Greenaway and her co-editor, Klare Lanson, share a taste for free verse; their selections include pithy and expansive poems. Jonathan Shaw’s ‘Correspondence’ is a sardonic jab at historical amnesia and bureaucratic impotence; Ali Alizadeh’s ‘The Armistice’ is a requiem in terse, non-rhyming couplets. Another highlight is Jillian Pattinson’s ‘Choose Your Own Advent (For the Children of Unknown Fathers)’, which develops the punning conceit of the title into a wry and affecting plaint. The accompanying CD maintains the high standard of the print journal. Its twenty-one tracks offer a variety of styles and production techniques, and the use of instrumental or sound-collage backing is imaginative. Notable contributions include Don Walker and StJAM’s evocative ‘Country Trains’, Rchilaux’s deconstructed groove on ‘Crooked Destiny’ and Jody O. Lloyd’s ‘Recipe for a Perfect Nap’. Melbourne poet Alicia Sometimes’ stark ‘Cold Was the Ground’ is the highlight of a varied collection.