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November 2006, no. 286

Welcome to the November 2006 issue of Australian Book Review.

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Contents Category: Biography
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Article Title: Matters of life and death
Article Subtitle: The return of biography
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Once neglected within the academy and relegated to the dustier recesses of public bookstores, biography has made a notable return over recent years, emerging, somewhat surprisingly, as a new cultural phenomenon, and a new academic adventure. In a move that’s perhaps indicative of this revival, the British bookseller Waterstones recently placed their biography section at the very front of their stores, renaming it boldly, LIFE. Biography has similarly taken prime position in our nightly television, with programmes such as Dynasties, Australian Story, Talking Heads and Enough Rope. It has bagged the front stalls in our cinemas, where the lives of Casanova and Kinsey, of Truman Capote and Elizabeth I, of Johnny Cash and Alexander the Great are played out on the big screen. In our public libraries, readers huddle over computer terminals, busily researching their family genealogies. The National Library of Australia is now constructing its new coordinated online resource for biographical researchers, the People’s Portal, and has recently launched its latest publishing venture, a series of titles devoted to (what else?) Australian Biography.

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Once neglected within the academy and relegated to the dustier recesses of public bookstores, biography has made a notable return over recent years, emerging, somewhat surprisingly, as a new cultural phenomenon, and a new academic adventure. In a move that’s perhaps indicative of this revival, the British bookseller Waterstones recently placed their biography section at the very front of their stores, renaming it boldly, LIFE. Biography has similarly taken prime position in our nightly television, with programmes such as Dynasties, Australian Story, Talking Heads and Enough Rope. It has bagged the front stalls in our cinemas, where the lives of Casanova and Kinsey, of Truman Capote and Elizabeth I, of Johnny Cash and Alexander the Great are played out on the big screen. In our public libraries, readers huddle over computer terminals, busily researching their family genealogies. The National Library of Australia is now constructing its new coordinated online resource for biographical researchers, the People’s Portal, and has recently launched its latest publishing venture, a series of titles devoted to (what else?) Australian Biography.

That very word ‘biography’ has gained in the past few years a new and interesting inflection, as seen in such titles as Peter Ackroyd’s London: A biography (2000), or Colin Jones’s Paris: Biography of a city (2006), or John Lewis-Stempel’s England, the Autobiography: 2000 years of English history by those who saw it happen (2006) – a collection which begins with Julius Caesar’s account of the Roman invasion of Britain in 54 BCE and ends with Jonny Wilkinson’s reflections on kicking that famous last-minute goal against Australia in November 2003. More daringly still, there is Jack Miles’s God: A biography (1995), Fran Beauman’s The Pineapple: King of fruits (2005) – ‘an engaging biography’, writes the TLS reviewer – and Lizzie Collingham’s Curry: A biography (2005) – not to be confused with Denis Brian’s similarly titled The Curies: A biography of the most controversial family in science, also published in 2005. As a publisher friend of mine recently remarked, if The History of the Potato were to be published today, you’d have to call it The Potato: A biography. While it is tempting to dismiss such titles as simply reflecting the whims and fashions of retail marketing, I doubt that the word ‘biography’ would have been viewed as such an attractive, all-purpose seller just ten or twenty years ago; its adoption now does seem to indicate a significant change in public perception; a new sense even of what biography may do, and what, essentially, it’s about.

Read more: ABR/La Trobe University Annual Lecture, 2006 - Ian Donaldson

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Bruce Moore reviews English: Meaning and culture by Anna Wierzbicka
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Contents Category: Language
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At the heart of Anna Wierzbicka’s book is the argument that what people now call World English is not culturally neutral; that it has embedded in it the Anglo values of its origin. Wierzbicka points to many seemingly ordinary English words, words that we would never suspect of being culturally distinctive, that have no equivalents in other languages. Anglo speakers will be surprised to discover that the values these seemingly commonplace words carry are not universals. Good and bad are universals, but right and wrong are not; the concept of fairness is Anglo, and most other languages do not have words that correspond to fair, fairness and unfair. Even at the level of verbal phrases such as I think, I guess and I believe, and in English’s proliferation of adverbs such as probably, possibly, apparently and conceivably, English differs from all other languages.

Book 1 Title: English
Book 1 Subtitle: Meaning and culture
Book Author: Anna Wierzbicka
Book 1 Biblio: OUP, $55 pb, 352 pp
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At the heart of Anna Wierzbicka’s book is the argument that what people now call World English is not culturally neutral; that it has embedded in it the Anglo values of its origin. Wierzbicka points to many seemingly ordinary English words, words that we would never suspect of being culturally distinctive, that have no equivalents in other languages. Anglo speakers will be surprised to discover that the values these seemingly commonplace words carry are not universals. Good and bad are universals, but right and wrong are not; the concept of fairness is Anglo, and most other languages do not have words that correspond to fair, fairness and unfair. Even at the level of verbal phrases such as I think, I guess and I believe, and in English’s proliferation of adverbs such as probably, possibly, apparently and conceivably, English differs from all other languages.

Read more: Bruce Moore reviews 'English: Meaning and culture' by Anna Wierzbicka

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Contents Category: Poem
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Article Title: Bestiary in Open Tuning
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Blessings and praise

to the dark entanglement of caught branches

I continue to see,

after years of crossing the causeway,

as a black swan

holding her place in the current, her head

held resolute and serene,

her cygnets the shadows that advance and recede

in the eddies she makes going nowhere.

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Blessings and praise
to the dark entanglement of caught branches
I continue to see,
after years of crossing the causeway,
as a black swan
holding her place in the current, her head
held resolute and serene,
her cygnets the shadows that advance and recede
in the eddies she makes going nowhere.

Read more: ‘Bestiary in Open Tuning’ by Anthony Lawrence

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Contents Category: Poem
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Article Title: Hands
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Custom Highlight Text: The body’s peasant workers – hands –
daily toil in the fields of light.
They never question our wishes.
They can fail, but not misunderstand.
They are our strangeness that we are blind to.
At night they lie like maimed spiders
or star fish swept to shore. They know
about love as much as mouths and eyes.
Throughout the day, they give the mouth
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Read more: ‘Hands’ by David McCooey

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Peter Craven reviews The Unknown Terrorist by Richard Flanagan
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Contents Category: Australian Fiction
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Richard Flanagan came to prominence some years ago like a collective delusion. Death of a River Guide (1994) sent a thrill through the literary community because of the raciness of its never-ending stories and in 1995, the baleful Year of Demidenko, we found ourselves giving the last of the Victorian Premier’s Prizes for new fiction to the Tasmanian arriviste who wrote fabulism like a Douanier Rousseau among the thylacines. Not long afterwards, Flanagan persuaded the producers to allow him to direct the film of his second novel, The Sound of One Hand Clapping (1997) with nothing but a few supervisory tips from Rolf de Heer by way of experienced guidance, a feat of Cocteau-like virtuosity or snake-oil powers of persuasion all but unprecedented in national (let alone Tasmanian) history.

Book 1 Title: The Unknown Terrorist
Book Author: Richard Flanagan
Book 1 Biblio: Picador, $32.95 pb, 325 pp
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Richard Flanagan came to prominence some years ago like a collective delusion. Death of a River Guide (1994) sent a thrill through the literary community because of the raciness of its never-ending stories and in 1995, the baleful Year of Demidenko, we found ourselves giving the last of the Victorian Premier’s Prizes for new fiction to the Tasmanian arriviste who wrote fabulism like a Douanier Rousseau among the thylacines. Not long afterwards, Flanagan persuaded the producers to allow him to direct the film of his second novel, The Sound of One Hand Clapping (1997) with nothing but a few supervisory tips from Rolf de Heer by way of experienced guidance, a feat of Cocteau-like virtuosity or snake-oil powers of persuasion all but unprecedented in national (let alone Tasmanian) history.

Read more: Peter Craven reviews 'The Unknown Terrorist' by Richard Flanagan

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Tom Shapcott reviews My Life in Print by Michael Zifcak
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Custom Article Title: Bratislava to Bourke Street
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Article Title: Bratislava to Bourke Street
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So many recent books have been about failure of one sort or another that when I read Michael Zifcak’s My Life in Print, with its eminently successful life story, I was at first inclined to scan it for points of criticism. Such is human nature. There are points, of course – the book is really two quite separate texts. The first, and most compelling, is the account of Michael Zifcak as a boy in rural Slovakia, then a youth and young man of estimable drive and a sharp, organising mind, who sets himself the task of improving his life – rapidly. Through a great deal of self-study and application, he gained his accountancy qualifications and pushed himself into a key position with one of the country’s leading manufacturers (ALPA, an ‘elixir’ with impressively high alcohol content), all this during Adolf Hitler’s rise to power and the ensuing German occupation of Czechoslovakia, World War II and the postwar Soviet takeover.

Book 1 Title: My Life in Print
Book Author: Michael Zifcak
Book 1 Biblio: Lothian, $45 hb, 224 pp, 073440879X
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So many recent books have been about failure of one sort or another that when I read Michael Zifcak’s My Life in Print, with its eminently successful life story, I was at first inclined to scan it for points of criticism. Such is human nature. There are points, of course – the book is really two quite separate texts. The first, and most compelling, is the account of Michael Zifcak as a boy in rural Slovakia, then a youth and young man of estimable drive and a sharp, organising mind, who sets himself the task of improving his life – rapidly. Through a great deal of self-study and application, he gained his accountancy qualifications and pushed himself into a key position with one of the country’s leading manufacturers (ALPA, an ‘elixir’ with impressively high alcohol content), all this during Adolf Hitler’s rise to power and the ensuing German occupation of Czechoslovakia, World War II and the postwar Soviet takeover.

Read more: Tom Shapcott reviews 'My Life in Print' by Michael Zifcak

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Louise Swinn reviews The Gospel According To Luke by Emily Maguire and Rosie Little’s Cautionary Tales For Girls by  Danielle Wood
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Love, family, hope, death and grief have always been among fiction’s chief concerns. The Gospel According to Luke and Rosie Little’s Cautionary Tales for Girls, both second books from their authors, share many of these themes. The Gospel According to Luke adds faith, belief, religion and prayer; and Emily Maguire adroitly pulls off what would, in lesser hands, be a farce.

Book 1 Title: The Gospel According To Luke
Book Author: Emily Maguire
Book 1 Biblio: Brandl & Schlesinger, $26.95 pb, 298 pp, 1876040785
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Book 2 Title: Rosie Little’s Cautionary Tales For Girls
Book 2 Author: Danielle Wood
Book 2 Biblio: Allen & Unwin, $22.95 pb, 260 pp, 1741149304
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Love, family, hope, death and grief have always been among fiction’s chief concerns. The Gospel According to Luke and Rosie Little’s Cautionary Tales for Girls, both second books from their authors, share many of these themes. The Gospel According to Luke adds faith, belief, religion and prayer; and Emily Maguire adroitly pulls off what would, in lesser hands, be a farce.

Read more: Louise Swinn reviews 'The Gospel According To Luke' by Emily Maguire and 'Rosie Little’s...

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Laura Carroll reviews The Imaginary Gentleman by Helen Halstead
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The year is 1806. While pacing the Cobb at Lyme Regis, the tall and windswept Laura Morrison exchanges keen glances with the intense Mr Templeton, but he fails to meet later appointments, leaving Laura in the lurch.

Book 1 Title: The Imaginary Gentleman
Book Author: Helen Halstead
Book 1 Biblio: Random House, $23.95 pb, 349 pp, 1741660645
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The year is 1806. While pacing the Cobb at Lyme Regis, the tall and windswept Laura Morrison exchanges keen glances with the intense Mr Templeton, but he fails to meet later appointments, leaving Laura in the lurch. Only one other lady has seen him, and she soon dies. Laura’s bitter brother and sugary sister, respective veterans of the Battle of Trafalgar and of marriage to an octogenarian, begin to doubt the reality of Mr Templeton’s existence. Laura becomes convinced that Mr Templeton was a figment of her own disordered imagination and is persuaded to seek the cure for ‘Old Maid’s Illness’ in marriage to her cousin Sir Richard, a dopey but gallant baronet. Meanwhile, strange goings-on at the deathbed of a rich old man slowly come to light, and Sir Richard finds himself irresistibly drawn to the gentlewoman companion of a beautiful, rakish countess.

Read more: Laura Carroll reviews 'The Imaginary Gentleman' by Helen Halstead

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Geoffrey Blainey reviews The War of the World: History’s age of hatred by Niall Ferguson
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Occasionally, a television series on history is accompanied by an excellent book. Jacob Bronowski, anchorman for The Ascent of Man (1973), produced a book of the same name, the more remarkable because it lucidly explained complicated topics in the history of science. John Kenneth Galbraith’s challenging and quietly amusing The Age of Uncertainty (1977) came from another BBC series. Now the history of the twentieth century – or essentially the first half of it – is told and interpreted in this fascinating book by Niall Ferguson, a talented British historian who is a professor at Harvard University.

Book 1 Title: The War of the World
Book 1 Subtitle: History’s age of hatred
Book Author: Niall Ferguson
Book 1 Biblio: Allen Lane, $59.95 hb, 746 pp, 0713997087
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Occasionally, a television series on history is accompanied by an excellent book. Jacob Bronowski, anchorman for TheAscent of Man (1973), produced a book of the same name, the more remarkable because it lucidly explained complicated topics in the history of science. John Kenneth Galbraith’s challenging and quietly amusing The Age of Uncertainty (1977) came from another BBC series. Now the history of the twentieth century – or essentially the first half of it – is told and interpreted in this fascinating book by Niall Ferguson, a talented British historian who is a professor at Harvard University. The British television series, based on the book, will presumably soon arrive in Australia.

Read more: Geoffrey Blainey reviews 'The War of the World: History’s age of hatred' by 'Niall Ferguson'

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Anna Goldsworthy reviews Unpolished Gem by Alice Pung
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In Alice Pung’s memoir of her childhood, Unpolished Gem, her young self is drawn into a conflict between her mother and grandmother, both Chinese-Cambodian refugees. The child becomes a double agent, informing each about the other, until her mother accuses her of ‘word-spreading’ and threatens suicide. The child frets over her breakfast: ‘I always spread my jam on toast all the way to the very edges – no millimetre of bread is left blank and uncovered. My word-spreading habits are similar.’

Book 1 Title: Unpolished Gem
Book Author: Alice Pung
Book 1 Biblio: Black Inc., $24.95 pb, 282 pp, 186395158X
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In Alice Pung’s memoir of her childhood, Unpolished Gem, her young self is drawn into a conflict between her mother and grandmother, both Chinese-Cambodian refugees. The child becomes a double agent, informing each about the other, until her mother accuses her of ‘word-spreading’ and threatens suicide. The child frets over her breakfast: ‘I always spread my jam on toast all the way to the very edges – no millimetre of bread is left blank and uncovered. My word-spreading habits are similar.’

Read more: Anna Goldsworthy reviews 'Unpolished Gem' by Alice Pung

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Kylie Stevenson reviews Breadfruit, Frangipani, and Tiare by Célestine Hitiura Vaite
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Contents Category: Fiction
Custom Article Title: Under the frangipani tree
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The Australian soap Neighbours maintains its popularity overseas. Busloads of UK tourists bound for Vermont South attest to this. The soap’s popularity lies in its reflection of the domestic and the mundane. It provides a safe means for overseas viewers to explore the exotic: the trials of the Ramsay Street clan are not so different from their own. Soon, thanks to author Célestine Hitiura Vaite, Tahiti may have its own busloads of tourists, searching for the petrol station in Faa´a PK55, location and setting for the domestic, everyday dramas of Breadfruit, Frangipani and Tiare.

Book 1 Title: Breadfruit
Book Author: Célestine Hitiura Vaite
Book 1 Biblio: Text, $22.95 pb, 339 pp
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Book 2 Title: Frangipani
Book 2 Author: Célestine Hitiura Vaite
Book 2 Biblio: Text, $22.95 pb, 295 pp
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Book 3 Title: Tiare
Book 3 Author: Célestine Hitiura Vaite
Book 3 Biblio: Text, $29.95 pb, 250 pp
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The Australian soap Neighbours maintains its popularity overseas. Busloads of UK tourists bound for Vermont South attest to this. The soap’s popularity lies in its reflection of the domestic and the mundane. It provides a safe means for overseas viewers to explore the exotic: the trials of the Ramsay Street clan are not so different from their own. Soon, thanks to author Célestine Hitiura Vaite, Tahiti may have its own busloads of tourists, searching for the petrol station in Faa´a PK55, location and setting for the domestic, everyday dramas of Breadfruit, Frangipani and Tiare.

Like her heroine Matarena, Vaite was born in Faa´a in 1966 and lived behind a petrol station, with her mother and three siblings. Matarena carves out a career as a radio star while wrestling with child-rearing and various domestic dramas; Vaite has forged a remarkable literary career while rearing four children; her trilogy has been published around the world. She wrote the first novel, Breadfruit (2000) after moving to Australia and pining for Tahiti.

Read more: Kylie Stevenson reviews 'Breadfruit', 'Frangipani', and 'Tiare' by Célestine Hitiura Vaite

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Contents Category: Picture Books
Custom Article Title: Celebrating the Ordinary
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The latest batch of Australian picture books contains many good, solid stories, competently told – but definitely nothing out of the ordinary. However, picture books do not necessarily have to deal with new subjects, use complex illustrative techniques or contain gimmicks to be something special. Some of the best picture books are those which simply celebrate the ordinary.

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The latest batch of Australian picture books contains many good, solid stories, competently told – but definitely nothing out of the ordinary. However, picture books do not necessarily have to deal with new subjects, use complex illustrative techniques or contain gimmicks to be something special. Some of the best picture books are those which simply celebrate the ordinary.

Some of the latest releases exploit the cult of celebrity. Mr Froggy Went a-Courtin’ (Brolly Books, $19.95 hb, 13 pp, 1877035718) has James Reyne’s name on the front cover, but this attribution is for his rendition of the text’s traditional song on the accompanying CD. Wendy Straw’s rollicking illustrations carry the song along, but, with its old-fashioned concepts and American references, the story itself is a strange choice.

Read more: Stephanie Owen Reeder reviews twenty-two children's picture books

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Jo Case reviews Cleanskin by Gay Lynch
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Desperate Housewives, eat your heart out. This warm slice of smalltown gothic simmers with barely disguised marital discord, traumatic childhoods, eating disorders, bed-hopping and maternal angst – all centred around a playgroup in the South Australian town of Port Lincoln. Bitchy Madelaine, insecure Danica, sniffy Pauline, downtrodden Jo and earth-mother Nell have little in common but their children and geographical proximity. It is enough to form a friendship of sorts, albeit one spiked with deliberately provocative conversational lures, needling one-liners, sharp character assessments and sly jabs at the fleshy parts of one another’s self-esteem. As the cracks deepen in the veneer of their exterior lives, this precarious network becomes increasingly important – and fragile.

Book 1 Title: Cleanskin
Book Author: Gay Lynch
Book 1 Biblio: Wakefield Press, $24.95 pb, 253 pp
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Desperate Housewives, eat your heart out. This warm slice of smalltown gothic simmers with barely disguised marital discord, traumatic childhoods, eating disorders, bed-hopping and maternal angst – all centred around a playgroup in the South Australian town of Port Lincoln. Bitchy Madelaine, insecure Danica, sniffy Pauline, downtrodden Jo and earth-mother Nell have little in common but their children and geographical proximity. It is enough to form a friendship of sorts, albeit one spiked with deliberately provocative conversational lures, needling one-liners, sharp character assessments and sly jabs at the fleshy parts of one another’s self-esteem. As the cracks deepen in the veneer of their exterior lives, this precarious network becomes increasingly important – and fragile.

Read more: Jo Case reviews 'Cleanskin' by Gay Lynch

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Contents Category: Commentary
Custom Article Title: Ode to the Test Pattern
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Australian television’s golden anniversary roadshow kicked off in September 2005 with the screening of 50 Years, 50 Shows on Channel Nine. Some twelve months were to elapse before the actual anniversary, on 16 September 2006. In 2005, Channel Nine was entering television’s anniversary year and, as the first station to go to air in Australia, determined to present its own history as synonymous with the history of television.

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Australian television’s golden anniversary roadshow kicked off in September 2005 with the screening of 50 Years, 50 Shows on Channel Nine. Some twelve months were to elapse before the actual anniversary, on 16 September 2006. In 2005, Channel Nine was entering television’s anniversary year and, as the first station to go to air in Australia, determined to present its own history as synonymous with the history of television.

In 2006 Australian commercial television is racked by uncertainty, missing the behemoth that was Kerry Packer, observing pay-TV’s growing market share, demonstrating little patience with fledgling programs, lobbying the government over the media reform package, and putting on a spectacular, at times surreal, show of its own with the war of attrition between Channels Nine and Seven. Perhaps just one thing can be stated with any certainty: The Up Late Game Show, Quizmania and Midnight Zoo will not feature in the list of most celebrated shows when Australian television commemorates its centenary in 2056.

Read more: Ode to the Test Pattern by Bridget Griffen-Foley

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Contents Category: Commentary
Custom Article Title: Orhan Pamuk wins the Nobel
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Turkish Novelist Orhan Pamuk, aged fifty-four and native of Istanbul, where he has lived nearly all his life, has won the Nobel Prize for Literature. While his initial popularity in Turkey has declined because of the increasing complexity of his work, since the 1990s Pamuk has won increasing international acclaim as his works have been widely translated (Faber is his English publisher). Five novels have been translated: The White Castle (1990), winner of the Independent Award for Foreign Fiction; The Black Book (1994); The New Life (1997), a bestseller in Turkey; My Name Is Red (2001), winner of the IMPAC Dublin Award (2003); and Snow (2004).

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Turkish Novelist Orhan Pamuk, aged fifty-four and native of Istanbul, where he has lived nearly all his life, has won the Nobel Prize for Literature. While his initial popularity in Turkey has declined because of the increasing complexity of his work, since the 1990s Pamuk has won increasing international acclaim as his works have been widely translated (Faber is his English publisher). Five novels have been translated: The White Castle (1990), winner of the Independent Award for Foreign Fiction; The Black Book (1994); The New Life (1997), a bestseller in Turkey; My Name Is Red (2001), winner of the IMPAC Dublin Award (2003); and Snow (2004).

Pamuk’s main preoccupation is with identity, developed at a personal and cultural level, and invested with distinctive resonance through the ambivalence of tensions between East and West, for all the novels have historic reverberations. His books involve a quest. Is it possible to have, let alone to know, a distinctive self or nationality? Easy answers are ruled out by the characters’ blindness, their perverse desire to be someone else.

Read more: Orhan Pamuk wins the Nobel by Laurie Hergenhan

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Ian Gibbins reviews David Suzuki: The Autobiography by David Suzuki
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Contents Category: Non-fiction
Custom Article Title: Bits and pieces
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David Suzuki is perhaps the best-known scientist living today. After developing an international reputation as a leading geneticist, he moved into science broadcasting and environmental activism. Why did he do this, and how did he become so successful? Now aged seventy, Suzuki explores these questions in his latest book, David Suzuki:The Autobiography. Suzuki’s previous auto-biographical work, now out of print, was aptly titled Metamorphosis: Stages in a Life (1986). Evolving from a collection of essays, it also charted his transformation from laboratory scientist to public educator of science and environmentalist. However, much has happened in the intervening twenty years. The new book mostly focuses on his environmental work in Canada and the Amazon, leading to the establishment of the David Suzuki Foundation in 1991, and his subsequent involvement in the Rio Earth Summit (1992) and the Kyoto Agreement on climate change (1997). In his preface, Suzuki writes that his story has been ‘created by selectively dredging up bits and pieces from the detritus of seventy years of life’. It is neither a story of the inner machinations of science nor the intrigues of a public personality in the media. Rather, Suzuki takes the position of an ‘elder’ in society, with the hope that his reflections on life may stir the reader to reconsider his or her own life.

Book 1 Title: David Suzuki
Book 1 Subtitle: The Autobiography
Book Author: David Suzuki
Book 1 Biblio: Allen & Unwin, $29.95 pb, 405 pp, 1741147921
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David Suzuki is perhaps the best-known scientist living today. After developing an international reputation as a leading geneticist, he moved into science broadcasting and environmental activism. Why did he do this, and how did he become so successful? Now aged seventy, Suzuki explores these questions in his latest book, David Suzuki:The Autobiography. Suzuki’s previous auto-biographical work, now out of print, was aptly titled Metamorphosis: Stages in a Life (1986). Evolving from a collection of essays, it also charted his transformation from laboratory scientist to public educator of science and environmentalist. However, much has happened in the intervening twenty years. The new book mostly focuses on his environmental work in Canada and the Amazon, leading to the establishment of the David Suzuki Foundation in 1991, and his subsequent involvement in the Rio Earth Summit (1992) and the Kyoto Agreement on climate change (1997). In his preface, Suzuki writes that his story has been ‘created by selectively dredging up bits and pieces from the detritus of seventy years of life’. It is neither a story of the inner machinations of science nor the intrigues of a public personality in the media. Rather, Suzuki takes the position of an ‘elder’ in society, with the hope that his reflections on life may stir the reader to reconsider his or her own life.

Read more: Ian Gibbins reviews 'David Suzuki: The Autobiography' by David Suzuki

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Corrie Hosking reviews Death of a Whaler by Nerida Newton
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Death of a Whaler considers the grand themes of death, grief, the quest for meaning and the potential for reawakening. Just days before the Byron Bay whalers are made redundant in 1962, lopsided Flinch is involved in an accident and literally frozen. It is not only when he meets Karma, himself troubled by the past, that Flinch reluctantly begins the trial of healing.

Book 1 Title: Death of a Whaler
Book Author: Nerida Newton
Book 1 Biblio: Allen & Unwin, $22.95 pb, 312 pp, 1741147913
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Death of a Whaler considers the grand themes of death, grief, the quest for meaning and the potential for reawakening. Just days before the Byron Bay whalers are made redundant in 1962, lopsided Flinch is involved in an accident and literally frozen. It is not only when he meets Karma, himself troubled by the past, that Flinch reluctantly begins the trial of healing.

Read more: Corrie Hosking reviews 'Death of a Whaler' by Nerida Newton

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Marina Cornish reviews Listen by Kate Veitch
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Appalling as it sounds, many of us never out-grow our childhood personae. Although people become adept at concealing their petulance and insecurities behind adult façades, among siblings and parents they revert to type, unable to resist lifelong family roles and patterns.

Kate Veitch’s first novel, Listen, is a vivid dissection of a fractured family. Forty years after a young mother of four – the unexpectedly likeable Rosemarie – has abandoned her children and husband one Christmas Eve to escape Melbourne suburbia for Swinging London, the anguish of her flight still reverberates for her children, manifesting itself in different ways. Rosemarie’s eldest daughter was effectively thrust into premature motherhood at the age of thirteen, due partly to her father’s benign neglect. Deborah resents the injustices and sacrifices of her adolescence, when she was consumed with raising her siblings. She is constantly irritable with her husband, and unable to comprehend her teenage daughter Olivia’s preference for animals to humans. Her anger drives a wedge between herself and her family.

Book 1 Title: Listen
Book Author: Kate Veitch
Book 1 Biblio: Viking, $32.95 pb, 365 pp, 067002944
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Appalling as it sounds, many of us never out-grow our childhood personae. Although people become adept at concealing their petulance and insecurities behind adult façades, among siblings and parents they revert to type, unable to resist lifelong family roles and patterns.

Kate Veitch’s first novel, Listen, is a vivid dissection of a fractured family. Forty years after a young mother of four – the unexpectedly likeable Rosemarie – has abandoned her children and husband one Christmas Eve to escape Melbourne suburbia for Swinging London, the anguish of her flight still reverberates for her children, manifesting itself in different ways. Rosemarie’s eldest daughter was effectively thrust into premature motherhood at the age of thirteen, due partly to her father’s benign neglect. Deborah resents the injustices and sacrifices of her adolescence, when she was consumed with raising her siblings. She is constantly irritable with her husband, and unable to comprehend her teenage daughter Olivia’s preference for animals to humans. Her anger drives a wedge between herself and her family.

Read more: Marina Cornish reviews 'Listen' by Kate Veitch

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Patrick Allington reviews London Was Full of Rooms edited by Tully Barnett et al.
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This digressive collection of essays, extracts, cartoons and poems is unified by an interest in colonial and post-colonial responses to London. It stems from a 2003 conference, ‘Writing London’, organised by Flinders University’s Centre for Research in the New Literatures in English (CRNLE). Part 1 focuses on the Malaysian writer Lee Kok Liang (1927–92), in particular his posthumously published and wry first novel, London Does Not Belong To Me (2003), from which this book takes its name: ‘London was full of rooms. I went from one to the other. Slowly I adjusted myself and lived the life of the troglodyte, learning the tribal customs of feints and apologies.’ Part 2 comprises examples of, and critical and scholarly essays relating to, literary, journalistic, artistic and cinematic responses to London (mostly by Australians).

Book 1 Title: London Was Full of Rooms
Book Author: Tully Barnett et al.
Book 1 Biblio: Lythrum Press, $29.95 pb, 282 pp, 1921013087
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This digressive collection of essays, extracts, cartoons and poems is unified by an interest in colonial and post-colonial responses to London. It stems from a 2003 conference, ‘Writing London’, organised by Flinders University’s Centre for Research in the New Literatures in English (CRNLE). Part 1 focuses on the Malaysian writer Lee Kok Liang (1927–92), in particular his posthumously published and wry first novel, London Does Not Belong To Me (2003), from which this book takes its name: ‘London was full of rooms. I went from one to the other. Slowly I adjusted myself and lived the life of the troglodyte, learning the tribal customs of feints and apologies.’ Part 2 comprises examples of, and critical and scholarly essays relating to, literary, journalistic, artistic and cinematic responses to London (mostly by Australians).

Read more: Patrick Allington reviews 'London Was Full of Rooms' edited by Tully Barnett et al.

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Nicholas Birns reviews Sometimes Gladness: Collected Poems 1954-2005 by Bruce Dawe
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People outside Australia are struck when Bruce Dawe is described as Australia’s most popular poet, just as people outside Ireland are struck when Paul Durcan or Brendan Kennelly is described as Ireland’s most popular poet. What about Les Murray, or Seamus Heaney? Are not these world-class poets ‘of the people’? Even more puzzling is that Dawe, like Durcan and Kennelly, is not necessarily an easy poet. Is their domestic popularity tied to how they seem to be ‘not for export’?

Book 1 Title: Sometimes Gladness
Book 1 Subtitle: Collected Poems 1954-2005
Book Author: Bruce Dawe
Book 1 Biblio: Pearson, $29.95 pb, 337 pp, 0733978797
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People outside Australia are struck when Bruce Dawe is described as Australia’s most popular poet, just as people outside Ireland are struck when Paul Durcan or Brendan Kennelly is described as Ireland’s most popular poet. What about Les Murray, or Seamus Heaney? Are not these world-class poets ‘of the people’? Even more puzzling is that Dawe, like Durcan and Kennelly, is not necessarily an easy poet. Is their domestic popularity tied to how they seem to be ‘not for export’?

Read more: Nicholas Birns reviews 'Sometimes Gladness: Collected Poems 1954-2005' by Bruce Dawe

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Melissa Ashley reviews Sweeping the Light Back into the Mirror by Nathan Shepherdson
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Recipient of the 2005 Thomas Shapcott Poetry Prize, Nathan Shepherdson’s surrealist, free-verse début, Sweeping the Light Back into the Mirror, is to be commended for its emotional bravery and its originality. At the collection’s Queensland launch, Shepherdson described what he had hoped to achieve in writing an extended elegy to his mother, Noela Mary Shepherdson. The poems were to be seen as gifts or letters – one for each of Noela’s seventy-two years – and represented a son’s attempt to honour his mother’s life.

Book 1 Title: Sweeping the Light Back into the Mirror
Book Author: Nathan Shepherdson
Book 1 Biblio: University of Queensland Press, $24.95 pb, 83 pp, 0702235695
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Recipient of the 2005 Thomas Shapcott Poetry Prize, Nathan Shepherdson’s surrealist, free-verse début, Sweeping the Light Back into the Mirror, is to be commended for its emotional bravery and its originality. At the collection’s Queensland launch, Shepherdson described what he had hoped to achieve in writing an extended elegy to his mother, Noela Mary Shepherdson. The poems were to be seen as gifts or letters – one for each of Noela’s seventy-two years – and represented a son’s attempt to honour his mother’s life.

Read more: Melissa Ashley reviews 'Sweeping the Light Back into the Mirror' by Nathan Shepherdson

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Kerryn Goldsworthy reviews The Gods of Freud: Sigmund Freuds art collection by Janine Burke
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Berggasse 19, the address at which Sigmund Freud and his family lived for almost fifty years, is now Vienna’s Freud Museum. It is the other Freud Museum, the one in London, that houses the extensive collection of antiquities which is Janine Burke’s main focus in The Gods of Freud, but the Berggasse museum contains a number of Freud’s other personal possessions, including some little bottles, pots and brushes that are the remnants of an old-fashioned gentleman’s dressing-case. Of high quality, these well-used tools of personal attention to a body now long dead are scratched and dented from use.

Book 1 Title: The Gods of Freud
Book 1 Subtitle: Sigmund Freud's art collection
Book Author: Janine Burke
Book 1 Biblio: Random House, $49.95 hb, 480 pp, 1740513754
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Berggasse 19, the address at which Sigmund Freud and his family lived for almost fifty years, is now Vienna’s Freud Museum. It is the other Freud Museum, the one in London, that houses the extensive collection of antiquities which is Janine Burke’s main focus in The Gods of Freud, but the Berggasse museum contains a number of Freud’s other personal possessions, including some little bottles, pots and brushes that are the remnants of an old-fashioned gentleman’s dressing-case. Of high quality, these well-used tools of personal attention to a body now long dead are scratched and dented from use. Still sitting there quietly almost seventy years after his death, Freud’s things seem numinous and luminous, paradoxically radiating the very essence of self that his own ideas did so much to deconstruct. I was reminded of them vividly by this description from Burke’s book: ‘Freud was concerned with style and appearance, down to the tiniest and most exquisite detail. A quietly vain man, he visited his barber every morning to have his beard trimmed (foppish even by Viennese standards) and aspired to wear the best suits money could buy.’

Read more: Kerryn Goldsworthy reviews 'The Gods of Freud: Sigmund Freud's art collection' by Janine Burke

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Stephen Muecke reviews Walter Benjamins Grave by Michael Taussig
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Dancing on Walter Benjamin’s grave, in this book, Michael Taussig is in some ways his reincarnation; born in Sydney in 1940, the same year that Benjamin, trying to escape the Nazis, died in Port Bou, on the edge of the Pyrenees. The dance that Taussig performs is of course a homage to the great intellectual: the most inspired thinker coming out of the Frankfurt school, the most uncompromising, and the most writerly and experimental. Benjamin was a broad thinker, in the best sense. He did not think and write for the benefit of a discipline, but he taught his readers to weave together understandings of contemporary culture, coupled with a Nietzschian sense of history shot through with the ‘profane illumination’ of ancient myths whose impulses always throb in human dreams.

Book 1 Title: Walter Benjamin's Grave
Book Author: Michael Taussig
Book 1 Biblio: University of Chicago Press, $39.95 pb, 256 pp, 0226790045
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Dancing on Walter Benjamin’s grave, in this book, Michael Taussig is in some ways his reincarnation; born in Sydney in 1940, the same year that Benjamin, trying to escape the Nazis, died in Port Bou, on the edge of the Pyrenees. The dance that Taussig performs is of course a homage to the great intellectual: the most inspired thinker coming out of the Frankfurt school, the most uncompromising, and the most writerly and experimental. Benjamin was a broad thinker, in the best sense. He did not think and write for the benefit of a discipline, but he taught his readers to weave together understandings of contemporary culture, coupled with a Nietzschian sense of history shot through with the ‘profane illumination’ of ancient myths whose impulses always throb in human dreams.

Thus Taussig tells us how culture works, no less, in this series of essays about the legacy of Benjamin, about how the sun gives without receiving, the creative liminal space of the beach, the New York police post-9/11, a pact with the devil, and the complicity of magic and the body, flowers and death. If only more writers could have the courage of their insights, the loyalty to their own history, even to their own friends. Other writers, longing for recognition, type (with one eye on the prize) into the generic frames for the saleable novel. Such writers would have believed the lies and clichés of commodity capitalism. Taussig offers more than one way to remember that this was not always the way, and need not always be the way.

Read more: Stephen Muecke reviews 'Walter Benjamin's Grave' by Michael Taussig

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Michael Wesley reviews Whats Wrong with Terrorism? by Robert E. Goodin
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The fifth anniversary of the 9/11 attacks revived familiar lines of debate about the significance of terrorism. On one side are those who believe that 9/11 brought into stark relief a deadly new challenge to our values and existence, an enemy that must be faced resolutely and fought on every front. On the other are those who believe that 9/11 gave birth (or rebirth) not to a new form of threat but to a noxious form of politics: self-righteous, muscular and xenophobic. It is to this stand-off that Robert Goodin makes a refreshing and much-needed contribution. Goodin is a rare commodity: a political philosopher who remains resolutely focused on the problems and controversies that bedevil the real world of politics and policy. His most recent offering, What’s Wrong with Terrorism?, sets out to make a ‘moral assessment of the phenomenon of terrorism and reactions to it’, asking: ‘what is the distinctive wrong of terrorism? … what makes terrorists different from, and morally even worse than, ordinary murderers, kidnappers, and so on?’

Book 1 Title: What's Wrong with Terrorism?
Book Author: Robert E. Goodin
Book 1 Biblio: Polity Press, $40.95 pb, 254 pp, 0745634974
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The fifth anniversary of the 9/11 attacks revived familiar lines of debate about the significance of terrorism. On one side are those who believe that 9/11 brought into stark relief a deadly new challenge to our values and existence, an enemy that must be faced resolutely and fought on every front. On the other are those who believe that 9/11 gave birth (or rebirth) not to a new form of threat but to a noxious form of politics: self-righteous, muscular and xenophobic. It is to this stand-off that Robert Goodin makes a refreshing and much-needed contribution. Goodin is a rare commodity: a political philosopher who remains resolutely focused on the problems and controversies that bedevil the real world of politics and policy. His most recent offering, What’s Wrong with Terrorism?, sets out to make a ‘moral assessment of the phenomenon of terrorism and reactions to it’, asking: ‘what is the distinctive wrong of terrorism? … what makes terrorists different from, and morally even worse than, ordinary murderers, kidnappers, and so on?’

Read more: Michael Wesley reviews 'What's Wrong with Terrorism?' by Robert E. Goodin

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Robert Phiddian reviews Poetry and Philosophy from Homer to Rousseau: Romantic souls, realist lives by Simon Haines
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Simon Haines shot to prominence for an Op-Ed piece in The Australian (9 June 2006) that seemed to enter the lists on the conservative side of the debate about what they teach in English classes these days. If you read carefully, you could tell that the prominence was only going to be momentary, because Haines’s argument was far too nuanced to provoke and maintain the level of polarised hysteria the media appears to expect.

Book 1 Title: Poetry and Philosophy from Homer to Rousseau
Book 1 Subtitle: Romantic souls, realist lives
Book Author: Simon Haines
Book 1 Biblio: Basingstoke, $150 hb, 214 pp, 1403944180
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Simon Haines shot to prominence for an Op-Ed piece in TheAustralian (9 June 2006) that seemed to enter the lists on the conservative side of the debate about what they teach in English classes these days. If you read carefully, you could tell that the prominence was only going to be momentary, because Haines’s argument was far too nuanced to provoke and maintain the level of polarised hysteria the media appears to expect. He proposed neither a return to basics (‘the education I had was perfect – after all, it produced me – and every secondary student should have exactly what I had’), nor a radical embrace of new media and cleansed thinking. Instead, he questioned whether politics, important though it is, is all there really is in literature or, indeed, in being human. Then he concluded with a challenge rather than a manifesto for English teaching: ‘If literature is politicised too early and too exclusively (I only say “if”), then it may never reveal its true power as political thought.’

Read more: Robert Phiddian reviews 'Poetry and Philosophy from Homer to Rousseau: Romantic souls, realist...

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Brenda Niall reviews School Days edited by John Kinsella
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Hands up those who know where Upper Ulam is. In what Melbourne convent school was Veronica Brady’s spiritual and aesthetic education nourished? Can anyone name Eva Sallis’s latest work of fiction or identify the school, somewhere outside Adelaide, where Sallis practised the violin and took her turn at milking the cow?

Book 1 Title: School Days
Book Author: John Kinsella
Book 1 Biblio: FACP, $24.95 pb, 239 pp, 1921064714
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Hands up those who know where Upper Ulam is. In what Melbourne convent school was Veronica Brady’s spiritual and aesthetic education nourished? Can anyone name Eva Sallis’s latest work of fiction or identify the school, somewhere outside Adelaide, where Sallis practised the violin and took her turn at milking the cow?

Read more: Brenda Niall reviews 'School Days' edited by John Kinsella

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Philip Clark reviews Running Amok: When news deadlines, family and foreign affairs collide by Mark Bowling
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Mark Bowling was the ABC’s man in Indonesia from 1998 until 2002, and this book is an excellent account of the period of his posting. It covers a turbulent time in Indonesian life from May 1998, the end of the thirty-year Suharto regime, until May 2002, when the newly fledged nation of East Timor spread its wings. An epilogue adds his involvement in reporting on the most significant event in Indonesian affairs for Australians, the Bali bombing on 13 October 2002.

Book 1 Title: Running Amok
Book 1 Subtitle: When news deadlines, family and foreign affairs collide
Book Author: Mark Bowling
Book 1 Biblio: Hodder, $32.95 pb, 308 pp, 0733620423
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Mark Bowling was the ABC’s man in Indonesia from 1998 until 2002, and this book is an excellent account of the period of his posting. It covers a turbulent time in Indonesian life from May 1998, the end of the thirty-year Suharto regime, until May 2002, when the newly fledged nation of East Timor spread its wings. An epilogue adds his involvement in reporting on the most significant event in Indonesian affairs for Australians, the Bali bombing on 13 October 2002.

Read more: Philip Clark reviews 'Running Amok: When news deadlines, family and foreign affairs collide' by...

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John Slavin reviews The Memory of Tides by Angelo Loukakis
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The Battle of Crete began on the morning of 20 May 1941 with a new kind of warfare. German paratrooper battalions either parachuted or rode gliders down onto a defending force of British, ANZAC and Greek troops. The invasion took two weeks of bloody fighting to achieve its objectives. It was not, as Greek-Australian writer, Angelo Loukakis has his Australian soldier, Vic Stockton describe it: ‘For the Germans Crete had proved no more than an exercise.’ In fact, airborne invasion was not attempted again. Hitler’s thrust into the Soviet Union on June 22 was almost destabilised, and when the battle was over, 5000 Allied troops were abandoned to certain captivity on the southern coast near the town of Xora Sfakion.

Book 1 Title: The Memory of Tides
Book Author: Angelo Loukakis
Book 1 Biblio: HarperCollins $32.99, 393 pp, 0732280672
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The Battle of Crete began on the morning of 20 May 1941 with a new kind of warfare. German paratrooper battalions either parachuted or rode gliders down onto a defending force of British, ANZAC and Greek troops. The invasion took two weeks of bloody fighting to achieve its objectives. It was not, as Greek-Australian writer, Angelo Loukakis has his Australian soldier, Vic Stockton describe it: ‘For the Germans Crete had proved no more than an exercise.’ In fact, airborne invasion was not attempted again. Hitler’s thrust into the Soviet Union on June 22 was almost destabilised, and when the battle was over, 5000 Allied troops were abandoned to certain captivity on the southern coast near the town of Xora Sfakion.

Read more: John Slavin reviews 'The Memory of Tides' by Angelo Loukakis

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An exhibition with considerable radical chic, Cook’s Pacific Encounters, currently at the National Museum of Australia, Canberra, has stimulated a series of cross-cultural debates at an international conference on the collections made by Captain James Cook and his fellow voyagers (arranged by the Centre for Cross-Cultural Research, Canberra, on July 28). Although there were several centuries of European exploration of the Pacific before the British, the importance of Cook’s voyages was unparalleled before or after. The collection on display in Canberra, primarily assembled by two German scientists, Johann Forster and his son Georg, who accompanied Cook on his second Pacific voyage, is on loan from the University of Göttingen. Like many university collections, it is well conserved and published, but rarely seen. Other parts of the Forster collection are distributed around the globe, the principal holding being at the Pitt Rivers Museum, Oxford.

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An exhibition with considerable radical chic, Cook’s Pacific Encounters, currently at the National Museum of Australia, Canberra, has stimulated a series of cross-cultural debates at an international conference on the collections made by Captain James Cook and his fellow voyagers (arranged by the Centre for Cross-Cultural Research, Canberra, on July 28). Although there were several centuries of European exploration of the Pacific before the British, the importance of Cook’s voyages was unparalleled before or after. The collection on display in Canberra, primarily assembled by two German scientists, Johann Forster and his son Georg, who accompanied Cook on his second Pacific voyage, is on loan from the University of Göttingen. Like many university collections, it is well conserved and published, but rarely seen. Other parts of the Forster collection are distributed around the globe, the principal holding being at the Pitt Rivers Museum, Oxford.

Read more: Cross-cultural encounters by Jaynie Anderson

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Morag Fraser reviews Agamemnon’s Kiss: Selected Essays and The History Question: Who Owns the Past? (Quarterly Essay 23) by Inga Clendinnen
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Inga Clendinnen came rather late to Michel de Montaigne, the man she acknowledges as ‘the Father of the Essay’. When the professional historian began reading the great amateur, she did so, Clendinnen admits, ‘in that luxurious mood of piety lace-edged with boredom with which we read the lesser classics’. The boredom quickly dissipated as the writer in Clendinnen met a master: ‘It is hard to explain what makes his essays so enchanting, but I think it is the lithe, athletic movement of a naturally intrepid mind.’

Book 1 Title: Agamemnon’s Kiss
Book 1 Subtitle: Selected Essays
Book Author: Inga Clendinnen
Book 1 Biblio: Text, $32.95 pb, 230 pp
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Book 2 Title: Quarterly Essay 23
Book 2 Subtitle: The History Question: Who Owns the Past?
Book 2 Author: Inga Clendinnen
Book 2 Biblio: Black Inc., $14.95 pb, 115 pp
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Inga Clendinnen came rather late to Michel de Montaigne, the man she acknowledges as ‘the Father of the Essay’. When the professional historian began reading the great amateur, she did so, Clendinnen admits, ‘in that luxurious mood of piety lace-edged with boredom with which we read the lesser classics’. The boredom quickly dissipated as the writer in Clendinnen met a master: ‘It is hard to explain what makes his essays so enchanting, but I think it is the lithe, athletic movement of a naturally intrepid mind.’

Read more: Morag Fraser reviews 'Agamemnon’s Kiss: Selected Essays' and 'The History Question: Who Owns the...

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David Campbell published a dozen volumes of poetry between 1949 and his death in 1979, as well as joint selections of Russian translations, collections of short stories and anthologies. Perhaps the purest lyricist of his time, he remained faithful to the few literary forms – the ballad, the song, the sonnet – that first engaged his attention, and never tried to force his range beyond its limits. There was no verse novel, no historical narrative, no extended satires or epistles. But he was not unresponsive to the debates that enlivened Australian literary discussion during his lifetime: A.D. Hope’s advocacy of the discursive mode finds its influence on one phase of his work, as does a highly individual use of neoclassical references. His short poems explore the whole range of Australian history from a variety of angles and, for all their brief and fragmentary forms, build up a narrative that is just as impressive as some of the more popular sequences of the 1940s. In the 300 pages of his Collected Poems (1989), not many go over the page. His poems might seem small in scale, but his collected work has a greater impact than that of many of his more ambitious, heavyweight contemporaries.

Book 1 Title: David Campbell
Book 1 Subtitle: Hardening of the light: selected poems
Book Author: Philip Mead
Book 1 Biblio: Ginninderra Press, $20 pb, 132 pp
Book 1 Author Type: Editor
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David Campbell published a dozen volumes of poetry between 1949 and his death in 1979, as well as joint selections of Russian translations, collections of short stories and anthologies. Perhaps the purest lyricist of his time, he remained faithful to the few literary forms – the ballad, the song, the sonnet – that first engaged his attention, and never tried to force his range beyond its limits. There was no verse novel, no historical narrative, no extended satires or epistles. But he was not unresponsive to the debates that enlivened Australian literary discussion during his lifetime: A.D. Hope’s advocacy of the discursive mode finds its influence on one phase of his work, as does a highly individual use of neoclassical references. His short poems explore the whole range of Australian history from a variety of angles and, for all their brief and fragmentary forms, build up a narrative that is just as impressive as some of the more popular sequences of the 1940s. In the 300 pages of his Collected Poems (1989), not many go over the page. His poems might seem small in scale, but his collected work has a greater impact than that of many of his more ambitious, heavyweight contemporaries.

Read more: Vivian Smith reviews ‘David Campbell: Hardening of the light: selected poems’ edited by Philip Mead

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Ian Morrison reviews ‘Encyclopedia of Exploration, 1850–1940: The oceans, islands and polar regions’ by Raymond John Howgego
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When does an explorer become an adventurer, an adventurer a traveller, a traveller a tourist? This third volume of Raymond Howgego’s monumental Encyclopedia of Exploration moves into a period when the lines become increasingly blurred.

Volume One (2003) covered all of human history up to 1800. In that period, any traveller who left a written account of his or her journey could be counted as an ‘explorer’, and Howgego’s sheer stamina in seeking them all out made this one of the extraordinary books of our time. Most reference works of this scale are assembled by small armies of writers, researchers and editors, funded by major international publishers. The Encyclopedia of Exploration to 1800 was the work of one man, supported by the comparatively modest resources of Sydney antiquarian bookseller and boutique publisher, Hordern House.

Book 1 Title: Encyclopedia of Exploration, 1850–1940
Book 1 Subtitle: The oceans, islands and polar regions
Book Author: Raymond John Howgego
Book 1 Biblio: Hordern House, $245 hb, 724 pp
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When does an explorer become an adventurer, an adventurer a traveller, a traveller a tourist? This third volume of Raymond Howgego’s monumental Encyclopedia of Exploration moves into a period when the lines become increasingly blurred.

Volume One (2003) covered all of human history up to 1800. In that period, any traveller who left a written account of his or her journey could be counted as an ‘explorer’, and Howgego’s sheer stamina in seeking them all out made this one of the extraordinary books of our time. Most reference works of this scale are assembled by small armies of writers, researchers and editors, funded by major international publishers. The Encyclopedia of Exploration to 1800 was the work of one man, supported by the comparatively modest resources of Sydney antiquarian bookseller and boutique publisher, Hordern House.

Read more: Ian Morrison reviews ‘Encyclopedia of Exploration, 1850–1940: The oceans, islands and polar...

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Isobel Crombie reviews ‘Faces of the Living Dead: The belief in spirit photography’ by Martyn Jolly
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Contents Category: Photography
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Article Title: Auras of the dearly departed
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Photography has always had a close relationship with death, indeed one of the more poignant catch cries of early portrait photography exhorted clients to ‘secure the shadow, before the substance fade’. An intriguing part of this emotionally charged territory is spirit photography – a sub-culture of photographs from the mid-nineteenth to early twentieth centuries that purport to show ectoplasms, ghosts and auras of the dearly departed.

Book 1 Title: Faces of the Living Dead
Book 1 Subtitle: The belief in spirit photography
Book Author: Martyn Jolly
Book 1 Biblio: Miegunyah Press, $49.95 hb, 153 pp
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Photography has always had a close relationship with death, indeed one of the more poignant catch cries of early portrait photography exhorted clients to ‘secure the shadow, before the substance fade’. An intriguing part of this emotionally charged territory is spirit photography – a sub-culture of photographs from the mid-nineteenth to early twentieth centuries that purport to show ectoplasms, ghosts and auras of the dearly departed.

Read more: Isobel Crombie reviews ‘Faces of the Living Dead: The belief in spirit photography’ by Martyn Jolly

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Contents Category: Film
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Article Title: Six Degrees of Aspiration: Recent Australian Films
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It is one thing for Macbeth (of whom more in a moment) to chide himself for ‘vaulting ambition’; it is not, though, the first stick we would choose to beat Australian cinema with. Now, with 2006 nearly over and everybody saying what a good year it has been for local films, I want to identify ‘ambition’ as a key element in the making of this ‘good year’.

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It is one thing for Macbeth (of whom more in a moment) to chide himself for ‘vaulting ambition’; it is not, though, the first stick we would choose to beat Australian cinema with. Now, with 2006 nearly over and everybody saying what a good year it has been for local films, I want to identify ‘ambition’ as a key element in the making of this ‘good year’.

Read more: ‘Six Degrees of Aspiration: Recent Australian Films’ by Brian McFarlane

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Making Tracks is the latest collection of poems, short stories and experimental prose by students in the prestigious writing courses at the University of Technology, Sydney. The anthology covers the themes of loss, love and self-discovery, often confronting the writers’ personal experiences from childhood and adolescence. These are tales of spiritual and actual travel within Australia and abroad, of rites of passage and of quests for identity.

Book 1 Title: UTS Writers’ Anthology
Book 1 Subtitle: Making Tracks
Book Author: Melissa Bruce et al.
Book 1 Biblio: ABC Books, $24.95 pb, 186 pp
Book 1 Author Type: Editor
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Making Tracks (UTS Writers’ Anthology: Making Tracks, ABC Books, $24.95 pb, 186 pp) is the latest collection of poems, short stories and experimental prose by students in the prestigious writing courses at the University of Technology, Sydney. The anthology covers the themes of loss, love and self-discovery, often confronting the writers’ personal experiences from childhood and adolescence. These are tales of spiritual and actual travel within Australia and abroad, of rites of passage and of quests for identity.

Read more: Rebecca Starford reviews ‘UTS Writers’ Anthology: Making Tracks’

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Gillian Dooley reviews ‘Old Myths: Modern empires: power, language and identity in J.M. Coetzee’s work’ by Michela Canepari-Labib
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Michela Canepari-Labib is an Italian scholar of English literature and cultural theory. In Old Myths: Modern Empires, she sets out to map J.M. Coetzee’s work onto the major cultural theories of the twentieth century. Coetzee is just as familiar as she with the theories, and no doubt they have had their influence. But anyone can write novels based on Freud and Lacan: what is missing from Canepari-Labib’s account is everything that makes Coetzee worth reading.

Book 1 Title: Old Myths
Book 1 Subtitle: Modern empires: power, language and identity in J.M. Coetzee’s work
Book Author: Michela Canepari-Labib
Book 1 Biblio: Peter Lang, £36 pb, 314 pp
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Michela Canepari-Labib is an Italian scholar of English literature and cultural theory. In Old Myths: Modern Empires, she sets out to map J.M. Coetzee’s work onto the major cultural theories of the twentieth century. Coetzee is just as familiar as she with the theories, and no doubt they have had their influence. But anyone can write novels based on Freud and Lacan: what is missing from Canepari-Labib’s account is everything that makes Coetzee worth reading.

Read more: Gillian Dooley reviews ‘Old Myths: Modern empires: power, language and identity in J.M. Coetzee’s...

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David Hansen reviews ‘Juan Davila with Guy Brett and Roger Benjamin’ by Juan Davila
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Article Title: Half-breeds and go-betweens
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Juan Davila is a major figure in contemporary Australian art. His fluent appropriations of other artists’ styles and motifs (all neatly numbered and labelled), combined with an assertive iconography of sexual desire and transgression (all bare thighs and thrusting tongues and mutant genitalia), made him one of the most interesting painters of his generation – the postmodern, theoretical, Art and Text push of the 1980s. He has represented his country in northern hemisphere exhibitions from Paris to Banff, and has maintained strong connections across his native Latin America. The New South Wales Vice Squad’s infamous impounding of Stupid as a painter in 1982 cemented the artist’s ‘bad boy’ reputation with the general public, as well as within the art industry, while his painting of a semi-nude, hermaphrodite Simón Bolivar giving the finger actually created a full-scale diplomatic incident involving Chile, Venezuela, Colombia and Ecuador. Davila’s regular output of polemical essays, his gloriously rude lampoons of political leaders and his more recent, sober protests against refugee detention have ensured his work has a place in public discourse. A comprehensive survey is long overdue.

Book 1 Title: Juan Davila with Guy Brett and Roger Benjamin
Book Author: Juan Davila
Book 1 Biblio: Miegunyah Press/Museum of Contemporary Art $59.95 hb, 254 pp
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Juan Davila is a major figure in contemporary Australian art. His fluent appropriations of other artists’ styles and motifs (all neatly numbered and labelled), combined with an assertive iconography of sexual desire and transgression (all bare thighs and thrusting tongues and mutant genitalia), made him one of the most interesting painters of his generation – the postmodern, theoretical, Art and Text push of the 1980s. He has represented his country in northern hemisphere exhibitions from Paris to Banff, and has maintained strong connections across his native Latin America. The New South Wales Vice Squad’s infamous impounding of Stupid as a painter in 1982 cemented the artist’s ‘bad boy’ reputation with the general public, as well as within the art industry, while his painting of a semi-nude, hermaphrodite Simón Bolivar giving the finger actually created a full-scale diplomatic incident involving Chile, Venezuela, Colombia and Ecuador. Davila’s regular output of polemical essays, his gloriously rude lampoons of political leaders and his more recent, sober protests against refugee detention have ensured his work has a place in public discourse. A comprehensive survey is long overdue.

Read more: David Hansen reviews ‘Juan Davila with Guy Brett and Roger Benjamin’ by Juan Davila

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Jay Daniel Thompson reviews ‘Narrative and Media’ by Helen Fulton
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Narrative and Media provides a lengthy and extensively researched overview of one of the central features of contemporary popular culture. The four authors (all of whom have been scholars at Sydney University) discuss the roles that narrative has played in mediums such as television, cinema and radio. In the introductory chapter, the authors explain the importance of their topic: ‘In a world dominated by print and electronic media, our sense of reality is increasingly structured by narrative.’ Later chapters address issues such as ‘narrative time’, ‘print news as narrative’, and the impact upon narrative conventions of postmodern and post-structuralist thought. In doing this, the authors also provide a ‘consideration of industry-related issues that affect the production and consumption of media texts’.

Book 1 Title: Narrative and Media
Book Author: Helen Fulton et al.
Book 1 Biblio: CUP, $54.95 pb, 329 pp
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Narrative and Media provides a lengthy and extensively researched overview of one of the central features of contemporary popular culture. The four authors (all of whom have been scholars at Sydney University) discuss the roles that narrative has played in mediums such as television, cinema and radio. In the introductory chapter, the authors explain the importance of their topic: ‘In a world dominated by print and electronic media, our sense of reality is increasingly structured by narrative.’ Later chapters address issues such as ‘narrative time’, ‘print news as narrative’, and the impact upon narrative conventions of postmodern and post-structuralist thought. In doing this, the authors also provide a ‘consideration of industry-related issues that affect the production and consumption of media texts’.

Read more: Jay Daniel Thompson reviews ‘Narrative and Media’ by Helen Fulton

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Mark Peel reviews ‘Ordinary People’s Politics: Australians talk about life, politics, and the future of their country’ by Judith Brett and Anthony Moran
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Article Title: Dialogue, not diatribes
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Of late there has been a good deal of agitated conversation about the political attitudes of ordinary Australians. As Judith Brett and Anthony Moran point out in this compelling new book, this has often taken the form of a ‘war of words within the political élites’, with the right using its supposed empathy for everyday people as a weapon against intellectuals, and the left blaming the deficiencies of John Howard’s Australia on the narrow-minded selfishness of ordinary voters. As it is, those of us who live in ordinary outer suburbs can hardly open Melbourne’s Age newspaper without finding ourselves accused of something, from a new Australian ugliness and the death of manners to the decline of civilisation. Mind you, the thought of being spoken for by anything-but-ordinary people like Janet Albrechtsen is even more distasteful.

Book 1 Title: Ordinary People’s Politics
Book 1 Subtitle: Australians talk about life, politics, and the future of their country
Book Author: Judith Brett and Anthony Moran
Book 1 Biblio: Pluto Press, $32.95 pb, 337 pp
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Of late there has been a good deal of agitated conversation about the political attitudes of ordinary Australians. As Judith Brett and Anthony Moran point out in this compelling new book, this has often taken the form of a ‘war of words within the political élites’, with the right using its supposed empathy for everyday people as a weapon against intellectuals, and the left blaming the deficiencies of John Howard’s Australia on the narrow-minded selfishness of ordinary voters. As it is, those of us who live in ordinary outer suburbs can hardly open Melbourne’s Age newspaper without finding ourselves accused of something, from a new Australian ugliness and the death of manners to the decline of civilisation. Mind you, the thought of being spoken for by anything-but-ordinary people like Janet Albrechtsen is even more distasteful.

Read more: Mark Peel reviews ‘Ordinary People’s Politics: Australians talk about life, politics, and the...

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Dan Toner review ‘The Champions: Conversations with great players and coaches of Australian football’ by Ben Collins
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In the wake of another season gone begging for many, it is stabilising and somewhat corrective to immerse oneself in the wisdom of some of Australian Rules’s greatest exponents, as collected here by Ben Collins. These men, mostly ex-players, have obviously thought deeply about the game since they left it, and have examined their lives for what it truly meant to them. What emerges is a catalogue of dedication, sacrifice, perseverance and gratefulness, a testimony to the power of passion. Legend after legend offers a glimpse of the possibilities that committing to a dream can awaken, a lesson that is not confined to aspiring footballers. Having said that, there are many pearls here for young men entering the game, the demographic that will probably benefit most from reading The Champions.

Book 1 Title: The Champions
Book 1 Subtitle: Conversations with great players and coaches of Australian football
Book Author: Ben Collins
Book 1 Biblio: Geoff Slattery Publishing, $34.95 pb, 383 pp
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In the wake of another season gone begging for many, it is stabilising and somewhat corrective to immerse oneself in the wisdom of some of Australian Rules’s greatest exponents, as collected here by Ben Collins. These men, mostly ex-players, have obviously thought deeply about the game since they left it, and have examined their lives for what it truly meant to them. What emerges is a catalogue of dedication, sacrifice, perseverance and gratefulness, a testimony to the power of passion. Legend after legend offers a glimpse of the possibilities that committing to a dream can awaken, a lesson that is not confined to aspiring footballers. Having said that, there are many pearls here for young men entering the game, the demographic that will probably benefit most from reading The Champions.

Read more: Dan Toner review ‘The Champions: Conversations with great players and coaches of Australian...

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Mary Eagle reviews Tony Tuckson by Geoffrey Legge
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Article Title: Tuckson’s touch
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Lawrence Alloway observed that Abstract Expressionism was the creation of middle-aged artists and not an avant-garde. Jackson Pollock was in his mid-thirties and already a considerable painter when he laid a canvas on the floor and began to swing paint on a stick. Willem de Kooning and Barnett Newman were in their forties before they found their signature styles. For twenty years, those painters explored a variety of styles and thoughtfully drifted towards individual expression; yet the change, when it came, seemed to pounce into their art rather than extend neatly from the preparation. The case was similar with Tony Tuckson.

Book 1 Title: Tony Tuckson
Book Author: Geoffrey Legge et al.
Book 1 Biblio: Craftsman House, $88 hb, 256 pp
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Lawrence Alloway observed that Abstract Expressionism was the creation of middle-aged artists and not an avant-garde. Jackson Pollock was in his mid-thirties and already a considerable painter when he laid a canvas on the floor and began to swing paint on a stick. Willem de Kooning and Barnett Newman were in their forties before they found their signature styles. For twenty years, those painters explored a variety of styles and thoughtfully drifted towards individual expression; yet the change, when it came, seemed to pounce into their art rather than extend neatly from the preparation. The case was similar with Tony Tuckson.

Read more: Mary Eagle reviews 'Tony Tuckson' by Geoffrey Legge

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Contents Category: Advances
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Article Title: Advances - November 2006
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More than a recorder

Still they arrive, though slowing to a trickle in recent days – the reader surveys that we sent out with the June–July issue. We expected about fifty to eighty, only to receive more than four hundred, making this a highly representative survey of our readership. Because of the large number, it has taken longer than we expected to collate the results, and here the Editor wishes to thank all staff and volunteers for their enthusiastic support.

Read more: Advances - November 2006

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Article Title: Letters - November 2006
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Behind the ‘myth’

Dear Editor,

As an unexpected child of the Depression years, I know how one working-class family coped with the economic difficulties that Geoffrey Bolton refers to in his review of David Potts’s The Myth of the Great Depression (October 2006). My father was an unskilled labourer, often out of work. His wages were supplemented by a small war-service disability pension. Some proportion of this income was handed over to my mother, who was expected to pay the mortgage, manage the household and feed five mouths (for I had two older siblings). Even with the income from occasional embroidery and dressmaking that she undertook, this was impossible. Her solution, when we sat down for dinner, was to put out five plates, leaving her own place empty. If my father asked why she was not eating, she would say she was not hungry, and would retire to the kitchen to weep or to find a piece of bread or fruit. So it was not half the population of the household that went hungry, only twenty per cent.

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Behind the ‘myth’

Dear Editor,

As an unexpected child of the Depression years, I know how one working-class family coped with the economic difficulties that Geoffrey Bolton refers to in his review of David Potts’s The Myth of the Great Depression (October 2006). My father was an unskilled labourer, often out of work. His wages were supplemented by a small war-service disability pension. Some proportion of this income was handed over to my mother, who was expected to pay the mortgage, manage the household and feed five mouths (for I had two older siblings). Even with the income from occasional embroidery and dressmaking that she undertook, this was impossible. Her solution, when we sat down for dinner, was to put out five plates, leaving her own place empty. If my father asked why she was not eating, she would say she was not hungry, and would retire to the kitchen to weep or to find a piece of bread or fruit. So it was not half the population of the household that went hungry, only twenty per cent.

Ken Goodwin, Indooroopilly, Qld

Know your enemy

Dear Editor,

The forced removal of two books – Join the Caravan and Defence of the Muslim Lands from the University of Melbourne’s library threatens both our freedoms and our capacity to respond to terrorism.

Australia’s liberal and tolerant way of life is based on respect for one another’s views and the freedom to state our opinions without fear of retribution or arrest. We have so many wonderful authors because they have the freedom to explore ideas and to stimulate us with their creativity. The freedom to read, see or hear what we want is a central element of the Australian way of life. We expect and make hearty comment when we disagree with others, but we respect their right to express their views. Banning books takes away not only our right to read the opinions of others but also our right to disagree with what they say. We can’t refute what we can’t read.

Even at the height of anti-communism in the 1950s, it was argued that we need to be able to read communist writings on the principle of ‘know your enemy’. In the post-9/11 world, and after the terrorist outrages in Madrid, London, Bali and Thailand, this is even more important. If we can’t read what extremists are saying, we can’t understand their thinking or present alternative views. Nor can we guard against their threats.

For universities, the freedom to research and study is central. Universities exist to educate the leaders of the future and to research important matters for society. Those matters include the security of Australia, as the national research priority ‘Safeguarding Australia’s frontiers’ confirms. It is absolutely essential that our students and researchers can study the difficult questions of what poses a threat to Australia, whether it be environmental damage, economic risk or terrorist threat. If the students and researchers can’t read the opinions of others – including the most extreme – then they can’t research the issues effectively.

It is the job of Australia’s university and other libraries to make available the information which enables that research. If they are constrained from doing so, we are all at risk.

Council of Australian University Librarians

Australian Library and Information Association

Australian Society of Authors

International Federation of Library Associations and Institutions

 

What’s it come to?

Dear Editor,

I have a complaint concerning the October issue of ABR. Jennifer Harrison is a major Australian poet, and her collection Folly & Grief, published by Black Pepper, is a major work, a stunning collection of technically dazzling, superbly poised and breathtakingly moving poems. Why was this book relegated to the ‘In Brief’ section in the back pages of ABR, this while a biography of Shane Warne received a full page, including a large photograph of Warne and Pamela Anderson? Is this reflective of what literary criticism in this country has come to?

This situation is all the more disconcerting when one considers the generosity Jennifer Harrison has unstintingly shown the poetry and wider literary community over many years. The ‘review’ by Melissa Ashley does nothing to ameliorate the problem. It begins with a mistake: Folly & Grief is not Harrison’s third individual collection of poetry, but her fourth (the second sentence of the book’s biographical notes reveal this for those unfamiliar with her work); and the review continues with a mere recitation of a fraction of the characters, themes and subject matter, padded with quotes. Even worse, Ashley seems to have read this book as if it was an essay: ‘Ultimately Harrison’s conclusions are ambiguous.’ Poetry must have conclusions? Poetry can’t be ambiguous?

Ashley pays no attention to the poetics of a 130-page collection that is dazzling in its command of the line, and in its diversity as a meeting of free verse and formal techniques; nor to the commedia dell’arte that becomes a deeply researched composite and protean metaphor in Harrison’s expert hands. A surface reading of poetry – especially poetry as multi-layered and subtle as this – is no reading at all.

I would recommend Folly & Grief to anybody who loves poetry as both alchemical craft and as an experience of deep feeling and insight; who knows the difference between ‘conclusion’ and poetic resolution; and who is interested in reading the leading poetry being written in this country.

Mal McKimmie, St Kilda East, Vic.

 

Correction

A layout error in the October issue may have puzzled readers of John Jenkins’ review of Mal McKimmie’s Poetlileptic: a section of the text was arbitrarily cut. Readers can view the review in its entirety on our website (www.australianbookreview.com.au). For the record, Jenkins described Poetileptic as ‘bear[ing] the thumbprints of a seasoned poet with a fully developed sensibility, and one strongly in command of his subject matter and craft’. Apologies to John Jenkins and Mal McKimmie.

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