drives Gail Jones’s twelfth novel, The Name of the Sister.

Book 1 Title: The Name of the Sister
Book Author: Gail Jones
Book 1 Biblio: Text Publishing, $34.99 pb, 198 pp
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An unknown woman – traumatised, amnesiac, unable to speak – is found just north of Broken Hill in western New South Wales. Who she is and what happened to her is the question that drives Gail Jones’s twelfth novel, The Name of the Sister.

Angie is a journalist in inner-city Sydney, recently gone freelance, and Bev, her oldest and dearest friend, is leading the police investigation. Their friendship goes back to childhood when they grew up together in a small country town, sharing ‘constitutional seriousness … the ability to not look away, to search for deeper meanings, to take themselves seriously’ and a love of sophisticated wordplay. Bev was the child of a respectable police officer who had ‘given in to the Law of the Father’; Angie’s father was an alcoholic and jobbing labourer ‘with the glum notoriety of a failure’. With Bev’s inside knowledge, Angie begins to write a long-form journalistic story about the unknown woman. The novel’s use of free indirect discourse, focalised through Angie, is sometimes strained; I was not always sure whose perspective I was receiving.

Read more: Maggie Nolan reviews ‘The Name of the Sister’ by Gail Jones

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Stephen Brock reviews ‘My Name is Emilia del Valle’ by Isabel Allende
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Article Title: Women carrying corvos
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Isabel Allende’s My Name is Emilia del Valle begins in the Mission District of San Francisco in the late nineteenth century and vividly evokes life among ‘that multicolored, polyglot multitude of emigrants’.

Book 1 Title: My Name is Emilia del Valle
Book Author: Isabel Allende translated from Spanish by Francis Riddle
Book 1 Biblio: Bloomsbury, $32.99 pb, 304 pp
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Isabel Allende’s My Name is Emilia del Valle begins in the Mission District of San Francisco in the late nineteenth century and vividly evokes life among ‘that multicolored, polyglot multitude of emigrants’.

Written in the style of European novels of the Victorian period, the story is related by a reliable first-person narrator, interspersed with factual news articles that provide additional historical and political context. Telling the story in its ‘proper order to avoid confusion’, Emilia begins her account with the story of her mother, Molly Walsh, a pious novice nun whose future calling was ruined when she was seduced by a young Chilean aristocrat in an encounter described as ‘barely consensual’.

Read more: Stephen Brock reviews ‘My Name is Emilia del Valle’ by Isabel Allende

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Barbara Pezzotti reviews ‘Lyrebird’ by Jane Caro
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Article Title: The half of it
Article Subtitle: Jane Caro’s crimate novel
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Crime fiction is one of the most popular genres worldwide. It caters for a variety of audiences: readers who launch themselves into an intense competition with the detective for who is going to identify the villain first; those who enjoy being thrilled from the comfort of their armchairs; and those who like to be immersed in the social and political issues that arise from confronting investigations. Author of the acclaimed The Mother (2022), Walkley Award-winning journalist and social commentator Jane Caro returns with a second crime novel, Lyrebird, that will appeal to crime fiction enthusiasts interested in delving into major issues of our times, such as gender violence and climate change. The titular bird first appears in the Prologue, when student ornithologist Jessica Weston films its mating dance and song in the remote New South Wales Barrington Tops National Park. Suddenly, a lyrebird mimics an unknown woman screaming for her life in what sounds like Spanish. Terrified, Weston goes to the nearest police station but nobody accepts her video as evidence that a crime has been committed, apart from a junior police detective, Megan Blaxland, who is then asked to close the case. The ‘lyrebird case’ is ignored for twenty years until a landslip reveals a woman’s skeleton in the Burraga Swamps, exactly where the lyrebird danced. Now a retired senior sergeant, Blaxland returns to the police force as a consultant to reopen the case. Blaxland teams up with her original partner, Philip Arlott, and a small team of eager young cops. She is also helped by Weston, who, in the meantime, has become a biology professor and is also the mother of a rebellious daughter, fifteen-year-old climate activist Sheridan. Soon, other bodies are discovered in the Burraga Swamps and the search for a possible serial killer exposes horrific crimes, such as illegal sex work and human trafficking, as bushfires close in on the investigators and suspects.

Book 1 Title: Lyrebird
Book Author: Jane Caro
Book 1 Biblio: Allen & Unwin, $34.99 pb, 368 pp
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Crime fiction is one of the most popular genres worldwide. It caters for a variety of audiences: readers who launch themselves into an intense competition with the detective for who is going to identify the villain first; those who enjoy being thrilled from the comfort of their armchairs; and those who like to be immersed in the social and political issues that arise from confronting investigations. Author of the acclaimed The Mother (2022), Walkley Award-winning journalist and social commentator Jane Caro returns with a second crime novel, Lyrebird, that will appeal to crime fiction enthusiasts interested in delving into major issues of our times, such as gender violence and climate change. The titular bird first appears in the Prologue, when student ornithologist Jessica Weston films its mating dance and song in the remote New South Wales Barrington Tops National Park. Suddenly, a lyrebird mimics an unknown woman screaming for her life in what sounds like Spanish. Terrified, Weston goes to the nearest police station but nobody accepts her video as evidence that a crime has been committed, apart from a junior police detective, Megan Blaxland, who is then asked to close the case. The ‘lyrebird case’ is ignored for twenty years until a landslip reveals a woman’s skeleton in the Burraga Swamps, exactly where the lyrebird danced. Now a retired senior sergeant, Blaxland returns to the police force as a consultant to reopen the case. Blaxland teams up with her original partner, Philip Arlott, and a small team of eager young cops. She is also helped by Weston, who, in the meantime, has become a biology professor and is also the mother of a rebellious daughter, fifteen-year-old climate activist Sheridan. Soon, other bodies are discovered in the Burraga Swamps and the search for a possible serial killer exposes horrific crimes, such as illegal sex work and human trafficking, as bushfires close in on the investigators and suspects.

Read more: Barbara Pezzotti reviews ‘Lyrebird’ by Jane Caro

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Morgan Nunan reviews ‘The Victoria Principle’ by Michael Farrell
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Article Title: Beyond the I
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In one of the later short stories in Michael Farrell’s The Victoria Principle, a man anonymised as ‘Bill’ is prompted by an anecdote recounted in a university swimming pool change room to reflect on possible excuses not to arm-wrestle. This does not seem to have been a topic of interest for Bill previously. Indeed, the narrator concedes that for Bill’s ‘milieus (overlapping academic and creative)’ arm-wrestling was given little thought, if any.

Book 1 Title: The Victoria Principle
Book Author: Michael Farrell
Book 1 Biblio: Giramondo, $29.95 pb, 178 pp
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In one of the later short stories in Michael Farrell’s The Victoria Principle, a man anonymised as ‘Bill’ is prompted by an anecdote recounted in a university swimming pool change room to reflect on possible excuses not to arm-wrestle. This does not seem to have been a topic of interest for Bill previously. Indeed, the narrator concedes that for Bill’s ‘milieus (overlapping academic and creative)’ arm-wrestling was given little thought, if any.

As Bill analyses the merits of various arm-wrestle-related excuses on the internet, and others that he formulates himself (‘I have a B12, or iron, deficiency’, ‘I’m already dead’), an offbeat comedy is generated by the accumulation of this seemingly unpromising material. If these reflections are part of Bill’s attempt to utilise the change-room anecdote ‘to perhaps use in a story’, they are also transformed when the story pivots (via a dream and a trip to the therapist) to consider deeper motivations for an otherwise trivial fixation.

Read more: Morgan Nunan reviews ‘The Victoria Principle’ by Michael Farrell

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Eli McLean reviews ‘Nock Loose’ by Patrick Marlborough
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Article Title: Bullseye!
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Australia is a weird place. A backwater colonial outpost settled by racist squatters and their indentured convict servants, it is a country forever defined by its isolation, in every sense, from the rest of the world. Faster than Barron Field could say ‘kangaroo’, an Empire crashed onto the shores of the First Peoples who had been cultivating a narrative tradition since time immemorial, and set about writing a (manifest) destiny of its own.

Book 1 Title: Nock Loose
Book Author: Patrick Marlborough
Book 1 Biblio: Fremantle Press, $34.99 pb, 288 pp
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Australia is a weird place. A backwater colonial outpost settled by racist squatters and their indentured convict servants, it is a country forever defined by its isolation, in every sense, from the rest of the world. Faster than Barron Field could say ‘kangaroo’, an Empire crashed onto the shores of the First Peoples who had been cultivating a narrative tradition since time immemorial, and set about writing a (manifest) destiny of its own.

Read more: Eli McLean reviews ‘Nock Loose’ by Patrick Marlborough

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Jim Davidson reviews ‘The Prime Minister’s Potato: And other essays’ by Anne-Marie Condé
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Article Title: Condé’s crystallisations
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Tasmania punches above its weight in the literary world, as elsewhere. And not before time: traditionally it always seemed marginal and could be left off the map of Australia on logos. A change came about fifty years ago, with the emergence of the Greens and the campaigns to save Lake Pedder and the Franklin River. Now, what with quality food and wines and MONA and MOFO – plus something of a southward migration given climate change – Tasmania has become trendy. But it remains a place where the past lingers.

Book 1 Title: The Prime Minister’s Potato
Book 1 Subtitle: And other essays
Book Author: Anne-Marie Condé
Book 1 Biblio: Upswell $29.99 pb, 198 pp
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Tasmania punches above its weight in the literary world, as elsewhere. And not before time: traditionally it always seemed marginal and could be left off the map of Australia on logos. A change came about fifty years ago, with the emergence of the Greens and the campaigns to save Lake Pedder and the Franklin River. Now, what with quality food and wines and MONA and MOFO – plus something of a southward migration given climate change – Tasmania has become trendy. But it remains a place where the past lingers.

Read more: Jim Davidson reviews ‘The Prime Minister’s Potato: And other essays’ by Anne-Marie Condé

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Andrew McCann reviews ‘Silent Catastrophes: Essays in Austrian literature’ by W.G. Sebald
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Article Title: Ruins, relics, memento mori
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In Too Soon Too Late: History in popular culture (1998), Meaghan Morris evokes Walter Benjamin’s ‘poor angel of history’, whose wings, ‘encrusted’ with scholarly citation, now beat ‘sluggishly in the service of a not very lively professionalism’. The critical discourse around W.G. Sebald (1944-2001) sometimes produces a similar feeling of fatigue, not least in its relationship to Benjamin, whose influence on Sebald’s melancholic oeuvre is well documented. 

Book 1 Title: Silent Catastrophes
Book 1 Subtitle: Essays in Austrian literature
Book Author: W.G. Sebald, translated from German by Jo Catling
Book 1 Biblio: Hamish Hamilton, $55 hb, 544 pp
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In Too Soon Too Late: History in popular culture (1998), Meaghan Morris evokes Walter Benjamin’s ‘poor angel of history’, whose wings, ‘encrusted’ with scholarly citation, now beat ‘sluggishly in the service of a not very lively professionalism’. The critical discourse around W.G. Sebald (1944-2001) sometimes produces a similar feeling of fatigue, not least in its relationship to Benjamin, whose influence on Sebald’s melancholic oeuvre is well documented. ‘When I came across Benjamin, I stared at what he had written in amazement,’ Sebald said in a 1999 interview with Toby Green. Against this background, and the accompanying suspicion that the Benjamin-inspired version of academic melancholia might have already exhausted itself, the English-language publication of Sebald’s essays on Austrian literature feels like a timely reanimation of tropes – exile, homeland, revenant and ruinthat have assumed the immobility of an allegorical frieze around the stone foundation of the twentieth century’s horror.

Read more: Andrew McCann reviews ‘Silent Catastrophes: Essays in Austrian literature’ by W.G. Sebald

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Patrick Flanery reviews ‘Dysphoria Mundi: A diary of planetary transition’ by Paul B. Preciado
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‘The time is out of joint,’ says Hamlet. And, as Jacques Derrida tells us in Specters of Marx (1993), it is also ‘deranged, both out of order and mad. Time is off its hinges … off course, beside itself, disadjusted.’ If time was deranged thirty years ago amid the AIDS crisis and the Balkan wars, in the wake of Francis Fukuyama’s ‘end of history’ and the first Gulf War, the times have now mutated, become radically other again and again. There is before Covid-19 and after, before generative artificial intelligence and after. There is time before the return of fascism as a global phenomenon and time after: time now as authoritarians surge to power on promises of a return to pasts not only unreachable (and, for many, undesirable) but which never existed in the ways they are now imagined.

Book 1 Title: Dysphoria Mundi
Book 1 Subtitle: A diary of planetary transition
Book Author: Paul B. Preciado
Book 1 Biblio: Graywolf Press, US$22 pb, 426 pp
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‘The time is out of joint,’ says Hamlet. And, as Jacques Derrida tells us in Specters of Marx (1993), it is also ‘deranged, both out of order and mad. Time is off its hinges … off course, beside itself, disadjusted.’ If time was deranged thirty years ago amid the AIDS crisis and the Balkan wars, in the wake of Francis Fukuyama’s ‘end of history’ and the first Gulf War, the times have now mutated, become radically other again and again. There is before Covid-19 and after, before generative artificial intelligence and after. There is time before the return of fascism as a global phenomenon and time after: time now as authoritarians surge to power on promises of a return to pasts not only unreachable (and, for many, undesirable) but which never existed in the ways they are now imagined.

Read more: Patrick Flanery reviews ‘Dysphoria Mundi: A diary of planetary transition’ by Paul B. Preciado

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Felicity Plunkett by ‘Fiction’ by Antigone Kefala and ‘Poetry’ by Antigone Kefala
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Article Title: Some undefined peace
Article Subtitle: Moving beyond ‘migrant writer’
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For a long time, Antigone Kefala was thought of as a migrant writer. This lens confined discussion of her work to the territory of biography and witness and obscured the migratory poetics of the writing itself. In her spare, bristling poems and candid journals, and across her non-fictional prose and fiction, Kefala’s restive work hinges on precision and vision.

Book 1 Title: Fiction
Book Author: Antigone Kefala
Book 1 Biblio: Giramondo $34.95 pb, 382 pp
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Book 1 Readings Link: https://www.readings.com.au/product/9781923106277/fiction--antigone-kefala--2025--9781923106277#rac:jokjjzr6ly9m
Book 2 Title: Poetry
Book 2 Author: Antigone Kefala
Book 2 Biblio: Giramondo, $34.95 pb, 384 pp
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For a long time, Antigone Kefala was thought of as a migrant writer. This lens confined discussion of her work to the territory of biography and witness and obscured the migratory poetics of the writing itself. In her spare, bristling poems and candid journals, and across her non-fictional prose and fiction, Kefala’s restive work hinges on precision and vision.

Read more: Felicity Plunkett by ‘Fiction’ by Antigone Kefala and ‘Poetry’ by Antigone Kefala

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Michael Hofmann reviews ‘Attention, Please!’ by Peter Rose
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Article Title: All one can do
Article Subtitle: Poetry as the salted wen
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Peter Rose, the editor, for just under a quarter of a century, of these pages, has put down his scissors and pot of glue to turn seventy (in June) and step back into civilian life. Coincidentally or not, he has also just put out another book of poems, Attention, Please!, his first since The Subject of Feeling in 2015. The new title – a softened imperative – speaks aptly and cannily for the contents.

Book 1 Title: Attention, Please!
Book Author: Peter Rose
Book 1 Biblio: Pitt Street Poetry, $28 pb, 79 pp
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Book 1 Readings Link: https://www.readings.com.au/product/9781922776181/attention-please--peter-rose--9781922776181#rac:jokjjzr6ly9m
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Peter Rose, the editor, for just under a quarter of a century, of these pages, has put down his scissors and pot of glue to turn seventy (in June) and step back into civilian life. Coincidentally or not, he has also just put out another book of poems, Attention, Please!, his first since The Subject of Feeling in 2015. The new title – a softened imperative – speaks aptly and cannily for the contents.

Read more: Michael Hofmann reviews ‘Attention, Please!’ by Peter Rose

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Philip Morrissey reviews ‘Eclipse’ by Kirli Saunders and ‘Mettle’ by Anne-Marie Te Whiu
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Article Title: go slower | slower | still
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What is immediately striking about Kirli Saunders’s Eclipse and Anne-Marie Te Whiu’s Mettle is that although both collections have much in common it is the differences that engage the reader. Saunders is a Gurnai woman and Te Whiu an Australian of Māori heritage: both poets write with an assurance and freedom founded on their respective heritages and the political struggles of an earlier generation of First Nations writers. In consequence, the poetry in both collections is precise and individual in its consideration and depiction of contemporary First Nation lives and subjectivities.

Book 1 Title: Eclipse
Book Author: Kirli Saunders
Book 1 Biblio: Allen & Unwin, $24.99 pb, 128 pp
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Book 1 Readings Link: https://www.readings.com.au/product/9781761471308/eclipse--kirli-saunders--2025--9781761471308#rac:jokjjzr6ly9m
Book 2 Title: Mettle
Book 2 Author: Anne-Marie Te Whiu
Book 2 Biblio: University of Queensland Press, $24.99 pb, 112 pp
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Book 2 Readings Link: https://www.readings.com.au/product/9780702268670/mettle--anne-marie-te-whiu--2025--9780702268670#rac:jokjjzr6ly9m
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What is immediately striking about Kirli Saunders’s Eclipse and Anne-Marie Te Whiu’s Mettle is that although both collections have much in common it is the differences that engage the reader. Saunders is a Gurnai woman and Te Whiu an Australian of Māori heritage: both poets write with an assurance and freedom founded on their respective heritages and the political struggles of an earlier generation of First Nations writers. In consequence, the poetry in both collections is precise and individual in its consideration and depiction of contemporary First Nation lives and subjectivities.

Eclipse is distinguished by its concern to nurture and affirm relationships between people and country, and Saunders herself suggests that the reader carry Eclipse around to read over coffee, with friends, or while calling in sick on a rainy day. A blank page is provided with the suggestion it could be used for notes or a pressed flower. Interspersed through the poems are Saunders’ own drawings of water, orchids, mushrooms, butterflies, fish, dingoes. The unmediated simplicity of the drawings is in keeping with the sincerity and openness of Eclipse. In the poems ‘Ancestors say’ and ‘we came for revolution’, Saunders makes use of the forms of concrete poetry to suggest a cosmic dimension to Aboriginal being. As I’ve described it, this may sound cute and sentimental; it is in fact the coherent realisation of a restorative project which seeks to undo notions of calculated self-interest and ‘toughness’.

In a world of transactional relationships and the manipulative and often deceitful noise of corporate media, Saunders foregrounds intimacy and openness, with all the risks this can entail. In ‘now a clean slate,’ a deceitful former lover resorts to First Nations ritual in a futile attempt to salve her conscience: ‘altar | light | smoke | incantation / an amalgamation of stolen practices / on stolen land / to cleanse the space / (but not her conscience)’.

If romantic relationships with their highs are inherently unstable, communal relationships with Mothers, Grannies, mob, kids, kin, and Aunties are enduring and connected to larger cultural rhythms and processes. As suggested in poems like ‘we came for revolution’ and ‘go slower | slower | still’, these apparently quotidian relationships can intersect with deep time and vast cosmic cycles: ‘waft and weave | weld in oneness | we chatter amongst us | fibres, found and forged | from tree and marsh’.

Te Whiu’s Mettle is an often-confronting work which takes as its subject matter solitude, vulnerable men, deep but troubled familial relationships, and the sometimes tragic conjunction of Māori heritage and grim urban realities. If Saunders encourages sharing and interconnectedness, Te Whiu coolly invites the reader to enter into a compact with her. In ‘High Tide of Relationality’ which functions as an introduction to Mettle, she writes:

one of the starting points    
 between you and me
  is here on this page
         I’ll hold on
         to one end
          of a line
  you the other
let’s pull the rope tight
learn from the tension
 build from the slack

Reader and poet are invited to collaborate in creating meaning from her text. There is relentless power to much of Te Whiu’s poetry and she has a gift for precise images, haiku-like in their discordant clarity. In the second stanza of ‘A Returning’ she writes: ‘Kohukohu calls me close / thick morning mist rise / wild pigs draped over tray-back / Panguru stretches the afternoon’. Kohukohu and Panguru are both communities to which the poet is connected. The notion of connection is itself disturbed by the image of the morning’s rising mist contrasted with the immobile, dead pigs (presumably shot by hunters during the night). In a few lines Te Whiu creates a powerful sense of the unheimlich. In ‘Dark as Last Night’ she brings this dissonance into an urban setting: ‘I catch a tram / direct to your apartment / front door to grey carpet / sticky handrail to staircase / this roof does not shelter me The drabness of the images insinuates a sad inevitability to whatever human interaction will follow once the staircase has been climbed. This sense of hopelessness is made more explicit in ‘hood/ie’ which describes a visit to the poet’s brothers who are living in diminished circumstances. One of the verses sums up dysthymia, the persistent low-grade depression that often goes unnoticed with poverty and substance abuse: ‘Mum’s ashes take pride of place / a pyramid of pre-rolled cigarettes waits patiently’. The image suggests no one has the will to do something with the ashes or the ashtray. Such apathy is often inexplicable to the goal-oriented middle class who misinterpret it as slothfulness. Surprisingly, when these poems are read in their entirety, one becomes aware of a subtle compassion, something that speaks of loyalty and the enduring power of familial connection.

As well as these gems there are longer narrative poems. Te Whiu takes care that these don’t drift into prose. ‘(Two of) the Bodies I Have Found’ addresses death, not as something abstract but as a state corporealised in those we have known and loved. In ‘Wayne’, an alarm is set to wake someone for a night shift at Coles; the alarm beeps on but Wayne’s heart has stopped. In ‘Nanna’, concern at Nanna’s unanswered telephone prompts a late-night visit. The bedroom lamp is on but her body is on the floor: ‘Phlegm from mouth / Blood from cheek / Nanna in her nightie’.

Though she is already writing poetry of great power and originality, Te Whiu’s experimentation with form in Mettle is still a work in progress. Even better work may be to come. Both Te Whiu and Saunders build on their predecessors to invite us into cultural and poetic worlds that are allusive, complex, and engaging.

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Nicholas Brown reviews ‘Controlling Contagion: Epidemics and institutions from the Black Death to Covid’ by Sheilagh Ogilvie
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Article Title: A whirlpool of conjecture
Article Subtitle: Epidemics as the new normal
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The enduring legacies of Covid-19 have been linked to a post- or new-normal era defined by everything from chronic debt to the rise of Big Data and the lingering unease any of us might feel in a crowd. Those transformations are placed in fresh perspective by Sheilagh Ogilvie’s reminder that humanity has experienced a severe pandemic roughly every five generations since the Black Death scythed across Europe for nearly a decade from 1346. ‘History seethes with epidemics,’ Ogilivie writes. Her interest is in how societies have responded across that long time span. What resources have been mobilised to ‘control contagion’? What changed with, and can be learnt from, those cycles in humanity’s extreme if episodic vulnerability to microbes?

Book 1 Title: Controlling Contagion
Book 1 Subtitle: Epidemics and institutions from the Black Death to Covid
Book Author: Sheilagh Ogilvie
Book 1 Biblio: Princeton University Press, $69.99 hb, 526 pp
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The enduring legacies of Covid-19 have been linked to a post- or new-normal era defined by everything from chronic debt to the rise of Big Data and the lingering unease any of us might feel in a crowd. Those transformations are placed in fresh perspective by Sheilagh Ogilvie’s reminder that humanity has experienced a severe pandemic roughly every five generations since the Black Death scythed across Europe for nearly a decade from 1346. ‘History seethes with epidemics,’ Ogilivie writes. Her interest is in how societies have responded across that long time span. What resources have been mobilised to ‘control contagion’? What changed with, and can be learnt from, those cycles in humanity’s extreme if episodic vulnerability to microbes?

Read more: Nicholas Brown reviews ‘Controlling Contagion: Epidemics and institutions from the Black Death to...

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Rosa Holman reviews ‘Careless People: A story of where I used to work’ by Sarah Wynn-Williams
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Contents Category: Social Media
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Article Title: Found wanting
Article Subtitle: Detailing Meta damage
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Imagine having a performance review conducted by your employer while you were in a coma and on maternity leave and being told on your return to work that your responsiveness was found wanting. This anecdote is related straight-faced by Sarah Wynn-Williams in her whistleblowing account of the multinational technology giant Facebook. Based on the author’s seven-year tenure as Facebook’s Director of Global Public Policy, which ended in 2017, Careless People provides new insights into Facebook’s treatment of employees and users alike. As Wynn-Williams recalls: ‘A quick google search confirm[ed] my suspicions that you are not supposed to be given a performance review on your maternity leave. In fact, I understand that pushing someone to work during their maternity leave is against the law.’ A chilling picture is constructed of the human cost of the company’s lawless commitment to power, profit, and a galactic technocracy, the Metaverse.

Book 1 Title: Careless People
Book 1 Subtitle: A story of where I used to work
Book Author: Sarah Wynn-Williams
Book 1 Biblio: Macmillan, $36.99 pb, 400 pp
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Book 1 Readings Link: https://www.readings.com.au/product/9781035065936/untitled-memoir--anon--2025--9781035065936#rac:jokjjzr6ly9m
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Imagine having a performance review conducted by your employer while you were in a coma and on maternity leave and being told on your return to work that your responsiveness was found wanting. This anecdote is related straight-faced by Sarah Wynn-Williams in her whistleblowing account of the multinational technology giant Facebook. Based on the author’s seven-year tenure as Facebook’s Director of Global Public Policy, which ended in 2017, Careless People provides new insights into Facebook’s treatment of employees and users alike. As Wynn-Williams recalls: ‘A quick google search confirm[ed] my suspicions that you are not supposed to be given a performance review on your maternity leave. In fact, I understand that pushing someone to work during their maternity leave is against the law.’ A chilling picture is constructed of the human cost of the company’s lawless commitment to power, profit, and a galactic technocracy, the Metaverse.

Read more: Rosa Holman reviews ‘Careless People: A story of where I used to work’ by Sarah Wynn-Williams

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Michael McKernan reviews ‘Gull Force: Australian POWs on Ambon and Hainan, 1941-45’ by Joan Beaumont
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Article Title: Gull Force revisited
Article Subtitle: A good book made better
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This is a sombre, sad, and at times angry book. It is also a wise book. The sister of one of those Australian prisoners of war in World War II who died at Ambon wrote: ‘Everyone who was touched by Ambon has a crying heart which will never leave them.’ Of an initial force, since known as Gull Force, of 1,131 men, 779 were killed in action or died as prisoners. There were many crying hearts in Australia.

Book 1 Title: Gull Force
Book 1 Subtitle: Australian POWs on Ambon and Hainan, 1941-45
Book Author: Joan Beaumont
Book 1 Biblio: Second Edition, NewSouth, $39.99 pb, 431 pp
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This is a sombre, sad, and at times angry book. It is also a wise book. The sister of one of those Australian prisoners of war in World War II who died at Ambon wrote: ‘Everyone who was touched by Ambon has a crying heart which will never leave them.’ Of an initial force, since known as Gull Force, of 1,131 men, 779 were killed in action or died as prisoners. There were many crying hearts in Australia.

Read more: Michael McKernan reviews ‘Gull Force: Australian POWs on Ambon and Hainan, 1941-45’ by Joan Beaumont

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Paul Long reviews ‘John and Paul: A love story in songs’ by Ian Leslie
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Article Title: Paul was the walrus
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The cover of the paperback version of Ian Leslie’s John and Paul comes with an extraordinary claim from British journalist Cailtin Moran celebrating ‘the first new Beatles story in decades’ (my emphasis). Really? Don’t we know everything about the band already? Do we need another book? Sure we do, after all, the Beatles are a monumental and serious subject for investigation. For instance, as Leslie recalls, the double A-sided single ‘Penny Lane’/ ‘Strawberry Fields’ was nominated by one critic as the greatest work of art of the last century. For some, this is an extraordinary claim, but then that is part of the joy of thinking about and being affected by the Beatles.

Book 1 Title: John and Paul
Book 1 Subtitle: A love story in songs
Book Author: Ian Leslie
Book 1 Biblio: Faber, $55 pb, 432 pp
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The cover of the paperback version of Ian Leslie’s John and Paul comes with an extraordinary claim from British journalist Cailtin Moran celebrating ‘the first new Beatles story in decades’ (my emphasis). Really? Don’t we know everything about the band already? Do we need another book? Sure we do, after all, the Beatles are a monumental and serious subject for investigation. For instance, as Leslie recalls, the double A-sided single ‘Penny Lane’/ ‘Strawberry Fields’ was nominated by one critic as the greatest work of art of the last century. For some, this is an extraordinary claim, but then that is part of the joy of thinking about and being affected by the Beatles.

Read more: Paul Long reviews ‘John and Paul: A love story in songs’ by Ian Leslie

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Poet of the Month with Kirli Saunders
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Kirli Saunders (OAM) is a proud Gunai Woman and multi-award-winning writer, artist, singer-songwriter, and consultant. Kirli creates to connect, to make change. She was awarded an Order of Australia Medal for her contribution to the arts in 2022. Kirli is the author of eight books, including Bindi (2020), Returning (2023), Afloat (2024), and Eclipse (2025). Her theatre show Yandha Djanbay will tour in 2026.

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Kirli SaundersKirli Saunders (OAM) is a proud Gunai Woman and multi-award-winning writer, artist, singer-songwriter, and consultant. Kirli creates to connect, to make change. She was awarded an Order of Australia Medal for her contribution to the arts in 2022. Kirli is the author of eight books, including Bindi (2020), Returning (2023), Afloat (2024), and Eclipse (2025). Her theatre show Yandha Djanbay will tour in 2026.

Read more: Poet of the Month with Kirli Saunders

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