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i.m. Robert Adamson
The sky was white and patched with ultramarine as we set out
in your runabout. Crossing Flint and Steel, you shouted
Make me an angel that flies from Montgomery!
Anchored off West Head under a gun battery
like a stone hide for twitchers, we fed pilchard cubes
into an oil slick, a metallic sheen that fanned away
on the tide. Your last words on a postcard from 1983:
tight lines! found form again as slimy mackerel,
their bodies bar-coded for camouflage, surfaced,
throwing scales. Poetry was there, of course, ruminating
in plain sight. You understood that saying the name
of a bird or fish was enough to fan the ineffable
into flame. You cupped your mouth with your hands
and made the call of a Barking owl. Downriver, a dog
responded, twice. While I’d entered the gloom
of stillness in a pond Ted Hughes recalled, in Pike,
and Richard Hugo’s Trout had sides like apples in fog,
you were the first fishing poet I’d met. You crafted poems
the way you fashioned fishing rods. Having sourced
the finest materials, you arranged them on the work
bench of your desk, binding runners with thread before
applying coats of clear varnish with a fine brush.
You could read conditions so well, I once heard you
predict, successfully, a species prior to casting
as you’d broken the codes of location, moon
and tide phase. As we drifted in black air, the bait tank
aswirl with bubbles and yellowtail, you slipped the reel
into free spool, gave line, then lifted the rod to set
the hook and guide a mulloway like double-plated,
flexing chrome into the net. Friend, mentor, adviser
when it came to all things finned and winged,
there’s a line-break I can’t fix. Tonight the clouds
are glowing from crane and coal-feeder lights
at the port. I’ll post this from the end of the break wall,
which might as well be the ground below any pylon
on the Brooklyn rail bridge.
Anthony Lawrence
Notes: Flint and Steel: a reef on the Hawkesbury river.
Make me an angel that flies from Montgomery! is from ‘Angel from Montgomery’ by John Prine.

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