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May 2008, no. 301

Peter Rose reviews The Spare Room by Helen Garner
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Contents Category: Fiction
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Custom Highlight Text: The Spare Room marks Helen Garner’s return to fiction after a long interval. Since Cosmo Cosmolino (1992), she has concentrated on non-fiction and journalism: newspaper columns and feature articles. She has speculated in public about her distance from fiction...
Book 1 Title: The Spare Room
Book Author: Helen Garner
Book 1 Biblio: Text Publishing, $23.95, 208 pp
Book 1 Readings Link: booktopia.kh4ffx.net/x9NQD3
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The Spare Room marks Helen Garner’s return to fiction after a long interval. Since Cosmo Cosmolino (1992), she has concentrated on non-fiction and journalism: newspaper columns and feature articles. She has speculated in public about her distance from fiction, while giving us The First Stone (1995) – an account of an incident at a Melbourne university and its bizarre aftermath – and the lancing, forensic Joe Cinque’s Consolation (2004).

Why this new work is presented as fiction is not immediately obvious. Read as a long essay in a magazine, it would be convincing, perhaps more so than this novella. The subject, the sensibility, are very familiar by now. The narrator’s name is Helen (‘Hel’ to her friends); she is a writer and a journalist, in her mid-sixties; she lives in an inner suburb of Melbourne and rides a bicycle; she has a friend called Rosalba in Newcastle; her daughter lives next door; a ukulele is always at the ready; her marriages she describes as ‘train wrecks’.

Read more: Peter Rose reviews 'The Spare Room' by Helen Garner

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J.M. Coetzee reviews The Modernist Papers by Fredric Jameson
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Contents Category: Literary Studies
Custom Article Title: J.M. Coetzee reviews 'The Modernist Papers' by Frederic Jameson
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Book 1 Title: The Modernist Papers
Book Author: Frederic Jameson
Book 1 Biblio: Verso, $59.95 hb, 426 pp, 9781844670963
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Though by profession a scholar of literature with a specialism in French literature, Fredric Jameson (born 1934) has made his mark as a cultural historian and even as what used to be called an historian of ideas. His chef d'oeuvre, Postmodernism, or, The Cultural Logic of Late Capitalism (1991), provides one of the more persuasive cognitive maps we have of the evolution of culture in the West in the period from the mid-twentieth century to the present day. His achievement is all the more notable in that he is by conviction a Marxist, hostile to Anglo-American empiricism, the anti-theoretical theory that reigns supreme today.

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James Ley reviews Breath by Tim Winton
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One of the intriguing things about Breath, Tim Winton’s first novel in seven years, is that it has a number of affinities with his very first book, An Open Swimmer (1982). Both are coming-of-age novels that attempt to capture some of the confusion and melancholy of youth ...

Book 1 Title: Breath
Book Author: Tim Winton
Book 1 Biblio: Hamish Hamilton, $45 hb, 216 pp, 9780241015308
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One of the intriguing things about Breath, Tim Winton’s first novel in seven years, is that it has a number of affinities with his very first book, An Open Swimmer (1982). Both are coming-of-age novels that attempt to capture some of the confusion and melancholy of youth. Both feature boyhood friendships which the characters outgrow. In both, the main protagonist, whose parents are emotionally distant, is drawn to a mystically inclined father-figure. And both novels have scenes in which an older woman makes sexual advances toward the young hero, with threatening overtones, although An Open Swimmer is coy on this point.

There are also, as you would expect, significant differences between Winton’s precocious but rough-hewn début and the mature, polished work that is Breath. In An Open Swimmer, Jerra Nilsam and his friend Sean are facing the choices and responsibilities of early adulthood; the narrator of Breath, Bruce ‘Pikelet’ Pike and his mate Loonie are in their mid-teens. The father-figure is not a grizzled hermit who smokes pages from his Bible, but a former professional surfer named Sando, who instructs the boys on the finer points of his sport and is given to lecturing them about its deeper meaning.

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Jaya Savige reviews Macquarie PEN anthology of Aboriginal literature edited by Anita Heiss and Peter Minter
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In 1938, the year of Australia’s sesquicentennial celebrations, trade unionist William Ferguson and former boxer John Patten helped to organise the first Aboriginal Day of Mourning and Protest on January 26; later that year, they co-wrote the pamphlet from which the above excerpt is taken, on behalf of the nascent Aborigines Progressive Association ...

Book 1 Title: Macquarie PEN anthology of Aboriginal literature
Book Author: Anita Heiss and Peter Minter
Book 1 Biblio: Allen & Unwin, $39.95 pb, 260 pp, 9781741754384
Book 1 Author Type: Editor
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If ever there was a national question, it is this ... We were good enough to fight as Anzacs. We earned equality then. Why do you deny it to us now? ... We ask you to be proud of the Australian Aboriginal, and to take his hand in friendship … At worst, we are no more dirty, lazy, stupid, criminal, or immoral than yourselves … After 150 years, we ask you to review the situation and give us a fair deal – a New Deal for Aborigines.

Aborigines Claim Citizen Rights!

William Ferguson and John Patten

 

In 1938, the year of Australia’s sesquicentennial celebrations, trade unionist William Ferguson and former boxer John Patten helped to organise the first Aboriginal Day of Mourning and Protest on January 26; later that year, they co-wrote the pamphlet from which the above excerpt is taken, on behalf of the nascent Aborigines Progressive Association (APA). At the time, David Unaipon’s Native Legends (1929) was the only work of literature written by an Aboriginal Australian to have been published, and it would be many years before the next, Oodgeroo Noonuccal’s We Are Going (1964).

It is perhaps unsurprising, then, though still remarkable, that approximately half of the writing represented in this 260-page anthology of Aboriginal writing in English consists of excerpts from works published in the last twenty years. As the editors, Anita Heiss and Peter Minter, explain in their insightful introduction: ‘Aboriginal literature as we know it today had its origins in the late 1960s, as the intensification of Aboriginal political activity posed an increasing range of aesthetic questions and possibilities for Aboriginal authors.’ And if the 1960s and 1970s introduced us to Oodgeroo, Jack Davis, Gerry Bostock, Kevin Gilbert, and Lionel Fogarty, the two decades since the publication of the first comprehensive anthology of Aboriginal literature in 1988, Paperbark, have seen an even greater upsurge in indigenous writing in English.

Heiss and Minter have taken the significant decision of commencing the anthology not with Unaipon’s work – the expected starting point for such an anthology – but with a letter written by Bennelong (of the Wangal people, Sydney) some hundred and thirty years earlier, in 1796: the earliest documented piece of writing in English by an Aboriginal person. The opening third of the book consists mainly, therefore, of excerpted letters, petitions and political manifestos written in the period between the late eighteenth and mid-twentieth centuries, sometimes in raw, ungrammatical English, but always describing the same poignant arc, a people’s suffering under various assimilationist state and federal legislation.

Read more: Jaya Savige reviews 'Macquarie PEN anthology of Aboriginal literature' edited by Anita Heiss and...

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Vivien Gaston reviews Unstill Life: Art, politics and living with Clifton Pugh by Judith Pugh and Self-Portrait of the Artist’s Wife by Irena Sibley
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Article Title: A very long party
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Marry an artist? Never! So I always thought, and reading these autobiographies does nothing to change my prejudice. Married to artists, both Judith Pugh and Irena Sibley spend a good deal of their time cooking and, even more, socialising. Not that they mind. Judith declares that ‘cooking was my deep pleasure’, essential to the story of her life with Clifton (‘Clif’) Pugh. Irena concedes facetiously, ‘it’s too hard painting pictures. It is easier to bake cakes.’ The importance of food is apparent in the chapter titles. Eleven of Sibley’s chapters refer to food, while all of Pugh’s have subheadings that, typically, jumble up evocative ingredients.

Book 1 Title: Unstill Life
Book 1 Subtitle: Art, politics and living with Clifton Pugh
Book Author: Judith Pugh
Book 1 Biblio: Allen & Unwin, $32.95 pb, 360 pp
Book 1 Author Type: Author
Book 2 Title: Self-Portrait of the Artist’s Wife
Book 2 Author: Irena Sibley
Book 2 Biblio: Lytlewode Press, $60 hb, 306 pp
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Marry an artist? Never! So I always thought, and reading these autobiographies does nothing to change my prejudice. Married to artists, both Judith Pugh and Irena Sibley spend a good deal of their time cooking and, even more, socialising. Not that they mind. Judith declares that ‘cooking was my deep pleasure’, essential to the story of her life with Clifton (‘Clif’) Pugh. Irena concedes facetiously, ‘it’s too hard painting pictures. It is easier to bake cakes.’ The importance of food is apparent in the chapter titles. Eleven of Sibley’s chapters refer to food, while all of Pugh’s have subheadings that, typically, jumble up evocative ingredients.

Read more: Vivien Gaston reviews 'Unstill Life: Art, politics and living with Clifton Pugh' by Judith Pugh...

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John Hirst review History’s Children: History Wars in the Classroom by Anna Clark
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Contents Category: History
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Article Title: Where we’re at, like
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This is an honest, modest report of what students and teachers across the country think about the teaching of Australian history in schools. Anna Clark has allowed her subjects to speak for themselves; being a scrupulous historian, she has not edited their offerings. So we hear words like these: ‘Now they’re having like record numbers [at Anzac Day], and like huge ceremonies all over Australia and they’re like young people that respect it’; and ‘Reading a textbook, when you have to like read three pages of a textbook, and then the teacher’s like, “Do the questions”...’ An enduring value of this book will be its record of teenagers’ spoken English in the first decade of the twenty-first century. It makes for rather tiresome reading, but it is salutary to be constantly reminded of where students are at, like.

Book 1 Title: History’s Children
Book 1 Subtitle: History Wars in the Classroom
Book Author: Anna Clark
Book 1 Biblio: NewSouth, $29.95 pb, 178 pp
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This is an honest, modest report of what students and teachers across the country think about the teaching of Australian history in schools. Anna Clark has allowed her subjects to speak for themselves; being a scrupulous historian, she has not edited their offerings. So we hear words like these: ‘Now they’re having like record numbers [at Anzac Day], and like huge ceremonies all over Australia and they’re like young people that respect it’; and ‘Reading a textbook, when you have to like read three pages of a textbook, and then the teacher’s like, “Do the questions”...’ An enduring value of this book will be its record of teenagers’ spoken English in the first decade of the twenty-first century. It makes for rather tiresome reading, but it is salutary to be constantly reminded of where students are at, like.

Read more: John Hirst review 'History’s Children: History Wars in the Classroom' by Anna Clark

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Stephanie Bishop reviews How Fiction Works by James Wood
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Article Title: ‘The nearest thing to life’
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When E.M. Forster published Aspects of the Novel in 1927, he was not writing as a critic, and the success of the book is due to precisely that. Forster gives us the intuitive judgements of a novelist – a series of rough observations full of verve. James Wood’s How Fiction Works is indebted to Forster’s study and turns on like questions (what constitutes a convincing character? How does narrative style shape a novel? What defines a telling detail?). But while he poses theoretical questions, Wood does not offer theoretical answers. And unlike Milan Kundera in The Art of the Novel (1985), Wood is not interested in the way writers gloss their own creations.

Book 1 Title: How Fiction Works
Book Author: James Wood
Book 1 Biblio: Jonathan Cape, $59.95 hb, 194 pp, $39.95 pb
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When E.M. Forster published Aspects of the Novel in 1927, he was not writing as a critic, and the success of the book is due to precisely that. Forster gives us the intuitive judgements of a novelist – a series of rough observations full of verve. James Wood’s How Fiction Works is indebted to Forster’s study and turns on like questions (what constitutes a convincing character? How does narrative style shape a novel? What defines a telling detail?). But while he poses theoretical questions, Wood does not offer theoretical answers. And unlike Milan Kundera in The Art of the Novel (1985), Wood is not interested in the way writers gloss their own creations.

Read more: Stephanie Bishop reviews 'How Fiction Works' by James Wood

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John Rickard reviews Seduced by Grace: Contemporary spirituality, gay experience and Christian faith by Michael Bernard Kelly
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Article Title: Over the spiritual rainbow
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Michael Bernard Kelly is perhaps best known for his association with the Rainbow Sash Movement, a group of gay and lesbian Catholics and their supporters who have, from time to time, been refused Holy Communion when attending Mass wearing the rainbow sash. Cardinal Pell, formerly archbishop of Melbourne, now of Sydney, has been a particular target. Kelly describes himself as the movement’s ‘writer, spokesperson and co-convenor’. For him the sash is ‘a symbol of gay visibility and dignity within the Catholic Church’, and the movement challenges what he sees as the hypocrisy of the Church’s continuing condemnation of homosexuality.

Book 1 Title: Seduced by Grace
Book 1 Subtitle: Contemporary spirituality, gay experience and Christian faith
Book Author: Michael Bernard Kelly
Book 1 Biblio: Clouds of Magellan, $24.95 pb, 258 pp
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Michael Bernard Kelly is perhaps best known for his association with the Rainbow Sash Movement, a group of gay and lesbian Catholics and their supporters who have, from time to time, been refused Holy Communion when attending Mass wearing the rainbow sash. Cardinal Pell, formerly archbishop of Melbourne, now of Sydney, has been a particular target. Kelly describes himself as the movement’s ‘writer, spokesperson and co-convenor’. For him the sash is ‘a symbol of gay visibility and dignity within the Catholic Church’, and the movement challenges what he sees as the hypocrisy of the Church’s continuing condemnation of homosexuality.

Read more: John Rickard reviews 'Seduced by Grace: Contemporary spirituality, gay experience and Christian...

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Shirley Walker reviews Births Deaths Marriages: True tales by Georgia Blain and The After Life: A memoir by Kathleen Stewart
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Contents Category: Memoir
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Article Title: Sins of the fathers
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Each of these memoirs – Births Deaths Marriages: true tales, by Georgia Blain, and The After Life: A Memoir, by Kathleen Stewart – is the work of an accomplished novelist, and each writer is well aware of the risks involved in the shift of mode. If the novel, as Blain maintains, provides a place for the writer to hide, the memoir is the place of self-exposure, of speaking the truth, or a version of the truth. Although it is the wellspring of all creativity, to write about the life, to pin it down, is in a sense to distort it. Memory is unreliable and bias is inevitable. There is also the problem of exposing others, and the others in each of these memoirs are easily identified. Each writer faces the challenges of memoir in an entirely different way. The narrative voice in Births Deaths Marriages is thoughtful and contemplative; the account qualified at times by self-doubt. Stewart’s account, on the other hand, is sure of its truth. It is dramatic, forceful and defiant.

Book 1 Title: Births Deaths Marriages
Book 1 Subtitle: True tales
Book Author: Georgia Blain
Book 1 Biblio: Vintage, $24.95 pb, 224 pp
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Book 2 Title: The After Life
Book 2 Subtitle: A memoir
Book 2 Author: Kathleen Stewart
Book 2 Biblio: Vintage, $34.95 pb, 294 pp
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Each of these memoirs – Births Deaths Marriages: true tales, by Georgia Blain, and The After Life: A Memoir, by Kathleen Stewart – is the work of an accomplished novelist, and each writer is well aware of the risks involved in the shift of mode. If the novel, as Blain maintains, provides a place for the writer to hide, the memoir is the place of self-exposure, of speaking the truth, or a version of the truth. Although it is the wellspring of all creativity, to write about the life, to pin it down, is in a sense to distort it. Memory is unreliable and bias is inevitable. There is also the problem of exposing others, and the others in each of these memoirs are easily identified. Each writer faces the challenges of memoir in an entirely different way. The narrative voice in Births Deaths Marriages is thoughtful and contemplative; the account qualified at times by self-doubt. Stewart’s account, on the other hand, is sure of its truth. It is dramatic, forceful and defiant.

Read more: Shirley Walker reviews 'Births Deaths Marriages: True tales' by Georgia Blain and 'The After Life:...

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Michael Williams reviews Stanley and Sophie by Kate Jennings
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Article Title: Fur and frippery
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How many books should an author have under their belt before they indulge in a piece of frippery? When John Steinbeck wrote Travels with Charley (1962), about his journeys across the country with his poodle, it must have been hard not to see it as a comedown from The Grapes of Wrath (1939). Adding the subtitle (‘In Search of America’) can’t have been enough to convince anyone that this was anything more than a writer who knew he was nearing the end of his life and career, going for a drive with his dog. By then, however, Steinbeck was widely regarded as having earned a certain licence.

Book 1 Title: Stanley and Sophie
Book Author: Kate Jennings
Book 1 Biblio: Knopf, $29.95 pb, 191 pp
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How many books should an author have under their belt before they indulge in a piece of frippery? When John Steinbeck wrote Travels with Charley (1962), about his journeys across the country with his poodle, it must have been hard not to see it as a comedown from The Grapes of Wrath (1939). Adding the subtitle (‘In Search of America’) can’t have been enough to convince anyone that this was anything more than a writer who knew he was nearing the end of his life and career, going for a drive with his dog. By then, however, Steinbeck was widely regarded as having earned a certain licence.

Read more: Michael Williams reviews 'Stanley and Sophie' by Kate Jennings

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Contents Category: Poem
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Article Title: Invisible Hinges
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If between one footfall and the next, the wind
can swivel and issue empty threats of rain,
for all we know this could be one of those days,
unpinpointable even in retrospect,
when a dimly held belief begins to melt,
say the belief that it’s somehow generous
to assume that everyone’s rather like you.
An open-ended day promising nothing,
but just as full of zipjams, language splashes
and thixotropic flows, lost somewhere between
the day you realised you wouldn’t always
have to pretend to be interested in X
(opera, hot cars, Buffy Summers, poetry)

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If between one footfall and the next, the wind
can swivel and issue empty threats of rain,
for all we know this could be one of those days,
unpinpointable even in retrospect,
when a dimly held belief begins to melt,
say the belief that it’s somehow generous
to assume that everyone’s rather like you.
An open-ended day promising nothing,
but just as full of zipjams, language splashes
and thixotropic flows, lost somewhere between
the day you realised you wouldn’t always
have to pretend to be interested in X
(opera, hot cars, Buffy Summers, poetry)

Read more: ‘Invisible Hinges’ by Chris Andrews

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Contents Category: Poem
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Who exactly is available to tell us the story of our minds?
If I dream of an estuary called ‘Ephemeral Waters,’ an optimum of spectral love
anyone might allude to their misgivings. Or it’s interpersonal, the tide finds
its way round the three islands, flowing away from negative emotions, some remove
their shoes at the door, others talk of auras, or the portals of youth, the mark

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Contents Category: Poem
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Article Title: Who Can Say When Her Time Is?
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This is a song of the white.
The multitude or the pattern.
The rose or the wind.
A woman who begins,
a woman who disappears.
a woman drinking blossom’s shadow.

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This is a song of the white.
The multitude or the pattern.
The rose or the wind.
A woman who begins,
a woman who disappears.
a woman drinking blossom’s shadow.

Read more: 'Who Can Say When Her Time Is?' by Jill Jones

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Gloria Davies reviews Changing Clothes in China: Fashion, History, Nation by Antonia Finnane
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The juxtaposition of the three words ‘fashion,’ ‘history’ and ‘nation’ in the title of Antonia Finnane’s study of Chinese clothing indicates the ambitious nature of her richly illustrated book. Her account is an engaging one, based in detailed analysis of the social and political circumstances that shaped not only what people wore but the body shapes they cultivated as well. Finnane, an associate professor of history at the University of Melbourne, tells us that her narrative of vestimentary change across a century or more in China is aimed at showing how ‘the relationship between national politics and fashion is not simple, predictable or steady’, in tandem with an analysis of how technology, industry, commerce and modern communications each played a significant part in changing Chinese styles of dress.

Book 1 Title: Changing Clothes in China
Book 1 Subtitle: Fashion, History, Nation
Book Author: Antonia Finnane
Book 1 Biblio: UNSW Press, $59.95 hb, 360 pp
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The juxtaposition of the three words ‘fashion,’ ‘history’ and ‘nation’ in the title of Antonia Finnane’s study of Chinese clothing indicates the ambitious nature of her richly illustrated book. Her account is an engaging one, based in detailed analysis of the social and political circumstances that shaped not only what people wore but the body shapes they cultivated as well. Finnane, an associate professor of history at the University of Melbourne, tells us that her narrative of vestimentary change across a century or more in China is aimed at showing how ‘the relationship between national politics and fashion is not simple, predictable or steady’, in tandem with an analysis of how technology, industry, commerce and modern communications each played a significant part in changing Chinese styles of dress. The emphasis she places on nation-building as a motive force in Chinese fashion is succinctly stated in the concluding lines of her introduction:

[F]or much of the twentieth century, China was mired in a constantly transmutating struggle for its survival, its sovereignty, and its international standing. Its citizens might blithely disregard sumptuary and sartorial rules and regulations, but like their counterparts the world over, they generally heeded the call of the nation. In complex, sometimes unobvious or contradictory ways, they wore the nation on their backs.

Read more: Gloria Davies reviews 'Changing Clothes in China: Fashion, History, Nation' by Antonia Finnane

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Warwick Anderson reviews  Drawing the Global Colour line: White men’s countries and the question of racial equality by By Marilyn Lake and Henry Reynolds
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On the front of the only postcard my grandfather kept is a picture of the United States Navy’s ‘great white fleet’ off Australian shores. A Pennsylvanian uncle sent it to the nine-year-old boy in 1908, ‘from one white man to another’. After reading Marilyn Lake’s and Henry Reynolds’s important new book on the transnational assertion of white racial identity in the early twentieth century, I now know that our American relative was merely echoing Rear-Admiral Sperry, who, at a luncheon in Sydney the same year, greeted his Australian hosts as a ‘white man to white men, and I may add, very white men’.

Book 1 Title: Drawing the Global Colour line
Book 1 Subtitle: White men’s countries and the question of racial equality
Book Author: Marilyn Lake and Henry Reynolds
Book 1 Biblio: MUP, $36.95 pb, 371 pp
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On the front of the only postcard my grandfather kept is a picture of the United States Navy’s ‘great white fleet’ off Australian shores. A Pennsylvanian uncle sent it to the nine-year-old boy in 1908, ‘from one white man to another’. After reading Marilyn Lake’s and Henry Reynolds’s important new book on the transnational assertion of white racial identity in the early twentieth century, I now know that our American relative was merely echoing Rear-Admiral Sperry, who, at a luncheon in Sydney the same year, greeted his Australian hosts as a ‘white man to white men, and I may add, very white men’.

Read more: Warwick Anderson reviews ' Drawing the Global Colour line: White men’s countries and the question...

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Martin Duwell reviews ‘As We Draw Ourselves’ by Barry Hill
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This sixth poetry collection by Barry Hill is a fine, intense book of journeying and returns. Poems are based on pilgrimages made in the flesh (to Carrara, to Assisi, to Kyoto) and on those made in the mind as we visit works of art. But there is nothing blandly celebratory about these pilgrimages: the focus is always on the self of the journeyer. Indeed, at a deeper level, its poems are really about the experience of becoming, of being ‘drawn’. And one of the book’s central metaphors is the way there is a double process going on in the creation of the self: we emerge as human beings out of inchoate experience in the way that a sculpture emerges from stone; and, at the same time, we are shaped by the loved ones who surround us.

Book 1 Title: As We Draw Ourselves
Book Author: Barry Hill
Book 1 Biblio: Five Islands Press, $21.95 pp, 98 pp
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This sixth poetry collection by Barry Hill is a fine, intense book of journeying and returns. Poems are based on pilgrimages made in the flesh (to Carrara, to Assisi, to Kyoto) and on those made in the mind as we visit works of art. But there is nothing blandly celebratory about these pilgrimages: the focus is always on the self of the journeyer. Indeed, at a deeper level, its poems are really about the experience of becoming, of being ‘drawn’. And one of the book’s central metaphors is the way there is a double process going on in the creation of the self: we emerge as human beings out of inchoate experience in the way that a sculpture emerges from stone; and, at the same time, we are shaped by the loved ones who surround us.

Read more: Martin Duwell reviews ‘As We Draw Ourselves’ by Barry Hill

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Michael Shmith reviews ‘I am Melba’ by Ann Blainey
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Article Title: When Nellie met Melba
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On page sixty-two of Ann Blainey’s thoroughly researched, excellently written and beguilingly human biography of Nellie Melba there occurs a transition that is simple but that defines, in an instant, the moment the singer went from learner to legend. It happens when the young singer, under the wing of Madame Marchesi (née Mathilda Graumann; nickname ‘the Prussian drill-master’), is ready to make her public European début and requires a new surname. ‘Armstrong’ had to go; in its place, there had to be something ‘distinctive and memorable’:

Book 1 Title: I am Melba
Book Author: Ann Blainey
Book 1 Biblio: Black Inc., $32.95 pb, 386 pp
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On page sixty-two of Ann Blainey’s thoroughly researched, excellently written and beguilingly human biography of Nellie Melba there occurs a transition that is simple but that defines, in an instant, the moment the singer went from learner to legend. It happens when the young singer, under the wing of Madame Marchesi (née Mathilda Graumann; nickname ‘the Prussian drill-master’), is ready to make her public European début and requires a new surname. ‘Armstrong’ had to go; in its place, there had to be something ‘distinctive and memorable’:

Read more: Michael Shmith reviews ‘I am Melba’ by Ann Blainey

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Custom Article Title: Advances - May 2008
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Custom Highlight Text: Australian Book Review has been in a sombre mood since April 8, having lost one of its great friends and contributors. It had been clear for some time that John Button’s condition was grave (he was diagnosed with pancreatic cancer late last year). Just four days before his death, he resigned from the ABR board with customary punctiliousness.
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Vale John Button (1932–2008)

Australian Book Review has been in a sombre mood since April 8, having lost one of its great friends and contributors. It had been clear for some time that John Button’s condition was grave (he was diagnosed with pancreatic cancer late last year). Just four days before his death, he resigned from the ABR board with customary punctiliousness.

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Kate McFadyen reviews The Good Parents by Joan London
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The Good Parents, Joan London’s second novel, begins with the seduction and disappearance of Maya de Jong, an eighteen-year-old who has recently moved to Melbourne from a small Western Australian town. Maya’s worried parents, Jacob and Toni, travel to Melbourne, set themselves up in her Richmond share house, and begin to search for clues to explain her absence.

Book 1 Title: The Good Parents
Book Author: Joan London
Book 1 Biblio: Vintage, $32.95, 368 pp
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The Good Parents, Joan London’s second novel, begins with the seduction and disappearance of Maya de Jong, an eighteen-year-old who has recently moved to Melbourne from a small Western Australian town. Maya’s worried parents, Jacob and Toni, travel to Melbourne, set themselves up in her Richmond share house, and begin to search for clues to explain her absence. We know that Maya’s affair with her middle-aged boss, Maynard Flynn, began when his wife was dying of cancer; what is less evident is Maya’s true motivation. She is detached: her observations and insights into the relationship are delivered from a million miles away. She accepts his petulance, his condescension and his lechery, comforting herself with well-worn adolescent sentiments. She wonders if she will ‘ever be able to have a “normal” relationship’ and if ‘secrets and rules were part of its kick’; she wishes they could ‘spend a whole night together’; but she also cringes with self-consciousness and vulnerability at the thought of herself, ‘on that mattress, like a creature without a shell’. Her fluctuating emotions and misguided romanticism allow Maynard to whisk her away to a dingy hotel in another city, where she languishes without telling anyone where she is.

Read more: Kate McFadyen reviews 'The Good Parents' by Joan London

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David Moore reviews A History of Queensland by Ray Evans
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Raymond Evans completed his History of Queensland on a Brisbane verandah in late 2005. The Howard government was still in power, and Premier Peter Beattie was grappling with regional health care. By the time of publication, John Howard was gone, and Beattie had resigned – though not before contracting Ross Fitzgerald to write the official state history for Queensland’s sesquicentenary in 2009.

Book 1 Title: A History of Queensland
Book Author: Ray Evans
Book 1 Biblio: CUP, $36.95 pb, 328 pp
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Raymond Evans completed his History of Queensland on a Brisbane verandah in late 2005. The Howard government was still in power, and Premier Peter Beattie was grappling with regional health care. By the time of publication, John Howard was gone, and Beattie had resigned – though not before contracting Ross Fitzgerald to write the official state history for Queensland’s sesquicentenary in 2009.

Beattie’s successor, Anna Bligh, worked in the Office of Premier and Cabinet before entering state parliament. Kevin Rudd ran that same office after the Fitzgerald Inquiry helped Wayne Goss’s Labor government to power in 1989. The sober and fast-paced reform of the early Goss years now seems to have shifted to the federal level.

Queensland as trendsetter seems a less familiar theme than Queensland as a state of ‘extremes which can both lift the spirit and break the heart’. Its colonial frontier was almost certainly the most violent in Australia. Its economy cycled through frequent boom and bust, with political conditions as exaggerated as those of any Australian state, and society struggling ‘between Calvinistic stricture and hedonistic expression’. Governor Bowen declared the new colony ‘exceptional beyond precedent in the history of colonisation’. Premier Joh Bjelke-Petersen echoed this to a Japanese trade mission: ‘I am here to say we are not Australian, we are Queenslanders.’ Queensland exceptionalism runs through Evans’s history. Yet a shadow theme is indeed Queensland as bellwether.

Read more: David Moore reviews 'A History of Queensland' by Ray Evans

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Yossi Klein reviews Destined to Live: One Woman’s War, Life, Loves Remembered by Sabina Wolanski (with Diana Bagnall)
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Amongst Holocaust accounts, literature and writing, there have emerged four distinctly identifiable forms: the academic historical text, exemplified by historians such as Martin Gilbert and Philip Friedman; literature, by writers such as Eli Wiesel and Primo Levi; the allegorical tale, such as Markus Zusak’s The Book Thief (2005), Karen Hesse’s The Cats in Krasinski Square (2004), and Art Spiegelman’s Maus: A Survivor’s Tale (1986); and the anecdotal account, such as this book by Sabina Wolanski, Destined to Live: One Woman’s War, Life, Loves Remembered.

Book 1 Title: Destined to Live
Book 1 Subtitle: One woman's war, life, loves remembered
Book Author: Sabina Wolanski (with Diana Bagnall)
Book 1 Biblio: Fourth Estate, $32.99 pb, 302 pp
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Amongst Holocaust accounts, literature and writing, there have emerged four distinctly identifiable forms: the academic historical text, exemplified by historians such as Martin Gilbert and Philip Friedman; literature, by writers such as Eli Wiesel and Primo Levi; the allegorical tale, such as Markus Zusak’s The Book Thief (2005), Karen Hesse’s The Cats in Krasinski Square (2004), and Art Spiegelman’s Maus: A Survivor’s Tale (1986); and the anecdotal account, such as this book by Sabina Wolanski, Destined to Live: One Woman’s War, Life, Loves Remembered.

The last of these, untrammelled as they are by strict considerations of literary form or the academic rigour and restriction of citation and referencing, is perhaps the most fundamental. Each distinct voice adds to the canon. Every individual story, every different account, every unique experience contributes to a whole that secures the horror of these events in the cultural consciousness. That such accounts are recorded anchors each in an inescapable reality, an immediate and undeniable veracity, as if to say, ‘No, you will not deny my voice. Even if I am no writer, no natural teller of stories, even if I am no academic, I will be heard, my way.’ This last category is often better suited to a documentary, archival, or recorded oral history form.

Read more: Yossi Klein reviews 'Destined to Live: One Woman’s War, Life, Loves Remembered' by Sabina Wolanski...

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Maria Takolander reviews Letters to the tremulous Hand by Elizabeth Campbell and Man Wolf Man by L.K. Holt
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John Leonard Press produces beautiful books of poetry. Proof of the editor’s precise standards, L.K. Holt’s Man Wolf Man features a fine, bullet-sized insignia of a wolf man’s head after the title page. But as Leonard has shown in publishing three (out of four) first books by young Australian women poets, he is not bound to tradition. Holt’s book, with its combination of formal style and feminist obscenity, and Elizabeth Campbell’s Letters to the Tremulous Hand, which includes poems about medieval scribes and human trafficking, suggest that Leonard’s aesthetic is more radical than most. Could it be time for young Australian women poets to shine? Are these two poets among the bright young things of a Generation of ’08?

Book 1 Title: Letters to the Tremulous Hand
Book Author: Elizabeth Campbell
Book 1 Biblio: John Leonard Press, $23.95 pb, 76 pp
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Book 2 Title: Man Wolf Man
Book 2 Author: L.K. Holt
Book 2 Biblio: John Leonard Press, $23.95 pb, 78 pp
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John Leonard Press produces beautiful books of poetry. Proof of the editor’s precise standards, L.K. Holt’s Man Wolf Man features a fine, bullet-sized insignia of a wolf man’s head after the title page. But as Leonard has shown in publishing three (out of four) first books by young Australian women poets, he is not bound to tradition. Holt’s book, with its combination of formal style and feminist obscenity, and Elizabeth Campbell’s Letters to the Tremulous Hand, which includes poems about medieval scribes and human trafficking, suggest that Leonard’s aesthetic is more radical than most. Could it be time for young Australian women poets to shine? Are these two poets among the bright young things of a Generation of ’08?

Holt’s poems are marked by an innovative blend of erudition and profanity, tradition and radicalism, revisiting form (sonnet, triolet, sestina and villanelle) while embodying a refreshingly edgy and blasphemous feminism. The poems often anatomise masculine violence in striking, even literal ways. In ‘Slaughter house’, the poet focuses on the ‘little corpse’ of a worker’s finger, ‘uncanny without context, curled in introspection’, among ‘the solemnity / of a standing funeral crowd – beasts made vertical / like humans only upside-down, throat wounds smiling’. The poem, which portrays the abattoir as a ‘place where death is five-sensed and only later / methodology’, is cleverly (if a little clunkily) book-ended by a Dickinsonian meditation on death’s formality.

Read more: Maria Takolander reviews 'Letters to the tremulous Hand' by Elizabeth Campbell and 'Man Wolf Man'...

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Russell McGregor reviews The Secret War: A true history of Queenslands Native Police by Jonathan Richards
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In Queensland, as in the other Australian colonies in the nineteenth century, European settlers wrested control of the land from its indigenous owners by force and the threat of force. All colonies used police for this purpose, but Queensland went further than any other in creating a police corps specifically for the subjugation and dispossession of the Aborigines. Queensland’s Native Police comprised small units of indigenous troopers, commanded by European officers. These were moved around the colony to wherever on the leading edges of European expansion the Aborigines were most ‘troublesome’. Their tactics were simple and brutal. Whether the targets were entire Aboriginal groups or individual suspects, their standard strategy was lethal force in engagements that were known euphemistically as ‘dispersals’.

Book 1 Title: The Secret War
Book 1 Subtitle: A true history of Queensland's Native Police
Book Author: Jonathan Richards
Book 1 Biblio: UQP, $39.95 pb, 308 pp
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In Queensland, as in the other Australian colonies in the nineteenth century, European settlers wrested control of the land from its indigenous owners by force and the threat of force. All colonies used police for this purpose, but Queensland went further than any other in creating a police corps specifically for the subjugation and dispossession of the Aborigines. Queensland’s Native Police comprised small units of indigenous troopers, commanded by European officers. These were moved around the colony to wherever on the leading edges of European expansion the Aborigines were most ‘troublesome’. Their tactics were simple and brutal. Whether the targets were entire Aboriginal groups or individual suspects, their standard strategy was lethal force in engagements that were known euphemistically as ‘dispersals’.

Other historians, notably Henry Reynolds and Noel Loos, have written about Queensland’s Native Police, but none with such detailed familiarity with the historical sources that Jonathan Richards demonstrates. Earlier historians suggested that the records of Native Police actions had been destroyed, or lost, or had never existed. Richards shows this to be untrue, though he acknowledges that the available records are fragmentary, and that his account of Native Police actions required many years of diligent grubbing through archives, newspapers, personal papers and government documents. He also acknowledges that his account of the role and conduct of the Native Police relies to a significant extent on the exercise of a disciplined capacity for inference. Unlike Keith Windschuttle (who is wisely kept off-stage in this book), Richards maintains that inference, informed by empirical evidence, is not only a valuable but an essential tool of the historian.

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Hugh White reviews The Three Trillion Dollar War: The true cost of the Iraq Conflict by Joseph Stiglitz and Linda Bilmes
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Last year, the fifth of the war, America sent another forty thousand troops to Iraq to halt the rise in violence. So far this surge seems to have worked: the number of Iraqis killed per month has fallen from over three thousand per month a year ago to under one thousand, and American combat deaths have fallen as well, from over one hundred to less than forty per month. Now the extra troops are being withdrawn again. We will see whether those grim numbers bounce back up again, and whether Iraq is any closer to the peaceful, united and pro-Western country that those who planned the invasion so blithely expected. The signs in recent weeks have not been promising.

Book 1 Title: The Three Trillion Dollar War
Book 1 Subtitle: The true cost of the Iraq Conflict
Book Author: Joseph Stiglitz and Linda Bilmes
Book 1 Biblio: Allen Lane, $32.95 pb, 311 pp
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Last year, the fifth of the war, America sent another forty thousand troops to Iraq to halt the rise in violence. So far this surge seems to have worked: the number of Iraqis killed per month has fallen from over three thousand per month a year ago to under one thousand, and American combat deaths have fallen as well, from over one hundred to less than forty per month. Now the extra troops are being withdrawn again. We will see whether those grim numbers bounce back up again, and whether Iraq is any closer to the peaceful, united and pro-Western country that those who planned the invasion so blithely expected. The signs in recent weeks have not been promising.

Even if only temporary, however, the success of the surge is the best news out of Iraq for a long time. Perhaps as a result, America’s debate about Iraq has moved away from the idea of early and complete withdrawal, which was being so hotly debated this time last year. For now, at least, Americans seem resigned to staying in Iraq for a long time to come. They may feel that that costs and risks of staying, though still terribly high, are at least known: the costs and risks of leaving are not.

But are the costs of Iraq known? Behind the headline casualty figures – the United States suffered its four thousandth combat death in March 2008 – lies a huge economic cost which Joseph Stiglitz believes is not at all well understood. Stiglitz is a superbly credentialled gadfly of the economic establishment. A Nobel laureate and professor of economics at Columbia, he served as Chief Economist at the World Bank and chaired Bill Clinton’s Council of Economic Advisors. But in recent books he has stridently attacked the free-market orthodoxies that sanctify globalisation. Now, with Linda Bilmes of Harvard’s Kennedy School of Government, he sets out to tell us how much Iraq costs.

Read more: Hugh White reviews 'The Three Trillion Dollar War: The true cost of the Iraq Conflict' by Joseph...

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Julian Burnside reviews Torture and Democracy by Darius Rejali
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There must be some part of the human psyche which secretly thrills at the idea of inflicting unbearable pain on others. How else to explain the fact that torture has been practised in every civilisation in every age? How else to explain the desperate cruelty and awesome ingenuity of the torturer’s craft?

Book 1 Title: Torture and Democracy
Book Author: Darius Rejali
Book 1 Biblio: Princeton University Press, $67 hb, 849 pp
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There must be some part of the human psyche which secretly thrills at the idea of inflicting unbearable pain on others. How else to explain the fact that torture has been practised in every civilisation in every age? How else to explain the desperate cruelty and awesome ingenuity of the torturer’s craft?

Many methods of torture are discussed in Darius Rejali’s book. It is a sorry truth that, after reading about many of the techniques repeatedly, the mind slowly accommodates them. The initial grip of horror weakens by degrees to a form of cool detachment once the details of different tortures are told often enough. Perhaps the same mechanism enables torturers to survive without going mad. But even in the demented world of torture, there are guiding principles and a taxonomy of sorts. Torture is either obvious or secret; demonstrable or deniable; intended to punish and warn, or to extract information. These are the major dimensions of analysis which Rejali uses to explain the preferred styles of torture in different countries at different times in history.

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Maria Nugent reviews Writing Heritage: The depiction of Indigenous heritage in European-Australian writing by Michael Davis
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There is a term used in archaeology to describe the process of collecting material from the top of the ground as opposed to digging or excavating for it. It’s called ‘surface collection’. I learnt this recently when I read a new book by that name on archaeology and heritage in South-East Asia by the Sydney-based archaeologist Denis Byrne. It was a useful concept to have in mind as I read Writing Heritage: The Depiction of Indigenous Heritage in European–Australian Writings, which overflows with vignettes and descriptions about men (and it was mostly men) who spent their time scouring the Australian landscape’s surface for things made by indigenous people.

Book 1 Title: Writing Heritage
Book 1 Subtitle: The depiction of Indigenous heritage in European-Australian writing
Book Author: Michael Davis
Book 1 Biblio: Australian Scholarly Publishing, $39.95 pb, 380 pp
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There is a term used in archaeology to describe the process of collecting material from the top of the ground as opposed to digging or excavating for it. It’s called ‘surface collection’. I learnt this recently when I read a new book by that name on archaeology and heritage in South-East Asia by the Sydney-based archaeologist Denis Byrne. It was a useful concept to have in mind as I read Writing Heritage: The Depiction of Indigenous Heritage in European–Australian Writings, which overflows with vignettes and descriptions about men (and it was mostly men) who spent their time scouring the Australian landscape’s surface for things made by indigenous people.

One such collector is George Aiston. A policeman in remote areas in central Australia in the opening decades of the twentieth century, he developed ‘a lifelong interest in Aboriginal culture’. In a 1920 letter to one of his many correspondents, he wrote: ‘I walked over the creek here yesterday just for exercise – and before I came back I had filled both pockets with good specimens of all sorts – I thought of how you enthusiasts would enjoy yourselves among these stones – I wonder that someone does not come up here and have a look at them.’ Returning from a walk with bulging pocketfuls of stones is an apt image of the surface collector. In fact, this type of ‘relic’ collecting was so intense in south-eastern parts of the country that by the 1930s very little material remained on the ground’s surface to collect. ‘A good collector was someone who left very little for followers to find’, observed the historian Tom Griffiths in his seminal work Hunters and Collectors: The Antiquarian Imagination in Australia (1996).

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Custom Article Title: Body, Brain and the New Science of Communication: Turns of Phrase, Figures of Speech
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communication / community / commune / communion / common : mingle together as one

 

Let us begin with two remarkable observations:

1. Apes cannot speak

2. Apes cannot play a piano

Why should this be the case? After all, great apes such as chimpanzees and gorillas are our closest living relatives, and share most of our genetic heritage. They have well-formed hands that they can use to manipulate their environment. Their brain is more like ours in its structure and organisation than that of any other animal; from it they generate some disturbingly familiar behavioural traits.

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communication / community / commune / communion / common : mingle together as one

Let us begin with two remarkable observations:

1. Apes cannot speak

2. Apes cannot play a piano

Why should this be the case? After all, great apes such as chimpanzees and gorillas are our closest living relatives, and share most of our genetic heritage. They have well-formed hands that they can use to manipulate their environment. Their brain is more like ours in its structure and organisation than that of any other animal; from it they generate some disturbingly familiar behavioural traits. But despite all this, despite recent evidence that chimps are capable of some degree of abstract thought, no ape has ever spoken, or played music, or, for that matter, changed a car tyre or knitted a jumper or played football. In contrast, all humans have the intrinsic capacity for speech, for music, for making and manipulating artefacts. This combination of vocal and fine motor skills above anything else defines us as human apes.

Speech can be overrated: when words fail

Read more: 2007 Australian Book Review / Flinders University Annual Lecture by Ian Gibbins

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Custom Article Title: John Button
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John Button was rare man, rare for any time, any place and in any calling. The public face – the Senator John Button, long-time Leader of the Government in the Senate, the hands-on, hard-hat minister of the Button car plan, the policy innovator and party reformer, the straight talker, unbridled political wit, notorious doodler, note writer, and scribbler of politically incorrect postcards to Senator Bronwyn Bishop (imagine it!) – that is the John Button Australia knows. His achievements have been many and they are exemplary.

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John Button was rare man, rare for any time, any place and in any calling. The public face – the Senator John Button, long-time Leader of the Government in the Senate, the hands-on, hard-hat minister of the Button car plan, the policy innovator and party reformer, the straight talker, unbridled political wit, notorious doodler, note writer, and scribbler of politically incorrect postcards to Senator Bronwyn Bishop (imagine it!) – that is the John Button Australia knows. His achievements have been many and they are exemplary.

Read more: Tribute | Morag Fraser on John Button

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Robert Gibson reviews The Rest Is Noise: Listening to the Twentieth Century by Alex Ross
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Histories of classical music of whatever epoch – medieval, baroque, twentieth-century – tend to be written by university professors writing for a university readership. That being the case, they are issued by academic textbook publishers and are unlikely to pop up in your local bookstore. Chances are they won’t appear on best-seller and ‘pick of the critics’ lists.

Book 1 Title: The Rest Is Noise
Book 1 Subtitle: Listening to the Twentieth Century
Book Author: Alex Ross
Book 1 Biblio: Farrar, Straus and Giroux, $59.95 hb, 624 pp
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Histories of classical music of whatever epoch – medieval, baroque, twentieth-century – tend to be written by university professors writing for a university readership. That being the case, they are issued by academic textbook publishers and are unlikely to pop up in your local bookstore. Chances are they won’t appear on best-seller and ‘pick of the critics’ lists.

Read more: Robert Gibson reviews 'The Rest Is Noise: Listening to the Twentieth Century' by Alex Ross

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Nicholas Birns reviews Disquiet by Julia Leigh
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Julia Leigh rose to prominence at the end of the 1990s, when Australian literature was experiencing the best and worst of times. Though the 1990s were not the ‘low dishonest decade’ that the post-9/11 allegorical reading of W.H. Auden’s poem ‘September 1, 1939’ implied, this characterisation was apt where Australian literature, or at least its worldwide reception, was concerned. Relentless hype tended to drive out literary factors altogether, even as Australian novels reached audiences they had never before attained. As a young, gifted writer with a sharp, fresh style, Leigh could have easily followed up the success of the The Hunter (1999) by writing a middlebrow-pleasing mega-blockbuster. Instead, she has produced a very short but demanding work that is both compelling and highbrow. Disquiet is an even better book than The Hunter – less formulaic, operating on the level of touch as well as trope, and furiously part of the twenty-first century.

Book 1 Title: Disquiet
Book Author: Julia Leigh
Book 1 Biblio: Hamish Hamilton, $29.95 hb, 121 pp
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Julia Leigh rose to prominence at the end of the 1990s, when Australian literature was experiencing the best and worst of times. Though the 1990s were not the ‘low dishonest decade’ that the post-9/11 allegorical reading of W.H. Auden’s poem ‘September 1, 1939’ implied, this characterisation was apt where Australian literature, or at least its worldwide reception, was concerned. Relentless hype tended to drive out literary factors altogether, even as Australian novels reached audiences they had never before attained. As a young, gifted writer with a sharp, fresh style, Leigh could have easily followed up the success of the The Hunter (1999) by writing a middlebrow-pleasing mega-blockbuster. Instead, she has produced a very short but demanding work that is both compelling and highbrow. Disquiet is an even better book than The Hunter – less formulaic, operating on the level of touch as well as trope, and furiously part of the twenty-first century.

Read more: Nicholas Birns reviews 'Disquiet' by Julia Leigh

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Patrick Allington reviews The Best Australian Political Writing 2008 edited by Tony Jones
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In The Best Australian Political Writing 2008, the ABC’s Tony Jones, a latish replacement as editor for the Canberra-bound Maxine McKew, has assembled forty-two pieces of non-fiction first published in 2007. The result is a mixed bag of genres, including columns, investigative journalism, polemic, book extracts and essays (but, alas, no fiction). The subject matter includes the November federal election, indigenous affairs, the environment, the ‘war on terror’, Australian values, and the artlessly named ‘culture wars’. The package sounds enticing, but while there’s plenty of insightful and relevant commentary – and some sublime prose – there’s also sometimes an ephemeral limpness, and an earnestness, to the anthology.

Book 1 Title: The Best Australian Political Writing 2008
Book Author: Tony Jones
Book 1 Biblio: MUP, $32.95 pb, 394 pp
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In The Best Australian Political Writing 2008, the ABC’s Tony Jones, a latish replacement as editor for the Canberra-bound Maxine McKew, has assembled forty-two pieces of non-fiction first published in 2007. The result is a mixed bag of genres, including columns, investigative journalism, polemic, book extracts and essays (but, alas, no fiction). The subject matter includes the November federal election, indigenous affairs, the environment, the ‘war on terror’, Australian values, and the artlessly named ‘culture wars’. The package sounds enticing, but while there’s plenty of insightful and relevant commentary – and some sublime prose – there’s also sometimes an ephemeral limpness, and an earnestness, to the anthology.

Read more: Patrick Allington reviews 'The Best Australian Political Writing 2008' edited by Tony Jones

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Stephanie Owen Reeder reviews The Word Spy: Come and discover the secrets of the English language by Ursula Dubosarsky (illus. Tohby Riddle) and The Reading Bug and How to Help Your Child Catch It by Paul Jennings
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Ursula Dubosarsky is an original and sensitive author of books for children and young adults, while the inimitable Paul Jennings is the author of many books for younger readers. His books engage readers through their hilarious plots and the insight he brings to the reading experience. Dubosarsky has won many literary awards for books such as the haunting The Red Shoe (2006), while Jennings, whose books have hooked many a reluctant reader, has won numerous children’s choice and other awards for books, including Unreal! (1985). They also have in common a driving passion for words, language, literature, reading and children. Both authors have poured this passion into these non-fiction releases, The Word Spy and The Reading Bug and How to Help Your Child Catch It.

Book 1 Title: The Word Spy
Book 1 Subtitle: Come and discover the secrets of the English language
Book Author: Ursula Dubosarsky (illus. Tohby Riddle)
Book 1 Biblio: Penguin, $24.95 hb, 256 pp
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Book 2 Title: The Reading Bug and How to Help Your Child Catch It
Book 2 Author: Paul Jennings
Book 2 Biblio: Penguin, $29.95 pb, 272 pp
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Ursula Dubosarsky is an original and sensitive author of books for children and young adults, while the inimitable Paul Jennings is the author of many books for younger readers. His books engage readers through their hilarious plots and the insight he brings to the reading experience. Dubosarsky has won many literary awards for books such as the haunting The Red Shoe (2006), while Jennings, whose books have hooked many a reluctant reader, has won numerous children’s choice and other awards for books, including Unreal! (1985). They also have in common a driving passion for words, language, literature, reading and children. Both authors have poured this passion into these non-fiction releases, The Word Spy and The Reading Bug and How to Help Your Child Catch It.

Read more: Stephanie Owen Reeder reviews 'The Word Spy: Come and discover the secrets of the English...

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Maya Linden reviews Genius Squad by Catherine Jinks and At Seventeen by Celeste Walters
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Contents Category: Young Adult Fiction
Custom Article Title: Living in limbo
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In the essay ‘Pay Attention to the World’, written shortly before her death in 2004, Susan Sontag argues that fiction is ‘one of the resources we have for helping us to make sense of our lives … [it] educates the heart and the feelings and teaches us how to be in the world’. While Sontag’s insight recognises the power of literature in general, the qualities she identifies are particularly significant in young adult fiction. Genius Squad and At Seventeen are two examples of the ‘rite of passage’ novel, where adolescent characters’ quests for self-discovery illuminate parallel themes in the lives of teenage readers.

Book 1 Title: Genius Squad
Book Author: Catherine Jinks
Book 1 Biblio: Allen & Unwin, $18.95 pb, 435 pp
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Book 2 Title: At Seventeen
Book 2 Author: Celeste Walters
Book 2 Biblio: UQP, $18.95 pb, 216 pp
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In the essay ‘Pay Attention to the World’, written shortly before her death in 2004, Susan Sontag argues that fiction is ‘one of the resources we have for helping us to make sense of our lives … [it] educates the heart and the feelings and teaches us how to be in the world’. While Sontag’s insight recognises the power of literature in general, the qualities she identifies are particularly significant in young adult fiction. Genius Squad and At Seventeen are two examples of the ‘rite of passage’ novel, where adolescent characters’ quests for self-discovery illuminate parallel themes in the lives of teenage readers.

Read more: Maya Linden reviews 'Genius Squad' by Catherine Jinks and 'At Seventeen' by Celeste Walters

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Contents Category: Letters
Custom Article Title: Letters
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Lifting the flap

Dear Editor,

I had always believed that the only thing worse than a bad review was not to be reviewed at all, to be ignored. Now I find that there is something even more galling: to be reviewed by someone who is more concerned to air his and other people’s opinions on the subject than to address the book or books concerned. Nicholas Brown has some interesting things to say about Daisy Bates (April 2008), and he is keen to tell us what Russell McGregor and Meaghan Morris have to say as well. However, his review (or rather, review article) provides the potential reader with very little guidance as to the aims and scope of the two new biographies of Bates – Susanna de Vries’s Desert Queen: The Many Lives and Loves of Daisy Bates, and my own, Daisy Bates: Grand Dame of the Desert – nor does he offer any useful assessment of the contribution they make to a better understanding of this extraordinary woman. Dr Brown might well have taken his own good advice and lifted the flap of his own tent.

Read more: May 2008 Letters

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