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December 2014, no. 367

Welcome to our December issue! Highlights include our popular Books of the Year feature in which leading critics, writers, and artists nominate their favourite books (providing plenty of inspiration for your summer reading lists). Also, Neal Blewett reviews Julia Gillard’s memoir of her time as prime minister; Diana Glenn reviews Clive James’s translation of The Divine Comedy; Ann-Marie Priest dives into a new collection of Gwen Harwood’s poetry; Phillip Deery reviews David Horner’s history of ASIO’s formative years; and Delia Falconer reviews Robert Dessaix’s memoir What Days Are For. Dessaix is also this month’s Open Page guest and Gig Ryan is our Poet of the Month. New poems by Gig Ryan, Tina Kane, and Stephen Edgar can also be found within.

Neal Blewett reviews My Story by Julia Gillard
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Article Title: The coup that doomed two Labor prime ministers
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Much like her government, Julia Gillard’s memoir resembles the proverbial curate’s egg. Where her passions are involved, as with education (‘Our Children’) or the fair work laws, we are provided with a compelling policy read. Where they are not, as in large slabs of foreign policy, the insightful competes with the pedestrian, enlivened admittedly with her personal talents in handling the great and the good – handballing a football with Barack Obama in the Oval Office, for instance. A chapter on ‘Our Queen’ and the republic is rather jejune, though Gillard has a nice line on changes in the royal succession as providing ‘equal rights for sheilas’. The fact that ‘every prediction the departments of Treasury and Finance ever made about government revenue turned out to be wrong’ makes for dispiriting reading on fiscal matters.

Book 1 Title: My Story
Book Author: Julia Gillard
Book 1 Biblio: Knopf, $49.99 hb, 512 pp
Book 1 Author Type: Author
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Much like her government, Julia Gillard’s memoir resembles the proverbial curate’s egg. Where her passions are involved, as with education (‘Our Children’) or the fair work laws, we are provided with a compelling policy read. Where they are not, as in large slabs of foreign policy, the insightful competes with the pedestrian, enlivened admittedly with her personal talents in handling the great and the good – handballing a football with Barack Obama in the Oval Office, for instance. A chapter on ‘Our Queen’ and the republic is rather jejune, though Gillard has a nice line on changes in the royal succession as providing ‘equal rights for sheilas’. The fact that ‘every prediction the departments of Treasury and Finance ever made about government revenue turned out to be wrong’ makes for dispiriting reading on fiscal matters.

Where her skills as a political operator are on display, the memoir is irresistible. The account of the making of the minority government – in many ways her most remarkable political, as distinct from policy, achievement – is an extraordinary lesson in how to seize political victory from the jaws of defeat. There is the early agreement with the Greens to give her momentum – ‘if you looked like a winner, you would become a winner’; the deal with Wilkie – hospitals and pokies – to keep up the impetus; careful analyses of the policy stances of the rural independents, while giving them access to the public service and plenty of political space to reach a decision in her favour, which she recognised for them was probably ‘committing political harikari [sic]’. Certainly, unlike the challenges now facing the Abbott government with the Senate, her interlocutors, with the possible exception of Bob Katter, were rational, consistent, and pragmatic.

Read more: Neal Blewett reviews 'My Story' by Julia Gillard

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Contents Category: Books of the Year
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Books of the Year is always one our most popular features. Find out what our 41 contributors liked most this year – and why.

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Robert Adamson

Where Song Began - colour

Tim Low’s Where Song Began: Australia’s Birds and How They Changed the World (Penguin, reviewed in ABR, 11/14) is a book where science and natural history blend with rare clarity. Low makes what seems, at first, an extraordinary claim: that Australian birds created the first song – however, the book is convincing. On closing this stunning volume I wondered about the influence of birds on the first human song. Samuel Wagan Watson’s Love Poems and Death Threats (UQP) is a great collection from a poet ‘mapping the songlines’: inventive, satirical, tender. David Malouf’s Earth Hour (UQP, 3/14) is poetry of mastery and clear-eyed praise, a book to read now and into the future. The Unspeak Poems and Other Verses (Walleah Press, 10/14) is one of Tim Thorne’s most impressive volumes – technically brilliant, politically engaged poetry. Petra White’s A Hunger (John Leonard Press) collects White’s previous volumes along with an exciting section of new poems with depth and bite.

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Rodney Tiffen reviews Hack Attack: How the truth caught up with Rupert Murdoch by Nick Davies and Beyond Contempt: The inside story of the phone hacking trial by Peter Jukes
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Bettina Jordan-Barber will soon face trial for receiving around £100,000 over nine years from the Sun newspaper for supplying information while she was an official in the Ministry of Defence. Both the prosecution and the defence during the recent UK ‘phone hacking’ trial accepted that the payments had been made, and that Rebekah Brooks, while she was editor of the Sun from 2003 to 2006, authorised eleven of them totalling £38,000. According to Brooks, it never occurred to her that the person her reporter, who will also soon face trial, referred to in his emails as his ‘number one military contact’ and ‘ace military source’ might be someone in the military. The jury accepted this profession of ignorance, so Brooks was found not guilty of ‘conspiracy to commit misconduct in public office’.

Book 1 Title: Hack Attack
Book 1 Subtitle: How the truth caught up with Rupert Murdoch
Book Author: Nick Davies
Book 1 Biblio: Chatto & Windus, $34.99 pb, 447 pp
Book 1 Author Type: Author
Book 2 Title: Beyond Contempt
Book 2 Subtitle: The inside story of the phone hacking trial
Book 2 Author: Peter Jukes
Book 2 Biblio: Canbury Press, £25 pb, 249 pp
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Bettina Jordan-Barber will soon face trial for receiving around £100,000 over nine years from the Sun newspaper for supplying information while she was an official in the Ministry of Defence. Both the prosecution and the defence during the recent UK ‘phone hacking’ trial accepted that the payments had been made, and that Rebekah Brooks, while she was editor of the Sun from 2003 to 2006, authorised eleven of them totalling £38,000. According to Brooks, it never occurred to her that the person her reporter, who will also soon face trial, referred to in his emails as his ‘number one military contact’ and ‘ace military source’ might be someone in the military. The jury accepted this profession of ignorance, so Brooks was found not guilty of ‘conspiracy to commit misconduct in public office’.

Read more: Rodney Tiffen reviews 'Hack Attack: How the truth caught up with Rupert Murdoch' by Nick Davies...

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Catriona Menzies-Pike reviews 10:04: A novel by Ben Lerner
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Article Title: Lerner's Beacon
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In Ben Lerner’s second novel, 10:04, weather maps that promise hurricanes deliver mere showers. The symptoms presented by an ailing human body don’t always yield a diagnosis and the night sky is a mystery. Excavated dinosaur bones can suggest that a creature as wonderful as a brontosaurus might have existed and then, on review, reveal that marvel to have been a fiction all along. It is hard to make sense of all this cultural, biological, and physical data; to integrate, as the narrator of this remarkable novel reflects, ‘all that information into a larger picture’.

Book 1 Title: 10:04
Book 1 Subtitle: A novel
Book Author: Ben Lerner
Book 1 Biblio: Granta, $27.99 pb, 256 pp
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In Ben Lerner’s second novel, 10:04, weather maps that promise hurricanes deliver mere showers. The symptoms presented by an ailing human body don’t always yield a diagnosis and the night sky is a mystery. Excavated dinosaur bones can suggest that a creature as wonderful as a brontosaurus might have existed and then, on review, reveal that marvel to have been a fiction all along. It is hard to make sense of all this cultural, biological, and physical data; to integrate, as the narrator of this remarkable novel reflects, ‘all that information into a larger picture’.

Read more: Catriona Menzies-Pike reviews '10:04: A novel' by Ben Lerner

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Phillip Deery reviews The Spy Catchers: The official history of ASIO 1949–1963, Volume One by David Horner
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Article Title: An ‘unfettered’ account of ASIO’s early years
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In the interests of national security, my luggage was recently searched at Los Angeles airport. The culprit: Spy Catchers. The uncorrected proof copy was so bulky that it triggered an alert. I declined to tell the Customs and Border Protection officer (in no mood for irony) that one chapter in the offending item was entitled ‘Keeping out Undesirables’. David Horner’s first volume in the history of ASIO is a big book – big on detail, broad in scope, and, overall, impressive in achievement.

Book 1 Title: The Spy Catchers
Book 1 Subtitle: The official history of ASIO 1949–1963, Volume One
Book Author: David Horner
Book 1 Biblio: Allen & Unwin, $59.95 hb, 736 pp
Book 1 Author Type: Author
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In the interests of national security, my luggage was recently searched at Los Angeles airport. The culprit: Spy Catchers. The uncorrected proof copy was so bulky that it triggered an alert. I declined to tell the Customs and Border Protection officer (in no mood for irony) that one chapter in the offending item was entitled ‘Keeping out Undesirables’. David Horner’s first volume in the history of ASIO is a big book – big on detail, broad in scope, and, overall, impressive in achievement.

The original raison d’être of ASIO was to catch spies, hence the book’s title. It is now common knowledge that Prime Minister Ben Chifley established ASIO not to combat domestic communism but to satisfy American and British security concerns. This was after the ultra-secret Venona decrypts revealed the existence of a Soviet spy ring, the ‘Klod’ network, operating in Australia. Indeed, much of this story has already been told by Horner and Des Ball in Breaking the Codes: Australia’s KGB Network, 1944–1950 (1998). But ASIO’s counter-espionage function was soon joined by a counter-subversion function. Targeted were the Communist Party of Australia (CPA), front organisations, and fellow travellers. Examining and evaluating how ASIO fulfilled these dual roles, which frequently overtaxed the resources and expertise of the young security service, forms the core of Horner’s narrative.

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Diana Glenn reviews The Divine Comedy by Dante Alighieri, translated by Clive James
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During a visit to Adelaide in 2013 as a keynote speaker at the Australasian Centre for Italian Studies ‘Re-imagining Italian Studies’ conference, Professor Martin McLaughlin (Agnelli-Serena Professor of Italian Studies and Fellow of Magdalen College) made the following observation about Clive James’s translation of The Divine Comedy

Book 1 Title: The Divine Comedy
Book Author: Dante, translated by Clive James
Book 1 Biblio: Picador, $32.99 pb, 526 pp
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During a visit to Adelaide in 2013 as a keynote speaker at the Australasian Centre for Italian Studies ‘Re-imagining Italian Studies’ conference, Professor Martin McLaughlin (Agnelli-Serena Professor of Italian Studies and Fellow of Magdalen College) made the following observation about Clive James’s translation of The Divine Comedy:

There are many innovations in Clive James’s version that make it stand out as being fit for purpose in our century: he is the first to incorporate information normally found in footnotes into the text itself; he is the first to use a flexible quatrain rather than blank verse or terza rima as his metre; and he is the first to pay explicit attention to poetic tempo and texture.

Read more: Diana Glenn reviews 'The Divine Comedy' by Dante Alighieri, translated by Clive James

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Delia Falconer reviews What Days Are For: A memoir by Robert Dessaix
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What this is not, as Kim Williams is quick to tell us (introduction, paragraph two), is a dog-bites-Murdoch account of that nasty business in August 2013 that saw Williams summarily ousted as chief executive of News Corp Australia. Other disgruntled former Ruprechtian courtiers such as former editor-in-chief of The Herald Sun Bruce Guthrie, who sought and won legal redress and indeed wrote an account of his experiences (actually called Man Bites Murdoch), have told their stories, and told them well. But this is not the path of the enigmatic and enlightened Kim. Instead, as he says, this is a book about ‘one of the most precious things in life that drives most of us … our passions’.

Book 1 Title: What Days Are For
Book 1 Subtitle: A memoir
Book Author: Robert Dessaix
Book 1 Biblio: Knopf, $29.99 hb, 231 pp
Book 1 Author Type: Author
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Robert Dessaix’s authorial voice reminds me of Christina Stead’s description of a small, clear wave running up a beach at low tide, playfully ‘ringing its air-bells’. He is not a writer of direct, declarative prose. Instead, Dessaix specialises in sentences that skip over and around their subjects, sometimes darting nimbly into brackets to investigate a second (or a third) thought, or diverging into a set of questions. Caressing and impeccable, his is a very particular voice, moving lightly across the page, though it could not be called superficial. If it sometimes takes a little too much pleasure in its own charms, it is, at the same time, sceptical and self-aware.

Read more: Delia Falconer reviews 'What Days Are For: A memoir' by Robert Dessaix

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Michael Shmith reviews Rules of Engagement by Kim Williams
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Article Title: The ‘lifescape’ of Kim Williams
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What this is not, as Kim Williams is quick to tell us (introduction, paragraph two), is a dog-bites-Murdoch account of that nasty business in August 2013 that saw Williams summarily ousted as chief executive of News Corp Australia. Other disgruntled former Ruprechtian courtiers such as former editor-in-chief of The Herald Sun Bruce Guthrie, who sought and won legal redress and indeed wrote an account of his experiences (actually called Man Bites Murdoch), have told their stories, and told them well. But this is not the path of the enigmatic and enlightened Kim. Instead, as he says, this is a book about ‘one of the most precious things in life that drives most of us … our passions’.

Book 1 Title: Rules of Engagement
Book Author: Kim Williams
Book 1 Biblio: Miegunyah Press, $44.99 hb, 325 pp
Book 1 Author Type: Author
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What this is not, as Kim Williams is quick to tell us (introduction, paragraph two), is a dog-bites-Murdoch account of that nasty business in August 2013 that saw Williams summarily ousted as chief executive of News Corp Australia. Other disgruntled former Ruprechtian courtiers such as former editor-in-chief of The Herald Sun Bruce Guthrie, who sought and won legal redress and indeed wrote an account of his experiences (actually called Man Bites Murdoch), have told their stories, and told them well. But this is not the path of the enigmatic and enlightened Kim. Instead, as he says, this is a book about ‘one of the most precious things in life that drives most of us … our passions’.

Read more: Michael Shmith reviews 'Rules of Engagement' by Kim Williams

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Doug Wallen reviews Wolf in White Van by John Darnielle
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Despite the acoustic guitar driving most of his music as the leader of celebrated American band The Mountain Goats, John Darnielle hung out with the ‘metal kids’ in high school. During more than two decades as a songwriter, he has returned again and again to young misfits who find solace in music and other forms of escape – whether comic books, games, movies, or drugs. Perhaps because he’s been there himself, Darnielle has managed to do this without appearing exploitive or condescending, and his first full-length novel follows suit.

Book 1 Title: Wolf in White Van
Book Author: John Darnielle
Book 1 Biblio: Scribe, $27.99 pb, 224 pp
Book 1 Author Type: Author
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Despite the acoustic guitar driving most of his music as the leader of celebrated American band The Mountain Goats, John Darnielle hung out with the ‘metal kids’ in high school. During more than two decades as a songwriter, he has returned again and again to young misfits who find solace in music and other forms of escape – whether comic books, games, movies, or drugs. Perhaps because he’s been there himself, Darnielle has managed to do this without appearing exploitive or condescending, and his first full-length novel follows suit.

Wolf in White Van takes us into the mind of Sean Phillips, who is very much defined by an ‘accident’ at age seventeen that left him disfigured for life. Even before the accident, Sean lost himself in such rites of passage as prog-rock, heavy metal, and Conan the Barbarian novels. After the accident, from his hospital bed, he begins developing a mail-order role-playing game (this is pre-Internet) where players plot careful moves in an irradiated future America as they fight to reach a point of safety called the Trace Italian. Named for the star-shaped fortification style trace italienne, this endpoint is the game’s appropriately dynamic name.

Read more: Doug Wallen reviews 'Wolf in White Van' by John Darnielle

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Custom Article Title: Coetzee Colloquium
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Few authors summon the various modes of irony to better purpose than J.M. Coetzee. Typically, before Coetzee gives a reading, the audience can safely suppose that they are in for a good laugh, the odd squirm and cringe, and at least one moment of bewilderment. But there are exceptions to this general rule, and the several hundred people who gathered to hear Coetzee read last week, on a balmy Tuesday evening in Adelaide, were fortunate to witness an atypical performance by the Nobel laureate.

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Few authors summon the various modes of irony to better purpose than J.M. Coetzee. Typically, before Coetzee gives a reading, the audience can safely suppose that they are in for a good laugh, the odd squirm and cringe, and at least one moment of bewilderment. But there are exceptions to this general rule, and the several hundred people who gathered to hear Coetzee read last week, on a balmy Tuesday evening in Adelaide, were fortunate to witness an atypical performance by the Nobel laureate.

Read more: Letter from Adelaide | Shannon Burns on the Coetzee Colloquium

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Brenda Walker reviews Alex Miller: The ruin of time by Robert Dixon
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We do nothing alone,’ writes Alex Miller, in his brief memoir ‘The Mask of Fiction’, where he gives an account of the generative processes of his writing. Art, according to Miller, comes from the capacity of the writer to ‘see ourselves as the other’. Early in his career, Miller’s friend Max Blatt woke him, in his farmhouse at Araluen, in order to dismiss the weighty and unsuccessful manuscript that Miller had given him to read. Blatt’s urgent and unsociable rejection of the manuscript may have saved Miller’s work, establishing a new emotional basis for his writing. ‘Why don’t you write about something you love?’ Blatt asked. That night, Blatt told Miller a true story of personal survival and Miller began to write afresh. In the morning, Blatt accepted Miller’s version of the story he had told with the words: ‘You could have been there.’

Book 1 Title: Alex Miller
Book 1 Subtitle: The ruin of time
Book Author: Robert Dixon
Book 1 Biblio: Sydney University Press, $30 pb, 246 pp
Book 1 Author Type: Author
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We do nothing alone,’ writes Alex Miller, in his brief memoir ‘The Mask of Fiction’, where he gives an account of the generative processes of his writing. Art, according to Miller, comes from the capacity of the writer to ‘see ourselves as the other’. Early in his career, Miller’s friend Max Blatt woke him, in his farmhouse at Araluen, in order to dismiss the weighty and unsuccessful manuscript that Miller had given him to read. Blatt’s urgent and unsociable rejection of the manuscript may have saved Miller’s work, establishing a new emotional basis for his writing. ‘Why don’t you write about something you love?’ Blatt asked. That night, Blatt told Miller a true story of personal survival and Miller began to write afresh. In the morning, Blatt accepted Miller’s version of the story he had told with the words: ‘You could have been there.’

Read more: Brenda Walker reviews 'Alex Miller: The ruin of time' by Robert Dixon

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Gig Ryan is Poet of the Month
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I admire Jeremy Prynne, Clark Coolidge, Mina Loy, and Lyn Hejinian, but I don’t know whether they have influenced my work. To limit this list in time somewhat: Baudelaire, Rimbaud, Eliot, Auden, Berryman, Ashbery, O’Hara. Among the Australians: Kenneth Slessor, Francis Webb, Michael Dransfield, John Tranter, Jennifer Maiden, Martin Johnston, John Forbes. Everything one reads or hears is an influence. The list seems infinite and includes songwriters such as Thomas Moore and Hank Williams.

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Which poets have most influenced you?

Many. I admire Jeremy Prynne, Clark Coolidge, Mina Loy, and Lyn Hejinian, but I don’t know whether they have influenced my work. To limit this list in time somewhat: Baudelaire, Rimbaud, Eliot, Auden, Berryman, Ashbery, O’Hara. Among the Australians: Kenneth Slessor, Francis Webb, Michael Dransfield, John Tranter, Jennifer Maiden, Martin Johnston, John Forbes. Everything one reads or hears is an influence. The list seems infinite and includes songwriters such as Thomas Moore and Hank Williams.

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David Day reviews Inside the Hawke–Keating Government: A cabinet diary by Gareth Evans
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Gough Whitlam was fond of replying to requests for interviews from historians by saying that all the answers could be found in the archives. ‘Go to the documents, comrade’, was his refrain. However, official documents rarely tell the whole story, particularly those from the modern era, whose authors are conscious that their words could so easily be exposed to public scrutiny. In particular, they are usually bereft of the innermost thoughts and motivations of the politicians and public servants. By contrast, politicians’ diaries can be goldmines. Written contemporaneously, an unguarded diary entry can transform our understanding of people and events.

Book 1 Title: Inside the Hawke–Keating Government
Book 1 Subtitle: A cabinet diary
Book Author: Gareth Evans
Book 1 Biblio: Melbourne University Press, $49.99 hb, 432 pp
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Gough Whitlam was fond of replying to requests for interviews from historians by saying that all the answers could be found in the archives. ‘Go to the documents, comrade’, was his refrain. However, official documents rarely tell the whole story, particularly those from the modern era, whose authors are conscious that their words could so easily be exposed to public scrutiny. In particular, they are usually bereft of the innermost thoughts and motivations of the politicians and public servants. By contrast, politicians’ diaries can be goldmines. Written contemporaneously, an unguarded diary entry can transform our understanding of people and events.

Read more: David Day reviews 'Inside the Hawke–Keating Government: A cabinet diary' by Gareth Evans

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Ann-Marie Priest reviews The Best 100 Poems of Gwen Harwood by Gwen Harwood, edited by John Harwood
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In ‘Late Works’, the last poem in Black Inc.’s new selection of Gwen Harwood’s poetry, a dying poet, determined to pen her ‘late great’ poems, calls from her hospital bed for paper. The nurse, misunderstanding, brings toilet paper, much to the poet’s chagrin. It is a typical Harwood inversion ...

Book 1 Title: The Best 100 Poems of Gwen Harwood
Book Author: Gwen Harwood, edited by John Harwood
Book 1 Biblio: Black Inc.,$24.99 hb, 112 pp
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In ‘Late Works’, the last poem in Black Inc.’s new selection of Gwen Harwood’s poetry, a dying poet, determined to pen her ‘late great’ poems, calls from her hospital bed for paper. The nurse, misunderstanding, brings toilet paper, much to the poet’s chagrin. It is a typical Harwood inversion – the pretensions of the ‘great artist’ are mocked to the last. But though Harwood eschews the opportunity, in this poem, to be ‘calmly transcendental / and abstract’, going for satire instead, she did not fail to write her own ‘late great works’, many of which are showcased here.

Read more: Ann-Marie Priest reviews 'The Best 100 Poems of Gwen Harwood' by Gwen Harwood, edited by John...

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Carol Middleton reviews Margaret and Gough: The love story that shaped a nation by Susan Mitchell
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Susan Mitchell’s fifteenth book is a biography of the Whitlams, published shortly before Gough’s death in November. As a broadcaster, journalist, and author who has examined the lives of prominent Australian women, Mitchell tells the story mainly from Margaret’s perspective. This is not surprising: Mitchell had already amassed a huge body of research for her book Margaret Whitlam: A Biography (2006), and had known her since the late 1970s. And, compared to his frank and affable wife, Gough was less willing to share his personal recollections.

Book 1 Title: Margaret and Gough
Book 1 Subtitle: The love story that shaped a nation
Book Author: Susan Mitchell
Book 1 Biblio: $32.99 pb, 351 pp
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Susan Mitchell’s fifteenth book is a biography of the Whitlams, published shortly before Gough’s death in November. As a broadcaster, journalist, and author who has examined the lives of prominent Australian women, Mitchell tells the story mainly from Margaret’s perspective. This is not surprising: Mitchell had already amassed a huge body of research for her book Margaret Whitlam: A Biography (2006), and had known her since the late 1970s. And, compared to his frank and affable wife, Gough was less willing to share his personal recollections.

Read more: Carol Middleton reviews 'Margaret and Gough: The love story that shaped a nation' by Susan Mitchell

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Sophia Barnes reviews Lila by Marilynne Robinson
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Lila is the third of Marilynne Robinson’s novels to take the small Iowan town of Gilead as its setting. It follows the Pulitzer Prize-winning Gilead (2004) and the Orange Prize-winning Home (2008). Robinson has attributed her earlier return to this fictional territory, and the lives of the Ames and Boughton families, to her unwillingness to bid them farewell at the conclusion of Gilead. We have this same sentiment, perhaps, to thank for Lila, which – while it ultimately leads us back to the world of Reverend John Ames – begins far from Gilead’s quiet streets.

Book 1 Title: Lila
Book Author: Marilynne Robinson
Book 1 Biblio: Hachette, $29.99 pb, 272 pp
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Lila is the third of Marilynne Robinson’s novels to take the small Iowan town of Gilead as its setting. It follows the Pulitzer Prize-winning Gilead (2004) and the Orange Prize-winning Home (2008). Robinson has attributed her earlier return to this fictional territory, and the lives of the Ames and Boughton families, to her unwillingness to bid them farewell at the conclusion of Gilead. We have this same sentiment, perhaps, to thank for Lila, which – while it ultimately leads us back to the world of Reverend John Ames – begins far from Gilead’s quiet streets.

Read more: Sophia Barnes reviews 'Lila' by Marilynne Robinson

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Felicity Plunkett reviews Bapo by Nicholas Jose
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In Charles Simić’s book about Joseph Cornell’s assemblages, Dime-Store Alchemy (1992), he quotes his own translation of Croatian poet Slavko Mihalić to describe Cornell’s sculpture ‘Deserted Perch, 1949’, noting ‘the very tiny crack in which another world begins and ends’. Simićmarvels at this ‘Illusionist art ... sleight of hand’.

In the absorbing introduction to the stories in Bapo, Nicholas Jose describes bāpò as ‘an unusual kind of Chinese painting that tricks the eye into thinking it sees a collage of fragments’. Under the disguise of collection and assembly, the painter’s hand creates a trompe-l’œil of torn, burnt, pasted fragments. Jose describes his version as assemblage, and like Cornell, who reinvented discarded scraps and oddments, he finds in bāpò an ‘aesthetic of illusion and salvage, of creative retrieval’.

Book 1 Title: Bapo
Book Author: Nicholas Jose
Book 1 Biblio: Giramondo, $26.95 pb, 231 pp
Book 1 Author Type: Author
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In Charles Simić’s book about Joseph Cornell’s assemblages, Dime-Store Alchemy (1992), he quotes his own translation of Croatian poet Slavko Mihalić to describe Cornell’s sculpture ‘Deserted Perch, 1949’, noting ‘the very tiny crack in which another world begins and ends’. Simićmarvels at this ‘Illusionist art ... sleight of hand’.

In the absorbing introduction to the stories in Bapo, Nicholas Jose describes bāpò as ‘an unusual kind of Chinese painting that tricks the eye into thinking it sees a collage of fragments’. Under the disguise of collection and assembly, the painter’s hand creates a trompe-l’œil of torn, burnt, pasted fragments. Jose describes his version as assemblage, and like Cornell, who reinvented discarded scraps and oddments, he finds in bāpò an ‘aesthetic of illusion and salvage, of creative retrieval’.

Read more: Felicity Plunkett reviews 'Bapo' by Nicholas Jose

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Brian Matthews reviews Jovial Harbinger of Doom: short stories of Laurie Clancy edited by Richard Freadman
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A story called ‘The Burden’, which appears at about the halfway mark of this collection, begins like this: ‘Graham was finding the burden of freedom a little too much for him …’ He is working alone in his room above a Chinese restaurant near the Berkeley campus of the University of California, where he is a visiting Australian Fellow, writing a novel about, it seems, academic life. But the novel isn’t ‘coming along’. He is ‘stuck hopelessly in the middle of a quarrelsome English department meeting from which he couldn’t extricate any of his characters’. He has run out of money and food and is down to his last half gallon of Red Mountain claret. ‘Nothing for it but to do the tourist thing and wander down Telegraph avenue with a camera.’ And so begins his afternoon of boredom, inchoate intentions that evaporate as they arise, and chance meetings. Looking back on it at the end of the day, he decides there was ‘not much to show for it … Or maybe there was something there. He pulled his notebook towards him and began to write, “Graham was finding the burden of freedom a little too much for him …”’

Book 1 Title: Jovial Harbinger of Doom
Book 1 Subtitle: The Short Stories of Laurie Clancy
Book Author: Richard Freadman
Book 1 Biblio: Michael Hanrahan Publishing, $35 pb, 407 pp
Book 1 Author Type: Editor
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A story called ‘The Burden’, which appears at about the halfway mark of this collection, begins like this: ‘Graham was finding the burden of freedom a little too much for him …’ He is working alone in his room above a Chinese restaurant near the Berkeley campus of the University of California, where he is a visiting Australian Fellow, writing a novel about, it seems, academic life. But the novel isn’t ‘coming along’. He is ‘stuck hopelessly in the middle of a quarrelsome English department meeting from which he couldn’t extricate any of his characters’. He has run out of money and food and is down to his last half gallon of Red Mountain claret. ‘Nothing for it but to do the tourist thing and wander down Telegraph avenue with a camera.’ And so begins his afternoon of boredom, inchoate intentions that evaporate as they arise, and chance meetings. Looking back on it at the end of the day, he decides there was ‘not much to show for it … Or maybe there was something there. He pulled his notebook towards him and began to write, “Graham was finding the burden of freedom a little too much for him …”’

Read more: Brian Matthews reviews 'Jovial Harbinger of Doom: short stories of Laurie Clancy' edited by...

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Alison Broinowski reviews The Wild Goose by Mori Õgai, translated by Meredith McKinney
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Elegantly evoking Japan with cream paper and ink-painted foliage on the cover and inside pages, this slim paperback from the small Braidwood publisher Finlay Lloyd is headed by the single, bold character for ‘wild goose’ (karikarigane). The events recounted in Mori Õgai’s novella occur in Tokyo in the late nineteenth century, in the area north of Kanda around Ueno’s Shinobazu pond, near the residence of the Iwasaki family and the campus of Tokyo Imperial University. A map shows the regular walks taken by Okada, a medical student, along meticulously named streets and lanes, past temples and shrines, restaurants and bookshops, some of which are still there. According to the seasons, the residents in this small area silently change their screens, blinds, and shutters, able to look out while remaining barely visible.

Book 1 Title: The Wild Goose
Book Author: Mori Õgai, translated by Meredith McKinney
Book 1 Biblio: Finlay Lloyd, $20 pb, 158 pp
Book 1 Author Type: Author
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Elegantly evoking Japan with cream paper and ink-painted foliage on the cover and inside pages, this slim paperback from the small Braidwood publisher Finlay Lloyd is headed by the single, bold character for ‘wild goose’ (karikarigane). The events recounted in Mori Õgai’s novella occur in Tokyo in the late nineteenth century, in the area north of Kanda around Ueno’s Shinobazu pond, near the residence of the Iwasaki family and the campus of Tokyo Imperial University. A map shows the regular walks taken by Okada, a medical student, along meticulously named streets and lanes, past temples and shrines, restaurants and bookshops, some of which are still there. According to the seasons, the residents in this small area silently change their screens, blinds, and shutters, able to look out while remaining barely visible.

Read more: Alison Broinowski reviews 'The Wild Goose' by Mori Õgai, translated by Meredith McKinney

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Christian Griffiths reviews Navigatio by Patrick Holland
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Patrick Holland’s Navigatio tells the story of Saint Brendan, a monk in early-Christian Ireland who embarks on a sea-bound pilgrimage. The religious nature of this premise offers Holland a degree of freedom from historical realism, and the oceanic regions explored by Brendan are thereby conceived as a realm of mythic and apocalyptic imagination. Brendan’s own pious heroism appears to be modelled on figures of classical mythology, as well as on the invincible heroes of Christian epic literature. The perils he faces are a fascinating blend of pagan and Christian lore, combined with a blurring of dream and reality that is facilitated through Holland’s distinctive style.

Book 1 Title: Navigatio
Book Author: Patrick Holland
Book 1 Biblio: Transit Lounge, $29.95 hb, 224 pp
Book 1 Author Type: Author
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Patrick Holland’s Navigatio tells the story of Saint Brendan, a monk in early-Christian Ireland who embarks on a sea-bound pilgrimage. The religious nature of this premise offers Holland a degree of freedom from historical realism, and the oceanic regions explored by Brendan are thereby conceived as a realm of mythic and apocalyptic imagination. Brendan’s own pious heroism appears to be modelled on figures of classical mythology, as well as on the invincible heroes of Christian epic literature. The perils he faces are a fascinating blend of pagan and Christian lore, combined with a blurring of dream and reality that is facilitated through Holland’s distinctive style.

Read more: Christian Griffiths reviews 'Navigatio' by Patrick Holland

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Claudia Hyles reviews A God in Every Stone by Kamila Shamsie
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In 515 bce, Scylax, explorer and storyteller, sets sail from Caspatyrus in King Darius’s empire. Eclipsing time, this antique glimpse shifts to an archaeological dig in Turkey in 1914, one that is abandoned when war breaks out.In the service of ‘king and country’, lives change immeasurably. Vivian Rose Spencer exchanges archaeology for nursing wounded soldiers in London hospitals. Qayyum Gul is a non-commissioned officer in a British Army regiment, the 40th Pathans. He loses an eye at Ypres and is invalided home to Peshawar, Caspatyrus’s modern incarnation.

Book 1 Title: A God in Every Stone
Book Author: Kamila Shamsie
Book 1 Biblio: Bloomsbury, $35 hb, 312 pp
Book 1 Author Type: Author
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In 515 bce, Scylax, explorer and storyteller, sets sail from Caspatyrus in King Darius’s empire. Eclipsing time, this antique glimpse shifts to an archaeological dig in Turkey in 1914, one that is abandoned when war breaks out.In the service of ‘king and country’, lives change immeasurably. Vivian Rose Spencer exchanges archaeology for nursing wounded soldiers in London hospitals. Qayyum Gul is a non-commissioned officer in a British Army regiment, the 40th Pathans. He loses an eye at Ypres and is invalided home to Peshawar, Caspatyrus’s modern incarnation.

Read more: Claudia Hyles reviews 'A God in Every Stone' by Kamila Shamsie

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Contents Category: Theatre
Custom Article Title: Pennsylvania Avenue
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Pennsylvania Avenue is billed by the Melbourne Theatre Company as a world première, with the expectation that singer Bernadette Robinson’s new one-woman show will travel the world, like her previous one, Songs for Nobodies (MTC, 2010). In that show, Robinson inhabited several ‘nobodies’ and the famous singers they encounter. When, in November 2012, I interviewed Robinson in the run-up to the final Melbourne season, she let me in on a secret. She had plans for a new production that would showcase divas who have appeared at Carnegie Hall.

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Pennsylvania Avenue is billed by the Melbourne Theatre Company as a world première, with the expectation that singer Bernadette Robinson’s new one-woman show will travel the world, like her previous one, Songs for Nobodies (MTC, 2010). In that show, Robinson inhabited several ‘nobodies’ and the famous singers they encounter. When, in November 2012, I interviewed Robinson in the run-up to the final Melbourne season, she let me in on a secret. She had plans for a new production that would showcase divas who have appeared at Carnegie Hall.

Read more: Carol Middleton reviews 'Pennsylvania Avenue' (MTC)

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Ian Dickson reviews Tennessee Williams: Mad pilgrimage of the flesh by John Lahr
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For a man who has repeatedly been described as America’s greatest playwright, Tennessee Williams’s reputation has fluctuated as wildly as his notorious mood swings. In the decade after the war he was celebrated. ‘Mr. Williams is the man of our time who comes closest to hurling the actual blood and bone of life onto the stage,’ wrote Walter Kerr of the first production of Cat on a Hot Tin Roof (1955). By the time of its 1974 revival, Stanley Kauffmann spoke for most of his colleagues when he said, ‘A Streetcar Named Desire is truly an American tragedy and The Glass Menagerie stands, even if a bit unsteadily, as one of the few successful poems in our theatre’, and then implied that everything else in the master’s output was downhill. The gleefully savage venom with which the critics greeted his later plays takes the breath away. Of The Milk Train Doesn’t Stop Here Anymore (1963), Richard Gilman wrote: ‘Why, rather than be banal and hysterical and absurd, doesn’t he keep quiet? Why doesn’t he simply stop writing, stay absolutely unproductive for a long time in Key West or the South of Spain?’ Reviewing Clothes for a Summer Hotel (1980), Robert Brustein suggested that he should book ‘a flight to Three Mile Island on a one way ticket’. The tall poppy syndrome is not merely endemic to Australia.

Book 1 Title: Tennessee Williams
Book 1 Subtitle: Mad pilgrimage of the flesh
Book Author: John Lahr
Book 1 Biblio: Bloomsbury, $49.99 hb, 780 pp
Book 1 Author Type: Author
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For a man who has repeatedly been described as America’s greatest playwright, Tennessee Williams’s reputation has fluctuated as wildly as his notorious mood swings. In the decade after the war he was celebrated. ‘Mr. Williams is the man of our time who comes closest to hurling the actual blood and bone of life onto the stage,’ wrote Walter Kerr of the first production of Cat on a Hot Tin Roof (1955). By the time of its 1974 revival, Stanley Kauffmann spoke for most of his colleagues when he said, ‘A Streetcar Named Desire is truly an American tragedy and The Glass Menagerie stands, even if a bit unsteadily, as one of the few successful poems in our theatre’, and then implied that everything else in the master’s output was downhill. The gleefully savage venom with which the critics greeted his later plays takes the breath away. Of The Milk Train Doesn’t Stop Here Anymore (1963), Richard Gilman wrote: ‘Why, rather than be banal and hysterical and absurd, doesn’t he keep quiet? Why doesn’t he simply stop writing, stay absolutely unproductive for a long time in Key West or the South of Spain?’ Reviewing Clothes for a Summer Hotel (1980), Robert Brustein suggested that he should book ‘a flight to Three Mile Island on a one way ticket’. The tall poppy syndrome is not merely endemic to Australia.

Read more: Ian Dickson reviews 'Tennessee Williams: Mad pilgrimage of the flesh' by John Lahr

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Contents Category: Poem
Custom Article Title: 'The Art of the Fugue', a new poem by Stephen Edgar
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So, summoned by that call across the wide
And complicated city, pressed
And yet reluctant to arrive,
We found among the ranks of the distressed,

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So, summoned by that call across the wide
And complicated city, pressed
And yet reluctant to arrive,
We found among the ranks of the distressed,
The sick, the stricken and the stupefied,
Her shocked, unconscious form in South Ward Five.
And then I turned aside.

Read more: 'The Art of the Fugue', a new poem by Stephen Edgar

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Contents Category: Poem
Custom Article Title: 'Rent Time', a new poem by Gig Ryan
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1.

Anywhere’s more homely
than this field day to mortality,
accumulating severances
that wrangle distance
like before and after’s rosary of rue.

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1.
Anywhere’s more homely
than this field day to mortality,
accumulating severances
that wrangle distance
like before and after’s rosary of rue.

Read more: 'Rent Time', a new poem by Gig Ryan

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Contents Category: Poem
Custom Article Title: 'Time Watch', a new poem by Tina Kane
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Year after year I say I have no time.
Thinking of you now as I pass by the Riverside Cathedral
I remember how year after year we made time for lunch –
you standing under the big vase of flowers where we would meet
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I.M. VLB

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Miriam Cosic reviews The Invisible History of the Human Race: How DNA and history shape our identities and our futures by Christine Kenneally
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In the current fad for omnibus histories of absolutely everything, designed to replace ancient metaphysics, perhaps, or answer some marketing brainwave, no one has succeeded in quite the way Christine Kenneally has. She approaches her task with a very specific enquiry: what is the interplay between genetics and human history? Searching for an answer, she uncovers worlds within worlds.

Book 1 Title: The Invisible History of the Human Race
Book 1 Subtitle: How DNA and history shape our identities and our futures
Book Author: Christine Kenneally
Book 1 Biblio: Black Inc., $29.99 pb, 355 pp
Book 1 Author Type: Author
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In the current fad for omnibus histories of absolutely everything, designed to replace ancient metaphysics, perhaps, or answer some marketing brainwave, no one has succeeded in quite the way Christine Kenneally has. She approaches her task with a very specific enquiry: what is the interplay between genetics and human history? Searching for an answer, she uncovers worlds within worlds.

Kenneally brings the old nurture–nature debate into updated focus. Now that we have mapped the human genome and can test genetically for almost everything, what does this add to our understanding of ourselves – as individuals, as members of community, and as a species? Genetics has had an unpleasant intellectual history in racial supremacy theories, but in Kenneally’s hands it becomes something open-ended and expansive. Our common humanity trumps any attempt to divide us biologically, ethnically, politically, or by religion. In fact, DNA testing opens up many more questions than it closes down, and definitive answers about the genetic constitution of humanity – or anything else for that matter – are way off in the future.

Read more: Miriam Cosic reviews 'The Invisible History of the Human Race: How DNA and history shape our...

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Christopher Menz reviews History of Design: Decorative arts and material culture, 1400–2000, edited by Pat Kirkham and Susan Weber
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The Bard Graduate Center, long known for its ground-breaking studies in the decorative arts, has taken the ambitious leap of presenting a comprehensive history of decorative arts and design from 1400 to 2000, covering Asia, the Islamic world, Africa, Europe, and the Americas. (Coverage of Australia and Oceania is planned for future editions.) At over 700 pages, this is a most impressive achievement. For once, instead of being relegated to occasional paragraphs in major survey texts of art history, the decorative arts are presented centre stage. I wish it had been around when I was a student. Weber has assembled a team of scholars to cover this vast territory and it is not surprising to read that the book was almost ten years in the making. This volume does for the decorative arts what those standard university textbooks, Gardner’s Art through the Ages and Janson’s History of Art, did for the fine arts.

Book 1 Title: History of Design
Book 1 Subtitle: Decorative arts and material culture, 1400–2000
Book Author: Pat Kirkham and Susan Weber
Book 1 Biblio: Yale University Press, (Footprint) $129 hb, 711 pp
Book 1 Author Type: Editor
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The Bard Graduate Center, long known for its ground-breaking studies in the decorative arts, has taken the ambitious leap of presenting a comprehensive history of decorative arts and design from 1400 to 2000, covering Asia, the Islamic world, Africa, Europe, and the Americas. (Coverage of Australia and Oceania is planned for future editions.) At over 700 pages, this is a most impressive achievement. For once, instead of being relegated to occasional paragraphs in major survey texts of art history, the decorative arts are presented centre stage. I wish it had been around when I was a student. Weber has assembled a team of scholars to cover this vast territory and it is not surprising to read that the book was almost ten years in the making. This volume does for the decorative arts what those standard university textbooks, Gardner’s Art through the Ages and Janson’s History of Art, did for the fine arts.

Read more: Christopher Menz reviews 'History of Design: Decorative arts and material culture, 1400–2000',...

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Andrew McMillen reviews Yeah Yeah Yeah: The story of modern pop by Bob Stanley
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It is difficult to imagine a more satisfying long-form narrative about pop music than Yeah Yeah Yeah. Although the book runs to almost 800 pages, British author Bob Stanley writes with such authority and infectious passion that the momentum never skips a beat. Beginning with the first British hit parade and the popularisation of the electric guitar, Stanley traces the arc through to modern forms such as dance and hip-hop while fulfilling the role of tour guide. He takes the reader through a museum of pop music, pausing before significant artefacts to offer erudite commentary, and encouraging the reader to don headphones and experience the sounds of each era.

Book 1 Title: Yeah Yeah Yeah
Book 1 Subtitle: The story of modern pop
Book Author: Bob Stanley
Book 1 Biblio: Faber, $39.95 pb, 776 pp
Book 1 Author Type: Author
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It is difficult to imagine a more satisfying long-form narrative about pop music than Yeah Yeah Yeah. Although the book runs to almost 800 pages, British author Bob Stanley writes with such authority and infectious passion that the momentum never skips a beat. Beginning with the first British hit parade and the popularisation of the electric guitar, Stanley traces the arc through to modern forms such as dance and hip-hop while fulfilling the role of tour guide. He takes the reader through a museum of pop music, pausing before significant artefacts to offer erudite commentary, and encouraging the reader to don headphones and experience the sounds of each era.

In the introduction, Stanley states his intention of drawing a straight line – ‘with the odd wiggle and personal diversion’ – from the birth of the seven-inch single to the recent decline of pop music as a physical thing. Stanley selects 1952 as the art form’s beginning, and charts its next fifty years through five parts and sixty-five distinct chapters, which intelligently group together artists, labels, scenes, and genres. Footnotes are included on almost every second page, a stylistic trait which the author never abuses; each aside and knowing reference contributes to the wider story being told. The purpose of Yeah Yeah Yeah is to tell pop’s story, and since the vast majority of the most influential pop acts began in either England or the United States, it is in these two engine rooms that much of the narrative is situated. Only a couple of Australia’s contributions are mentioned in passing, most notably AC/DC and The Saints, two seminal rock bands.

Read more: Andrew McMillen reviews 'Yeah Yeah Yeah: The story of modern pop' by Bob Stanley

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Contents Category: Advances
Custom Article Title: News from the Editor's Desk - December 2014
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Performances of the year

We know how much our readers (not to mention nominated authors) enjoy our annual ‘Books of the Year’ feature. This year – to highlight ABR’s fast-expanding arts coverage (both in the magazine and in Arts Update on our website) and to celebrate outstanding film, theatre, dance, and music, we have invited key critics and professionals to nominate their favourite productions of the year. To find out what the likes of Robyn Archer, Christopher Lawrence, and Valerie Lawson most enjoyed this year, don’t miss the special Arts Update e-bulletin on Monday, 15 December.

If you don’t already receive our free Arts Update e-bulletins, please visit our website to subscribe.

ABR Voiceless Fellowship

We are delighted to call for proposals for the ABR Voiceless Fellowship, worth $5,000. Published writers, commentators, and journalists will have until 31 January 2015 to apply. We are seeking proposals for a long article on any aspect of animal protection. Full details about eligibility, how to apply, and what ABR is offering the chosen Fellow can be found on our website. ABR gratefully acknowledges the support of Voiceless, the animal protection institute.

Destroyer of worlds

Fresh from his Man Booker win for The Narrow Road to the Deep North, Richard Flanagan has been shortlisted for a Prime Minister’s Literary Award, which is worth $80,000. The other nominees are: Steven Carroll’s A World of Other People; Fiona McFarlane’s The Night Guest; Alex Miller’s Coal Creek; and Nicolas Rothwell’s Belomor.

Rather more dubious for Flanagan is his shortlisting for the deeply uncoveted Literary Review Bad Sex in Fiction Award, established by Auberon Waugh in 1993. Jonathan Beckman, Editor of the Literary Review, commented: ‘Flanagan swaddles the encounter in so many abstract nouns that the whole experience becomes very obscure and desexualised.’ Advances enjoyed this almost Wagnerian passage in the novel: ‘For Amy, love was the universe touching, exploding within one human being, and that person exploding into the universe. It was annihilation, the destroyer of worlds.’

Other nominees for ‘Britain’s most dreaded literary prize’ include Michael Cunningham, Haruki Murakami, and Ben Okri. The winner, who will be named on 3 December, receives nothing but the distinction.

Vale Viewpoint

Viewpoint: On Books for Young Adults will cease publication at the end of 2014. From its first issue (with Looking for Alibrandi on the cover), the journal’s contributors have written incisive and informed criticism of literature as writing for young adults has grown and flourished throughout the publishing world. Stella Lees and Pam Macintyre began the journal – the only Australian one solely dedicated to this age group – in 1992. It will be missed.

Give a free gift subscription

New and renewing subscribers have until 31 December to direct a six-month subscription to ABR (print or online) to a friend or colleague. Renew for two years and give away two free subs, etc. Why not introduce a young reader or writer to ABR?

All you have to do is fill in the back of the flysheet that accompanies this issue, call us on (03) 9699 8822 or email This email address is being protected from spambots. You need JavaScript enabled to view it. (quoting your subscriber number, if you have one). We will contact the nominated recipient to establish which edition he/she wants: print or online (thus we will need their email address). Terms and conditions apply.

Farewell to 2014

It’s been a notable year for ABR, on many fronts. We’re delighted by the increase in our print and online readership. The renovation of our website earlier this year has made ABR Online nimbler, more attractive, and considerably more popular. ABR’s increased arts commentary is changing people’s sense of what this cultural magazine can deliver: thank you for your interest and commendations.

Prizes, writers’ fellowships, and editorial internships complemented ABR’s myriad programs. We held almost thirty events of different kinds around the country – none more popular than when we named David Malouf (much lauded in ‘Books of the Year’) as our inaugural ABR Laureate on 23 April.

We are grateful to our contributors. Of the 289 who wrote for us this year (a substantial new record for us), almost 100 of them were completely new to this magazine, another measure of our commitment to diversity and openness. More and more people want to write for ABR, possibly encouraged by the fact that our rates have doubled since January 2013 – a trend we hope to emulate in coming years.

Thanks also to our subscribers, partners, Patrons, and advertisers. Your support is greatly appreciated. Flinders University’s visionary sponsorship of the magazine is now in its tenth year.

This issue will be followed by a double one in January–February, the first of two double issues in 2015 (the second will follow in June–July).

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Contents Category: Letters
Custom Article Title: Letters to the Editor
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‘Pure, incidental song’

Dear Editor,

Your readers cannot have failed to detect the unsympathetic undertone running through Susan Sheridan’s politely disengaged account of my edition of Lesbia Harford’s poetry (ABR, November 2014), culminating as it did in the cool injunction to visit the Poetry Library website. Those lines from ‘Mortal Poems’ (‘I think each year should bring / Little fresh songs / Like flowers in spring etc.’) certainly seem to me to illustrate a belief in ‘pure, incidental song’, whatever Harford’s ‘passionate commitments’ may have been. Meanwhile, in her manuscripts, Harford dated her poems like diary entries – not for historical purposes – but rather, I think, as still points in her brief and often painful life. Readers are also directed to the poem ‘The Psychological Craze’ to learn more about Harford’s attitude towards history’s eagerness to tidy up the past.

Oliver Dennis, North Caulfield, Vic.

Read more: Letters to the Editor – December 2014

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Max Sipowicz reviews Zombies by Jennifer Rutherford
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Contents Category: Cultural Studies
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Article Title: A pervasion of zombies
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In recent times the figure of the zombie has pervaded modern culture. Despite their origins as macabre creatures from Haitian myths, and then their modern cultural origins in B-grade horror films, zombies have established themselves as an important element of modern mythology. Jennifer Rutherford’s book aims to explore the reasons for our society’s obsession with these decaying entities.

Book 1 Title: Zombies
Book Author: Jennifer Rutherford
Book 1 Biblio: Routledge (Taylor & Francis), $19.95 pb, 111 pp
Book 1 Author Type: Author
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In recent times the figure of the zombie has pervaded modern culture. Despite their origins as macabre creatures from Haitian myths, and then their modern cultural origins in B-grade horror films, zombies have established themselves as an important element of modern mythology. Jennifer Rutherford’s book aims to explore the reasons for our society’s obsession with these decaying entities.

Read more: Max Sipowicz reviews 'Zombies' by Jennifer Rutherford

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James McNamara reviews Political Animal: Gore Vidal on power by Heather Neilson
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American writer Gore Vidal was an intimate of political power. His grandfather was a US senator; his father served as Franklin D. Roosevelt’s Director of Air Commerce. When his mother remarried, to Hugh Auchincloss, Vidal obtained a descendant of Vice President Aaron Burr as a stepfather ...

Book 1 Title: Political Animal
Book 1 Subtitle: Gore Vidal on power
Book Author: Heather Neilson
Book 1 Biblio: Monash University Publishing, $39.95 pb, 220 pp
Book 1 Author Type: Author
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American writer Gore Vidal was an intimate of political power. His grandfather was a US senator; his father served as Franklin D. Roosevelt’s Director of Air Commerce. When his mother remarried, to Hugh Auchincloss, Vidal obtained a descendant of Vice President Aaron Burr as a stepfather. Later, Hugh remarried Janet Bouvier, and her daughter – the future Jacqueline Kennedy Onassis – became Vidal’s stepsister. Jackie took over Vidal’s childhood bedroom at the Auchincloss estate and wore his old shirts riding. They shared three nephews between them. Gore and Jacqueline’s husband, John F. Kennedy, were close.

Read more: James McNamara reviews 'Political Animal: Gore Vidal on power' by Heather Neilson

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Colin Steele reviews A History of the Modern Australian University by Hannah Forsyth
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Hannah Forsyth, a lecturer in history at the Australian Catholic University in Sydney, begins her first chapter with the words: ‘In 1857 all of the Arts students at the University of Sydney could fit into a single photograph.’ Some neo-liberal critics of universities would argue that it has been downhill ever since. By World War II, Forsyth estimates that there were still only about 10,000 university students in Australia. Forsyth succinctly highlights the historical changes from a small élite higher education system, dominated by white male ‘god’ professors, to the current complex system, where more than one million students face major changes in higher education funding and settings.

Book 1 Title: A History of the Modern Australian University
Book Author: Hannah Forsyth
Book 1 Biblio: NewSouth, $34.99 pb, 281 pp
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Hannah Forsyth, a lecturer in history at the Australian Catholic University in Sydney, begins her first chapter with the words: ‘In 1857 all of the Arts students at the University of Sydney could fit into a single photograph.’ Some neo-liberal critics of universities would argue that it has been downhill ever since. By World War II, Forsyth estimates that there were still only about 10,000 university students in Australia. Forsyth succinctly highlights the historical changes from a small élite higher education system, dominated by white male ‘god’ professors, to the current complex system, where more than one million students face major changes in higher education funding and settings.

Forsyth’s book, written in an accessible and occasionally anecdotal style, fills a gap for those looking for a readable perspective of how we came to be where we are in higher education. The book, however, does need to be counterpoised with books that drill down in more detail into various historical aspects of the Australian university system, such as Stuart Macintyre’s politically judicious The Poor Relation: A History of Social Sciences in Australia (2010). Margaret Thornton’s Privatising the Public University: The Case of Law (2012), surprisingly not cited in Forsyth’s bibliography, demonstrates, like Forsyth’s book, how changes in funding régimes have altered the ways in which students approach higher education, as well as the way in which universities are governed. 

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Peter Kenneally reviews The Turnrow Anthology of Contemporary Australian Poetry edited by John Kinsella
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Of all the books published in the United States last year, only three per cent were of foreign origin. This year is hardly likely to be any different. So it is something of a wonder that this considerable and imaginative collection of modern Australian poetry was produced in the unlikely setting of the University of Louisiana. Professors Jack Heflin and William Ryan, who direct the creative writing program there, have a longstanding interest in international literature, and John Kinsella was the natural, if not inevitable, choice as editor of this anthology, which, with 123 poets spread over almost 600 pages, is the most comprehensive collection of contemporary Australian poetry ever published in the United States.

Book 1 Title: The Turnrow Anthology of Contemporary Australian Poetry
Book Author: John Kinsella
Book 1 Biblio: Turnrow Books, $45.99 pb, 596 pp
Book 1 Author Type: Editor
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Of all the books published in the United States last year, only three per cent were of foreign origin. This year is hardly likely to be any different. So it is something of a wonder that this considerable and imaginative collection of modern Australian poetry was produced in the unlikely setting of the University of Louisiana. Professors Jack Heflin and William Ryan, who direct the creative writing program there, have a longstanding interest in international literature, and John Kinsella was the natural, if not inevitable, choice as editor of this anthology, which, with 123 poets spread over almost 600 pages, is the most comprehensive collection of contemporary Australian poetry ever published in the United States.

The book looks and feels weighty. One’s first thought is that it will have some burden to carry, whether of nationality, history, currency, or ‘bestness’, and that this weight will impress itself on the reader, as it so often does in anthologies of Australian poetry. Surprisingly and refreshingly, this is not the case. The book has a lightness, a kind of shrugging off of the usual, that makes it feel especially contemporary.

Read more: Peter Kenneally reviews 'The Turnrow Anthology of Contemporary Australian Poetry' edited by John...

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Geoffrey Lehmann reviews Exhibits of the Sun by Stephen Edgar
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Contents Category: Poetry
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Exhibits of the Sun is Stephen Edgar’s tenth collection of poems. Born in 1951, he is now ripe for a major Collected Poems. With careful pruning of some lesser pieces, such a book will display the full range of his work, which marries virtuosic technique with powerful emotion and intellect.

Book 1 Title: Exhibits of the Sun
Book Author: Stephen Edgar
Book 1 Biblio: Black Pepper, $22.95 pb, 69 pp
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Exhibits of the Sun is Stephen Edgar’s tenth collection of poems. Born in 1951, he is now ripe for a major Collected Poems. With careful pruning of some lesser pieces, such a book will display the full range of his work, which marries virtuosic technique with powerful emotion and intellect.

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Colin Golvan reviews Excursions in the Law by Peter Heerey
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Contents Category: Law
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What’s on a judge’s mind? Litigants and advocates would love to know. Former judge Peter Heerey answers that question in his latest book, a compendium of writing over many years, covering a vast array of topics and in myriad forms.

Book 1 Title: Excursions in the Law
Book Author: Peter Heerey
Book 1 Biblio: Desert Pea Press, $59.95 hb, 282 pp
Book 1 Author Type: Author
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What’s on a judge’s mind? Litigants and advocates would love to know. Former judge Peter Heerey answers that question in his latest book, a compendium of writing over many years, covering a vast array of topics and in myriad forms.

Heerey displays his abiding affection for his Tasmanian roots with an essay on the Tasmanian member of the group of authors of the Australian Constitution, Andrew Inglis Clark. He then shifts into high gear with commentary on the famous case of Professor Orr of the University of Tasmania, who was sacked for having a sexual relationship with an eighteen-year-old student. Orr challenged the dismissal. His case, somewhat amazingly, ended up in the High Court, which dismissed his appeal.

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Contents Category: Children's Fiction
Custom Article Title: Christine Nicholls reviews a number of Australian children's titles
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Article Title: The voices of this land
Article Subtitle: Australian picture books
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A relatively unusual occurrence until recently, the publication of a plethora of new Australian Aboriginal-authored and/or Aboriginal-themed children’s books has begun transforming the Australian publishing landscape. A number of these books, like Rhoda Lalara and Alfred Lalara’s charmingly evocative Yirruwa Yirrilikenuma-langwa (When We Go Walkabout: Allen & Unwin, $24.99 hb, 32 pp, 9781743314562), are rendered bilingually, in the latter case in Anindilyakwa, the mother tongue of the majority of Groote Eylandt residents, as well as in English.

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A relatively unusual occurrence until recently, the publication of a plethora of new Australian Aboriginal-authored and/or Aboriginal-themed children’s books has begun transforming the Australian publishing landscape. A number of these books, like Rhoda Lalara and Alfred Lalara’s charmingly evocative Yirruwa Yirrilikenuma-langwa (When We Go Walkabout: Allen & Unwin, $24.99 hb, 32 pp, 9781743314562), are rendered bilingually, in the latter case in Anindilyakwa, the mother tongue of the majority of Groote Eylandt residents, as well as in English.

Such books bring breadth to what historically has been a poorly served field. While an air of reverence often surrounds the publication of such books, in some instances they present reviewers with a critical and ethical challenge in terms of their variable quality. This exceeds any simplistically framed quandary on the part of the reviewer about whether to be, or not to be, ‘politically correct’ in terms of one’s critical reception. That may be one question but it is not the question.

Read more: Christine Nicholls reviews ‘Yirruwa Yirrilikenuma-langwa (When We Go Walkabout)’, ‘Our Island’,...

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Bec Kavanagh reviews The Protected by Claire Zorn
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Following the success of her first novel, Claire Zorn displays her remarkable talent again in The Protected. Although the books are vastly different (The Sky So Heavy [2013] is a futuristic survival thriller, while The Protected is a coming-of-age story coloured by grief), thematically they have many similarities. Zorn is adept at exploring the challenges and complexities of growing up, and the fallibility of adults.

Book 1 Title: The Protected
Book Author: Claire Zorn
Book 1 Biblio: University of Queensland Press, $19.95 pb, 254 pp
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Following the success of her first novel, Claire Zorn displays her remarkable talent again in The Protected. Although the books are vastly different (The Sky So Heavy [2013] is a futuristic survival thriller, while The Protected is a coming-of-age story coloured by grief), thematically they have many similarities. Zorn is adept at exploring the challenges and complexities of growing up, and the fallibility of adults.

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Open Page with Robert Dessaix
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This is not the age of criticism. Theory killed criticism. This is the age of reviewing and commentary.

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Why do you write?

Because it’s magic – it turns the frog of life into a prince. (Or is it the other way round?) And it is, as Wilde once said of smoking, so exquisitely unsatisfying. Actually, the real reason I write is that talking, either aloud or on paper, is the only thing I’m good at.

Are you a vivid dreamer?

In terms of colour, yes. Most of my dreams are very Le Grand Meaulnes, though: full of atmosphere and unresolved longings, and ultimately pointless.

Where are you happiest?

In a darkened theatre waiting for the show to begin. But I’m not very good at happiness. I’m most contented at our shack in the bush, writing by the window that looks out on a panorama of hills and sky and trees with no sign of human habitation anywhere.

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