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August 2006, no. 283

Welcome to the August 2006 issue of Australian Book Review.

Dennis Altman reviews On Holidays: A history of getting away in Australia by Richard White and The Cities Book: A journey through the best cities in the world
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Article Title: On the upswing
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Despite the rhetoric of globalisation, it is impossible to buy an airline ticket online in the United States with a credit card issued abroad. When I needed a ticket from Boston to Washington last year, and after numerous unsuccessful arguments with airline websites and 1800 numbers, I dropped into the local Harvard travel agency. There was a welcome familiarity in discovering that it was a branch of STA, one of more than 400 branches operated around the world by the Australian-based company.

Book 1 Title: On Holidays
Book 1 Subtitle: A history of getting away in Australia
Book Author: Richard White
Book 1 Biblio: Pluto Press, $32.95 pb, 250 pp
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Book 2 Title: The Cities Book
Book 2 Subtitle: A journey through the best cities in the world
Book 2 Author: Lonely Planet
Book 2 Biblio: Lonely Planet, $79.95 hb, 428 pp
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Despite the rhetoric of globalisation, it is impossible to buy an airline ticket online in the United States with a credit card issued abroad. When I needed a ticket from Boston to Washington last year, and after numerous unsuccessful arguments with airline websites and 1800 numbers, I dropped into the local Harvard travel agency. There was a welcome familiarity in discovering that it was a branch of STA, one of more than 400 branches operated around the world by the Australian-based company.

Read more: Dennis Altman reviews 'On Holidays: A history of getting away in Australia' by Richard White and...

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Emily Ballou reviews Careless by Deborah Robertson and Madonna of the Eucalypts by Karen Sparnon
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Contents Category: Fiction
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Article Title: The wages of dying
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The first thing about Deborah Robertson’s first novel, Careless, that strikes the reader is the way that her prose style cuts like sand. The story of three individuals united by the murder of six children is compelling, but what impresses is Robertson’s love of language, the precision of her sentences, as well as her gentle philosophical imagination and the deeper questions her book seeks to answer.

Book 1 Title: Careless
Book Author: Deborah Robertson
Book 1 Biblio: Picador, $32.95 pb, 293 pp
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Book 2 Title: Madonna of the Eucalypts
Book 2 Author: Karen Sparnon
Book 2 Biblio: Text, $22.95 pb, 261 pp
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The first thing about Deborah Robertson’s first novel, Careless, that strikes the reader is the way that her prose style cuts like sand. The story of three individuals united by the murder of six children is compelling, but what impresses is Robertson’s love of language, the precision of her sentences, as well as her gentle philosophical imagination and the deeper questions her book seeks to answer.

Read more: Emily Ballou reviews 'Careless' by Deborah Robertson and 'Madonna of the Eucalypts' by Karen Sparnon

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Contents Category: Journals
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Article Title: The company you keep
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St Augustine suggests that it is impossible to love something until we know it. Yet desire, he continues, prefigures the amount of love we will have for it once it is known. With an alluring collection of new writing, and the support of a prestigious advisory board, Wet Ink has made its début in the market of print journals, and it clearly intends to woo.

Book 1 Title: Wet Ink, Issue 1
Book 1 Subtitle: Summer 2005
Book Author: Phillip Edmonds and Dominique Wilson
Book 1 Biblio: $14.95 pb
Book 2 Title: Wet Ink, Issue 2
Book 2 Subtitle: Autumn 2006
Book 2 Author: Phillip Edmonds and Dominique Wilson
Book 2 Biblio: $14.95 pb
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St Augustine suggests that it is impossible to love something until we know it. Yet desire, he continues, prefigures the amount of love we will have for it once it is known. With an alluring collection of new writing, and the support of a prestigious advisory board, Wet Ink has made its début in the market of print journals, and it clearly intends to woo.

Read more: Lisa Bennett reviews 'Wet Ink, Issue 1: Summer 2005' and 'Wet Ink, Issue 2: Autumn 2006' edited by...

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Rachel Buchanan reviews Great Writers Great Loves: The reinvention of love in the twentieth century by Ann-Marie Priest
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Article Title: Making the bed
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If this is love, then we are all in trouble. Addiction, infidelity, cruelty, violence, obsession, depression, repression, jealousy, impotence, the neglect of children and a whole lot of hysterical personal correspondence are features of the love affairs conducted by the eight writers who are the subject of this disconcerting book.

Book 1 Title: Great Writers Great Loves
Book 1 Subtitle: The reinvention of love in the twentieth century
Book Author: Ann-Marie Priest
Book 1 Biblio: Black Inc., $29.95 pb, 298 pp
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If this is love, then we are all in trouble. Addiction, infidelity, cruelty, violence, obsession, depression, repression, jealousy, impotence, the neglect of children and a whole lot of hysterical personal correspondence are features of the love affairs conducted by the eight writers who are the subject of this disconcerting book.

Read more: Rachel Buchanan reviews 'Great Writers Great Loves: The reinvention of love in the twentieth...

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Article Title: Art is Not Life
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You set down orange, with a dab of blue
and this grows into art
of a non-offender’s kind,
innocent as a fart in the footy crowd.
Meanwhile, the killing stumbles on

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You set down orange, with a dab of blue
and this grows into art
of a non-offender’s kind,
innocent as a fart in the footy crowd.
Meanwhile, the killing stumbles on

Read more: 'Art is Not Life' by Chris Wallace-Crabbe

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Article Title: Ming’s Legacy
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Australian historians admire Robert Menzies. Pardon? Aren’t historians, like the rest of the Australian academy, left-wing propagandists? Don’t they all loathe the prime minister’s political role model? Regardless of how historians view Menzies’ attitudes to the monarchy, appeasement, the middle class and the Communist Party, they have reached a consensus on one point: Menzies played a significant role in the consolidation and expansion of Australia’s university sector. When Ben Chifley laid the foundation stone of the Australian National University during the election year of 1949, Menzies refused to politicise the initiative; as prime minister in 1956, he appointed a committee to inquire into the plight of Australian universities and insisted on the provision of life-giving funds by the Commonwealth government under conditions which preserved university autonomy. As his biographer, A.W. Martin, notes, ‘Menzies’ support of universities, and the university life, was never at any time in doubt’.

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Australian historians admire Robert Menzies. Pardon? Aren’t historians, like the rest of the Australian academy, left-wing propagandists? Don’t they all loathe the prime minister’s political role model? Regardless of how historians view Menzies’ attitudes to the monarchy, appeasement, the middle class and the Communist Party, they have reached a consensus on one point: Menzies played a significant role in the consolidation and expansion of Australia’s university sector. When Ben Chifley laid the foundation stone of the Australian National University during the election year of 1949, Menzies refused to politicise the initiative; as prime minister in 1956, he appointed a committee to inquire into the plight of Australian universities and insisted on the provision of life-giving funds by the Commonwealth government under conditions which preserved university autonomy. As his biographer, A.W. Martin, notes, ‘Menzies’ support of universities, and the university life, was never at any time in doubt’.

In 1915 the Students’ Representative Council had recommended to the University of Melbourne Council that Menzies, then a third-year Law student, should be the 1916 editor of the Melbourne University Magazine. At the University of Sydney, another Law student, H.V. Evatt, was editing the university’s magazine, Hermes. The boys from Jeparit and Maitland, born months apart, threw themselves into university life, contributing poems and articles to the publications they edited, involving themselves in debating, promoting sport and acknowledging war service. They were to be foes at the Bar and in parliament until 1965, when Menzies was a pallbearer at Evatt’s funeral.

Many other student editors have also become notable journalists, writers, and polemicists. The roll-call includes Cyril Pearl, Geoffrey Blainey, Donald Horne, Keith Windschuttle, Germaine Greer, Clive James, Les Murray, Frank Moorhouse, Laurie Oakes, Morag Fraser, Henry Rosenbloom and Kathy Bail. Numerous writers and politicians were to be published for the first time in student publications.

This tradition, already under threat, is in danger of disappearing. The Commonwealth government’s Voluntary Student Unionism (VSU) legislation, passed in 2005 and taking effect from 1 July 2006, prevents universities from collecting compulsory levies not directly related to students’ courses. The government refused to separate funding for represent-ative student bodies from sports associations, clubs and other services. These services include publications, whose fate was somewhat overlooked as the Opposition parties and members of the National Party focused on the predictably Australian preoccupation with sports facilities, and with services such as child care and legal advice.

The impact on student publications of the Commonwealth government’s legislation has been swift and severe. Pulp (Southern Cross) and Harambee (Edith Cowan) have ceased. Swinburne has withdrawn funding for the weekly Swine, which is now considering electronic publication. The university initially agreed to fund the official student magazine, Tabula Rasa, but has since withdrawn funding; the print run has been halved and the use of colour minimised. The circulations of Honi Soit (Sydney) and Vertigo (UTS) have also been cut, and Vertigo’s editors have decided not to argue for their full honoraria. The University of Queensland’s Semper Floreat has gone online.

The student media’s attitude to advertising might best be described as ambivalent. Many publications regard not running advertising as critical to their autonomy. Swinburne’s student union believes that it may have to overturn its policy that no more than twenty-five per cent of Tabula Rasa should consist of advertising. Semper Floreat’s ‘sell out’ edition reported that ‘sometimes no one wants to buy your soul, even if it is going cheap’: multinationals like Coca Cola and News Limited had declined to sponsor a page at $1000 a pop.

VSU has pitted university administrations against student unions, unions against newspapers, and newspapers against their natural constituents. There have been debates about why already straitened universities have chosen not to guarantee financial support for newspapers, as they have with some other services. But the very act of accepting this support may well lead to questions about whether newspapers will still be free to criticise university administrations; Pulp’s forthcoming replacement, to be produced in partnership with the SCU School of Arts and Social Sciences, will require university approval before going to press. Some student unions have been lambasted for the alacrity with which they elected to axe or prune newspapers.

This last point might attest to the fact that many students are now so busy juggling paid employment with their studies (a trend that will presumably accelerate with rises in HECS and full-fee paying courses) that they do not have the time to embrace extracurricular university activities. Student publications, as well as associations, are very different from the days of Menzies and Evatt. It was not until after World War I that political clubs and radical students emerged at Australian universities; decades later, editors came to be directly elect-ed and paid stipends by student unions. As Blainey has remarked, the history of student journalism ‘is a series of oscillations from left to right’. Publications were to be-come political weapons, blending passion, erudition and sat-ire to fight the battles of the Cold War and the Vietnam War, and to flay apartheid and censorship. Full-year courses meant that students, especially in the Arts, had fairly leisurely lives and the time to embrace politics and journalism. Now the very notion of communities centred on university life has been all but dismantled. The editor-in-chief of Deakin University’s Crossfire Magazine feels ‘like a slave to an organisation that is now about counting money and nothing else’.

John Howard often speaks of the need for better education in civics and history. Perhaps he should read more about Menzies.

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Article Title: Truth and fiction
Article Subtitle: Judith Wright as historian
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Early last year, Phillip Adams interviewed the British author Pat Barker on his radio programme, Late Night Live. Pat Barker is a novelist who has journeyed into history, most famously in her Regeneration trilogy about World War I, where she fictionalises real, historical individuals. Adams asked her: ‘Which is better at getting at the truth? Fiction or history?’ Her answer was: ‘Oh, fiction every time.’ Barker is a novelist for whom violence and the fear of violence has been a recurrent, powerful theme. She argued that fiction allowed her to ‘slow down’ the horror so that she and her readers could think about it as it happened. In real life she felt that violence was often so swift and shocking that all one could do was recoil. Fiction gave her freedoms that helped her to convey truth.

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Early last year, Phillip Adams interviewed the British author Pat Barker on his radio programme, Late Night Live. Pat Barker is a novelist who has journeyed into history, most famously in her Regeneration trilogy about World War I, where she fictionalises real, historical individuals. Adams asked her: ‘Which is better at getting at the truth? Fiction or history?’ Her answer was: ‘Oh, fiction every time.’ Barker is a novelist for whom violence and the fear of violence has been a recurrent, powerful theme. She argued that fiction allowed her to ‘slow down’ the horror so that she and her readers could think about it as it happened. In real life she felt that violence was often so swift and shocking that all one could do was recoil. Fiction gave her freedoms that helped her to convey truth.

Read more: ‘Truth and fiction: Judith Wright as historian’ by Tom Griffiths

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Article Title: Passages to England
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The quirky kind of pleasure’ provided by coincidence; the ‘rightness’, whether logical or poetic, of connections between seemingly unconnected people, particularly connections that are inadvertent or may remain unknown to the people concerned; the ‘pleasing symmetry’, in retrospect, of various experiences we share with another human being, even when the experiences concerned were painful ones and their circumstances tragic: these are but a few of the broader observations, incidental but also integral, strewn throughout Two Lives (2005), Vikram Seth’s recent memoir of his great-uncle Shanti and Shanti’s German-Jewish wife, Henni. Integral not only to their nephew’s story of their fortuitous coming together in Nazi Germany and subsequent lives in England, but also to the life experiences of Seth’s readers, including (in my own case, certainly) the experience of reading the book itself. Such riches as are to be found in this story of ‘strange journeys’ and ‘chance encounters’ may also be found, Seth observes at the end, ‘behind every door on every street’. For me, the coincidences, inadvertent connections and serendipitous symmetries I found in the author’s trajectory and mine came to border on the uncanny.

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The quirky kind of pleasure’ provided by coincidence; the ‘rightness’, whether logical or poetic, of connections between seemingly unconnected people, particularly connections that are inadvertent or may remain unknown to the people concerned; the ‘pleasing symmetry’, in retrospect, of various experiences we share with another human being, even when the experiences concerned were painful ones and their circumstances tragic: these are but a few of the broader observations, incidental but also integral, strewn throughout Two Lives (2005), Vikram Seth’s recent memoir of his great-uncle Shanti and Shanti’s German-Jewish wife, Henni. Integral not only to their nephew’s story of their fortuitous coming together in Nazi Germany and subsequent lives in England, but also to the life experiences of Seth’s readers, including (in my own case, certainly) the experience of reading the book itself. Such riches as are to be found in this story of ‘strange journeys’ and ‘chance encounters’ may also be found, Seth observes at the end, ‘behind every door on every street’. For me, the coincidences, inadvertent connections and serendipitous symmetries I found in the author’s trajectory and mine came to border on the uncanny.

Read more: 'Passages to England' by Ian Britain

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Contents Category: Society
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Article Title: The core of the problem
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The nomenclature of indigenous policy is apt to mislead, casting indigenous people as the passive objects of progressively more enlightened régimes: protection, assimilation, self-determination. This view is resonant in the history propagated by Keith Windschuttle, among others. Contesting Assimilation sets out to debunk this historically inaccurate idea and the implicit condescension in the view that denies any role for indigenous people in shaping the policy environment. As the essays in this volume attest, the development of indigenous policy can only be understood as a product of the interaction of indigenous and non-indigenous reformers, engaged in a struggle of ideas as to how best to resolve the social issues occasioned by colonisation.

Book 1 Title: Contesting Assimilation
Book Author: Tim Rowse
Book 1 Biblio: API Network, $34.95 pb, 354 pp
Book 1 Author Type: Editor
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The nomenclature of indigenous policy is apt to mislead, casting indigenous people as the passive objects of progressively more enlightened régimes: protection, assimilation, self-determination. This view is resonant in the history propagated by Keith Windschuttle, among others. Contesting Assimilation sets out to debunk this historically inaccurate idea and the implicit condescension in the view that denies any role for indigenous people in shaping the policy environment. As the essays in this volume attest, the development of indigenous policy can only be understood as a product of the interaction of indigenous and non-indigenous reformers, engaged in a struggle of ideas as to how best to resolve the social issues occasioned by colonisation.

Read more: Lee Corbett reviews ‘Contesting Assimilation’ edited by Tim Rowse

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Contents Category: Advances
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All we can say is that ABR readers are not short of a word, and thank goodness for that. The response to our reader survey has been exceptional and most heartening. To date, about four hundred people have filled out the survey. We’re still analysing the results, but ‘Advances’ can report that overall our readers have a deep affinity with ABR – or at least with the idea of ABR – and are thus keen for us to improve the magazine and to maximise its potential. Readers’ annotations, whether critical or positive, have been overwhelmingly helpful and constructive. Already we are adding new features to the magazine in response to your suggestions. Many of you, for instance, cited Film as an area of neglect: next month we launch our film column. Much work remains to be done as we continue assimilating the results. Since the surveys are still coming in, we’ll delay announcing the prize-winners until the September issue.

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Not short of a word

All we can say is that ABR readers are not short of a word, and thank goodness for that. The response to our reader survey has been exceptional and most heartening. To date, about four hundred people have filled out the survey. We’re still analysing the results, but ‘Advances’ can report that overall our readers have a deep affinity with ABR – or at least with the idea of ABR – and are thus keen for us to improve the magazine and to maximise its potential. Readers’ annotations, whether critical or positive, have been overwhelmingly helpful and constructive. Already we are adding new features to the magazine in response to your suggestions. Many of you, for instance, cited Film as an area of neglect: next month we launch our film column. Much work remains to be done as we continue assimilating the results. Since the surveys are still coming in, we’ll delay announcing the prize-winners until the September issue.

Our new website

Read more: Advances - August 2006

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Contents Category: Poem
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Article Title: Smelling Tigers
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Waiting.
Starched hospital gown.
Frozen present tense.
Why am I smelling
tigers?

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Waiting.
Starched hospital gown.
Frozen present tense.
Why am I smelling
tigers?

Read more: 'Smelling Tigers' by Dorothy Porter

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Nick Drayson reviews Rifling Paradise by Jem Poster
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Article Title: Change the sky
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I love travelling overseas. I like the whole flying thing: the taxi ride to the airport wondering what I forgot to pack, the queuing at check-in, the thrill of getting through security. Then there’s the flight itself. The rush of take-off, the first free drink, the little plastic tray with little plastic dishes and plastic knives and forks – just like a picnic in the clouds. Whether the destination is familiar or exotic, I like arriving, too. But one thing I have learned over the years is that no matter where I go, I’ve been there before. Different airport, same old Nick. It must have been much the same two thousand years ago when the Roman poet Horace wrote Caelum non animum mutant qui trans mare currunt – Those who fly across the sea, change the sky but not the me. In the nineteenth century, though, if we are to believe Jem Poster, things were very different.

Book 1 Title: Rifling Paradise
Book Author: Jem Poster
Book 1 Biblio: Sceptre, $32.95 pb, 288 pp
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I love travelling overseas. I like the whole flying thing: the taxi ride to the airport wondering what I forgot to pack, the queuing at check-in, the thrill of getting through security. Then there’s the flight itself. The rush of take-off, the first free drink, the little plastic tray with little plastic dishes and plastic knives and forks – just like a picnic in the clouds. Whether the destination is familiar or exotic, I like arriving, too. But one thing I have learned over the years is that no matter where I go, I’ve been there before. Different airport, same old Nick. It must have been much the same two thousand years ago when the Roman poet Horace wrote Caelum non animum mutant qui trans mare currunt – Those who fly across the sea, change the sky but not the me. In the nineteenth century, though, if we are to believe Jem Poster, things were very different.

Read more: Nick Drayson reviews 'Rifling Paradise' by Jem Poster

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Martin Duwell reviews ‘Urban Myths: 210 poems’  by John Tranter
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Article Title: Tics and responses
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This new and selected poems reminds us, if we needed reminding, just how powerful John Tranter’s cumulated work is. There is a density, an intensity, and a many-sided explorativeness that probably cannot be matched in Australian poetry. Surprisingly, at 210 poems, it is a comparatively small book and has been pretty ruthlessly selected, but there is no doubting the size of its author’s achievement.

Book 1 Title: Urban Myths
Book 1 Subtitle: 210 poems
Book Author: John Tranter
Book 1 Biblio: UQP, $26.95 pb, 333 pp
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This new and selected poems reminds us, if we needed reminding, just how powerful John Tranter’s cumulated work is. There is a density, an intensity, and a many-sided explorativeness that probably cannot be matched in Australian poetry. Surprisingly, at 210 poems, it is a comparatively small book and has been pretty ruthlessly selected, but there is no doubting the size of its author’s achievement.

Read more: Martin Duwell reviews ‘Urban Myths: 210 poems’ by John Tranter

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Helen Ennis reviews ‘Eye Contact: Photographing Indigenous Australians’ by Jane Lydon
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Contents Category: Photography
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Article Title: Consensual circumstances?
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There is a recuperative basis to Jane Lydon’s project that the measured tones of academic writing cannot disguise and that gives this book its energy. Lydon’s subject is the Coranderrk Aboriginal Station near Healesville, which was established in the 1860s in what Lydon describes as ‘consensual circumstances’. In the first decade of operation, the Aboriginal residents at Coranderrk achieved an un-characteristic and impressive degree of autonomy. Under the sympathetic management of John Green, there was, Lydon argues, ‘space for Aboriginal objectives and traditions to co-exist with newer practices’. As an early, initially successful expression of Aboriginal self-determination, Coranderrk has already attracted much scholarly attention, but Lydon takes a new tack, examining the extensive photographic archive created during the Station’s first forty years (it closed in 1924).

Book 1 Title: Eye Contact
Book 1 Subtitle: Photographing Indigenous Australians
Book Author: Jane Lydon
Book 1 Biblio: Duke University Press, $23.95 pb, 303 pp
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There is a recuperative basis to Jane Lydon’s project that the measured tones of academic writing cannot disguise and that gives this book its energy. Lydon’s subject is the Coranderrk Aboriginal Station near Healesville, which was established in the 1860s in what Lydon describes as ‘consensual circumstances’. In the first decade of operation, the Aboriginal residents at Coranderrk achieved an un-characteristic and impressive degree of autonomy. Under the sympathetic management of John Green, there was, Lydon argues, ‘space for Aboriginal objectives and traditions to co-exist with newer practices’. As an early, initially successful expression of Aboriginal self-determination, Coranderrk has already attracted much scholarly attention, but Lydon takes a new tack, examining the extensive photographic archive created during the Station’s first forty years (it closed in 1924).

Read more: Helen Ennis reviews ‘Eye Contact: Photographing Indigenous Australians’ by Jane Lydon

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Steve Evans reviews ‘Necessary Evil’ by Craig Sherborne
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Article Title: Reckoning with hard truths
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Craig sherborne is a poet, playwright and journalist. I remember being struck by the poetic quality of a delightful passage in his memoir, Hoi Polloi (2005), where he sketches a child’s view of flirtatious men chatting up younger women at the races: ‘The Members Bar. Race Five. Time of the day when men take women by the waist.’ Peter Craven commends that book as ‘scurrilous and unashamed’ and ‘a comic outrage’. Sherborne brings the same sharp eye, but a somewhat subdued humour, to his new volume of poetry, Necessary Evil.

Book 1 Title: Necessary Evil
Book Author: Craig Sherborne
Book 1 Biblio: Black Inc., $24.95 pb, 73 pp
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Craig sherborne is a poet, playwright and journalist. I remember being struck by the poetic quality of a delightful passage in his memoir, Hoi Polloi (2005), where he sketches a child’s view of flirtatious men chatting up younger women at the races: ‘The Members Bar. Race Five. Time of the day when men take women by the waist.’ Peter Craven commends that book as ‘scurrilous and unashamed’ and ‘a comic outrage’. Sherborne brings the same sharp eye, but a somewhat subdued humour, to his new volume of poetry, Necessary Evil.

Read more: Steve Evans reviews ‘Necessary Evil’ by Craig Sherborne

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Gay Bilson reviews ‘The Maestro’s Table: Food, talk and convivio’ by Judith Armstrong
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So here we are. A house in Dosson, a village ‘almost joined to’ Treviso, which in turn is not far at all from Venice. A casa aperta, an open house, one to which friends and colleagues of the owner, a well-regarded musician, are drawn, not only by their confidence that a simple permesso will ensure welcome but because the owner ‘believes implicitly in the civilising effects of hospitality’. The maestro wants his friend to write a book. It will be about ‘music and art and culture and my friends and food and where I live’. He loves to cook and obliges the appointed scribe with a list of kitchen accoutrements, which will cover all occasions. It is admirably short and begins with ‘3 pots (one big one for 10 people, one medium one for 6, one little one for 2)’. Thoreau’s central explanation of his furniture comes to mind as a rejoinder to a casa affollata: ‘I had three chairs in my house; one for solitude, two for friendship, three for society.’ The book will include recipes, the writer decides, and it does. She tells the reader, ‘Maybe the book will get sorted out, maybe not.’

Book 1 Title: The Maestro’s Table
Book 1 Subtitle: Food, talk and convivio
Book Author: Judith Armstrong
Book 1 Biblio: Text, $25 pb, 261 pp
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So here we are. A house in Dosson, a village ‘almost joined to’ Treviso, which in turn is not far at all from Venice. A casa aperta, an open house, one to which friends and colleagues of the owner, a well-regarded musician, are drawn, not only by their confidence that a simple permesso will ensure welcome but because the owner ‘believes implicitly in the civilising effects of hospitality’. The maestro wants his friend to write a book. It will be about ‘music and art and culture and my friends and food and where I live’. He loves to cook and obliges the appointed scribe with a list of kitchen accoutrements, which will cover all occasions. It is admirably short and begins with ‘3 pots (one big one for 10 people, one medium one for 6, one little one for 2)’. Thoreau’s central explanation of his furniture comes to mind as a rejoinder to a casa affollata: ‘I had three chairs in my house; one for solitude, two for friendship, three for society.’ The book will include recipes, the writer decides, and it does. She tells the reader, ‘Maybe the book will get sorted out, maybe not.’

Read more: Gay Bilson reviews ‘The Maestro’s Table: Food, talk and convivio’ by Judith Armstrong

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Gideon Haigh reviews ‘The History of The Times: Volume vii: the Murdoch years’ by Graham Stewart
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Article Title: The fissured mogul
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In the first volume of his memoirs, In Time of Trouble, Claude Cockburn described his introduction to The Times of the 1930s, on a visit to its foreign desk. There he found one sub-editor reciting Plato’s Phaedo from memory, while another translated it into Chinese: they had a bet it could not be done without loss of nuance. Another sub-editor, a grammarian of Polynesian previously employed as a professor of Chinese metaphysics at the University of Tokyo, spent the entire evening over a two-line item concerning the Duke of Gloucester’s arrival in Kuala Lumpur. ‘There are,’ he explained to Cockburn, ‘eleven correct ways of spelling Kuala Lumpur, and it is difficult to decide which should receive the, as it were, imprimatur of The Times.’

Book 1 Title: The History of The Times
Book 1 Subtitle: Volume vii: the Murdoch years
Book Author: Graham Stewart
Book 1 Biblio: HarperCollins, $69.95 hb, 727 pp
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In the first volume of his memoirs, In Time of Trouble, Claude Cockburn described his introduction to The Times of the 1930s, on a visit to its foreign desk. There he found one sub-editor reciting Plato’s Phaedo from memory, while another translated it into Chinese: they had a bet it could not be done without loss of nuance. Another sub-editor, a grammarian of Polynesian previously employed as a professor of Chinese metaphysics at the University of Tokyo, spent the entire evening over a two-line item concerning the Duke of Gloucester’s arrival in Kuala Lumpur. ‘There are,’ he explained to Cockburn, ‘eleven correct ways of spelling Kuala Lumpur, and it is difficult to decide which should receive the, as it were, imprimatur of The Times.’

Read more: Gideon Haigh reviews ‘The History of The Times: Volume vii: the Murdoch years’ by Graham Stewart

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Article Title: A rare foreign eye
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Towards the end of the current issue of Antipodes, Bev Braune asks the questions, ‘Who is the reader? And how many of us are there?’ Braune is not referring to Antipodes and its audience. Nonetheless, the questions stand. Academic journals challenge our more romantic notions of readers and reading. As a general rule, they make poor bedtime companions; they deter greenhorns and lotus-eaters; they tend not to provide diversion, entertainment or consolation; and they serve a public and professional, not a private and recreational, function. One could hazard that they exist less for readers than for writers – that they are less read than written for.

Book 1 Title: Antipodes
Book 1 Subtitle: The North American journal of Australian literature, Vol. 19, No. 2
Book Author: Nicholas Birns
Book 1 Biblio: US$18 pb, 135 pp
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Towards the end of the current issue of Antipodes (Vol. 19, No. 2, edited by Nicholas Birns, US$18 pb, 135 pp), Bev Braune asks the questions, ‘Who is the reader? And how many of us are there?’ Braune is not referring to Antipodes and its audience. Nonetheless, the questions stand. Academic journals challenge our more romantic notions of readers and reading. As a general rule, they make poor bedtime companions; they deter greenhorns and lotus-eaters; they tend not to provide diversion, entertainment or consolation; and they serve a public and professional, not a private and recreational, function. One could hazard that they exist less for readers than for writers – that they are less read than written for.

Read more: Melinda Harvey reviews ‘Antipodes: The North American journal of Australian literature, Vol. 19,...

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Christina Hill reviews ‘Sing Me That Lovely Song Again …’ by Helga Griffin
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Contents Category: Memoir
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Helga Griffin (née Girschik), conscious that memories differ and that her own is not infallible, is careful to respect the other people implicated in her story. Aware of her responsibility to them, she is nonetheless committed to breaking what she calls the Schweigen, the long silence. Sing Me That Lovely Song Again is highly apposite in its account of the damaging experience of internment. During the years of World War II, the Girschik family were incarcerated as enemy aliens in a camp at Tatura, in northern Victoria. They were displaced persons. The adults were fated to spend what should have been highly productive years trapped in a frustrating stasis that was to have long-term effects. For the children, this experience must have been formative. How were they to understand their confinement and the distress of the adults? This resonates strongly when we consider the ‘illegal aliens’ or refugees, many of them children, recently locked up in detention centres in this country. Although Griffin does not make this parallel explicit, it is implicit in the way her narrative situates her family’s experience within a larger historical context.

Book 1 Title: Sing Me That Lovely Song Again …
Book Author: Helga Griffin
Book 1 Biblio: Pandanus, $34.95 pb, 344 pp
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Helga Griffin (née Girschik), conscious that memories differ and that her own is not infallible, is careful to respect the other people implicated in her story. Aware of her responsibility to them, she is nonetheless committed to breaking what she calls the Schweigen, the long silence. Sing Me That Lovely Song Again is highly apposite in its account of the damaging experience of internment. During the years of World War II, the Girschik family were incarcerated as enemy aliens in a camp at Tatura, in northern Victoria. They were displaced persons. The adults were fated to spend what should have been highly productive years trapped in a frustrating stasis that was to have long-term effects. For the children, this experience must have been formative. How were they to understand their confinement and the distress of the adults? This resonates strongly when we consider the ‘illegal aliens’ or refugees, many of them children, recently locked up in detention centres in this country. Although Griffin does not make this parallel explicit, it is implicit in the way her narrative situates her family’s experience within a larger historical context.

Read more: Christina Hill reviews ‘Sing Me That Lovely Song Again …’ by Helga Griffin

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Annie Condon reviews ‘The Madonnas of Leningrad’ by Debra Dean
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Debra Dean’s novel, The Madonnas of Leningrad, is an exploration of memory and demonstrates how that most mysterious of faculties can both save and fail us. Utilising parallel narratives, Dean tells the story of Marina, a guide at Leningrad’s Hermitage Museum in 1941. As the German army advances, Marina and her colleagues labour to remove and conceal precious works of art. Later, the employees of the Hermitage and their families live in the museum basement, and try to survive the harsh winter with limited provisions.

Book 1 Title: The Madonnas of Leningrad
Book Author: Debra Dean
Book 1 Biblio: HarperCollins, $27.95 pb, 240pp
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Debra Dean’s novel, The Madonnas of Leningrad, is an exploration of memory and demonstrates how that most mysterious of faculties can both save and fail us. Utilising parallel narratives, Dean tells the story of Marina, a guide at Leningrad’s Hermitage Museum in 1941. As the German army advances, Marina and her colleagues labour to remove and conceal precious works of art. Later, the employees of the Hermitage and their families live in the museum basement, and try to survive the harsh winter with limited provisions.

Read more: Annie Condon reviews ‘The Madonnas of Leningrad’ by Debra Dean

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Laurie Hergenhan reviews ‘The Difficulties of My Position: The diaries of prison governor John Buckley Castieau 1855–1884’ edited by Mark Finnane
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Both a scholarly resource and a good read, Castieau’s diaries, effectively edited, enliven and enrich our sense of colonial Melbourne. Castieau’s modest standing adds to the diaries’ significance as they record the dailiness of life, combining the public and the private: work, life around town and ‘the domestic minutiae of everyday life captured in his relentless record’. What makes Castieau exceptional are the span and detail of the diaries: ‘His workaday life does not obscure the more important issues of colonial life – getting on, enjoying oneself, establishing a reputation, being part of the world.’

Book 1 Title: The Difficulties of My Position
Book 1 Subtitle: The diaries of prison governor John Buckley Castieau 1855–1884
Book Author: Mark Finnane
Book 1 Biblio: NLA, $29.95 pb, 324 pp
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Both a scholarly resource and a good read, Castieau’s diaries, effectively edited, enliven and enrich our sense of colonial Melbourne. Castieau’s modest standing adds to the diaries’ significance as they record the dailiness of life, combining the public and the private: work, life around town and ‘the domestic minutiae of everyday life captured in his relentless record’. What makes Castieau exceptional are the span and detail of the diaries: ‘His workaday life does not obscure the more important issues of colonial life – getting on, enjoying oneself, establishing a reputation, being part of the world.’

Read more: Laurie Hergenhan reviews ‘The Difficulties of My Position: The diaries of prison governor John...

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Jay Daniel Thompson  ‘Humanities Research Centre: The history of the first 30 years of the HRC at the Australian National University’ by Glen St John Barclay and Caroline Turner
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Glen St John Barclay and Caroline Turner’s Humanities Research Centre offers the first historical overview of this prestigious Australian National University-based institution. Their book is an extremely dense yet remarkably comprehensive and well-written homage to one of the key international sites of scholarly research in the humanities.

Book 1 Title: Humanities Research Centre
Book 1 Subtitle: The history of the first 30 years of the HRC at the Australian National University
Book Author: Glen St John Barclay and Caroline Turner
Book 1 Biblio: ANU Press, $29.95 pb, 400 pp
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Glen St John Barclay and Caroline Turner’s Humanities Research Centre offers the first historical overview of this prestigious Australian National University-based institution. Their book is an extremely dense yet remarkably comprehensive and well-written homage to one of the key international sites of scholarly research in the humanities.

Read more: Jay Daniel Thompson ‘Humanities Research Centre: The history of the first 30 years of the HRC at...

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Aviva Tuffield reviews ‘At the Typeface: Selections from the newsletter of the Victorian society of editors’ edited by Janet Mackenzie
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Sit down to read this book: it may give you a severe case of déjà vu. At the Typeface is an anthology of articles originally published in the Victorian Society of Editors’ newsletter between 1970 and early 2001 (since then the newsletters have been appearing online at www.socedvic.org). And, no surprises, the issues that trouble editors today have a long provenance: editors are underpaid and undervalued; marketing departments have more sway than editorial ones; publishers keep costs down by a reliance on freelancers; neophyte editors find it difficult to gain practical experience when there are few in-house positions.

Book 1 Title: At the Typeface
Book 1 Subtitle: Selections from the newsletter of the Victorian society of editors
Book Author: Janet Mackenzie
Book 1 Biblio: Society of Editors (Victoria) Inc., $30 pb, 356 pp
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Sit down to read this book: it may give you a severe case of déjà vu. At the Typeface is an anthology of articles originally published in the Victorian Society of Editors’ newsletter between 1970 and early 2001 (since then the newsletters have been appearing online at www.socedvic.org). And, no surprises, the issues that trouble editors today have a long provenance: editors are underpaid and undervalued; marketing departments have more sway than editorial ones; publishers keep costs down by a reliance on freelancers; neophyte editors find it difficult to gain practical experience when there are few in-house positions.

Read more: Aviva Tuffield reviews ‘At the Typeface: Selections from the newsletter of the Victorian society...

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Article Title: Whistler’s Boatman
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Imagine the moment of hesitation:

the catch in his voice,

                                   knowing

he could not turn back: after years

up and down the river, a request

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for Chris Wallace-Crabbe

Read more: ‘Whistler’s Boatman’ by Kate Middleton

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Geoffrey Brahm Levey reviews ‘The Divided Self: Israel and the Jewish psyche today’ by David J. Goldberg
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Article Title: Diasporan life
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The story is told of how Theodor Herzl and Sigmund Freud once lived, unbeknown to each other, on the same street in Vienna. Thus did the lives of the father of modern political Zionism and the father of psychoanalysis, for one tantalising moment, almost intersect ... Herzl, a man of action in the wake of the Dreyfus Affair, who sought to transport Jews from the dangers of Diasporan life to the safety of a state all their own; and Freud, a thinker whose intellectual achievements were born of the Diasporan experience and who resolutely rejected the overtures of the Zionists to join them in Palestine. Herzl, who famously and passionately declared, ‘If you will, it is no dream’ – a motto adopted by the early Zionist movement – and Freud, who even more famously devised the tools for coolly interpreting dreams. This story, recounted in The Divided Self (and attributed to an Israeli ambassador to London in the 1980s), encapsulates the main purpose of David Goldberg’s spirited survey of the Jewish condition: namely, to defend the superiority of Diasporan Jewish life over its Zionist alternative.

Book 1 Title: The Divided Self
Book 1 Subtitle: Israel and the Jewish psyche today
Book Author: David J. Goldberg
Book 1 Biblio: I.B. Tauris, $59 hb, 242 pp
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The story is told of how Theodor Herzl and Sigmund Freud once lived, unbeknown to each other, on the same street in Vienna. Thus did the lives of the father of modern political Zionism and the father of psychoanalysis, for one tantalising moment, almost intersect ... Herzl, a man of action in the wake of the Dreyfus Affair, who sought to transport Jews from the dangers of Diasporan life to the safety of a state all their own; and Freud, a thinker whose intellectual achievements were born of the Diasporan experience and who resolutely rejected the overtures of the Zionists to join them in Palestine. Herzl, who famously and passionately declared, ‘If you will, it is no dream’ – a motto adopted by the early Zionist movement – and Freud, who even more famously devised the tools for coolly interpreting dreams. This story, recounted in The Divided Self (and attributed to an Israeli ambassador to London in the 1980s), encapsulates the main purpose of David Goldberg’s spirited survey of the Jewish condition: namely, to defend the superiority of Diasporan Jewish life over its Zionist alternative.

Read more: Geoffrey Brahm Levey reviews ‘The Divided Self: Israel and the Jewish psyche today’ by David J....

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Rose Lucas reviews ‘The Flower, The Thing’ by M.T.C. Cronin and ‘The Last Tourist’ by Jane Williams
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Contents Category: Poetry
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Article Title: Tides of loss
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What shapes might poets use to house and craft their various perceptions? Given the absence of a narrative framework, particularly within lyric poetry, what are the possible images and contents through which poetry might weave its insights, and thereby build a tangible structure able to communicate the ephemera of experience and idea? In her most recent collection of poems, M.T.C. Cronin, surely one of the most significant poets writing in Australia today, works explicitly within the artifice of a given structure – a series of poems, titled for alphabetically organised flowers, each with its own specific dedication.

Book 1 Title: The Flower, The Thing
Book Author: M.T.C. Cronin
Book 1 Biblio: UQP, $22.95 pb, 122 pp
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Book 2 Title: The Last Tourist
Book 2 Author: Jane Williams
Book 2 Biblio: Five Islands Press, $18.95 pb, 90 pp
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What shapes might poets use to house and craft their various perceptions? Given the absence of a narrative framework, particularly within lyric poetry, what are the possible images and contents through which poetry might weave its insights, and thereby build a tangible structure able to communicate the ephemera of experience and idea? In her most recent collection of poems, M.T.C. Cronin, surely one of the most significant poets writing in Australia today, works explicitly within the artifice of a given structure – a series of poems, titled for alphabetically organised flowers, each with its own specific dedication.

Read more: Rose Lucas reviews ‘The Flower, The Thing’ by M.T.C. Cronin and ‘The Last Tourist’ by Jane Williams

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Anthony Lynch reviews ‘America Or Glow: A poem’ by John Kinsella
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Peter Porter, in his introduction to John Kinsella’s new collection, notes that ‘we are all familiar with the surface details of American life. Kinsella does not have to footnote his poem: we recognise his instances immediately … We all speak American.’ Given that Kinsella now lives and works in the United States, Porter also identifies ‘the disillusion at seeing a great exemplar close up’ as one likely catalyst behind the poetic polemic that constitutes this book. Yet it is the surface, the broad impressionistic sweep that we in Australia have absorbed over decades of exposure to American life in our newspapers, magazines, television programmes and popular music, with which Kinsella often engages. One senses that the poet, whether up close or at a distance, would find much about the United States with which to take issue. Nevertheless, his engagement with, and rupturing of, surface in this long poem, or sequence of poems, seems apt. Kinsella smatters the text with allusions to film (ranging from the Marx brothers to Carrie), popular music (George Gershwin to Jefferson Airplane) and numerous other trappings of American life. In doing so, he takes popular culture’s immersion in artifice and turns it against itself.

Book 1 Title: America Or Glow
Book 1 Subtitle: A poem
Book Author: John Kinsella
Book 1 Biblio: Arc Publications, £7.95 pb, 68 pp
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Peter Porter, in his introduction to John Kinsella’s new collection, notes that ‘we are all familiar with the surface details of American life. Kinsella does not have to footnote his poem: we recognise his instances immediately … We all speak American.’ Given that Kinsella now lives and works in the United States, Porter also identifies ‘the disillusion at seeing a great exemplar close up’ as one likely catalyst behind the poetic polemic that constitutes this book. Yet it is the surface, the broad impressionistic sweep that we in Australia have absorbed over decades of exposure to American life in our newspapers, magazines, television programmes and popular music, with which Kinsella often engages. One senses that the poet, whether up close or at a distance, would find much about the United States with which to take issue. Nevertheless, his engagement with, and rupturing of, surface in this long poem, or sequence of poems, seems apt. Kinsella smatters the text with allusions to film (ranging from the Marx brothers to Carrie), popular music (George Gershwin to Jefferson Airplane) and numerous other trappings of American life. In doing so, he takes popular culture’s immersion in artifice and turns it against itself.

Read more: Anthony Lynch reviews ‘America Or Glow: A poem’ by John Kinsella

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Peter Mares reviews ‘Inhaling the Mahatma’ by Christopher Kremmer
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Article Title: India: a love story
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Foreign travellers in India face four inevitable questions. ‘What is your good name?’ is usually followed in rapid succession by ‘Where are you coming from?’(meaning from which country), ‘Are you married?’ and, finally, ‘What is your religion?’. Backpacking through India twenty years ago, the first three questions presented few problems. My name was easy, Australia was recognised as a cricket-playing country, and I was young enough for my lack of a wife to be passed over as a matter of only mild embarrassment. The fourth question however, proved tricky. Usually, I gave the technically correct answer that I had been baptised into the Anglican Church – a reply that generally satisfied my interlocutors and not infrequently led into rambling, good-natured discussions about the similarities between the world’s great faiths. Once, I ventured a more honest response. ‘I am an atheist,’ I told a couple of friendly young Indian men on a long train journey. ‘I do not believe in any God.’ Their shock was palpable. It was not so much my spiritual deficit that appalled them as my arrogance. How could anyone have the audacity to declare that God did not exist? Our conversation never recovered. In response to all future interrogations, I retreated to my dissembling line about Christianity. The experience did not shake my disbelief, but it did serve to engender a greater respect for the question. Religion, I belatedly realised, is an important matter.

Book 1 Title: Inhaling the Mahatma
Book Author: Christopher Kremmer
Book 1 Biblio: Fourth Estate, $35 pb, 440 pp
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Foreign travellers in India face four inevitable questions. ‘What is your good name?’ is usually followed in rapid succession by ‘Where are you coming from?’(meaning from which country), ‘Are you married?’ and, finally, ‘What is your religion?’. Backpacking through India twenty years ago, the first three questions presented few problems. My name was easy, Australia was recognised as a cricket-playing country, and I was young enough for my lack of a wife to be passed over as a matter of only mild embarrassment. The fourth question however, proved tricky. Usually, I gave the technically correct answer that I had been baptised into the Anglican Church – a reply that generally satisfied my interlocutors and not infrequently led into rambling, good-natured discussions about the similarities between the world’s great faiths. Once, I ventured a more honest response. ‘I am an atheist,’ I told a couple of friendly young Indian men on a long train journey. ‘I do not believe in any God.’ Their shock was palpable. It was not so much my spiritual deficit that appalled them as my arrogance. How could anyone have the audacity to declare that God did not exist? Our conversation never recovered. In response to all future interrogations, I retreated to my dissembling line about Christianity. The experience did not shake my disbelief, but it did serve to engender a greater respect for the question. Religion, I belatedly realised, is an important matter.

Read more: Peter Mares reviews ‘Inhaling the Mahatma’ by Christopher Kremmer

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Neal Blewett reviews ‘The Howard Factor: A decade that transformed the nation’ edited by Nick Carter and ‘The Longest Decade’ by George Megalogenis
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Article Title: ‘We are all little Johnnies now’
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The provenance of The Howard Factor – a collection of essays by senior writers from The Australian newspaper – is not promising. The Australian is after all part of Mark Latham’s ‘Evil Empire’, cheerleader rather than critic of the Howard government. Yet its sympathy for the régime stems not from partisanship but from the newspaper’s philosophy: neo-liberal in domestic matters, neo-conservative in foreign policy. Populist desertion of elements of the neo-liberal agenda has aroused the wrath of the newspaper: witness its condemnation of the government’s policy funk in early 2001, and of its recent surrender to Snowy River romanticism. Discord has been less in foreign policy, where both government and newspaper have been willing recruits to the ‘war on terror’. So slavish has become the newspaper’s adherence to America’s contemporary wars that it has even repudiated its quite heroic stance on the Vietnam War a generation ago.

Book 1 Title: The Howard Factor
Book 1 Subtitle: A decade that transformed the nation
Book Author: Nick Carter
Book 1 Biblio: MUP, $29.95 pb, 349 pp
Book 1 Author Type: Editor
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Book 2 Title: The Longest Decade
Book 2 Author: George Megalogenis
Book 2 Biblio: Scribe, $32.95 pb, 346 pp
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The provenance of The Howard Factor – a collection of essays by senior writers from The Australian newspaper – is not promising. The Australian is after all part of Mark Latham’s ‘Evil Empire’, cheerleader rather than critic of the Howard government. Yet its sympathy for the régime stems not from partisanship but from the newspaper’s philosophy: neo-liberal in domestic matters, neo-conservative in foreign policy. Populist desertion of elements of the neo-liberal agenda has aroused the wrath of the newspaper: witness its condemnation of the government’s policy funk in early 2001, and of its recent surrender to Snowy River romanticism. Discord has been less in foreign policy, where both government and newspaper have been willing recruits to the ‘war on terror’. So slavish has become the newspaper’s adherence to America’s contemporary wars that it has even repudiated its quite heroic stance on the Vietnam War a generation ago.

Read more: Neal Blewett reviews ‘The Howard Factor: A decade that transformed the nation’ edited by Nick...

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Brenda Niall reviews ‘Ian Potter: A biography’ by Peter Yule
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‘The very rich are different from you and me’, F. Scott Fitzgerald thought; and so he told Ernest Hemingway. Hemingway, who came back with a deflating reply, ‘Yes, they have more money’, boasted that he had won that little exchange. Yet Fitzgerald was right; and he proved it in The Great Gatsby and Tender is the Night. In the American novel more generally, money creates and defines character; as it does in Theodore Dreiser’s The Titan or Edith Wharton’s The Custom of the Country. Destructive though it may be in these novels, the making of a fortune is an expression of power and a source of drama.

Book 1 Title: Ian Potter
Book 1 Subtitle: A biography
Book Author: Peter Yule
Book 1 Biblio: Miegunyah, $59.95 hb, 431 pp
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‘The very rich are different from you and me’, F. Scott Fitzgerald thought; and so he told Ernest Hemingway. Hemingway, who came back with a deflating reply, ‘Yes, they have more money’, boasted that he had won that little exchange. Yet Fitzgerald was right; and he proved it in The Great Gatsby and Tender is the Night. In the American novel more generally, money creates and defines character; as it does in Theodore Dreiser’s The Titan or Edith Wharton’s The Custom of the Country. Destructive though it may be in these novels, the making of a fortune is an expression of power and a source of drama.

Read more: Brenda Niall reviews ‘Ian Potter: A biography’ by Peter Yule

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Roger Osborne reviews ‘Postcolonial Conrad: Paradoxes of empire’ by Terry Collits
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Through the significant cultural presence of Heart of Darkness, I am regularly confronted with the work of Joseph Conrad in my everyday life: an elephant in Disney’s Tarzan exclaims ‘the horror’ at the sight of a human camp; a young man reads the novella on a ship bound for Skull Island in the latest King Kong; and, during the fortnight while I am writing this review, Radio National is broadcasting a serialised reading of the novella each afternoon. In Postcolonial Conrad: Paradoxes of Empire, Terry Collits wonders ‘how … we may read and understand Conrad nowadays’. With so many cultural claims to just one Conradian text, such a question is timely.

Book 1 Title: Postcolonial Conrad
Book 1 Subtitle: Paradoxes of empire
Book Author: Terry Collits
Book 1 Biblio: Routledge, $176 pb, 226pp
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Through the significant cultural presence of Heart of Darkness, I am regularly confronted with the work of Joseph Conrad in my everyday life: an elephant in Disney’s Tarzan exclaims ‘the horror’ at the sight of a human camp; a young man reads the novella on a ship bound for Skull Island in the latest King Kong; and, during the fortnight while I am writing this review, Radio National is broadcasting a serialised reading of the novella each afternoon. In Postcolonial Conrad: Paradoxes of Empire, Terry Collits wonders ‘how … we may read and understand Conrad nowadays’. With so many cultural claims to just one Conradian text, such a question is timely.

Read more: Roger Osborne reviews ‘Postcolonial Conrad: Paradoxes of empire’ by Terry Collits

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Tamas Pataki reviews ‘New Under the Sun: Jewish Australians on religion, politics and culture’ edited by Michael Fagenblat, Melanie Landau and Nathan Wolski
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This significant anthology consists of thirty-three articles by Jewish Australian scholars, lawyers, writers, educators, rabbis, journalists and other high achievers, prefaced by a thoughtful and wide-ranging introduction by the editors. Many of the contributors are distinguished in their fields and prominent in public life. The editors have cast the volume from a ‘perspective of commitment and belonging’, with the conviction that ‘challenge and critique when offered by committed members rather than hostile outsiders is often the most useful form of reckoning with ourselves’. The disjunction is troubling (I think I may be a hostile insider), but its effect does not diminish the interest of the collection. The book’s focus is narrower than its subtitle suggests: these are not just passing reflections by some Jewish Australians: each contribution is centrally about some aspect of the religion, politics and culture of Jewish Australians. As such, it provides a useful and authoritative synopsis of the progress, state and thoughts of many Australian Jews today. No single essay sparkles brilliantly, and a few are alarmingly deficient in serious thought; nevertheless, this is a big, rich, diverse collection deserving of wide public attention.

Book 1 Title: New Under the Sun
Book 1 Subtitle: Jewish Australians on religion, politics and culture
Book Author: Michael Fagenblat, Melanie Landau and Nathan Wolski
Book 1 Biblio: Black Inc., $34.95 pb, 384 pp
Book 1 Author Type: Editor
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This significant anthology consists of thirty-three articles by Jewish Australian scholars, lawyers, writers, educators, rabbis, journalists and other high achievers, prefaced by a thoughtful and wide-ranging introduction by the editors. Many of the contributors are distinguished in their fields and prominent in public life. The editors have cast the volume from a ‘perspective of commitment and belonging’, with the conviction that ‘challenge and critique when offered by committed members rather than hostile outsiders is often the most useful form of reckoning with ourselves’. The disjunction is troubling (I think I may be a hostile insider), but its effect does not diminish the interest of the collection. The book’s focus is narrower than its subtitle suggests: these are not just passing reflections by some Jewish Australians: each contribution is centrally about some aspect of the religion, politics and culture of Jewish Australians. As such, it provides a useful and authoritative synopsis of the progress, state and thoughts of many Australian Jews today. No single essay sparkles brilliantly, and a few are alarmingly deficient in serious thought; nevertheless, this is a big, rich, diverse collection deserving of wide public attention.

Read more: Tamas Pataki reviews ‘New Under the Sun: Jewish Australians on religion, politics and culture’...

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Jonathan Pearlman reviews ‘Beyond Chutzpah: On the misuse of anti-semitism and the abuse of history’ by Norman G. Finkelstein and ‘Israel’s Holocaust and the Politics of Nationhood’ by Idith Zertal
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Article Title: ‘A beautiful shoah’
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Beyond chutzpah is a long, tedious and barely readable rant, known less for its content than for the childless controversy it succeeded in provoking. Despite the promise of its subtitle, the book makes no meaningful attempt to describe or to understand the misuses of anti-Semitism. It is, instead, an obsessive assault on another book, The Case For Israel (2003), by the Harvard law professor Alan Dershowitz, who has gained prominence for defending O.J. Simpson, Mike Tyson, Klaus von Bülow and, more recently, Israel.

Book 1 Title: Beyond Chutzpah
Book 1 Subtitle: On the misuse of anti-semitism and the abuse of history
Book Author: Norman G. Finkelstein
Book 1 Biblio: Verso, $35 hb, 332 pp
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Book 2 Title: Israel’s Holocaust and the Politics of Nationhood
Book 2 Author: Idith Zertal
Book 2 Biblio: CUP, $59.95 hb, 236 pp
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Beyond chutzpah is a long, tedious and barely readable rant, known less for its content than for the childless controversy it succeeded in provoking. Despite the promise of its subtitle, the book makes no meaningful attempt to describe or to understand the misuses of anti-Semitism. It is, instead, an obsessive assault on another book, The Case For Israel (2003), by the Harvard law professor Alan Dershowitz, who has gained prominence for defending O.J. Simpson, Mike Tyson, Klaus von Bülow and, more recently, Israel.

Read more: Jonathan Pearlman reviews ‘Beyond Chutzpah: On the misuse of anti-semitism and the abuse of...

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Contents Category: Letters
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Article Title: Letters to the Editor - August 2006
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Owen Richardson’s review of D.B.C. Pierre’s novel Ludmila’s Broken English (ABR, May 2006) was a bit harsh – not to mention mean-spirited and way off the mark. As a Texan, I can tell you that Pierre nailed the big-haired women who surrounded Vernon. I, for one, was immediately transported back to small-town Texas. Pierre has the most unique voice I’ve read in a long, long time. ‘Sophomoric and tritely executed satire’? No. It is very funny, it is original and it rings true.

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Freezing my butt off

Owen Richardson’s review of D.B.C. Pierre’s novel Ludmila’s Broken English (ABR, May 2006) was a bit harsh – not to mention mean-spirited and way off the mark. As a Texan, I can tell you that Pierre nailed the big-haired women who surrounded Vernon. I, for one, was immediately transported back to small-town Texas. Pierre has the most unique voice I’ve read in a long, long time. ‘Sophomoric and tritely executed satire’? No. It is very funny, it is original and it rings true.

Read more: Letters to the Editor - August 2006

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Dimity Reed reviews ‘The Architecture of Neil Clerehan’ by Harriet Edquist and Richard Black
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Contents Category: Architecture
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Article Title: Trashing a living treasure
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Melbourne architect Neil Clerehan counts among Australia’s living treasures. A practising architect for sixty years and documenter of the story of the city and its architecture, he holds more knowledge of who built what and how, and against what odds, than anyone else in town. He has written knowledgably, elegantly and consistently on architecture. As Philip Goad writes in his foreword to this book:

Book 1 Title: The Architecture of Neil Clerehan
Book Author: Harriet Edquist and Richard Black
Book 1 Biblio: RMIT University Press, $45 hb, 167 pp
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Melbourne architect Neil Clerehan counts among Australia’s living treasures. A practising architect for sixty years and documenter of the story of the city and its architecture, he holds more knowledge of who built what and how, and against what odds, than anyone else in town. He has written knowledgably, elegantly and consistently on architecture. As Philip Goad writes in his foreword to this book:

In Australia, there has been no one who has continued to write in the popular press in the way that Clerehan has, especially most recently, where he has been able to recall – always with the brevity and wicked humour of a Waugh or a Wilde – the zenith and nadir of professional and popular taste of successive generations.

Read more: Dimity Reed reviews ‘The Architecture of Neil Clerehan’ by Harriet Edquist and Richard Black

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Tim Rowse reviews ‘A World of Relationships: Itineraries, dreams, and events in the Australian Western Desert’ by Sylvie Poirier
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Contents Category: Anthropology
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Article Title: ‘Might be something’
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We use the term ‘The Dreaming’ to refer to an Aboriginal way of thinking about their place in the universe; it is ‘a cosmology, an ancestral order, and a mytho-ritual structure’, in the words of Canadian anthropologist Sylvie Poirier. The Western Desert people with whom she lived for many months in the 1980s and 1990s (the Kukatja – though she acknowledges the difficulties of such labels) call it tjukurrpa, a term whose meanings include ‘story’. The stories are about the world- and knowledge-creating ancestral creatures. In the Kukatja world, as manifested in the Western Australian communities of Wirramanu, Mulan and Yagga Yagga, the more prominent stories are about Luurn (kingfisher), Wati Kutjarra (two initiated men), Kanaputa (digging stick women), Marlu (kangaroo), Karnti (yam) and Warnayarra (rainbow snake). When Kukatja narrate the travels of these creatures, they select segments in the itinerary that account for the narrator him or herself as a person who belongs to the places named in the story.

Book 1 Title: A World of Relationships
Book 1 Subtitle: Itineraries, dreams, and events in the Australian Western Desert
Book Author: Sylvie Poirier
Book 1 Biblio: University of Toronto Press, $29.95 pb, 303 pp
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We use the term ‘The Dreaming’ to refer to an Aboriginal way of thinking about their place in the universe; it is ‘a cosmology, an ancestral order, and a mytho-ritual structure’, in the words of Canadian anthropologist Sylvie Poirier. The Western Desert people with whom she lived for many months in the 1980s and 1990s (the Kukatja – though she acknowledges the difficulties of such labels) call it tjukurrpa, a term whose meanings include ‘story’. The stories are about the world- and knowledge-creating ancestral creatures. In the Kukatja world, as manifested in the Western Australian communities of Wirramanu, Mulan and Yagga Yagga, the more prominent stories are about Luurn (kingfisher), Wati Kutjarra (two initiated men), Kanaputa (digging stick women), Marlu (kangaroo), Karnti (yam) and Warnayarra (rainbow snake). When Kukatja narrate the travels of these creatures, they select segments in the itinerary that account for the narrator him or herself as a person who belongs to the places named in the story.

Read more: Tim Rowse reviews ‘A World of Relationships: Itineraries, dreams, and events in the Australian...

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Iain Topliss reviews ‘Will Dyson: Australia’s radical genius’ by Ross McMullin
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Ross McMullin’s Will Dyson is a new edition of a book that first appeared twenty years ago. Over that time,  the author has promoted his subject, according to the book’s subtitle, from ‘Cartoonist, Etcher and Australia’s Finest War Artist’ to ‘Australia’s Radical Genius’. ‘Genius’ is a strong word, and the new edition does not make a case for its use any more than the old one did. But Dyson is certainly an important, often unregarded, figure in the history of political cartooning. The story of this talented, likeable, thoroughly political man is well worth knowing on many fronts: as a saga of early Melbourne working-class bohemian culture, as an example of the invigorating effect on English political cartooning by antipodean artists in the early part of the twentieth century (the career of David Low shadows that of Dyson), and as an account of the way that World War I registered on a sensitive, and responsible, Australian imagination.

Book 1 Title: Will Dyson
Book 1 Subtitle: Australia’s radical genius
Book Author: Ross McMullin
Book 1 Biblio: Scribe, $59.95 hb, 448 pp
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Ross McMullin’s Will Dyson is a new edition of a book that first appeared twenty years ago. Over that time,  the author has promoted his subject, according to the book’s subtitle, from ‘Cartoonist, Etcher and Australia’s Finest War Artist’ to ‘Australia’s Radical Genius’. ‘Genius’ is a strong word, and the new edition does not make a case for its use any more than the old one did. But Dyson is certainly an important, often unregarded, figure in the history of political cartooning. The story of this talented, likeable, thoroughly political man is well worth knowing on many fronts: as a saga of early Melbourne working-class bohemian culture, as an example of the invigorating effect on English political cartooning by antipodean artists in the early part of the twentieth century (the career of David Low shadows that of Dyson), and as an account of the way that World War I registered on a sensitive, and responsible, Australian imagination.

Read more: Iain Topliss reviews ‘Will Dyson: Australia’s radical genius’ by Ross McMullin

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Robert Brain reviews ‘My Nine Lives’ by Diane Cilento
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Contents Category: Memoir
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Article Title: Hooked on Diane
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Due to some clever product placement (James Bond and wife bashing) Diane Cilento’s Nine Lives have become public property, even before the reader picks up the book. We know it all: she is a member of a celebrated Australian family and made her reputation in some famous movies; she had three husbands, including two well-known ones; she set up a theatre commune in North Queensland. We even know from the gossip columns details that are not in the book: the farcical story of the last days of her third husband, the wonderful Tony Shaffer (worth a hundred Sean Connerys), his London mistress and the Shaffer inheritance. I flick through the book, notice the enthusiastic style, look at the not-quite-thrilling photographs, dip into the quite amusing anecdotes, and study the index in vain for the name Jo Jo Capece Minutolo, Tony’s mistress, whom everyone has been talking about. She has called the book ‘inappropriate’; Connery has called it ‘a crock of shit’.

Book 1 Title: My Nine Lives
Book Author: Diane Cilento
Book 1 Biblio: Viking, $49.95 hb, 553 pp
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Due to some clever product placement (James Bond and wife bashing) Diane Cilento’s Nine Lives have become public property, even before the reader picks up the book. We know it all: she is a member of a celebrated Australian family and made her reputation in some famous movies; she had three husbands, including two well-known ones; she set up a theatre commune in North Queensland. We even know from the gossip columns details that are not in the book: the farcical story of the last days of her third husband, the wonderful Tony Shaffer (worth a hundred Sean Connerys), his London mistress and the Shaffer inheritance. I flick through the book, notice the enthusiastic style, look at the not-quite-thrilling photographs, dip into the quite amusing anecdotes, and study the index in vain for the name Jo Jo Capece Minutolo, Tony’s mistress, whom everyone has been talking about. She has called the book ‘inappropriate’; Connery has called it ‘a crock of shit’.

Read more: Robert Brain reviews ‘My Nine Lives’ by Diane Cilento

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Contents Category: Commentary
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Article Title: The art of communication
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Like all books, picture books are a vehicle of communication, narrative, information and emotions. Because of the adaptability of the picture-book genre, which communicates using both verbal and visual language systems, it is sometimes possible for authors and illustrators to challenge the underlying precepts of the role of language in the communication process.

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Like all books, picture books are a vehicle of communication, narrative, information and emotions. Because of the adaptability of the picture-book genre, which communicates using both verbal and visual language systems, it is sometimes possible for authors and illustrators to challenge the underlying precepts of the role of language in the communication process.

This is especially the case in picture books for older readers. Woolvs in the Sitee, by Margaret Wild and Anne Spudvilas (Viking, $26.95 hb, 32 pp), definitely presents such a challenge. Innovative, intriguing and potentially controversial, this book contains everything that a good picture book should possess – except correct spelling. But that is part of its appeal and a large part of the reason why Wild’s text communicates so effectively. Like Mark Haddon in The Curious Incident of the Dog in the Night-time (2003), Wild has created a convincing voice, getting inside the head of her teenage protagonist, Ben, in such a way that she uncompromisingly communicates his innermost thoughts and feelings. She does this using the phonetic spelling, awkward grammatical constructs and made-up words of an undereducated, or perhaps dyslexic, teenager. However, like the ever-evolving language of SMS and e-mails, Ben has no trouble communicating.

Read more: ‘The art of communication’ by Stephanie Owen Reeder

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Glyn Davis reviews ‘Our Underachieving Colleges: A candid look at how much students learn and why they should be learning more’ by Derek Bok
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Article Title: When research is not enough
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On a cold, grey day in February this year, economist Larry H. Summers announced his resignation as president of Harvard. Though some undergraduates gathered in Harvard Yard to wave signs saying ‘Stay Summers Stay’, the rift with faculty and the governing board proved too much. Summers issued a dignified letter to the Harvard community, shook hands with well-wishers, and disappeared.

Book 1 Title: Our Underachieving Colleges
Book 1 Subtitle: A candid look at how much students learn and why they should be learning more
Book Author: Glyn Davis
Book 1 Biblio: Princeton University Press, $52.95 hb, 413 pp
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On a cold, grey day in February this year, economist Larry H. Summers announced his resignation as president of Harvard. Though some undergraduates gathered in Harvard Yard to wave signs saying ‘Stay Summers Stay’, the rift with faculty and the governing board proved too much. Summers issued a dignified letter to the Harvard community, shook hands with well-wishers, and disappeared.

Much media commentary on his resignation suggested a hostile faculty had campaigned against a visionary leader. Lawyer Alan Dershowitz called the outcome a ‘dubious victory for the politically correct’. An Op-Ed writer in the Wall Street Journal described the move as a ‘coup d’École’, citing clashes between Summers and professors over a petition to divest from Israel, comments about the under-representation of women in science, and clashes with prominent black faculty.

Such analysis restates a now familiar critique of American higher education. Captured by shadowy forces of ideology, professors allegedly resist leadership from above and criticism from students below. Summers becomes a convenient symbol of the alleged ungovernability of the American university, a man whose plans for revising curriculum and a new campus to accommodate growth sparked a revolt of the tenured.

Since Harvard remains an endless source of copy, no doubt books will appear soon to dissect the Summers years (2001–6). These will likely show a more complex narrative at work, and may also highlight the often unhappy history of leadership at the richest and most famous university on the planet. President Abbott Lawrence Lowell (1909–33) once described Harvard administration as ‘tyranny tempered by assassination’. His predecessor, Charles William Eliot (1869–1909), was asked to define the single most important attribute for a successful college president: ‘The capacity to inflict pain,’ he answered confidently.

One former Harvard president unlikely to comment on the fall of Larry Summers is Derek Curtis Bok (1971–91). Though seventy-six and long retired from university administration, Bok resumed the role of president in July, as the Harvard Corporation scrambled to find a long-term successor.

Yet Bok’s most recent book, Our Underachieving Colleges, published just before Summers strode out to face the media scrum, signals clearly his concerns about American higher education. Bok is unmoved by conventional pieties about universities held to ransom by tenured radicals. He rejects the doomsday tone of much recent writing on higher education, with its claims of mediocrity and subversion by postmodernists (has a passing intellectual current ever been credited with such apparent influence?). Such polemics, he argues, are long on rhetoric but short on evidence.

Instead, Bok is worried by a pervasive conservatism in higher education, specifically the refusal by professors to confront evidence about poor teaching. His concern is less content than process – without more attention to classroom experience, America’s myriad colleges and research universities will not meet their obligations to students or communities.

This is brave territory for Bok to explore, because assertions about teaching quality inevitably run into problems of data. The unreliable nature of teaching quality measures is a core issue for universities: since only research can be confidently counted and ranked, research league tables dominate discussions of performance. With few proxies of overall quality available, students may select a university that focuses all its resources on research performance rather than on pastoral care and classroom excellence. Reputation is no guarantee of a great student experience.

Bok is careful to survey beyond America’s élite universities to a wide array of institutions. Yet he need look no further than Cambridge, Massachusetts, for examples of dissatisfied students. Take, for example, Privilege, by recent graduate Ross Gregory Douthat, published in New York last year. In often startling prose, Douthat catalogues his cumulative disappointment with the Harvard undergraduate experience: students obsessed with networking (‘a Harvard education is a four-year scramble to ingratiate oneself’); professors concerned with protecting research time; incoherent electives; grade inflation; and classes taken by young teaching assistants desperately concerned about their career prospects. ‘I give out mainly As,’ one TA tells Douthat and his classmates. ‘A few Bs maybe. But I don’t like to, you know?’

Bok understands the pressures that would leave teaching little valued in institutions that claim to be great centres of education. He argues that academics and university leaders ignore evidence about the futility of many time-honoured teaching methods. Professors resist taking instruction; they see teaching as innate, rather than a skill to be learned and developed. As Bok observes, ‘Since faculty members normally keep abreast of published work in their fields, the content of their courses tends to be reasonably up to date. The same cannot be said of their teaching methods.’

Read more: Glyn Davis reviews ‘Our Underachieving Colleges: A candid look at how much students learn and why...

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Irene Drumm reviews ‘On a Wing and a Prayer’ by Peter Bensley
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A personal renaissance, with a raison d’ệtre of such significance that it shifts the reverie of the characters in this book into a dimension of former youthfulness and revitalises the possibilities that seem to vanish with age: On a Wing and a Prayer is about friendship, loyalty and respect in the lives of three ordinary people drawn together under extraordinary circumstances in a small country town in central New South Wales. It confounds the adage that once you have reached a certain stage in life there is no further use for you.

Book 1 Title: On a Wing and a Prayer
Book Author: Peter Bensley
Book 1 Biblio: Random House, $29.95 pb, 308 pp
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A personal renaissance, with a raison d’ệtre of such significance that it shifts the reverie of the characters in this book into a dimension of former youthfulness and revitalises the possibilities that seem to vanish with age: On a Wing and a Prayer is about friendship, loyalty and respect in the lives of three ordinary people drawn together under extraordinary circumstances in a small country town in central New South Wales. It confounds the adage that once you have reached a certain stage in life there is no further use for you.

Read more: Irene Drumm reviews ‘On a Wing and a Prayer’ by Peter Bensley

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Carol Middleton reviews ‘Black Widow’ by Sandy McCutcheon
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‘Black Widow’ is the name given to the female Chechen rebels, who were widows of insurgents killed by the Russian army in Chechnya. They went on to serve under Shamil Basayev, leader of the Beslan school siege in September 2004. Sandy McCutcheon has set his latest political thriller two years later, in a story of revenge orchestrated by six female teachers at Beslan, who take on the guise of black widows to turn the tables on the hostage-takers.

Book 1 Title: Black Widow
Book Author: Sandy McCutcheon
Book 1 Biblio: Scribe, $27.95 pb, 249 pp
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‘Black Widow’ is the name given to the female Chechen rebels, who were widows of insurgents killed by the Russian army in Chechnya. They went on to serve under Shamil Basayev, leader of the Beslan school siege in September 2004. Sandy McCutcheon has set his latest political thriller two years later, in a story of revenge orchestrated by six female teachers at Beslan, who take on the guise of black widows to turn the tables on the hostage-takers.

Read more: Carol Middleton reviews ‘Black Widow’ by Sandy McCutcheon

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Lorien Kaye reviews ‘The Shifting Fog’ by Kate Morton
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Article Title: Knowing her place
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Sometimes, the middle ground is a good place to be. The Shifting Fog is classy commercial fiction that sits happily in the space between literary fiction and mass-market trash. It might occupy the middle ground, but it’s far from middle of the road. First-time author Kate Morton (recipient of the six-figure sums for deals in eleven countries that publisher Allen & Unwin is happily hyping) has skilfully and intelligently created a novel that is indeed, as the publicity has it, ‘compulsively readable’.

Book 1 Title: The Shifting Fog
Book Author: Kate Morton
Book 1 Biblio: Allen & Unwin, $29.95 pb, 480 pp
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Sometimes, the middle ground is a good place to be. The Shifting Fog is classy commercial fiction that sits happily in the space between literary fiction and mass-market trash. It might occupy the middle ground, but it’s far from middle of the road. First-time author Kate Morton (recipient of the six-figure sums for deals in eleven countries that publisher Allen & Unwin is happily hyping) has skilfully and intelligently created a novel that is indeed, as the publicity has it, ‘compulsively readable’.

Read more: Lorien Kaye reviews ‘The Shifting Fog’ by Kate Morton

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Contents Category: Poetry
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Article Title: Poetry and its others
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Microtexts (Island Press, $21.95 pb, 93 pp) is a set of aphoristic prose pieces grouped under the following chapter headings: ‘Poetry and the Narrative of the Self’; ‘Poetry and Poetics’; ‘Writing’; ‘Art’; ‘Reading’; ‘Critics and Criticism’. It is not academic literary theory, but personal and professional musings by a poet with five collections to his credit. Martin Langford’s poetry adopts a lyric voice which, to my ear, sounds variations on the ground-bass of a slightly lugubrious, melancholy tone. It is idiosyncratic and not unpleasant: ‘time we outwitted / behaviour, the sad primate life’ (from his poem ‘Lake Coila’).

Book 1 Title: Microtexts
Book Author: Martin Langford
Book 1 Biblio: Island Press, $21.95 pb, 93 pp
Book 1 Author Type: Author
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Microtexts (Island Press, $21.95 pb, 93 pp) is a set of aphoristic prose pieces grouped under the following chapter headings: ‘Poetry and the Narrative of the Self’; ‘Poetry and Poetics’; ‘Writing’; ‘Art’; ‘Reading’; ‘Critics and Criticism’. It is not academic literary theory, but personal and professional musings by a poet with five collections to his credit. Martin Langford’s poetry adopts a lyric voice which, to my ear, sounds variations on the ground-bass of a slightly lugubrious, melancholy tone. It is idiosyncratic and not unpleasant: ‘time we outwitted / behaviour, the sad primate life’ (from his poem ‘Lake Coila’).

Read more: Kerry Leves reviews ‘Microtexts’ by Martin Langford

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Richard Broinowski reviews ‘The Weapons Detective: The inside story of Australia’s top weapons inspector’ by Rod Barton
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Article Title: Fatal blows
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Early in his book, Rod Barton describes his reaction to two events that showed what kind of intelligence officer he would become. In the late 1970s he was asked by the Joint Intelligence Organisation to deter-mine the winners and losers in a nuclear exchange between the superpowers. But how, he asked, could this be done without taking into account environmental, political, medical and psychological factors? The other occasion was when Barton contradicted American military intelligence assertions that ‘yellow rain’ falling on Hmong tribesmen in Laos in the late 1970s was a Soviet-supplied chemical warfare agent. His own investigations showed it was bee droppings. Prime Minister Malcolm Fraser backed his findings despite pressure from US Secretary of State Alexander Haig to endorse the American version. Barton’s view prevailed.

Book 1 Title: The Weapons Detective
Book 1 Subtitle: The inside story of Australia’s top weapons inspector
Book Author: Rod Barton
Book 1 Biblio: Black Inc., $29.95 pb, 278 pp
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Early in his book, Rod Barton describes his reaction to two events that showed what kind of intelligence officer he would become. In the late 1970s he was asked by the Joint Intelligence Organisation to deter-mine the winners and losers in a nuclear exchange between the superpowers. But how, he asked, could this be done without taking into account environmental, political, medical and psychological factors? The other occasion was when Barton contradicted American military intelligence assertions that ‘yellow rain’ falling on Hmong tribesmen in Laos in the late 1970s was a Soviet-supplied chemical warfare agent. His own investigations showed it was bee droppings. Prime Minister Malcolm Fraser backed his findings despite pressure from US Secretary of State Alexander Haig to endorse the American version. Barton’s view prevailed.

Read more: Richard Broinowski reviews ‘The Weapons Detective: The inside story of Australia’s top weapons...

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