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September 2009, no. 314

Welcome to the September 2009 issue of Australian Book Review. 

John Hirst reviews The Colony: A history of early Sydney by Grace Karskens
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Contents Category: Australian History
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This is not so much a history of Sydney as a tour with a sensitive and alert guide who knows her history. The site is modern Sydney. Although Sydney was only just beginning to develop suburbs when the book ends – in the 1820s – Karskens tours the whole of the Cumberland Plain, the area that metropolitan Sydney now covers.   For the modern suburbs, as everywhere else, Karskens describes the land and how it was used when occupied by the Aborigines and the first Europeans. She points to what remains from earlier times in the routes of roads, remnant vegetation, the built environment and place names.

Book 1 Title: The Colony
Book 1 Subtitle: A history of early Sydney
Book Author: Grace Karskens
Book 1 Biblio: Allen & Unwin, $59.99 hb, 692 pp
Book 1 Author Type: Author
Book 1 Readings Link: booktopia.kh4ffx.net/k5a5M
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This is not so much a history of Sydney as a tour with a sensitive and alert guide who knows her history. The site is modern Sydney. Although Sydney was only just beginning to develop suburbs when the book ends – in the 1820s – Karskens tours the whole of the Cumberland Plain, the area that metropolitan Sydney now covers.   For the modern suburbs, as everywhere else, Karskens describes the land and how it was used when occupied by the Aborigines and the first Europeans. She points to what remains from earlier times in the routes of roads, remnant vegetation, the built environment and place names. The first settlement on the Hawkesbury was known as Green Hills, established by convicts and ex-convicts who found this good soil and settled without official approval. When Macquarie tidied up the river towns, Green Hills became Windsor, but the naming of the first settlers has survived along the river in less formal and more expressive terms: Halfmoon Reach, One Tree Reach and Foul Weather Reach. Public farming under direct government control with convict labour did not last long, but the government’s control of these lands meant that they survived and were turned to other public uses. Castle Hill farm had a convict barracks before Sydney; when the farm closed it became a church; when the church was demolished the stone went into a Gothic parsonage, which survives. In recent times, there has been greater concern with ‘heritage’, but this often means only that the houses of the rich, shorn of their outbuildings and workers’ huts, get preserved. By her eloquent evocations, Karskens wants to remind us of much more.

Read more: John Hirst reviews 'The Colony: A history of early Sydney' by Grace Karskens

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Jenny Hocking reviews A Certain Granduer by Graham Freudenberg
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Contents Category: Biography
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Article Title: Too inspissated, too dithyrambic
Article Subtitle: Seismic times for Whitlam’s speechwriter
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Gough Whitlam’s 1972 policy speech, delivered before a crowd of thousands at the Blacktown Civic Centre in a scene that bore a closer resemblance to a pop concert than to a political campaign, is seen as the ultimate articulation of the Whitlam Labor government’s radical program for change. If its chief political architect was Whitlam, its amanuensis was Graham Freudenberg. With Whitlam’s election as leader of the Australian Labor Party in 1967, Freudenberg eagerly joined his staff as press secretary, a position he had previously and less happily held with Arthur Calwell, who was leader from 1960 to 1967.

Book 1 Title: A Certain Grandeur
Book 1 Subtitle: Gough Whitlam’s life in politics
Book Author: Graham Freudenberg
Book 1 Biblio: Viking, $35 pb, 486 pp, 9780670073757
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Gough Whitlam’s 1972 policy speech, delivered before a crowd of thousands at the Blacktown Civic Centre in a scene that bore a closer resemblance to a pop concert than to a political campaign, is seen as the ultimate articulation of the Whitlam Labor government’s radical program for change. If its chief political architect was Whitlam, its amanuensis was Graham Freudenberg. With Whitlam’s election as leader of the Australian Labor Party in 1967, Freudenberg eagerly joined his staff as press secretary, a position he had previously and less happily held with Arthur Calwell, who was leader from 1960 to 1967.

Read more: Jenny Hocking reviews 'A Certain Granduer' by Graham Freudenberg

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Contents Category: Advances
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Article Title: Advances - September 2009
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Biographies, exhaustively researched, can take years, even decades to write – Jill Roe’s recent life of Miles Franklin is a good example – but few have to wait a century for a publisher. Written in 1906 and sold as a handwritten manuscript to the Mitchell Library in 1926, Cyril (brother of Gerard Manley) Hopkins’s obscure ‘Biographical Notice of the Life & Work of Marcus Clarke’ is published for the first time this month as Cyril Hopkins’s Marcus Clarke (Australian Scholarly Publishing).

Drawing on Clarke’s early journalism, Hopkins’s memories of Clarke from their time as schoolboy intimates in England, and the pair’s decades-long correspondence after Clarke’s emigration to Australia in 1863, this volume provides an unprecedented glimpse of the author of For the Term of His Natural Life. It is laced with anecdotal riches, including Clarke’s habit of depositing his unfinished cigars in the mouth of a green metal lion as he entered the Melbourne Public Library. The lion, smoking the cigar, became a signal to his friends that Marcus was within.

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Marcus Clarke’s cigar

Biographies, exhaustively researched, can take years, even decades to write – Jill Roe’s recent life of Miles Franklin is a good example – but few have to wait a century for a publisher. Written in 1906 and sold as a handwritten manuscript to the Mitchell Library in 1926, Cyril (brother of Gerard Manley) Hopkins’s obscure ‘Biographical Notice of the Life & Work of Marcus Clarke’ is published for the first time this month as Cyril Hopkins’s Marcus Clarke (Australian Scholarly Publishing).

Read more: Advances - September 2009

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Nicholas Brown reviews Andrew Fisher: An underestimated man by Peter Bastian
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Article Title: Andy, come up!
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Andrew Fisher fares well in the new Museum of Australian Democracy, at Old Parliament House, Canberra. The entrance to the galleries is framed, on one side, by E. Phillips Fox’s dark 1913 portrait of an imposing and resolute Fisher, in contrast to the garish, spreading corpulence of George Lambert’s 1924 Sir George Reid on the other. Inside, in the procession of prime ministers, Fisher is represented more comprehensively and intimately than his peers. There is his miner’s crib – for this leader of Australia’s first majority Labor government definitely came from the working class – and his fountain pen, presented by his granddaughter to Kevin Rudd (who, the caption reads, is a ‘passionate admirer’ of his Queensland predecessor). Elsewhere in the Museum, in commemorating the suffrage movement, the key exhibit is a replica of the hat worn by Fisher’s wife, Margaret, when she marched beside Vida Goldstein in a London protest for women’s franchise in 1911.

Book 1 Title: Andrew Fisher
Book 1 Subtitle: An underestimated man
Book Author: Peter Bastian
Book 1 Biblio: University of New South Wales Press, $49.95 hb, 419 pp, 9781742230047
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Andrew Fisher fares well in the new Museum of Australian Democracy, at Old Parliament House, Canberra. The entrance to the galleries is framed, on one side, by E. Phillips Fox’s dark 1913 portrait of an imposing and resolute Fisher, in contrast to the garish, spreading corpulence of George Lambert’s 1924 Sir George Reid on the other. Inside, in the procession of prime ministers, Fisher is represented more comprehensively and intimately than his peers. There is his miner’s crib – for this leader of Australia’s first majority Labor government definitely came from the working class – and his fountain pen, presented by his granddaughter to Kevin Rudd (who, the caption reads, is a ‘passionate admirer’ of his Queensland predecessor). Elsewhere in the Museum, in commemorating the suffrage movement, the key exhibit is a replica of the hat worn by Fisher’s wife, Margaret, when she marched beside Vida Goldstein in a London protest for women’s franchise in 1911.

Read more: Nicholas Brown reviews 'Andrew Fisher: An underestimated man' by Peter Bastian

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Robin Prior review Beersheba: A journey through Australia’s forgotten war by Paul Daley
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Contents Category: Australian History
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Article Title: Forgotten war?
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Much Australian writing about military subjects reminds me of the recent film The Curious Case of Benjamin Button, which started in adulthood and rapidly progressed into adolescence. From the evidence of this work, it is showing no signs of growing up. This book purports to have discovered an event about which Australians have remained deeply ignorant for the last ninety years: the charge of the Light Horse at Beersheba in the Middle Eastern war against the Ottoman Empire, in 1917. Only someone long exiled on a desert island could call this event ‘forgotten’. We have had a famous film about it (Forty Thousand Horsemen, 1940), a good book about the Light Horse by Alec Hill (1978), extensive work on the subject by Ian Jones, and a plethora of books by British historians about the Middle Eastern war that include this incident. The author, Paul Daley, must be one of the few Australians who had not heard of it. Is this reason enough to write a book about it? Possibly – but not this book.

Book 1 Title: Beersheba
Book 1 Subtitle: A journey through Australia’s forgotten war
Book Author: Paul Daley
Book 1 Biblio: Melbourne University Press $39.99 pb, 368 pp, 9780522855999
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Much Australian writing about military subjects reminds me of the recent film The Curious Case of Benjamin Button, which started in adulthood and rapidly progressed into adolescence. From the evidence of this work, it is showing no signs of growing up. This book purports to have discovered an event about which Australians have remained deeply ignorant for the last ninety years: the charge of the Light Horse at Beersheba in the Middle Eastern war against the Ottoman Empire, in 1917. Only someone long exiled on a desert island could call this event ‘forgotten’. We have had a famous film about it (Forty Thousand Horsemen, 1940), a good book about the Light Horse by Alec Hill (1978), extensive work on the subject by Ian Jones, and a plethora of books by British historians about the Middle Eastern war that include this incident. The author, Paul Daley, must be one of the few Australians who had not heard of it. Is this reason enough to write a book about it? Possibly – but not this book.

Read more: Robin Prior review 'Beersheba: A journey through Australia’s forgotten war' by Paul Daley

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James Bradley reviews Birdscapes: Birds in our imagination and experience by Jeremy Mynott
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Article Title: The lure of birdsong
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Jeremy Mynott begins his capacious and disarming new book with a dedication to his wife, the author Dianne Speakman. ‘In all our twenty-five or so years together,’ he writes, ‘I have never yet succeeded in persuading her to take the slightest interest in birds. This is my best and last shot.’ Any ornithophile knows this feeling: the regret that his sense of wonderment remains for the most part private, something that others regard as slightly weird or ridiculous.

Book 1 Title: Birdscapes
Book 1 Subtitle: Birds in our imagination and experience
Book Author: Jeremy Mynott
Book 1 Biblio: Princeton University Press, $64 hb, 367 pp
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Jeremy Mynott begins his capacious and disarming new book with a dedication to his wife, the author Dianne Speakman. ‘In all our twenty-five or so years together,’ he writes, ‘I have never yet succeeded in persuading her to take the slightest interest in birds. This is my best and last shot.’ Any ornithophile knows this feeling: the regret that his sense of wonderment remains for the most part private, something that others regard as slightly weird or ridiculous.

Read more: James Bradley reviews 'Birdscapes: Birds in our imagination and experience' by Jeremy Mynott

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Peter Pierce reviews Charles Kingsford Smith and Those Magnificent Men by Peter FitzSimons
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Article Title: First among equals
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In the epilogue to the latest, massive contribution to his populist and nationalist enterprise, Charles Kingsford Smith and Those Magnificent Men, Peter FitzSimons laments that ‘the true glory days of the pilot are substantially gone’. He charts an heroic, pioneering age of aviation. The ‘magnificent men [in their flying machines]’ include not only the Australians, Kingsford Smith and his partner Charles Ulm, but the German Manfred von Richtofen, the Dutchman Anthony Fokker, the Frenchmen Louis Blériot and Charles Nungesser. Most of them saw service in the first aerial combats, above the trenches of the Western Front in the Great War. Kingsford Smith, a dismounted motor-bike despatch rider at Gallipoli, was accepted into the Royal Flying Corps. He called this ‘the chance of my flying life, and it was a decision I made without a moment’s hesitation’.

Book 1 Title: Charles Kingsford Smith and Those Magnificent Men
Book Author: Peter FitzSimons
Book 1 Biblio: HarperCollins, $49.99 hb, 679 pp
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In the epilogue to the latest, massive contribution to his populist and nationalist enterprise, Charles Kingsford Smith and Those Magnificent Men, Peter FitzSimons laments that ‘the true glory days of the pilot are substantially gone’. He charts an heroic, pioneering age of aviation. The ‘magnificent men [in their flying machines]’ include not only the Australians, Kingsford Smith and his partner Charles Ulm, but the German Manfred von Richtofen, the Dutchman Anthony Fokker, the Frenchmen Louis Blériot and Charles Nungesser. Most of them saw service in the first aerial combats, above the trenches of the Western Front in the Great War. Kingsford Smith, a dismounted motor-bike despatch rider at Gallipoli, was accepted into the Royal Flying Corps. He called this ‘the chance of my flying life, and it was a decision I made without a moment’s hesitation’.

Read more: Peter Pierce reviews 'Charles Kingsford Smith and Those Magnificent Men' by Peter FitzSimons

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Contents Category: Commentary
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Article Title: Vanishing wunderkind
Article Subtitle: The great oeuvre of the enigmatic Stow
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The judges of the early Miles Franklin Awards clearly knew what they were about. Their inaugural award went to Patrick White’s Voss in 1957; the second to Randolph Stow’s To the Islands in 1958. At the time, White was in the early stages of a distinguished career that would bring him Australia’s only Nobel Prize for Literature, while the precocious Stow also promised great things. Hailed as a literary wunderkind, he had published two novels, A Haunted Land (1956) and The Bystander (1957), and his first collection of poetry, Act One (1957), by the time he was twenty-two. When Act One was awarded the 1957 Gold Medal of the Australian Literature Society and To the Islands won it the following year, plus the Melbourne Book Fair Award and the Miles Franklin, he seemed to be embarked upon a stellar career.

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The judges of the early Miles Franklin Awards clearly knew what they were about. Their inaugural award went to Patrick White’s Voss in 1957; the second to Randolph Stow’s To the Islands in 1958. At the time, White was in the early stages of a distinguished career that would bring him Australia’s only Nobel Prize for Literature, while the precocious Stow also promised great things. Hailed as a literary wunderkind, he had published two novels, A Haunted Land (1956) and The Bystander (1957), and his first collection of poetry, Act One (1957), by the time he was twenty-two. When Act One was awarded the 1957 Gold Medal of the Australian Literature Society and To the Islands won it the following year, plus the Melbourne Book Fair Award and the Miles Franklin, he seemed to be embarked upon a stellar career.

Read more: 'Vanishing wunderkind: The great oeuvre of the enigmatic Stow' by Tony Hassall

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Judith Armstrong reviews Document Z by Andrew Croome
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Contents Category: Australian History
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Article Title: Tarmac capers
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Devotees of the television program Spooks may find Australian history less than exciting, but the Petrov Affair is surely the exception that confounds the cliché. Its ingredients included the Cold War, espionage, agents, a defection (hugely important propaganda for the Menzies government on the eve of the 1954 federal election) and a charming woman, the defector’s wife, who was unceremoniously hustled on to a waiting aeroplane by beefy officials from the Russian Embassy. The poignancy of Evdokia Petrova’s white shoe lying abandoned on the tarmac as the plane took off was only eclipsed by the drama of the refuelling stop in Darwin, where she was prevailed upon by Australian security to remain in this country with her husband, Vladimir. He was quite clear about his defection; Evdokia, in that pivotal moment and long afterwards, was tormented by uncertainty.

Book 1 Title: Document Z
Book Author: Andrew Croome
Book 1 Biblio: Allen & Unwin, $23.99 pb, 347 pp
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Devotees of the television program Spooks may find Australian history less than exciting, but the Petrov Affair is surely the exception that confounds the cliché. Its ingredients included the Cold War, espionage, agents, a defection (hugely important propaganda for the Menzies government on the eve of the 1954 federal election) and a charming woman, the defector’s wife, who was unceremoniously hustled on to a waiting aeroplane by beefy officials from the Russian Embassy. The poignancy of Evdokia Petrova’s white shoe lying abandoned on the tarmac as the plane took off was only eclipsed by the drama of the refuelling stop in Darwin, where she was prevailed upon by Australian security to remain in this country with her husband, Vladimir. He was quite clear about his defection; Evdokia, in that pivotal moment and long afterwards, was tormented by uncertainty.

Read more: Judith Armstrong reviews 'Document Z' by Andrew Croome

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Paul Hetherington reviews History of the Day by Stephen Edgar
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Contents Category: Poetry
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Article Title: Formal music
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History of the Day is Stephen Edgar’s seventh poetry collection. His first was Queuing for the Mudd Club in 1985, and over the last twenty-four years he has been publishing poetry with a strikingly individual formal music. This latest volume further refines his superbly measured control of rhythm and cadence. There is nothing else like it in contemporary Australian poetry.

Book 1 Title: History of the Day
Book Author: Stephen Edgar
Book 1 Biblio: Black Pepper, $24.95 pb, 123 pp
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History of the Day is Stephen Edgar’s seventh poetry collection. His first was Queuing for the Mudd Club in 1985, and over the last twenty-four years he has been publishing poetry with a strikingly individual formal music. This latest volume further refines his superbly measured control of rhythm and cadence. There is nothing else like it in contemporary Australian poetry.

Edgar’s poetry has always explored a wide variety of subjects, exhibiting a questing, cerebral and sometimes troubled sensibility. History of the Day confirms his interest in human history (and human injustice and cruelty), art and culture, and the possibility of certain kinds of illumination.

Read more: Paul Hetherington reviews 'History of the Day' by Stephen Edgar

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Free Article: No
Contents Category: Journals
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As John Frow and Katrina Schlunke state in their editorial, the diverse writing in this issue of Cultural Studies Review, collected under the theme of ‘Homefronts’, includes essays dealing with nationhood, family, the manufacture of crisis and celebrity, neo-liberalism and homelessness. Given the space to explore complexity, many contributions remain refreshingly accessible to the non-specialist reader. Popular culture is, of course, one of the mainstays of cultural studies, and the first two essays concern themselves with film. Jon Stratton’s insightful opening essay posits that the Australian tilt towards neo-liberalism from the mid 1990s, with its replacement of the social contract with individualism, has led to a series of films in which individual contracts and narratives of revenge are legitimised. Concerns with this ideological shift pervade a number of the essays, including pointed analyses of TV networks mining tragedy and triumph in Beaconsfield (by Jason Bainbridge) and the Howard government’s constructions of ‘crisis’ in indigenous communities (Virginia Watson).

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As John Frow and Katrina Schlunke state in their editorial, the diverse writing in this issue of Cultural Studies Review (Vol. 15, No. 1, Melbourne University Publishing, $29.95 pb, 220 pp) collected under the theme of ‘Homefronts’, includes essays dealing with nationhood, family, the manufacture of crisis and celebrity, neo-liberalism and homelessness. Given the space to explore complexity, many contributions remain refreshingly accessible to the non-specialist reader. Popular culture is, of course, one of the mainstays of cultural studies, and the first two essays

Read more: Anthony Lynch reviews ‘Cultural Studies Review Vol. 15, No. 1’ by John Frow and Katrina Schlunke

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Benjamin Chandler reviews ‘Dark Mirror’ by Barry Maitland
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Contents Category: Fiction
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Barry Maitland’s Dark Mirror, the tenth instalment in his Brock and Kolla series, sees newly promoted DI Kathy Kolla on the trail of a poisoner. Despite numerous references to the Pre-Raphaelites, laudanum addiction and arsenic, Dark Mirror does not exude the gritty Victorian Gothic atmosphere its subject matter and central crime evoke. Instead, the reader is presented with a murder investigation often bogged down by the realities of police work. This sense of realism is countered by some remarkable coincidences; scenes that appear tangential end up having profound consequences.

Book 1 Title: Dark Mirror
Book Author: Barry Maitland
Book 1 Biblio: Allen & Unwin, $32.99 pb, 364 pp
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Barry Maitland’s Dark Mirror, the tenth instalment in his Brock and Kolla series, sees newly promoted DI Kathy Kolla on the trail of a poisoner. Despite numerous references to the Pre-Raphaelites, laudanum addiction and arsenic, Dark Mirror does not exude the gritty Victorian Gothic atmosphere its subject matter and central crime evoke. Instead, the reader is presented with a murder investigation often bogged down by the realities of police work. This sense of realism is countered by some remarkable coincidences; scenes that appear tangential end up having profound consequences.

Read more: Benjamin Chandler reviews ‘Dark Mirror’ by Barry Maitland

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Contents Category: Open Page
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Article Title: An interview with Nam Le
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Nam Le is the author of The Boat (2009). He has received the Dylan Thomas Prize (2008), the Anisfield-Wolf Book Award, the New South Wales Premier’s Literary Award for Book of the Year (2009) and the Sydney Morning Herald Best Young Novelist Award (2009), among other prizes. His fiction has been widely anthologised. Currently the fiction editor of the Harvard Review, he divides his time between Australia and overseas.

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Nam Le is the author of The Boat (2009). He has received the Dylan Thomas Prize (2008), the Anisfield-Wolf Book Award, the New South Wales Premier’s Literary Award for Book of the Year (2009) and the Sydney Morning Herald Best Young Novelist Award (2009), among other prizes. His fiction has been widely anthologised. Currently the fiction editor of the Harvard Review, he divides his time between Australia and overseas.


Why do you write?

Read more: Open Page with Nam Le

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Jon Dale reviews ‘Jazz: The Australian accent’ by John Shand
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Contents Category: Music
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Article Title: Emotional Jazz
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On paper, jazz critic John Shand’s Jazz: The Australian Accent is a welcome intervention, one of the first books to take Australian jazz seriously. Shand’s prose is well paced and easy to read, if slightly glib. There is little obfuscation in his method, which is infinitely preferable to the pretensions of many jazz critics who fail to translate jazz into prose. Shand’s descriptions of music are engaging enough to make you want to listen to the musicians whose work he is describing, if only to confirm or deny the mutedly rhapsodic element of Shand’s descriptors. Unfortunately, they generally don’t live up to his prose, which you’ll discover when listening to the compilation CD that accompanies this book.

Book 1 Title: Jazz
Book 1 Subtitle: The Australian accent
Book Author: Jon Dale
Book 1 Biblio: University of New South Wales Press $34.95 pb (plus CD)
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On paper, jazz critic John Shand’s Jazz: The Australian Accent is a welcome intervention, one of the first books to take Australian jazz seriously. Shand’s prose is well paced and easy to read, if slightly glib. There is little obfuscation in his method, which is infinitely preferable to the pretensions of many jazz critics who fail to translate jazz into prose. Shand’s descriptions of music are engaging enough to make you want to listen to the musicians whose work he is describing, if only to confirm or deny the mutedly rhapsodic element of Shand’s descriptors. Unfortunately, they generally don’t live up to his prose, which you’ll discover when listening to the compilation CD that accompanies this book.

Read more: Jon Dale reviews ‘Jazz: The Australian accent’ by John Shand

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Elisabeth Holdsworth reviews ‘Killing: Misadventures in violence’ by Jeff Sparrow
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Article Title: The limits of abhorrence
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On 4 October 1918, one month before he was killed, Wilfred Owen wrote to his mother describing the ‘mop-up’ operations in which his division was engaged. ‘It passed the limits of my Abhorrence. I lost all my earthly faculties and fought like an angel.’ Owen assured his beloved mother that his nerves were ‘in perfect order’. This letter, written by the poet who gave us ‘Anthem for Doomed Youth’, the metaphor of a generation sacrificed like cattle on the battlefield, is a terrible indictment of war and its effect on the human psyche.

Book 1 Title: Killing
Book 1 Subtitle: Misadventures in violence
Book Author: Jeff Sparrow
Book 1 Biblio: Melbourne University Press, $34.99 pb, 282 pp
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On 4 October 1918, one month before he was killed, Wilfred Owen wrote to his mother describing the ‘mop-up’ operations in which his division was engaged. ‘It passed the limits of my Abhorrence. I lost all my earthly faculties and fought like an angel.’ Owen assured his beloved mother that his nerves were ‘in perfect order’. This letter, written by the poet who gave us ‘Anthem for Doomed Youth’, the metaphor of a generation sacrificed like cattle on the battlefield, is a terrible indictment of war and its effect on the human psyche.

Read more: Elisabeth Holdsworth reviews ‘Killing: Misadventures in violence’ by Jeff Sparrow

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Ian Morrison reviews ‘La Trobe Journal, No. 83’ by John Arnold
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Contents Category: Journal
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Article Title: Forgotten voices
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The La Trobe Library Journal began life in 1968 as a modest, even dowdy sixteen-pager produced by the Friends of the (still very new) La Trobe Library. Its purpose was to publicise the Library and its holdings. For the first decade of its existence, the journal was edited by that quiet achiever of Australian letters, Geoffrey Serle. Over the following twenty years it was edited, and largely written, by a succession of librarians, high-lighting not only the riches of the Library’s collections but also the calibre of its staff.

Book 1 Title: La Trobe Journal, No. 83
Book Author: John Arnold
Book 1 Biblio: State Library of Victoria Foundation, $25 pb, 120 pp
Book 1 Author Type: Editor
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The La Trobe Library Journal began life in 1968 as a modest, even dowdy sixteen-pager produced by the Friends of the (still very new) La Trobe Library. Its purpose was to publicise the Library and its holdings. For the first decade of its existence, the journal was edited by that quiet achiever of Australian letters, Geoffrey Serle. Over the following twenty years it was edited, and largely written, by a succession of librarians, high-lighting not only the riches of the Library’s collections but also the calibre of its staff.

Read more: Ian Morrison reviews ‘La Trobe Journal, No. 83’ by John Arnold

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Greg McLaren reviews ‘la, la, la’ by Tatjana Lukic
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Contents Category: Poetry
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Article Title: Straight road of melancholy
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The first thing that struck me on picking up Tatjana Lukic’s posthumous collection, la, la, la, is the impressive appearance of this Five Islands Press publication. High-quality production hasn’t always been a feature of this press, but it is now under the new publishing team. Lukic’s volume joins other attractive collections by poets such as Louise Oxley, Barry Hill and Judy Johnson.

Book 1 Title: la, la, la
Book Author: Tatjana Lukic
Book 1 Biblio: Five Islands Press, $19.95 pb, 78 pp
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The first thing that struck me on picking up Tatjana Lukic’s posthumous collection, la, la, la, is the impressive appearance of this Five Islands Press publication. High-quality production hasn’t always been a feature of this press, but it is now under the new publishing team. Lukic’s volume joins other attractive collections by poets such as Louise Oxley, Barry Hill and Judy Johnson.

While Lukic had published a number of collections in the former Yugoslavia, la, la, la is her first book in English and, unfortunately, her last; she died in August 2008. Written after a ten-year silence, this is a fractured book, but one that strives to mend the gaps in experience. The most notable fissure concerns the tensions of life in Yugoslavia during its break-up in the 1990s. Those poems revolving around this social, cultural and political upheaval are the strongest and most consistent in the book. This isn’t surprising; this material is powerful medicine for a poet with Lukic’s eye for what is ‘tough, tender, resilient’, as Laurie Duggan writes in his blurb.

Read more: Greg McLaren reviews ‘la, la, la’ by Tatjana Lukic

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Peter Craven reviews ‘Macquarie Pen Anthology of Australian Literature’ edited by Nicholas Jose
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Article Title: Obscuring the heritage
Article Subtitle: Regrettable omissions in the new national anthology
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There are a hundred ways of putting together any anthology, most of which are going to annoy somebody. In the case of that much sought-after beast, Australian literature, editors have a fair chance of turning into the quarry. It is not so long since J.I.M. Stewart said, from his chair of English in Adelaide, that there wasn’t any Australian literature so he was going to lecture on D.H. Lawrence’s Kangaroo instead.

Book 1 Title: Macquarie Pen Anthology of Australian Literature
Book Author: Nicholas Jose
Book 1 Biblio: Allen & Unwin, $69.95 hb, 1502 pp
Book 1 Author Type: Editor
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There are a hundred ways of putting together any anthology, most of which are going to annoy somebody. In the case of that much sought-after beast, Australian literature, editors have a fair chance of turning into the quarry. It is not so long since J.I.M. Stewart said, from his chair of English in Adelaide, that there wasn’t any Australian literature so he was going to lecture on D.H. Lawrence’s Kangaroo instead.

That was in the 1940s, before Patrick White came back to Australia and wrote some of the greater novels in English since the heyday of James Joyce and D.H. Lawrence; before White read, and allowed himself to be influenced by, The Fortunes of Richard Mahony. It was before Robert Lowell described Christina Stead’s The Man Who Loved Children as a ‘black diamond’ of a book, and Randall Jarrell wrote his famous introduction. It was before A.A. Phillips wrote his ‘Cultural Cringe’ essay and Clem Christesen got going with Meanjin. It was even before James McAuley and Harold Stewart, with ‘Ern Malley’, took the mickey out of Max Harris and the ‘Angry Penguin’ moment. It was around this time that the young Frank Kermode fell into the hands of McAuley and A.D. Hope. Forty years later, he said that Australian poetry was at that point more interesting than English poetry. (More interesting than late T.S. Eliot or early Auden? It was a gallant remark.)

Read more: Peter Craven reviews ‘Macquarie Pen Anthology of Australian Literature’ edited by Nicholas Jose

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Contents Category: Poem
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Article Title: Gladstone
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Saturday. The usual 9 a.m. flight.
The man beside me hefts a Gladstone.
‘I haven’t seen one of those in years,’
I say, this being sociable Saturday.
I recall a worn one from my twenties
owned by someone else. Always empty

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Saturday. The usual 9 a.m. flight.
The man beside me hefts a Gladstone.
‘I haven’t seen one of those in years,’
I say, this being sociable Saturday.
I recall a worn one from my twenties
owned by someone else. Always empty
it went everywhere with him,
like a statement of intent. This one

Read more: ‘Gladstone’ by Peter Rose

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Article Title: Reading Ted Kooser in the Medical Centre Waiting Room
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A doctor with a face

worn and grey as his cardigan

calls my name

in his rooms

he asks about the book I’m reading

I tell him

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A doctor with a face
worn and grey as his cardigan
calls my name
in his rooms

Read more: ‘Reading Ted Kooser in the Medical Centre Waiting Room’ by Anthony Lawrence

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Robert Kenny reviews ‘Possession: Batman’s treaty and the matter of history’ by Bain Attwood and ‘Shaking Hands on the Fringe: Negotiating the Aboriginal world at King George’s sound’ by Tiffany Shellam
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Contents Category: Australian History
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Article Title: Private property
Article Subtitle: John Batman and the search for a foundational myth
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I once visited John Batman’s property in north-east Tasmania, happily in the company of a Tasmanian. The guidebook listed it as a heritage site on a public road, but the graded track along the side of a ridge had to be entered by a gate marked ‘Kingston – Private Property’. We drove several kilometres before reaching another gate. We breached this, too. On our left was a nineteenth-century stone cottage incorporated into a weatherboard homestead. On our right was a large shed and stables. A generator puttered away, and music came from the house. We shouted our presence. Only the horse in the stables responded. Clearly, we were not going to find a stall selling Batman memorabilia.

Book 1 Title: Possession
Book 1 Subtitle: Batman’s treaty and the matter of history
Book Author: Bain Attwood
Book 1 Biblio: Miegunyah Press, $54.99 hb, 415 pp
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Book 2 Title: Shaking Hands on the Fringe
Book 2 Subtitle: Negotiating the Aboriginal world at King George’s sound
Book 2 Author: Tiffany Shellam
Book 2 Biblio: University of Western Australia Publishing, $29.95 pb, 279 pp
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I once visited John Batman’s property in north-east Tasmania, happily in the company of a Tasmanian. The guidebook listed it as a heritage site on a public road, but the graded track along the side of a ridge had to be entered by a gate marked ‘Kingston – Private Property’. We drove several kilometres before reaching another gate. We breached this, too. On our left was a nineteenth-century stone cottage incorporated into a weatherboard homestead. On our right was a large shed and stables. A generator puttered away, and music came from the house. We shouted our presence. Only the horse in the stables responded. Clearly, we were not going to find a stall selling Batman memorabilia.

Read more: Robert Kenny reviews ‘Possession: Batman’s treaty and the matter of history’ by Bain Attwood and...

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Susan Lever reviews ‘Rainforest Narratives: The Work of Janette Turner Hospital’ by David Callahan
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Article Title: A peripatetic life
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Janette Turner Hospital is an Australian-born novelist with an international reputation, though Australian readers often have reservations about her work. She has written some brilliant short stories, but her novels can strain for effect, with insistent intellectual allusions and postmodern shifts of fictional status. Perhaps, though, this is a typical Australian response to an expatriate writer whose work is not immediately accessible. Australian critics have not been as willing to praise Hospital as some North American readers, including Joyce Carol Oates, who, on the cover of Rainforest Narratives, describes Hospital as ‘a writer of consummate craft and visionary insight’.

Book 1 Title: Rainforest Narratives
Book 1 Subtitle: The Work of Janette Turner Hospital
Book Author: David Callahan
Book 1 Biblio: University of Queensland Press, $39.95 pb, 370 pp
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Janette Turner Hospital is an Australian-born novelist with an international reputation, though Australian readers often have reservations about her work. She has written some brilliant short stories, but her novels can strain for effect, with insistent intellectual allusions and postmodern shifts of fictional status. Perhaps, though, this is a typical Australian response to an expatriate writer whose work is not immediately accessible. Australian critics have not been as willing to praise Hospital as some North American readers, including Joyce Carol Oates, who, on the cover of Rainforest Narratives, describes Hospital as ‘a writer of consummate craft and visionary insight’.

Read more: Susan Lever reviews ‘Rainforest Narratives: The Work of Janette Turner Hospital’ by David Callahan

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Robyn Sloggett reviews ‘Securing the Past: Conservation in art, architecture and literature’ by Paul Eggert
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Material culture is everywhere. We hoard it, we gift it, we visit it, we label it and we read it. There is little doubt that the production, preservation, use and re-use of material culture is a key means by which cultural identity is retained, protected and made available across generations. Understanding how a society inherits its cultural identity tells us a lot about that society and what it values. The danger is that this inheritance may be degraded and disenfranchised as time and fashion alter both the meaning, and materiality, of the object. If we are concerned about the stories that objects tell, we must also be concerned about possibilities for misunderstandings and mistranslations. Enter Paul Eggert and his new book, Securing the Past: Conservation in Art, Architecture and Literature.

Book 1 Title: Securing the Past:
Book 1 Subtitle: Conservation in art, architecture and literature
Book Author: Paul Eggert
Book 1 Biblio: Cambridge University Press, $49.95 pb, 290 pp
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Material culture is everywhere. We hoard it, we gift it, we visit it, we label it and we read it. There is little doubt that the production, preservation, use and re-use of material culture is a key means by which cultural identity is retained, protected and made available across generations. Understanding how a society inherits its cultural identity tells us a lot about that society and what it values. The danger is that this inheritance may be degraded and disenfranchised as time and fashion alter both the meaning, and materiality, of the object. If we are concerned about the stories that objects tell, we must also be concerned about possibilities for misunderstandings and mistranslations. Enter Paul Eggert and his new book, Securing the Past: Conservation in Art, Architecture and Literature.

Read more: Robyn Sloggett reviews ‘Securing the Past: Conservation in art, architecture and literature’ by...

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Bill Metcalf reviews ‘Sins of the Father: The Long shadow of a religious cult’ by Fleur Beale
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Sins of the Father focuses on Philip Cooper, a forty-seven-year-old Australian who grew up in a fundamentalist Christian commune established by his father, Neville Cooper, in New Zealand. In 1989, Philip left the commune and came to Australia. Since then, he has been trying to extricate his wife and children and create a ‘normal’ life.

Book 1 Title: Sins of the Father
Book 1 Subtitle: The Long shadow of a religious cult
Book Author: Fleur Beale
Book 1 Biblio: Longacre Press, $29.95 pb
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Sins of the Father focuses on Philip Cooper, a forty-seven-year-old Australian who grew up in a fundamentalist Christian commune established by his father, Neville Cooper, in New Zealand. In 1989, Philip left the commune and came to Australia. Since then, he has been trying to extricate his wife and children and create a ‘normal’ life.

Neville Cooper, a Queenslander, began his evangelical crusade in the late 1940s – ‘a hellfire and brimstone preacher whose mission was to rid the world of sin’. He joined several churches but, invariably finding other preachers not strict enough, always moved on. In 1967, Cooper moved his family to New Zealand where his religious zeal drew large crowds and he was likened to Billy Graham. Cooper envisioned a utopian commune, ‘a Christian island in a Godless world’.

Read more: Bill Metcalf reviews ‘Sins of the Father: The Long shadow of a religious cult’ by Fleur Beale

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John Rickard reviews ‘Stage Presence’ by Jane Goodall
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Article Title: Razzle dazzle ’em
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What is it that endows an actor or performer with stage presence? Jane Goodall introduces her exploration of this phenomenon with three disparate examples: Maria Callas commanding an audience of 20,000 at Epidauros, including a ten-year-old girl who would never forget the experience; Bob Dylan recalling the professional wrestler Gorgeous George making an entrance ‘in all his magnificent glory’; and a young Simon Callow, who, employed in the box office at the Old Vic, sneaks into the empty theatre and, setting foot on the stage and declaiming a few lines from Hamlet, is shocked by the ‘physical, or even psychical, power released, a small earthquake’.

Book 1 Title: Stage Presence
Book Author: Jane Goodall
Book 1 Biblio: Routledge $65 pb, 223 pp
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What is it that endows an actor or performer with stage presence? Jane Goodall introduces her exploration of this phenomenon with three disparate examples: Maria Callas commanding an audience of 20,000 at Epidauros, including a ten-year-old girl who would never forget the experience; Bob Dylan recalling the professional wrestler Gorgeous George making an entrance ‘in all his magnificent glory’; and a young Simon Callow, who, employed in the box office at the Old Vic, sneaks into the empty theatre and, setting foot on the stage and declaiming a few lines from Hamlet, is shocked by the ‘physical, or even psychical, power released, a small earthquake’.

Read more: John Rickard reviews ‘Stage Presence’ by Jane Goodall

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James Ley reviews ‘Summertime: Scenes from provincial life’ by J.M. Coetzee and ‘The Cambridge Introduction to J.M. Coetzee’ by Dominic Head
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Article Title: Scourging negativity in J.M. Coetzee’s new ‘novel’
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Over the course of his long and distinguished career, J.M. Coetzee has written fiction in an array of modes and genres. His books include works of historical and epistolary fiction, realism, allegory and metafiction. He has written novels that have developed complex and evocative intertextual relationships with some of his most significant literary influences – Daniel Defoe, Fyodor Dostoevsky, Franz Kafka – and, in his recent writing, he has experimented with prose that is frankly discursive to the point of didacticism, using a fictional framework to problematise and interrogate statements that, given a different context, could be read as straightforward declarations of belief.

Book 1 Title: Summertime
Book 1 Subtitle: Scenes from provincial life
Book Author: J.M. Coetzee
Book 1 Biblio: Knopf, $39.95 hb, 266 pp
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Book 2 Title: The Cambridge Introduction to J.M. Coetzee
Book 2 Author: Dominic Head
Book 2 Biblio: Cambridge University Press, $34.95 pb, 130 pp
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Over the course of his long and distinguished career, J.M. Coetzee has written fiction in an array of modes and genres. His books include works of historical and epistolary fiction, realism, allegory and metafiction. He has written novels that have developed complex and evocative intertextual relationships with some of his most significant literary influences – Daniel Defoe, Fyodor Dostoevsky, Franz Kafka – and, in his recent writing, he has experimented with prose that is frankly discursive to the point of didacticism, using a fictional framework to problematise and interrogate statements that, given a different context, could be read as straightforward declarations of belief.

Read more: James Ley reviews ‘Summertime: Scenes from provincial life’ by J.M. Coetzee and ‘The Cambridge...

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Kevin Brophy review ‘The Blue Plateau: A Landscape memoir’ by Mark Tredinnick
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Article Title: The poem beneath our feet
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The Blue Plateau, set in the Blue Mountains, is part memoir, part essay and part anecdotal local history. Mark Tredinnick wrote it during the seven years he spent living in the valley below Katoomba with his wife and growing family. Strangely, we learn little of the author or his family as this informative, sympathetic and poetic book emerges from its landscape in meditative bursts. It is a kind of mosaic of prose poems. If there is an order in this book, it is, as Tredinnick suggests in his prologue, one that is more implicit than explicit.

Book 1 Title: The Blue Plateau
Book 1 Subtitle: A Landscape memoir
Book Author: Mark Tredinnick
Book 1 Biblio: University of Queensland Press, $26.95 pb, 276 pp
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The Blue Plateau, set in the Blue Mountains, is part memoir, part essay and part anecdotal local history. Mark Tredinnick wrote it during the seven years he spent living in the valley below Katoomba with his wife and growing family. Strangely, we learn little of the author or his family as this informative, sympathetic and poetic book emerges from its landscape in meditative bursts. It is a kind of mosaic of prose poems. If there is an order in this book, it is, as Tredinnick suggests in his prologue, one that is more implicit than explicit.

Read more: Kevin Brophy review ‘The Blue Plateau: A Landscape memoir’ by Mark Tredinnick

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Thuy On reviews ‘The Book of Rapture’ by Nikki Gemmell
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One could be forgiven for thinking that after the succès de scandale of her previous novel, The Bride Stripped Bare (2005), Nikki Gemmell’s next novel would also address the permutations of sexual desire, particularly since the title of her latest novel is The Book of Rapture and the cover is a riot of fleshy red and purple. This time round, though, Gemmell is more interested in exploring religious, scientific and familial rapture. There is barely a skerrick of sex within the deckle-edged pages.

Book 1 Title: The Book of Rapture
Book Author: Nikki Gemmell
Book 1 Biblio: Fourth Estate, $29.99 pb, 273 pp
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One could be forgiven for thinking that after the succès de scandale of her previous novel, The Bride Stripped Bare (2005), Nikki Gemmell’s next novel would also address the permutations of sexual desire, particularly since the title of her latest novel is The Book of Rapture and the cover is a riot of fleshy red and purple. This time round, though, Gemmell is more interested in exploring religious, scientific and familial rapture. There is barely a skerrick of sex within the deckle-edged pages.

In an unnamed country in an unspecified time, three drugged young children are smuggled into a hotel basement. They are ‘like tiny wooden boats in a wind-tossed sea, swivelling, unanchored, lost’. But it turns out that this prison is also a refuge: their scientist parents are being held hostage, and the children have been sequestered for their own safety.

Read more: Thuy On reviews ‘The Book of Rapture’ by Nikki Gemmell

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Imre Salusinszky reviews ‘The Cambridge Companion to Bob Dylan’ edited by Kevin J.H. Dettmar
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Article Title: The concept that dare not speak its name
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Following years of debates with people who denied that Bob Dylan was worthy of serious literary study, I eventually conceded, albeit in a somewhat roundabout fashion. Having brought enjoyment and illumination to millions of people, what on earth had Dylan done to deserve being beaten about the head by literary criticism? But after a hiatus, The Cambridge Companion to Bob Dylan has brought me up to date with the field of Dylan studies, and I can confidently declare that there is hope. This collection consists of nine ‘big picture’ essays on subjects such as Dylan as songwriter, Dylan and collaboration, Dylan and gender, and so on, followed by shorter pieces on eight of Dylan’s most influential albums (how they chose from the fifty-odd on offer is anyone’s guess).

Book 1 Title: The Cambridge Companion to Bob Dylan
Book Author: Kevin J.H. Dettmar
Book 1 Biblio: Cambridge University Press, $39.95 pb, 185 pp
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Following years of debates with people who denied that Bob Dylan was worthy of serious literary study, I eventually conceded, albeit in a somewhat roundabout fashion. Having brought enjoyment and illumination to millions of people, what on earth had Dylan done to deserve being beaten about the head by literary criticism? But after a hiatus, The Cambridge Companion to Bob Dylan has brought me up to date with the field of Dylan studies, and I can confidently declare that there is hope. This collection consists of nine ‘big picture’ essays on subjects such as Dylan as songwriter, Dylan and collaboration, Dylan and gender, and so on, followed by shorter pieces on eight of Dylan’s most influential albums (how they chose from the fifty-odd on offer is anyone’s guess).

Read more: Imre Salusinszky reviews ‘The Cambridge Companion to Bob Dylan’ edited by Kevin J.H. Dettmar

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Christopher Allen reviews ‘The Cambridge Companion to Greek Lyric’ edited by Felix Budelmann
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Article Title: ‘Eros shook my heart’
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It is easy to be complacent about the Greeks. We know they invented democracy, philosophy, drama, the principle of free speech and other things that we value highly; but how often do we read the works of Homer and Hesiod, of Aeschylus, Sophocles and Euripides, of Herodotus and Thucydides, of Plato and Aristotle? How often do we reflect that the Greeks gave the West the very idea of literature? The heritage is so rich that there are whole periods and genres that many readers may never have encountered, except in the most tangential way.

Book 1 Title: The Cambridge Companion to Greek Lyric
Book Author: Felix Budelmann
Book 1 Biblio: Cambridge University Press, $59.95 pb
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It is easy to be complacent about the Greeks. We know they invented democracy, philosophy, drama, the principle of free speech and other things that we value highly; but how often do we read the works of Homer and Hesiod, of Aeschylus, Sophocles and Euripides, of Herodotus and Thucydides, of Plato and Aristotle? How often do we reflect that the Greeks gave the West the very idea of literature? The heritage is so rich that there are whole periods and genres that many readers may never have encountered, except in the most tangential way.

Between the impersonal voice of epic, spoken by the bard under the inspiration of the Muse and reaching us as though from an immemorial past, and the alternating dramatic exchanges of theatre, there is another kind of poetic voice, more individualistic and immediate, now seductive, now angry, now witty and urbane. It is as extraordinary to think that the personal and intimate tone of the Lyric poet coincides with the ideal anonymity of Archaic sculpture as it is to consider that the stick-figures of the Geometric style belong to the same century as Homer’s vivid and powerful characters.

Read more: Christopher Allen reviews ‘The Cambridge Companion to Greek Lyric’ edited by Felix Budelmann

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Mark Gomes reviews ‘The Death of Bunny Munro’ by Nick Cave
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Article Title: ‘One day, Bunny Boy’
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Although Nick Cave’s second novel makes strong claim to the musician’s skills as a writer, in the end it is too morally opaque to succeed as a work of sustained fiction. There is an overwhelming didacticism to The Death of Bunny Munro that delights too much in its own surety to be persuasive, and leads to a disappointing suspicion that, despite Cave’s renown as a populist intellectual, there is little in the book to consider besides the sexual conscience of its titular protagonist. Bunny Munro is certainly entertaining, and his exploits memorable, if puerile, but the final authorial judgement of the character is predictable, and, worse, leaves little room for readers’ thoughts. Exactly what Munro’s version of family life undone by libidinous desire contributes – even when told with remarkable lyricism – remains moot in the novel.

Book 1 Title: The Death of Bunny Munro
Book Author: Nick Cave
Book 1 Biblio: Text Publishing, $32.95 pb, 288 pp
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Although Nick Cave’s second novel makes strong claim to the musician’s skills as a writer, in the end it is too morally opaque to succeed as a work of sustained fiction. There is an overwhelming didacticism to The Death of Bunny Munro that delights too much in its own surety to be persuasive, and leads to a disappointing suspicion that, despite Cave’s renown as a populist intellectual, there is little in the book to consider besides the sexual conscience of its titular protagonist. Bunny Munro is certainly entertaining, and his exploits memorable, if puerile, but the final authorial judgement of the character is predictable, and, worse, leaves little room for readers’ thoughts. Exactly what Munro’s version of family life undone by libidinous desire contributes – even when told with remarkable lyricism – remains moot in the novel.

Read more: Mark Gomes reviews ‘The Death of Bunny Munro’ by Nick Cave

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Sylvia Martin reviews ‘The Intimate Archive: Journeys through private papers’ by Maryanne Dever, Sally Newman and Ann Vickery
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‘What is it that distinguishes “the experience of being in the archives” from other types of research?’ The introduction to The Intimate Archive indicates that this is a crucial question underpinning the book. Neither dry repositories of records nor merely the random detritus of lives, archives are understood as constructed artefacts, shaped by cultural and political practices as well as by chance. Their meaning also depends on the historical moment: what is overlooked by one generation of researchers may be important to another. What is regarded as evidence by a researcher trained in literature may be questioned by an historian. Particular interests, as well as factors like gender, may also influence the materials researchers select from papers and how they interpret them.

Book 1 Title: The Intimate Archive
Book 1 Subtitle: Journeys through private papers
Book Author: Maryanne Dever, Sally Newman and Ann Vickery
Book 1 Biblio: National Library of Australia, $34.95 pb, 198 pp
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‘What is it that distinguishes “the experience of being in the archives” from other types of research?’ The introduction to The Intimate Archive indicates that this is a crucial question underpinning the book. Neither dry repositories of records nor merely the random detritus of lives, archives are understood as constructed artefacts, shaped by cultural and political practices as well as by chance. Their meaning also depends on the historical moment: what is overlooked by one generation of researchers may be important to another. What is regarded as evidence by a researcher trained in literature may be questioned by an historian. Particular interests, as well as factors like gender, may also influence the materials researchers select from papers and how they interpret them.

Read more: Sylvia Martin reviews ‘The Intimate Archive: Journeys through private papers’ by Maryanne Dever,...

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Jaynie Anderson reviews ‘The Outsider: A Portrait of Ursula Hoff’ by Colin Holden
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Contents Category: Biography
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At first glance, the life of an art historian, often depressed in the latter decades of her life, might not yield a compelling book. But Colin Holden’s perusal of Ursula Hoff’s previously unknown diaries has produced a passionate and valuable portrayal of a scholar wrestling with the challenge of buying works of art for the National Gallery of Victoria, in London. The biography is based on Hoff’s diaries, still owned by her estate, and not yet in the public domain.

Book 1 Title: The Outsider
Book 1 Subtitle: A Portrait of Ursula Hoff
Book Author: Colin Holden
Book 1 Biblio: Australian Scholarly Publishing, $49.95 hb, 275 pp
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At first glance, the life of an art historian, often depressed in the latter decades of her life, might not yield a compelling book. But Colin Holden’s perusal of Ursula Hoff’s previously unknown diaries has produced a passionate and valuable portrayal of a scholar wrestling with the challenge of buying works of art for the National Gallery of Victoria, in London. The biography is based on Hoff’s diaries, still owned by her estate, and not yet in the public domain.

It is said that Hoff (1909–2005) kept diaries all her life, but this book is based on the one from 1939, when she emigrated from Europe to Australia, and on those from her later years, following her retirement from the Department of Prints and Drawings at the National Gallery, when she became Felton Adviser, living and buying works in London.

Read more: Jaynie Anderson reviews ‘The Outsider: A Portrait of Ursula Hoff’ by Colin Holden

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Patrick Allington reviews ‘The People’s Train’ by Tom Keneally
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Article Title: Keneally’s humid cauldron
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The People’s Train, a book that links Queensland to the Russian Revolution, comes with baggage. Not least, there is the mixed critical reaction Tom Keneally has endured over the decades. Perhaps most notably, he is forever to be hailed and damned as the author of Schindler’s Ark (1982). Keneally’s popularity seems double-edged: Simon Sebag Montefiore, a writer of books about Russia, breathlessly lauds The People’s Train as a ‘tremendous read and really exciting’, yet Keneally’s compulsive readability – surely cause for celebration – has somehow dented his reputation as a ‘serious’ writer.

Book 1 Title: The People’s Train
Book Author: Tom Keneally
Book 1 Biblio: Vintage, $32.95 pb, 408 pp
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The People’s Train, a book that links Queensland to the Russian Revolution, comes with baggage. Not least, there is the mixed critical reaction Tom Keneally has endured over the decades. Perhaps most notably, he is forever to be hailed and damned as the author of Schindler’s Ark (1982). Keneally’s popularity seems double-edged: Simon Sebag Montefiore, a writer of books about Russia, breathlessly lauds The People’s Train as a ‘tremendous read and really exciting’, yet Keneally’s compulsive readability – surely cause for celebration – has somehow dented his reputation as a ‘serious’ writer.

Then there are the complications caused by Keneally the nearly Catholic priest, his early reputation as ‘the next Patrick White’, the republican, the refugee advocate, the slightly awkward but humorous and impassioned public speaker, the Akubra, the funny beard, the twinkling eyes, and so on. His detractors have sometimes played the man not the ball, but these days Keneally is something of an iconic Aussie – and one of the National Trust’s ‘Living National Treasures’ (astonishing though the existence of such a list might be).

Read more: Patrick Allington reviews ‘The People’s Train’ by Tom Keneally

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Anna Ryan-Punch reviews ‘The Winds of Heaven’ by Judith Clarke
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Contents Category: Children's and Young Adult Fiction
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Article Title: Accidents of circumstance
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Judith Clarke’s new novel for young adults, The Winds of Heaven, is a moving story about the strength and difficulty of friendship, and how accidents of birth, family and situation can combine to overwhelm the brightest spirit.

On her first trip to Lake Conapaira in 1952, ten-year-old Clementine meets her cousin Fan for the first time. Fan is a whirlwind: beautiful, impulsive and imaginative. Clementine is entranced by Fan’s strength and liveliness, and the two girls quickly become friends. But Fan’s childhood is a world away from Clementine’s cautious but loving family home. Stranded with her violent mother amid the prejudices of a country town, the beautiful Fan is labelled ‘stupid’ at school, and regularly beaten and emotionally abused by her depressive mother. Her sister has left home, and her father disappeared long ago. Fan fights for happiness, and fights hard. She has her miyan, or spiritual guardian, an elderly Aborigine who lives in the bush and tells her stories. He calls her Yirigaa, ‘Morning Star’, and is the only positive adult influence in her life. Clementine wants to stay with Fan, but the holiday draws to an end and she must return home, leaving Fan with her mother in the house that smelled of ‘anger and hatred and disappointment and jagged little fears’.

Book 1 Title: The Winds of Heaven
Book Author: Judith Clarke
Book 1 Biblio: Allen & Unwin, $22.99 pb, 268 pp
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Judith Clarke’s new novel for young adults, The Winds of Heaven, is a moving story about the strength and difficulty of friendship, and how accidents of birth, family and situation can combine to overwhelm the brightest spirit.

On her first trip to Lake Conapaira in 1952, ten-year-old Clementine meets her cousin Fan for the first time. Fan is a whirlwind: beautiful, impulsive and imaginative. Clementine is entranced by Fan’s strength and liveliness, and the two girls quickly become friends. But Fan’s childhood is a world away from Clementine’s cautious but loving family home. Stranded with her violent mother amid the prejudices of a country town, the beautiful Fan is labelled ‘stupid’ at school, and regularly beaten and emotionally abused by her depressive mother. Her sister has left home, and her father disappeared long ago. Fan fights for happiness, and fights hard. She has her miyan, or spiritual guardian, an elderly Aborigine who lives in the bush and tells her stories. He calls her Yirigaa, ‘Morning Star’, and is the only positive adult influence in her life. Clementine wants to stay with Fan, but the holiday draws to an end and she must return home, leaving Fan with her mother in the house that smelled of ‘anger and hatred and disappointment and jagged little fears’.

Read more: Anna Ryan-Punch reviews ‘The Winds of Heaven’ by Judith Clarke

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Jo Case reviews ‘The World Beneath’ by Cate Kennedy
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Contents Category: Short Stories
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Article Title: Tightrope transition
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Cate Kennedy’s début collection, Dark Roots (2006), marked a change in publishers’ thinking about the commercial potential of short stories, and helped create the atmosphere in which Nam Le was signed up for his bestselling collection, The Boat (2008).

Kennedy was well known in literary circles before her book was published; she has won several of Australia’s leading short story competitions, including the Age Short Story competition twice. Dark Roots gained her a public following and cemented her status as one of Australia’s most accomplished writers, regardless of genre. The stories in Dark Roots are master classes in style and precision: a series of lives intimately sketched by way of carefully chosen, closely observed detail and elegant metaphors. Now readers will see how Kennedy manages the tightrope transition to the long form in her first novel, The World Beneath.

Book 1 Title: The World Beneath
Book Author: Cate Kennedy
Book 1 Biblio: Scribe, $32.95 pb, 342 pp
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Cate Kennedy’s début collection, Dark Roots (2006), marked a change in publishers’ thinking about the commercial potential of short stories, and helped create the atmosphere in which Nam Le was signed up for his bestselling collection, The Boat (2008).

Kennedy was well known in literary circles before her book was published; she has won several of Australia’s leading short story competitions, including the Age Short Story competition twice. Dark Roots gained her a public following and cemented her status as one of Australia’s most accomplished writers, regardless of genre. The stories in Dark Roots are master classes in style and precision: a series of lives intimately sketched by way of carefully chosen, closely observed detail and elegant metaphors. Now readers will see how Kennedy manages the tightrope transition to the long form in her first novel, The World Beneath.

Read more: Jo Case reviews ‘The World Beneath’ by Cate Kennedy

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Isobel Crombie reviews ‘Twelve Australian Photo Artists’ by Blair French and Daniel Palmer
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Of all art forms, photography has probably had the most contentious and complex reception. Graduating from the ‘bastard child left on the doorstep of art’ in the 1840s to the darling of the art world for some 170 years, the critical understanding of this quintessentially modern medium is in a constant state of flux.

These thoughts occurred to me as I read this lavishly produced hardcover book. Indeed, as the rather prosaic title, states, this is photography that self-confidently declares itself as art. Blair French, who co-authored Twelve Australian Photo Artists with Daniel Palmer, brings one of the touchiest aspects of the medium to the fore when commenting on the work of Pat Brassington: ‘the relationship between photography and the world may appear transparent, but photography is in fact an opaque medium with its own material qualities ... it is an act of fabrication and construction.’ This is the sticking point that still brings the medium into contention: photography as a reflection of the world or as a construction. Or, to use a more crude conjunction, document verses art.

Book 1 Title: Twelve Australian Photo Artists
Book Author: Blair French and Daniel Palmer
Book 1 Biblio: Piper Press, $99 hb, 200 pp
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Of all art forms, photography has probably had the most contentious and complex reception. Graduating from the ‘bastard child left on the doorstep of art’ in the 1840s to the darling of the art world for some 170 years, the critical understanding of this quintessentially modern medium is in a constant state of flux.

These thoughts occurred to me as I read this lavishly produced hardcover book. Indeed, as the rather prosaic title, states, this is photography that self-confidently declares itself as art. Blair French, who co-authored Twelve Australian Photo Artists with Daniel Palmer, brings one of the touchiest aspects of the medium to the fore when commenting on the work of Pat Brassington: ‘the relationship between photography and the world may appear transparent, but photography is in fact an opaque medium with its own material qualities ... it is an act of fabrication and construction.’ This is the sticking point that still brings the medium into contention: photography as a reflection of the world or as a construction. Or, to use a more crude conjunction, document verses art.

Read more: Isobel Crombie reviews ‘Twelve Australian Photo Artists’ by Blair French and Daniel Palmer

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Michael McGirr reviews ‘Unparalleled Sorrow: Finding my way back from depression’ by Barry Dickins
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This is the same Barry Dickins who used to write a column for the religion section of The Melbourne Times. The religion section dealt with football, and Dickins covered the waxing and mostly waning fortunes of the Fitzroy Lions, who were long ago squeezed into amalgamation with Brisbane. Brisbane was never an inner suburb of Melbourne, a sore point with followers, many of whom wore black to the game. They looked like mourners. Dickins alone could describe all the griefs that held them together. He was and is an unparalleled celebrant of sorrow. He is the bloke you want to be around when you need jokes for a funeral.

Book 1 Title: Unparalleled Sorrow
Book 1 Subtitle: Finding my way back from depression
Book Author: Barry Dickins
Book 1 Biblio: Hardie Grant Books, $29.95 pb, 307 pp
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This is the same Barry Dickins who used to write a column for the religion section of The Melbourne Times. The religion section dealt with football, and Dickins covered the waxing and mostly waning fortunes of the Fitzroy Lions, who were long ago squeezed into amalgamation with Brisbane. Brisbane was never an inner suburb of Melbourne, a sore point with followers, many of whom wore black to the game. They looked like mourners. Dickins alone could describe all the griefs that held them together. He was and is an unparalleled celebrant of sorrow. He is the bloke you want to be around when you need jokes for a funeral.

Dickins’s column was a weekly dose of the lunacy that is needed to keep readers sane. The column was not so much about football as it was about life, especially the life of hapless supporters. Often enough, especially when a game was interstate, his opinions would be delivered from the couch in front of the television where he kept company with a steady supply of grog. In this new book, he gives thanks for the influence of Dylan Thomas, but his prose also brings Flann O’Brien to mind. Dickins is as sharp, funny and discomforting an observer of his narrow world as you could want.

Read more: Michael McGirr reviews ‘Unparalleled Sorrow: Finding my way back from depression’ by Barry Dickins

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Paul Crittenden reviews ‘What Happened at Vatican II’ by John W. O’Malley and ‘Keepers of the Keys of Heaven’ by Roger Collins
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Contents Category: History
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Article Title: The good, bad and indifferent
Article Subtitle: Change and fallibility at the Vatican
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Popes have long been wary of Church Councils, seeing them as possible rivals to their claim to absolute authority. When the Council of Constance met in 1414, there were three contending popes, each elected by a set of cardinals, and each with political support across Europe. At its end, two had been deposed, and the third, Gregory XII, having been recognised as pope, agreed to resign. A commission of Cardinals and others appointed by the Council then elected a new pope, Martin V, in 1417. Constance also decreed that the pope was to convene councils on a regular basis. Martin conformed for a time, but the practice soon fell away. Popes have preferred to govern alone, with the help of the Roman Curia.

Book 1 Title: What Happened at Vatican II
Book Author: John W. O’Malley
Book 1 Biblio: Harvard University Press, $49.95 hb, 380 pp
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Book 2 Title: Keepers of the Keys of Heaven
Book 2 Subtitle: A History of the Papacy
Book 2 Author: Roger Collins
Book 2 Biblio: Weidenfeld & Nicolson, $69.99 hb, 564 pp
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Popes have long been wary of Church Councils, seeing them as possible rivals to their claim to absolute authority. When the Council of Constance met in 1414, there were three contending popes, each elected by a set of cardinals, and each with political support across Europe. At its end, two had been deposed, and the third, Gregory XII, having been recognised as pope, agreed to resign. A commission of Cardinals and others appointed by the Council then elected a new pope, Martin V, in 1417. Constance also decreed that the pope was to convene councils on a regular basis. Martin conformed for a time, but the practice soon fell away. Popes have preferred to govern alone, with the help of the Roman Curia.

Since the Council of Trent (1545–63), there have been just two Councils, both held on the pope’s home ground, Vatican I (1869–70) and Vatican II (1962–65). Vatican I is best known for declaring papal infallibility and for taking a stand against the modern world. Vatican II, by contrast, sought internal reform of the Church and engagement with other religions, and the modern world generally. As part of its reform program, the Council sought especially to develop a new style of governance based on collegiality between pope and bishops. For all its achievements, Vatican II failed to win this battle with Paul VI and the Roman Curia. This is a key argument in John O’Malley’s scholarly and engrossing account of what happened at Vatican II.

Read more: Paul Crittenden reviews ‘What Happened at Vatican II’ by John W. O’Malley and ‘Keepers of the Keys...

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